MCM – Music Charts Magazine Album Reviews

Feller and Hill and The Bluegrass Buckaroos

Released:   February, 2013

Label:   Blue Circle Records

Review by:   W.J. Hallock

My buddy, Brian McNeal, and I, have been friends since the mid 70’s. Besides being friends, we have one other thing in common….. a love affair with that 60’s Bakersfield country music sound. Brian played all those Buck and Merle songs when he was a disc jockey for KNIX in Phoenix, which was owned by Buck Owens. My band “Cactus County,” and I were playing country music (yeah, LOTS of Buck and Merle!), for dance hall crowds in every honky-tonk and road house in the southwest, with Phoenix being home base.

That sound of Buck and Don Rich singing together, Bonnie Owens (Buck’s ex-wife) vocalizing on all of Merle Haggard’s hit records, and that famous chicken-pickin’ Telecaster guitar playing of Don, James Burton and Roy Nichols will forever be a special part of country music history that we’ll always love. So, now, when anything reminds us of that era, we’re all in and checkin’ it out!

A few months back, Brian sent me some songs to listen to by “Feller and Hill and the Bluegrass Buckaroos.” We both couldn’t believe how much Tom Feller and Chris Hill sounded like Buck and Don singing together! We were pretty excited to see just how this musical adventure was going to turn out, as the CD wasn’t finished and ready for release.

The completed project came last week, and it was all we had hoped it would be. To quote Brian, “Feller and Hill do the third best version of TOGETHER AGAIN ever recorded!”and I whole-heartedly agree. The original version by Buck Owens will always be #1.…. Emmylou Harris OWNS the #2 spot….. and, time will only tell for sure, but, in my humble opinion (AND Brian’s) Feller and Hill have made their version so personalized and passionate as to forever nail down that #3 slot. When you think of all the many artists who have recorded TOGETHER AGAIN, that’s a BIG deal! To re-do a song that defined a specific sound and musical era, and do it in such a way that it makes the song relevant to another generation of listeners, that is the epitome of successful communication skills.

Just so there’s no confusion, this CD is straight ahead bluegrass. Tom and Chris have spent years as sidemen for some of the best bluegrass bands around, and their credentials are exceptional. On this release, Tom plays acoustic and Pedal Steel guitars, mandolin and upright bass. Chris plays all the banjo tracks, and plays any style called for. Earl Scruggs would be proud of Chris’ proficiency in his style, especially with his use of Earl’s patented “Scruggs tuners.” Don Reno and Ralph Stanley’s styles are also in Chris’ arsenal. But what sets this CD apart from those of so many other bluegrass bands, is the way these two talented gentlemen sing together. The two of them have that cohesive magic that not every duo have, and they have taken all their vocal and studio/technical strengths and added layers of vocals to the entire CD to make it a total pleasure to hear.

The very first song on this musical trip kicks off with a bang. The old Delmore Brother’s standard, “Gonna Lay Down My Old Guitar,” leaps out of the speakers, complete with two part harmony, a Lester Flatt “G-run” guitar lick and Chris’ 5-string banjo just a cookin’! This song will make you smile, because it’s alive, traditional and as authentic as it gets. Especially notable on this tune is the lead guitar solo of Brian Blaylock. It just plain sizzles!

Read the rest here:

( Music Charts Magazine Bluegrass Album Reviews are all done by Prescription Bluegrass – “Your Bluegrass Home” )



Bucky Covington – Good Guys

Bucky Covington took the same path to country music that was taken by Carrie Underwood, Kellie Pickler , Scotty McCreery and Casey James. Bucky, like the others, started on the stage of American Idol. He finished in eighth place during season five.


The path he took, however, has not been a smooth one. Since Bucky released his first album back in 2007, he hit a few stumbling blocks. His single, “A Different World,” from the album of the same name, made it into the top 10 on the country charts. That album also gave us the singles “It’s Good to Be Us,” and “I’ll Walk.”


Things started out good for Bucky. He was recording for Lyric Street Records, and his debut album was produced by Mark Miller, lead singer for the band Sawyer Brown. But, before Bucky had a chance to get his second studio album on store shelves, Lyric Street Records closed their doors, leaving him without a label for several years.


Now on the roster of Entertainment One Music Group, he is recording for eOne Records, and released his sophomore album, “Good Guys,” this past September.  His first single from the new CD, “I Wanna Be That Feeling,” didn’t do as well as the singer would have hoped, making it only to the number 57 spot on country music charts.  There are a lot of really good songs on the new album, and hopefully, Bucky and his management team will find one that works for country radio.


The 12 songs on the “Good Guys” album are I Wanna Be That Feeling, I’m Alright, Hold a Woman, Drinkin’ Side of Country (a duet with Shooter Jennings), Only Got So Much Time, Mama Must Be Prayin’, Sail On, I Always Said You’d Be Back, Mexicoma, I Want My Life Back, Gotta Be Somebody, and A Father’s Love (The Only Way He Knew How).


