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The Queen of England, Prince Charles, Ronald Reagan and Jimmy Carter have all enjoyed being in the presence of the iconic country music legend Lynn Anderson.

Whether you have heard Lynn Anderson and Johnny Cash doing the duet “I’ve Been Everywhere” or have seen Lynn Anderson as a regular on The Lawrence Welk Show, most of the world has seen her and Lynn holds a place in the hearts of all true country artists and fans.

The Brady Bunch TV Show featured Lynn Anderson and if you need proof just ask Marsha Brady and she will tell you all about it.  

Lynn Anderson is the 1st female to sell out Madison Square Gardens and CMT (Country Music Television) rates Lynn Anderson as #29 out of the Top 40 most powerful women in country music.  Lynn Anderson was actually the 1st female country singer to be on The Tonight Show with Johnny Carson – very impressive.  Lynn was named “Top Female Vocalist” by the Academy of Country Music twice.

Bob Hope, being on Starsky and Hutch, Karen Carpenter, Mega Hit Grammy Award Winner, the list just goes on and on of amazing things this Lady has accomplished.

What makes Lynn Anderson unique beyond her many accomplishments is that she is a pure hearted country girl, whom is kind, pleasing to talk with, and very much does all she can to please and love on her fans.

Some of Lynn Anderson’s hit songs are – Top Of The World – 1973, I Never Promised You A Rose Garden – 1970, Your My Man, Cry – 1972 and Ride, Ride, Ride, – 1967

We hope you enjoy this almost one hour Celebrity Interview as we enjoyed so much doing here at Music Charts Magazine.  Lynn Anderson is not only The Great Lady of Country Music but just plain and simply put a Great Lady in general!

Enjoy this historical Celebrity Interview with “Lynn Anderson” right here at www.MusicChartsMagazine.com

 

 

 

Hear Fred’s Country now every week right here at MusicChartsMagazine.com

About Fred’s Country program:

Le program Fred’s Country: La musique Country de Tradition avec Frederic (Fred) Moreau. Le program Fred’s Country est diffusé sur 65 fréquences FM, 54 radios ou webradios.

Radio Show Host: Fred Moreau

Program Fred’s Country w33-13

 

 

 

 

Music Charts Magazine is proud to be friends with Mr. Moreau and glad to now be one of the many to host Program Fred’s Country. ( French/English)

“Fred’s Country” – Now at Music Charts Magazine!

 

 

 

 

 

 


 

Though his voice is weaker, and the musical arrangements a little different than what we remember, Glen Campbell is still bringing us the best he has to give. His new album, “See You There,” could be the last for one of country music’s most popular artists.

During his career, which has be going strong for more than 50 years, the country music singer, guitarist, television host, and sometimes actor has been involved in nearly every aspect of the business. He even hosted his own variety show on CBS from 1969 to 1972.

Diagnosed with Alzheimer’s in December 2010, the 77 years old recently canceled the remaining dates on his Farewell Tour, stating the reason that his disease was worsening. But somewhere in the midst of all that, Glen recorded a new album for us.

“See You There” gives us 12 songs, including some of his most famous, and some new ones. “Gentle on My Mind” will always be one of my favorite Glen Campbell songs. While you can find videos on YouTube, they are just the song, with pictures of Glen appearing where the video should be. If there was ever an actual music video done to this song, I haven’t been able to find it. Written by the late John Hartford, this song would have made a wonderful music video. There is a whole movie in the three minutes of great melody with story-telling lyrics.

Fans who remember Glen for songs like “Galveston,” “By the Time I Get to Phoenix”, “Wichita Lineman,” and “Rhinestone Cowboy” won’t be disappointed. Those songs are all on the new album. But, Glen didn’t just pull them out of his collection of recorded music and include them on this CD. He recorded them again. This time, the songs are missing the vibrant orchestration that they had before, but they do seem to be more personal. “By the Time I Get to Phoenix,” is now little more than an acoustic performance, and it’s beautifully done.

