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About Fred’s Country program:

Le program Fred’s Country: La musique Country de Tradition avec Frederic (Fred) Moreau. Le program Fred’s Country est diffusé sur 65 fréquences FM, 54 radios ou webradios.

Radio Show Host: Fred Moreau

Program Fred’s Country w36-13 – 6 septembre 2013 à 15:00

 

 

Music Charts Magazine is proud to be friends with Mr. Moreau and glad to now be one of the many to host Program Fred’s Country. ( French/English)

Radio Program “Fred’s Country” – Now at Music Charts Magazine!

 

 

 

 

 

 


 

Music Charts Magazine History

– Song for the month of September 2013:

Green Day – “Wake Me Up When September Ends

 

 

 

 

 

 

 

 

Listen to Green Day’s song “Wake Me Up When September Ends” here:

 

 

Green Day is an American punk rock band formed in 1987. The band consists of lead vocalist and guitarist Billie Joe Armstrong, bassist and backing vocalist Mike Dirnt, drummer Tré Cool and guitarist and backing vocalist Jason White, who became a full member after playing in the band as a session and touring guitarist for 13 years. Cool replaced former drummer John Kiffmeyer in 1990, prior to the recording of the band’s second studio album, Kerplunk (1992).

Green Day was originally part of the punk scene at 924 Gilman Street in Berkeley, California. The band’s early releases were from the independent record label Lookout! Records. In 1994, its major label debut Dookie released through Reprise Records became a breakout success and eventually sold over 10 million copies in the U.S.Green Day was widely credited, alongside fellow California punk bands Sublime, The Offspring and Rancid, with popularizing and reviving mainstream interest in punk rock in the United States. Green Day’s three follow-up albums, Insomniac (1995), Nimrod (1997), and Warning (2000) did not achieve the massive success of Dookie, though they were still successful, with Insomniac and Nimrod reaching double platinum and Warning reaching gold status. The band’s rock opera, American Idiot (2004), reignited the band’s popularity with a younger generation, selling five million copies in the United States. The band’s eighth studio album, 21st Century Breakdown, was released in 2009 which achieved the band’s best chart performance to date. In 2012, 21st Century Breakdown was followed up by a trilogy of albums called ¡Uno!, ¡Dos!, and ¡Tré! released on September, November and December 2012 respectively.

They are one of the world’s best-selling groups of all time, having sold over 75 million albums worldwide. The group has won five Grammy Awards: Best Alternative Album for Dookie, Best Rock Album for American Idiot, Record of the Year for “Boulevard of Broken Dreams”, Best Rock Album for the second time for 21st Century Breakdown and Best Musical Show Album for American Idiot: The Original Broadway Cast Recording. In 2010, a stage adaptation of American Idiot debuted on Broadway. The musical was nominated for several Tony Awards, including Best Musical and Best Scenic Design.

 

Green Day’s sound is often compared to first wave punk bands such as the Ramones, The Clash, Sex Pistols, The Jam, and the Buzzcocks.[23] Citing the band’s musical style prevalent on Dookie, Stephen Erlewine of Allmusic described Green Day as “punk revivalists who recharged the energy of speedy, catchy three-chord punk-pop songs.” While Armstrong is the primary songwriter, he looks to the other band members for organizational help. Billie Joe Armstrong has mentioned that some of his biggest influences are seminal alternative rock bands Hüsker Dü and The Replacements, and that their influence is particularly noted in the band’s chord changes in songs. Green Day has covered Hüsker Dü’s “Don’t Want to Know If You Are Lonely” as a b-side to the “Warning” single, and the character “Mr. Whirly” in their song “Misery” is a reference to the Replacements song of the same name. Among other influences, Green Day have also cited The Who and power pop pioneers Cheap Trick.

The band has generated controversy over whether the band’s musical style and major-label status constitutes as “true punk”. In reaction to both the style of music and the background of the band, John Lydon, former front man of the 1970s punk band the Sex Pistols commented:

“So there we are fending off all that and it pisses me off that years later a wank outfit like Green Day hop in and nick all that and attach it to themselves. They didn’t earn their wings to do that and if they were true punk they wouldn’t look anything like they do.”

Armstrong himself has discussed the group’s status of being a punk band on a major record label, saying “Sometimes I think we’ve become totally redundant because we’re this big band now, we’ve made a lot of money – we’re not punk rock any more. But then I think about it and just say, ‘You can take us out of a punk rock environment, but you can’t take the punk rock out of us.'”