The music on this album is a nice mix of 70s country music coupled with a contemporary radio-ready feel. This project for Bucky definitely puts the old with the new.


“I’m Alright” is slow, and it’s good – it tells a story.  Bucky’s vocals seem to be just the right sound for this song.  That one is followed by “Hold a Woman.” I’m not sure where that ‘raspy’ voice came from – this, too, is a great song for Bucky.


He pairs up with Shooter Jennings, son of legendary country Waylon Jennings, on the song “Drinkin’ Side of Country”. Kellie Pickler has a part in the music video for this song, which Bucky co-wrote with his brother/drummer, Rocky. “Drinkin’ Side of Country” sounds like so many of the songs we are hearing on country radio these days, so I’m really not sure why it didn’t the air time I feel it deserved.


“Only Got So Much Time” is pretty much the story of everyone’s life. It puts you in mind of songs like “You’re Gonna Miss This,” or “Don’t Miss your Life,” and even Tim McGraw’s “Live Like  You Were Dying.”  While the words and thoughts are definitely different from those other songs, the message is simple….life is short, we only have so much time, use it wisely.


“Mamma Must Be Praying, the sixth song on the album, is a fast song with a familiar melody. When I first heard it, I knew it reminded me of something else, but I have no idea what. It’s not one of my favorite songs on this CD, but I don’t dislike it either.


For people who like a sad and depressing song every now and then, Bucky has one of those for you with “Sail On.” It’s a typical country break-up song, but it’s a pretty song. He follows that one with “I Always Said You’d Be Back,” which will get you back in a happy mood.  What Bucky did her was follow the break-up song with a ‘you’re back’ song. This one is fun to listen to.


“Mexicoma” starts with the feel of a mariachi band, a little brass, a little fun… a little bit of ‘this makes me want to jump on a plane and take a vacation.’  It’s a good song, it’s everything you might expect from a ‘let’s go to Mexico, sit on the beach, and drink Tequila’ song. That brings us to “I Want My Life Back.” and we’re back to slow, a little bit depressing, a little sad… but one of my absolute favorites on this album.


The 11th song is called “Gotta Be Somebody,” and you might remember hearing this song before. It was the first official single released by Nickelback from their sixth album, Dark Horse, back in 2008. All I have to say about this is I believe Bucky’s version of the song is much better. It ended up being one of my favorites on the CD.


You can keep up with Bucky, and listen to some of his music, by visiting his web site, you can keep up with everything country by visiting ours at Follow us on Twitter, too, @countryschatter. (USA) – The Pulse of Music – Music News around the World! 

– Coming soon: Music Charts Magazine Canada & Music Charts Magazine Europe

Jessica Molaskey and Dave Frishberg – At The Algonquin

Artist Name = Jessica Molaskey and Dave Frishberg       

Genre = Jazz

Title = At The Algonquin

Record Company = Arbors

Though singer Jessica Molaskey receives top billing on this CD, her presence is unnecessary except on “Who’s on First?,” which requires two singers, and “Excuse Me for Living,” which must be sung by a woman. Dave Frishberg generously included her at this engagement, as he featured Rebecca Kilgore at other sessions.  The CD belongs to him: he either wrote or collaborated on all the songs, sings on most of them, and plays piano on all of them. 

            One knows what to expect from Frishberg’s most appealing work:  witty narratives with hip lyrics and engaging rhymes sung with a nasal voice to the composer’s own accompaniment.  The narratives are the star. “I’m Hip” gives hilarious examples of the singer’s hipness, such as watching arty French movies while wearing sunglasses. At the conclusion of this selection, Molaskey says appropriately of Frishberg, “If you’re not hip, I don’t know who is.”  On “My Attorney Bernie,” possibly his most famous song, the lyrics characterize an attorney who, among other things, always orders expensive wine, finds it unacceptable, and returns it.  “I Want to Be a Sideman” enumerates the joys of being a sideman, among which are sleeping on buses, smoking during intermissions, and drinking in hotel bars.  “My New Celebrity Is You” (lyrics additional to those written by Johnny Mercer) is notable for rhyming names, such as Michael Feinstein, Aaron Weinstein, Gertrude Stein, Albert Einstein.  “Can’t Take You Nowhere,” which uses the melody of Tiny Kahn’s “TNT” plus a chorus from “Tiny’s Blues,” relates the embarrassing behavior of a date

Jessica Molaskey and Dave Frishberg at the Algonquin – Arbors Records

or spouse:  she drinks to excess, is cheap, overstays her welcome, and so forth.  Yet the concluding words are ambiguous.  In expressing sadness that the gauche one must leave, does the male imply deep love, or is he ironic?