Glen co-wrote “There’s No Me…Without You,” with Julian Raymond for the 2011 album “Ghost on Canvas”. That album also included “I Wish You Were Here” and “What I wouldn’t Give” as bonus tracks. The song “Waiting on the Comin’ of My Lord,” is on the album twice. The first version is just Glen, with a little bit of instrumental accompaniment and a touch of added harmony by an unnamed artist. The second version, which is the final song on the album, features Jose Hernandez and Mariachi Del Sol De Mexico.

Here are the 12 songs on Glen Campbell’s new “See You There” album, which released on Aug. 13, 2013. “Hey Little One,” “Wichita Lineman,” “Gentle On My Mind,” “Postcard From Paris,” “Waiting on the Coming of My Lord,” “What I Wouldn’t Give,” “Galveston,” “By the Time I Get to Phoenix,” “There’s No Me… Without You,” “True Grit,” “Rhinestone Cowboy,” and “Waiting on the Comin’ of My Lord, featuring Jose Hernandez and Mariachi Del Sol De Mexico.

Even though Glen’s touring days have come to an end, and it seems like more than a possibility that “See You There” will be his last album, the entertainer is still very much involved with his fans. His website is still active and includes all the updated news and information fans would want about things Glen is doing now. The web site is www.glencampbell.com, and he can be followed on Twitter @GlenCampbell.

For country music news about all of your favorites, visit www.countryschatter.com, and follow us on Twitter @countryschatter.

 

CountrysChatter.com and MusicChartsMagazine.com – Your entertainment destinations

Hear Fred’s Country now every week right here at MusicChartsMagazine.com

About Fred’s Country program:

Le program Fred’s Country: La musique Country de Tradition avec Frederic (Fred) Moreau. Le program Fred’s Country est diffusé sur 65 fréquences FM, 54 radios ou webradios.

Radio Show Host:  Fred Moreau

Program Fred’s Country w32-13

 

 

 

 

Music Charts Magazine is proud to be friends with Mr. Moreau and glad to now be one of the many to host Program Fred’s Country.  ( French/English) 

“Fred’s Country” – Now at Music Charts Magazine!

 

 

 

She NEVER Promised “YOU” A Rose Garden.
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
She did however promise “YOU” an exclusive interview right here at Music Charts Magazine.
 
.. and what a Great interview it is.
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Coming soon!
We here at MusicChartsMagazine.com are laying out the RED Carpet for “The Great Lady of Country Music” herself – Let’s all give a Great BIG Music Charts Magazine Welcome to country music icon “Lynn Anderson”.
 

– Turn you speakers on the front page at www.MusicChartsMagazine.com and you will hear in the background and see on video “Lynn Anderson” and “Johnny Cash” singing “I’ve Been Everywhere” together.

 

AUGUST 6, 2013

 

 

 

LW

 

TW

Artist Title (Label)

TW SPINS

LW SPINS

Weeks on Chart

Spin +/-

Streams

1

1

Turnpike Troubadours Before the Devil Knows We’re Dead (Bossier City)

539

481

8

+58

23

3

2

Josh Grider Summer & Sixteen (AMP)

509

430

10

+79

22

2

3

Granger Smith Silverado Bench Seat (GS)

471

468

12

+3

21

4

4

JB and the Moonshine Band The Only Drug (Average Joe’s)

447

427

13

+20

21

5

5

Mario Flores I Didn’t Pick This Life (MF)

430

413

18

+17

20

7

6

Roger Creager For You I Do (Roger Creager Music)

404

357

12

+47

22

11

7

Josh Ward Promises (Buckshot Records)

380

335

5

+45

17

17

8

Zane Williams Overnight Success (ZW)

380

316

10

+64

17

6

9

The Departed Prayer For The Lonely (Vision Ent./Underground Sound)

373

385

19

-12

18

14

10

Josh Abbott Band She Will Be Free (Pretty Damn Tough Records)

370

325

8

+45

20

15

11

Aaron Watson Summertime Girl (Thirty Tigers)

369

321

8

+48

21

9

12

Rosehill Did You Ever Turn Around (Cypress Records)

363

337

14

+26

18

12

13

Jason Boland & the Stragglers Dark & Dirty Mile (Vision Ent./Proud Souls Ent.)