 

In 1987, friends Billie Joe Armstrong and Mike Dirnt, 15 years old at the time, formed a band called Sweet Children. Its first live performance took place on October 17, 1987 at Rod’s Hickory Pit in Vallejo, California. In 1988, Armstrong and Dirnt began working with Sean Hughes and the former Isocracy drummer John Kiffmeyer, also known as “Al Sobrante”. As said in the film Punk’s Not Dead, Armstrong cites the band Operation Ivy (which featured Tim Armstrong and Matt Freeman of Rancid) as a major influence, and a group that inspired him to form a band.

In 1988, Larry Livermore, owner of Lookout! Records, saw the band play an early show and signed the group to his label. In 1989, the band recorded its debut extended play, 1,000 Hours. Before 1,000 Hours was released, the group dropped the name Sweet Children; according to Livermore, this was done to avoid confusion with another local band Sweet Baby. The band adopted the name Green Day, due to their fondness for marijuana.

Lookout! would release Green Day’s debut studio album, 39/Smooth in early 1990. Green Day would record two extended plays later that year, Slappy and Sweet Children, the latter of which included older songs that the band had recorded for the Minneapolis independent record label Skene! Records. In 1991, Lookout! Records re-released 39/Smooth under the name 1,039/Smoothed Out Slappy Hours, and added the songs from the band’s first two EPs, Slappy, and 1,000 Hours. In late 1990, shortly after the band’s first nationwide tour, Sobrante left the East Bay area to attend college. The Lookouts drummer Tré Cool began filling in as a temporary replacement and later Cool’s position as Green Day’s drummer became permanent. The band went on tour for most of 1992 and 1993, and played a number of shows overseas in Europe. The band’s second studio album Kerplunk sold 50,000 copies in the U.S.

 

Read more at: http://en.wikipedia.org/wiki/Green_Day

 

 


SEPTEMBER 3, 2013

 

 

 

LW

 

TW

Artist

Title

(Label)

TW SPINS

LW SPINS

Weeks on Chart

Spin +/-

Streams

1

1

Turnpike Troubadours

Before the Devil Knows We’re Dead

(Bossier City)

575

502

12

+73

23

2

2

Chapter 11 w/Aubrey Lynn England

Whiskey and You

(C11)

496

448

14

+48

20

4

3

Zane Williams

Overnight Success

(ZW)

448

408

14

+40

18

3

4

Josh Ward

Promises

(Buckshot Records)

436

430

9

+6

18

5

5

Phil Hamilton

Back of a ’73

(Winding Road)

410

397

13

+13

18

8

6

Josh Abbott Band

She Will Be Free

(Pretty Damn Tough Records)

374

361

12

+13

20

10

7

Curtis Grimes

Home To Me

(CG)

364

347

13

+17

20

12

8

No Justice

Songs on the Radio

(Smith Ent.)

347

318

11

+29

20

7

9

Granger Smith

Silverado Bench Seat

(GS)

345

367

16

-22

18

6

10

Josh Grider

Summer & Sixteen

(AMP)

339

382

14

-43

17

14

11

Will Hoge

Strong

(WH)

323

293

5

+30

16

9

12

Aaron Watson

Summertime Girl

(Thirty Tigers)

317

357

12

-40

17

13

13

Jamie Richards

Never Gonna Hear It

(JR)

313

309

19

+4

15

11

14

Roger Creager

For You I Do

(Roger Creager Music)

310

333

16

-23

17

25

15

Cody Johnson

Ride With Me

(CJB)

287

230

3

+57

18

21

16

Thieving Birds

In The Summer

(TB)

280

268

9

+12

17

22

17

Mark McKinney

Stolen Cash

(MM)

279

254

6

+25

16

16

18

Sam Riggs

When The Lights Go Out

(SR)

275

277

11

-2

16

18

19

Rich O’Toole

I Love You

(PTO Records)

265

272

7

-7

18

26

20

Kyle Park

Fit For The King

(Indie/Thirty Tigers)

259

229

4

+30

17

24

21

Mike Ryan

57 Songs

(MR)

259

234

14

+25

15

20

22

Rosehill

Did You Ever Turn Around

(Cypress Records)

253

270

18

-17

15

17

23

JB and the Moonshine Band

The Only Drug

(Average Joe’s)

248

274

17

-26

17

19

24

William Clark Green

She Likes the Beatles

(Bill Grease Records)

244

272

17

-28

15

27

25

Bri Bagwell

Hound Dog

(BB)

242

219

6

+23

14

28

26

Bart Crow

Loving You’s A Crime

(Smith Ent.)