            I find Frishberg’s sentimental lyrics far less effective than the witty ones.  They include “Do You Miss New York?,” a paean to the Apple, and “Listen Here,” a self-help lyric Frishberg wrote for Mary Tyler Moore.   These ballads aspire to deep meaning but do not attain it. 

            During the 1930s, the Round Table—Robert Benchley, George S. Kaufman, Alexander Woollcott, and others—met frequently in New York at the Algonquin Hotel, where this CD was recorded in 2011.  Another member was Dorothy Parker, about whom Frishberg wrote two of the songs heard here. The first, “Will You Die?,” questions, in a black humor manner, whether Parker will succeed at killing herself after three unsuccessful attempts.  The disjunction between the meaning and the melody, which is jaunty, reinforces the humor.  I wonder, though, about the advisability of performing such a song before an unsuspecting audience: a listener who knew a suicide would find nothing humorous about it.  In the second Parker song, “Excuse Me for Living,” Molaskey sings of Parker’s sense of worthlessness.  The lovely melody is as incongruous as the one to “Will You Die?”

Applause and laughter indicate that Frishberg and Molaskey delighted the Algonquin audience, though never more than on “My New Celebrity Is You.”  The crowd erupts when Molaskey identifies Pizzarelli as a celebrity friend.  She is married to the guitarist and singer John Pizzarelli who, with numerous friends, surely was responsible for the huzzah.  One need not understand all the allusions on this or the other songs, though, to enjoy At the Algonquin.


Author = Benjamin Franklin V

James Meadows – Keepin’ It Real

Real country music in our own back yard

Great country music doesn’t only come out of Nashville. If you stop and look around, you just might find some of the best country music within an hour drive from home. Here in Northeast Tennessee, we didn’t have to go very far to find James Meadows. He recently released his second album, “Keepin’ It Real.” I first met James at the Washington County Fair, but never had the opportunity to see him perform until I caught one of his shows in Bristol, a few months ago.

The Abingdon, Va., resident is an ASCAP affiliated singer/songwriter and Nashville recording artist. While James was in college, he was involved with the ETSU Bluegrass, Old Time, and Country Music program. He played in many bands, featuring top notch talent from all over the world. He also played in many different band combinations, performing both bluegrass and country.

This very talented local artist brings great country music to Northeast Tennessee and Southwest Virginia with live shows just about every weekend. While his shows are often acoustic performances, he also works with his full band, The Country Mile Drifters. James is a fun performer. He has a lot of energy, and knows how to work with his audience, making it impossible for anyone not to have a good time.

His new CD, “Keepin’ It Real” is now available at amazon.comThe 11 songs on the new album paint a very good picture of who James is, and exactly what he does. Joining other very talented songwriters, James wrote or co-wrote several of the songs on the CD. In addition to the original music, listeners will also hear his version of the Randy Travis classic, “Forever and Ever Amen.”

His live shows offer a variety of music from many different genres. When you see James on on stage, you can expect to hear Classic Country, New Top 40 Country, a little Southern Rock and Bluegrass, and some of his original music as well. Oh his album, “Keepin’ It Real,” however, James does just that. He keeps his songs ‘real’ country. His voice is very versatile, and he uses his talent to create a unique sound on every song he sings. Many times when listening to a new song on the radio, you might find yourself trying to figure out exactly who the artist sounds like. There isn’t any comparison with James. James Meadows sounds like James Meadows. He is who he is, and there is no attempt at wanting to sound like anyone else. He doesn’t need to. After you hear him sing for the first time, you will remember where that voice is coming from when the next James Meadows song is played.

The songs you’ll get on this album are Like A Radio, Somebody Up There Likes Me, I Get to, Forever and Ever Amen, All I Ever Wanted, Knock Knock, They Walk On Your Heart, Keepin’ It Real, Feelin’ Good, Sad Songs Make Me Smile, and People Need People.

There is something for everyone on this CD. “All I Ever Wanted” is for the romantics; “They Walk on Your Heart” will touch every parent; “I Get To” will make each of us think about what is really important in our life; “People Need People” pretty much tells us what we already know, about getting through every day with someone close by to help us; and “Somebody Up There Likes Me” wins the prize for the ‘catchy melody, sing-along with this one’ song out of the 11 on the new CD.

The first single release from the new album, “Like A Radio,” made the Music Row Charts and charted in the Top 80 in February, with the help of the promotional team from ATP Records in Nashville. James is currently gearing up to release another single from this album and he is songwriting again in preparation for another album that will be in the works over the next few months.

James has shows scheduled for Davinci’s in Abingdon, Va.; Louie’s in Glade Spring, Va.; The Country Club and State Line Bar and Grill, both located in Bristol; and Sportsman Marina in Abingdon. You can find out more about James, check all of his show dates, and listen to his music at

Visit to keep up with everything going on in the world of country music, visit our Facebook page at, and follow us on Twitter @countryschatter.


Music Charts Magazine CD Reviews ( Country )