355

333

16

+22

19

16

14

Curtis Grimes Home To Me (CG)

338

319

9

+19

20

13

15

William Clark Green She Likes the Beatles (Bill Grease Records)

338

332

13

+6

20

26

16

Chapter 11 w/Aubrey Lynn England Whiskey and You (C11)

334

267

10

+67

17

20

17

Jamie Richards Never Gonna Hear It (JR)

333

291

15

+42

17

10

18

Uncle Lucius Keep The Wolves Away (Entertainment One Music)

324

337

21

-13

16

24

19

Cody Jinks Glad to Say (CJ)

319

280

20

+39

17

23

20

No Justice Songs on the Radio (Smith Ent.)

317

283

7

+34

20

22

21

Phil Hamilton Back of a ’73 (Winding Road)

316

284

9

+32

17

18

22

Randy Rogers Band Fuzzy (Mercury)

311

296

16

+15

17

19

23

Chris Knight Nothing On Me (Drifter’s Church Prod.)

299

295

19

+4

14

31

24

Brian Keane Easy to Say Goodbye (BK)

269

230

17

+39

17

36

25

Sam Riggs When The Lights Go Out (SR)

269

206

7

+63

16

30

26

Thieving Birds In The Summer (TB)

263

240

5

+23

18

29

27

Kyle Bennett Hard to Let You Go (KB)

259

242

14

+17

16

21

28

Casey Donahew Band Whiskey Baby (Almost Country)

258

285

15

-27

14

34

29

Mike Ryan 57 Songs (MR)

252

208

10

+44

13

8

30

The Damn Quails Me And The Whiskey (598 Recordings)

244

343

23

-99

12

33

31

Aaron Kothmann I Can’t Take Me Anywhere (Nicol Rae Records)

235

212

4

+23

13

35

32

George Ducas White Lines and Road Signs (GD)

221

207

5

+14

11

40

33

TJ Broscoff This Is The Moment (BGM Records)

219

191

6

+28

11

42

34

Bart Crow Loving You’s A Crime (Smith Ent.)

212

177

2

+35

18

44

35

Rich O’Toole I Love You (PTO Records)

209

170

3

+39

14

41

36

Mark McKinney Stolen Cash (MM)

207

182

2

+25

17

37

37

Brett Mullins What A Little Lonely Can Do (BM)

202

197

5

+5

11

38

38

Jeremy Steding Lyin’ (JS)

200

193

15

+7

10

N

39

Will Hoge Strong (WH)

199

120

1

+79

15

27

40

Reckless Kelly She Likes Money, He Likes Love (No Big Deal)

199

266

21

-67

9

N

41

Six Market Blvd. Mailbox (Vision Ent.)

195

133

1

+62

13

39

42

Ray Johnston Band Bye Bye City Lights (RJB)

193

191

7

+2

13

28

43

Mark Allan Atwood Loser (MAA)

193

263

13

-70

11

32

44

Jenny Simms Goodbye Letter (JS)

192

228

6

-36

8

48

45

Brandon Jenkins Tattoo Tears (Smith Ent.)

185

154

2

+31

11

45

46

John Slaughter Hasn’t Everyone (Winding Road)

182

170

2

+12

12

51

47

Melissa Brooke Don’t Waste Your Time (BGM Records)

180

141

2

+39

10

49

48

Bri Bagwell Hound Dog (BB)

177

146

2

+31

13

N

49

Clayton Gardner Something About You (CG)

174

134

1

+40

14

N

50

Hogg Maulies Voodoo Girl (HM)

171

139

1

+32

10

43

51

Callahan Divide Party on the River (CD)

171

174

4

-3

9

Copyright © 2013, the Texas Music Chart. Used with permission from Best In Texas Music Marketing LLC, Houston, TX

Album

LW

TW

Artist Title (Label)