226

210

6

+16

18

32

27

Green River Ordinance

It Ain’t Love

(GRO)

225

201

2

+24

13

31

28

Brandon Jenkins

Tattoo Tears

(Smith Ent.)

216

202

6

+14

13

41

29

John Slaughter

Hasn’t Everyone

(Winding Road)

203

190

6

+13

12

47

30

Austin Allsup

In This Deep

(AA)

202

173

3

+29

11

35

31

The Damn Quails

Me And The Whiskey

(598 Recordings)

200

196

27

+4

10

43

32

Reckless Kelly

The Last Goodbye

(No Big Deal)

199

187

2

+12

16

45

33

Clayton Gardner

Something About You

(CG)

199

180

5

+19

15

42

34

Chris Brazeal Band

Sounds Like Home

(CBB)

199

189

4

+10

12

37

35

Chris Knight

Nothing On Me

(Drifter’s Church Prod.)

193

195

23

-2

8

34

36

TJ Broscoff

This Is The Moment

(BGM Records)

191

198

10

-7

11

R

37

Saints Eleven

Man In The Water

(SE)

191

141

2

+50

11

39

38

George Ducas

White Lines and Road Signs

(GD)

190

193

9

-3

10

29

39

Brian Keane

Easy to Say Goodbye

(BK)

185

210

21

-25

12

38

40

John David Kent

Until We Turn Around

(Blackland/Roustabout)

182

194

4

-12

13

30

41

Six Market Blvd.

Mailbox

(Vision Ent.)

171

206

5

-35

12

33

42

Aaron Kothmann

I Can’t Take Me Anywhere

(Nicol Rae Records)

171

200

8

-29

10

N

43

Junior Gordon

That Thing We Do

(JG)

159

135

1

+24

10

48

44

Dolly Shine

Spinning My Wheels

(DS)

158

161

2

-3

9

R

45

Matt Caldwell

I Know Mexico

(MC)

156

130

2

+26

14Edit

N

46

Mark Allan Atwood

One Horse

(MAA)

154

130

1

+24

9

R

47

Callahan Divide

Party on the River

(CD)

154

148

6

+6

8

49

48

Kylie Rae Harris

Slide Over

(KRH)

151

153

3

-2

12

R

49

Hogg Maulies

Voodoo Girl

(HM)

151

148

3

+3

9

44

50

Brett Mullins

What A Little Lonely Can Do

(BM)

149

183

9

-34

9

Copyright © 2013, the Texas Music Chart. Used with permission from Best In Texas Music Marketing LLC, Houston, TX

LeAnn Rimes, who rose to stardom at age 13 when her single “Blue” hit country radio, has recently released her 15th studio album, Spitfire. She was named Academy of Country Music Top New Female Vocalist in 1996, and also won the ACM Single of the Year award for “Blue.” In addition to her ACM awards, LeAnn has eight Grammy Awards. Her last Grammy win was in 2008. She is hoping her latest album, Spitfire, will get her back on the radio, and back on the country music charts. Country music fans know that LeAnn Rimes has had more than a bit of turmoil in her life.  For a time the media didn’t seem to want to leave her alone. Her fans have watched her grow up, marry, divorce, become involved in a scandal and remarry. From the song titles on this CD, it would appear LeAnn has decided to use a little of her troubled past to her advantage. A lot of what she has lived through can be heard in the songs she is now singing. Listed with the writers, here are the songs that you will hear on the new album: “Spitfire”, LeAnn Rimes, Darrell Brown and David Baerwald; “What Have I Done” with Alison Krauss and Dan Tyminski, Rimes, Brown, Baerwald; “Gasoline & Matches” with Rob Thomas and Jeff Beck, Buddy Miller, Julie Miller; “Borrowed,” Rimes, Brown, Dan Wilson; “You Ain’t Right,” Liz Rose, Chris Stapleton, Morgane Hayes; “I Do Now,” Rimes, Brown, Wilson; “Where I Stood,” Missy Higgins; “You’ve Ruined Me,” Rimes, Brown, John Shanks; “Bottle,” Gary Burr, Christina Aldendifer; “A Waste Is a Terrible Thing to Mind,” Rimes, Brown, Baerwald; “Just A Girl Like You,” Rimes, Brown, Nathan Chapman; “God Takes Care of Your Kind,” Rimes, Brown, Dean Sheremet, and “Who We Really Are,” Brown, Sarah Buxton. LeAnn has a lot of diversity in her vocals. When going from one song to the next, she has the ability to change from a raspy and rowdy voice to a sweet and melodious tone. Listeners really don’t know what to expect when one song ends and the next begins. Finding a favorite song on this album was a little difficult for me. That was because the lyrics I liked the best were to the song “Bottle.” That song gives us lines like ‘My heart is like a bottle with the world inside, I couldn’t fit more happy in it if I tried’. However, the melody I liked the best belonged to the song “What Have I Done”. It has a slow, quiet, calming melody and is very easy to listen to. The whole album is good, and I’m sure it will be receiving the highest ratings from any of country music’s reviewers. LeAnn still keeps a packed schedule, with concerts throughout the U.S., and shows scheduled for September in Switzerland and the United Kingdom, and a show in Taipei City, Taiwan, planned for November. You can keep up with LeAnn’s tour dates, news, and upcoming single releases by visiting her website www.leannrimesworld.com. She has a Twitter account, too, and you can follow her @leannrimes.