TW SPINS

LW SPINS

Weeks on Chart

Spin +/-

Stations

 

1

1

Granger Smith Silverado Bench Seat (GS)

1,175

1,216

15

-41

67

 

2

2

Turnpike Troubadours Before The Devil Knows We’re Dead (Bossier City)

1,157

1,127

9

+30

70

 

4

3

Josh Grider Summer & Sixteen (AMP)

1,121

990

12

+131

72

 

3

4

Roger Creager For You I Do (Roger Creager Music)

1,013

1,104

15

-91

65

 

6

5

Aaron Watson Summertime Girl (Thirty Tigers)

918

900

9

+18

61

 

7

6

Josh Ward Promises (Buckshot Records)

906

874

7

+32

62

 

8

7

Josh Abbott Band She Will Be Free (Pretty Damn Tough Records)

865

831

8

+34

64

 

14

8

Zane Williams Overnight Success (ZW)

805

687

11

+118

57

 

11

9

Curtis Grimes Home to Me (CG)

777

758

12

+19

55

 

12

10

Mario Flores I Didn’t Pick This Life (MF)

755

747

18

+89

55

 

5

11

JB and the Moonshine Band The Only Drug (Average Joe’s)

749

939

15

-190

56

 

10

12

The Departed Prayer for the Lonely (Vision Ent./Underground Sound)

724

813

19

-89

49

 

9

13

Uncle Lucius Keep The Wolves Away (Entertainment One Music)

706

814

22

-108

46

 

13

14

William Clark Green She Likes The Beatles (Bill Grease Records)

623

697

15

-74

54

 

24

15

Phil Hamilton Back of a ’73 (Winding Road)

570

459

9

+111

53

 

18

16

Sam Riggs When The Lights Go Out (SR)

551

525

9

+26

47

 

19

17

Brian Keane Easy to Say Goodbye (BK)

547

521

19

+26

45

 

20

18

Green River Ordinance It Ain’t Love (GRO)

531

508

7

+23

44

 

15

19

Jason Boland & the Stragglers Dark & Dirty Mile (Vision Ent./Proud Souls Ent.)

505

570

17

-65

45

 

26

20

Chapter 11 w/Aubrey Lynn England Whiskey and You (C11)

496

438

7

+58

43

 

16

21

Ray Johnston Band Bye Bye City Lights (RJB)

495

552

14

-57

48

 

23

22

Jamie Richards Never Gonna Hear It (JR)

483

478

13

+5

45

 

21

23

Rosehill Did You Ever Turn Around (Cypress Records)

481

502

13

-21

43

 

34

24

Mike Ryan 57 Songs (MR)

477

363

9

+114

43

 

28

25

Bri Bagwell Hound Dog (BB)

467

423

4

+44

48

 

32

26

Thieving Birds In the Summer (TB)

458

368

6

+90

46

 

33

27

No Justice Songs On The Radio (Carved Records)

450

368

5

+82

46

 

35

28

Kyle Park Fit For The King (Indie/Thirty Tigers)

442

353

2

+89

50

 

17

29

Randy Rogers Band Fuzzy (Mercury)

428

528

17

-100

39

 

27

30

The Rusty Brothers Little Sister (TRB)

414

428

11

-14

32

 

38

31

Mark McKinney Stolen Cash (MM)

407

338

3

+69

43

 

30

32

Matt Caldwell I Know Mexico (MC)

399

377

3

+22

39

 

29

33

Kyle Bennett Hard to Let You Go (KB)

381

387

16

-6

37

 

22

34

Casey Donahew Band Whiskey Baby (Almost Country)

360

495

17

-135

35

 

31

35

Clayton Gardner Something About You (CG)

354

376

4

-22

42

 

37

36

Cody Jinks Glad to Say (CJ)

336

340

12

-4

31

 

36

37

Chris Knight Nothing On Me (Drifter’s Church Prod.)