 

Music Charts Magazine Country Music Reviews by Country at www.CountrysChatter.com Your Country Music News Source

Album

LW

TW

Artist

Title

(Label)

TW SPINS

LW SPINS

Weeks on Chart

Spin +/-

Stations

 

1

1

Josh Ward

Promises

(Buckshot Records)

1,231

1,155

11

+76

68

 

2

2

Aaron Watson

Summertime Girl

(Thirty Tigers)

1,170

1,131

13

+39

71

 

5

3

Phil Hamilton

Back of a ’73

(Winding Road)

1,029

968

13

+61

68

 

4

4

Zane Williams

Overnight Success

(ZW)

1,017

975

15

+42

62

 

8

5

Curtis Grimes

Home to Me

(CG)

936

876

16

+60

57

 

9

6

Chapter 11 w/Aubrey Lynn England

Whiskey and You

(C11)

918

855

11

+63

56

 

7

7

Josh Abbott Band

She Will Be Free

(Pretty Damn Tough Records)

901

928

12

-27

62

 

3

8

Josh Grider

Summer & Sixteen

(AMP)

880

1,021

16

-141

62

 

11

9

Cody Johnson

Ride With Me

(CJB)

853

758

5

+95

63

 

13

10

Green River Ordinance

It Ain’t Love

(GRO)

825

731

11

+94

59

 

6

11

Turnpike Troubadours

Before The Devil Knows We’re Dead

(Bossier City)

736

940

13

-204

47

 

18

12

Mark McKinney

Stolen Cash

(MM)

733

607

7

+126

58

 

14

13

Kyle Park

Fit For The King

(Indie/Thirty Tigers)

727

683

6

+44

62

 

10

14

Roger Creager

For You I Do

(Roger Creager Music)

722

768

19

-46

49

 

15

15

Will Hoge

Strong

(WH)

703

670

5

+33

54

 

17

16

No Justice

Songs On The Radio

(Carved Records)

659

611

9

+48

56

 

16

17

Sam Riggs

When The Lights Go Out

(SR)

654

619

13

+35

55

 

23

18

Reckless Kelly

The Last Goodbye

(No Big Deal)

614

546

5

+68

59

 

19

19

Bri Bagwell

Hound Dog

(BB)

586

607

8

-21

50

 

20

20

John Slaughter

Hasn’t Everyone

(Winding Road)

579

572

6

+7

46

 

12

21

Granger Smith

Silverado Bench Seat

(GS)

575

754

19

-179

46

 

26

22

Mike Ryan

57 Songs

(MR)

564

518

13

+46

48

 

21

23

Jamie Richards

Never Gonna Hear It

(JR)

555

568

17

-13

47

 

28

24

Thieving Birds

In the Summer

(TB)

512

509

10

+3

44

 

33

25

Bart Crow

Loving You’s a Crime

(Smith Ent.)