333

347

18

-14

29

 

41

38

John Slaughter Hasn’t Everyone (Winding Road)

308

294

2

+14

33

 

N

39

Brandon Jenkins Tattoo Tears (Smith Ent.)

307

167

1

+140

29

 

45

40

Aaron Einhouse The Worst I Can Do (AE)

295

270

5

+25

32

 

46

41

Rich O’Toole I Love You (PTO Records)

291

256

2

+35

33

 

43

42

Bart Crow Loving You’s a Crime (Smith Ent.)

288

288

2

—–

34

 

42

43

Kylie Rae Harris Slide Over (KRH)

287

291

4

-4

31

 

48

44

Callahan Divide Party on the River (CD)

283

244

4

+39

28

 

N

45

Will Hoge Strong (WH)

265

187

1

+78

28

 

49

46

Aaron Kothmann I Can’t Take Me Anywhere (Nicol Rae Records)

253

233

3

+20

28

 

N

47

John David Kent Until We Turn Around (Blackland/Roustabout)

252

173

1

+79

26

 

N

48

Reckless Kelly The Last Goodbye (No Big Deal)

240

49

1

+191

24

 

N

49

Cody Johnson Ride With Me (CJB)

233

10

1

+223

24

 

N

50

John D. Hale Band More Than I Can Handle (JDHB)

228

189

1

+39

23

Copyright © 2013, the Texas Music Chart. Used with permission from Best In Texas Music Marketing LLC, Houston, TX

“Two Lanes of Freedom” is the title of Tim McGraw’s latest CD.  It’s been available for a while, so even if you don’t have a copy yet, you’ve probably heard some of the songs.  Already released as singles, “Truck Yeah”, “One of Those Nights”,  and “Highway Don’t Care”,  featuring Taylor Swift and Keith Urban, have been on the radio and on the charts the past few months.  ” Southern Girl” will be the fourth single released from this CD.

If you know country music and are familiar with the kind of songs we’re hearing on the radio these days, you will realize the first time they listen to “Two Lanes of Freedom”, that this CD has staying power.  In addition to the ones already released as singles, there are several more songs on the track list that will make good singles for Tim.

The songs you will hear on this CD include the title track, “Two Lanes of Freedom”, “Friend of a Friend”, “Southern Girl”,  “Truck Yeah”, “Nashville Without You”, “Book of John”, “Mexicoma”, “Number 37105”, “It’s Your World”, and “Highway Don’t Care”. The deluxe version of the album also includes the songs “Tinted Windows”, “Let Me Love It Out of You”, “Truck Yeah” (live version), and “Annie I Owe You a Dance”.  Tim’s music has changed over the years, but this album has just enough mention of fun and young love to take you back to the days when he put “Just to See You Smile”, “I Like It I Love It”, and “Something Like That” at the top of the charts.  While his music has gone through some changes, his vocals haven’t.  He’s always had a calming voice, and his fans are still hearing the sounds that drew them to his concerts decades ago.

One of my personal favorites is “A Friend of a Friend”.  I’m not sure if that is one of the ones he will ever release as a single, but I think he should.  This song is slow, and pretty much tells us everything Tim’s old girlfriend is doing, the way Tim heard it from a ‘friend of a friend.’  Tim McGraw has always been good at telling stories with his songs.  He continues that tradition with the songs on his “Two Lanes of Freedom” album.  “Nashville Without You” is a little too fast to be called a slow song, and a little too slow to be called a fast song.  The song, written by Kyle Jacobs (Kellie Pickler’s husband), Joe Leathers and Ruston Kelly, perfectly describes what Nashville would be like without that someone you want there with you.  This is definitely another one of my favorites on this album.

I definitely like the sound of “Mexicoma”, written by James T. Slater, and Brad and Brett Warren.  It is one of those songs that just makes you feel good.  It’s uptempo, and even though it is one of those songs about someone walking out of your life and you turning to a bottle of something with a high alcohol content, at a beach front watering hole, Tim manages to make it a fun song to listen to.

Most of today’s country artists bill themselves as singer/songwriter.  Time, however, seems to be content with singing what others have written. He did not write, or co-write, any of the songs on this album.  Josh Kear  is one of the writers on the song “Friend of a Friend”.  The other two who helped write that song are Mark Irwin and Andrew Dorff.  Josh also co-wrote “tinted Windows” and “Highway Don’t Care.”  In addition to his 12 studio albums, Tim has also released eight additional albums, with include Greatest Hits, Collector’s Editions, and a Tim McGraw & Friends album.  Tim’s fans probably have every album  he released, and I’m sure they will want to add this one to their collection.

Want to become more countrified? Check out: www.CountrysChatter.com

 

A Music Charts Magazine Country Music Album Review

It is 2 AM and something draws me from bed and compels me to begin writing this review. Not in the usual way, no laptop, no touchpad, all I need is a notebook and a pen. I know, sometimes the old school way is just better.

Nevertheless, why does this assignment need to be handled in this manner? Has the project I have been listening to for the past weeks rubbed off on me? Or, as I suspect, will paper and pen make it easier to follow my ramblings through the inevitable editing process necessary when the time comes to finally convey my thoughts to the laptop about this simple yet profoundly complex project that Peter Rowan has compiled.

“The Old School” is a wonderfully entertaining project in which Mr. Rowan gives listeners ten original songs, one traditional song with his personalized stellar arrangement, and for those purchasing the CD, a bonus track…a reprise of the title cut, featuring Eddie Stubbs.

For this project, Rowan and producer Alison Brown, have brought together artists that, aside from being a Who’s Who of Bluegrass’ Old School in their own right, have paved the way for, and continue to be, the inspiration for many Bluegrass artists today.

In the opening song, and title track, Rowan gives us the two simple rules of The Old School: pick it clean and play it true. These two rules set the tone for the remainder of the project. Listeners will be hard-pressed to find anyone straying from these rules. Another testament to the talent of Rowan’s songwriting ability is that you can picture Rowan and his fellow artists living the things he writes about in this track. Experiencing life and paying their dues in those formative years of the music that we all hold so dear.

These two rules are what create the simple and yet complex undertones of this project. Upon first hearing a song, one thinks Rowan has written a nice quaint melody. Then the song beckons you to listen again and you hear the subtle chord or the lyric that catches your attention and begs to be heard again. In an industry where song selection is so vital, Rowan proves through his choice of putting these songs into “The Old School” that he is the Head Master.

While every song on this project made me smile, perhaps none more so, than Rowan’s touching and heartfelt tribute, “Doc Watson Morning”…

To read the complete review please click HERE: 

http://prescriptionbluegrassreviews.blogspot.com/2013/05/rita-small-reviews-peter-rowan-old.html#more

 

 

Music Charts Magazine Bluegrass Artist and Album Reviews ( by Prescription Bluegrass – YOUR Bluegrass Music Source )

 

 

 

 

 

 

 

 

 

 

Listen to Ray Charles’s song “Georgia On My Mind” here:

 

 

 

Ray Charles Robinson (September 23, 1930 – June 10, 2004) was an American singer-songwriter and composer known as Ray Charles. He was a pioneer in the genre of soul music during the 1950s by fusing rhythm and blues, gospel, and blues styles into his early recordings with Atlantic Records.He also helped racially integrate country and pop music during the 1960s with his crossover success on ABC Records, most notably with his Modern Sounds albums. While with ABC, Charles became one of the first African-American musicians to be given artistic control by a mainstream record company. Frank Sinatra called Charles “the only true genius in show business,” although Charles downplayed this notion.

The influences upon his music were mainly jazz, blues, rhythm and blues and country artists of the day such as Art Tatum, Nat King Cole, Louis Jordan, Charles Brown, and Louis Armstrong. His playing reflected influences from country blues, barrelhouse and stride piano styles.

Rolling Stone ranked Charles number ten on their list of “100 Greatest Artists of All Time” in 2004, and number two on their November 2008 list of “100 Greatest Singers of All Time”. In honoring Charles, Billy Joel noted: “This may sound like sacrilege, but I think Ray Charles was more important than Elvis Presley.

On March 15, 1961, not long after releasing the hit song “Georgia on My Mind” (1960), Charles (born in Albany, Georgia) was scheduled to perform for a dance at Bell Auditorium in Augusta, Georgia. However, he cancelled after learning from students of Paine College that the larger auditorium dance floor would be restricted to whites, while blacks would be obligated to sit in the Music Hall balcony; he immediately left town after letting the public know why he wouldn’t be performing. The promoter sued Charles for breach of contract, Charles was fined $757 in Fulton County Superior Court in Atlanta on June 14, 1962 and, according to the biopic Ray (2004), Charles was banned from performing thereafter in Georgia, although this later was reported to be a Hollywood embellishment—Charles was, in fact, never banned from Georgia. However, Charles performed again at a desegregrated Bell Auditorium concert the following year with his backup group, The Raelettes, on October 23, 1963.

In 1979, Charles was one of the first of the Georgia State Music Hall of Fame to be recognized as a musician born in the state. Ray’s version of “Georgia On My Mind” was made the official state song for Georgia.

On December 7, 2007, Ray Charles Plaza was opened in Albany, Georgia, with a revolving, lighted bronze sculpture of Charles seated at a piano.

Ray Charles Robinson was the son of Aretha (Williams) Robinson, a sharecropper, and Bailey Robinson, a railroad repair man, mechanic and handyman. Aretha was a devout Christian and the family attended the New Shiloh Baptist Church. When Ray was an infant, his family moved from Albany, Georgia, where he was born, to the poor black community on the western side of Greenville, Florida. In his early years, Charles showed a curiosity for mechanical things and he often watched the neighborhood men working on their cars and farm machinery. His musical curiosity was sparked at Mr. Wiley Pit’s Red Wing Cafe when Pit played boogie woogie on an old upright piano. Pit would care for George, Ray’s brother, so as to take the burden off Aretha. However, George drowned in Aretha’s laundry tub when he was four years old. After witnessing the death of his brother, Ray would feel an overwhelming sense of guilt later on in life.

Charles started to lose his sight at the age of five and went completely blind by the age of seven, apparently due to glaucoma. He attended school at the Florida School for the Deaf and the Blind in St. Augustine from 1937 to 1945, where he developed his musical talent. During this time he performed on WFOY radio in St. Augustine. His father died when he was 10, his mother five years later.

Charles played chess using a special board with holes for the pieces and raised squares. Charles referred to Willie Nelson as “my chess partner” in a 1991 concert. In 2002, he played and lost to American Grandmaster and former U.S. Champion Larry Evans.

His final album, Genius Loves Company, released two months after his death, consists of duets with various admirers and contemporaries: B.B. King, Van Morrison, Willie Nelson, James Taylor, Gladys Knight, Michael McDonald, Natalie Cole, Elton John, Bonnie Raitt, Diana Krall, Norah Jones, and Johnny Mathis. The album won eight Grammy Awards, including five for Ray Charles for Best Pop Vocal Album, Album of the Year, Record of the Year and Best Pop Collaboration with Vocals for “Here We Go Again” with Norah Jones, and Best Gospel Performance for “Heaven Help Us All” with Gladys Knight; he also received nods for his duets with Elton John and B.B. King. The album included a version of Harold Arlen’s “Over the Rainbow”, sung as a duet by Charles and Johnny Mathis; this record was played at his memorial service.

Two more posthumous albums, Genius & Friends (2005) and Ray Sings, Basie Swings (2006), were released. Genius & Friends consisted of duets recorded from 1997 to 2005 with his choice of artists. Ray Sings, Basie Swings consists of archived vocals of Ray Charles from live mid-1970s performances added to new instrumental tracks specially recorded by the contemporary Count Basie Orchestra and other musicians. Charles’s vocals recorded from the concert mixing board were added to new accompaniments to create a “fantasy concert” recording.

Read more at: http://en.wikipedia.org/wiki/Ray_Charles