511

447

6

+64

47

 

29

26

Rich O’Toole

I Love You

(PTO Records)

503

506

6

-3

45

 

27

27

William Clark Green

She Likes The Beatles

(Bill Grease Records)

500

511

19

-11

42

 

24

28

Brian Keane

Easy to Say Goodbye

(BK)

489

541

23

-52

41

 

30

29

Clayton Gardner

Something About You

(CG)

485

488

8

-3

45

 

22

30

Rosehill

Did You Ever Turn Around

(Cypress Records)

483

556

17

-73

40

 

31

31

Matt Caldwell

I Know Mexico

(MC)

480

481

7

-1

44

 

25

32

JB and the Moonshine Band

The Only Drug

(Average Joe’s)

444

520

19

-76

35

 

32

33

The Rusty Brothers

Little Sister

(TRB)

431

449

15

-18

33

 

34

34

TJ Broscoff

This is the Moment

(BGM Records)

430

421

4

+9

37

 

35

35

John David Kent

Until We Turn Around

(Blackland/Roustabout)

422

398

5

+24

43

 

36

36

Brandon Jenkins

Tattoo Tears

(Smith Ent.)

369

395

5

-26

40

 

42

37

Taylor Hodak Band

Good Man

(THB)

369

340

4

+29

35

PHOTO COMING SOON

N

38

Wade Bowen

Trucks

(BNA)

367

227

1

+140

35

 

44

39

Callahan Divide

Party on the River

(CD)

343

303

8

+40

28

 

43

40

Kylie Rae Harris

Slide Over

(KRH)

337

319

8

+18

37

 

39

41

Six Market Blvd.

Mailbox

(Vision Ent.)

337

358

3

-21

35

PHOTO COMING SOON

N

42

Brandon Rhyder

Pray The Night

(Smith Ent.)

337

231

1

+106

34

 

47

43

Charlie Montague

Beautiful Noise

(CM)

317

296

3

+21

31

 

41

44

Aaron Einhouse

The Worst I Can Do

(AE)

296

345

9

-49

30

 

45

45

Aaron Kothmann

I Can’t Take Me Anywhere

(Nicol Rae Records)

292

302

7

-10

25

 

48

46

Dolly Shine

Spinning My Wheels

(DS)

292

294

5

-2

22

 

46

47

Rankin Twins

Jezebel

(RT)

287

298

2

-11

34

 

49

48

Shane Smith & The Saints

Coast

(SSS)

286

277

2

+9

33

PHOTO COMING SOON

R

49

John D. Hale Band

More Than I Can Handle

(JDHB)

279

240

2

+39

22

 

N

50

Mario Flores

Let Your Lonesome End With Me

(MF)

273

227

1

+46

25

Copyright © 2013, the Texas Music Chart. Used with permission from Best In Texas Music Marketing LLC, Houston, TX

Music Charts Magazine Presents – “NEW DISCOVERY” – “Patricia Conroy” – for the month of September 2013.

Looking for some “New” music to add to your player and can’t find anything that blows you away?

Check out this Music Charts Magazine “NEW DISCOVERY” Interview with Canadian country singer “Patricia Conroy” and be prepared to be excited knowing there is still 100% awesome music out there that you still have not heard.

After you listen to this great interview showing you the ins and outs of Patricia Conroy ( a girl that hails from the Great Maritime Province of Quebec, Canada ), we are sure you will be glad you found this “New Discovery” to add to your music playlist.

For booking, interviews, or just to say Hi! Contact Patricia Conroy at her website: www.PatriciaConroy.net

Music Charts Magazine proudly presents NEW DISCOVERY” for the month of September 2013 “Patricia Conroy

LISTEN to “NEW DISCOVERY” Interview with Patricia Conroy HERE:

Music Charts Magazine Presents “New Discovery” Patricia Conroy – Interview by Award winning DJ Big Al Weekley

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Copyright © 2012 – 2013 Music Charts Magazine, INC – All Rights Reserved. Contents of this site including text and media may not be reproduced without prior written consent. Audio and video elements of this site are property of their respective owners and are used with permission.


 

About Fred’s Country program:

Le program Fred’s Country: La musique Country de Tradition avec Frederic (Fred) Moreau. Le program Fred’s Country est diffusé sur 65 fréquences FM, 54 radios ou webradios.

Radio Show Host: Fred Moreau

Program Fred’s Country w35-13 30 août 2013 à 15:00

 

 

Music Charts Magazine is proud to be friends with Mr. Moreau and glad to now be one of the many to host Program Fred’s Country. ( French/English)

Radio Program “Fred’s Country” – Now at Music Charts Magazine!

 

 

 

 

 

 


 

AUGUST 27, 2013

 

 

 

LW

 

TW

Artist

Title

(Label)

TW SPINS

LW SPINS

Weeks on Chart

Spin +/-

Streams

1

1

Turnpike Troubadours

Before the Devil Knows We’re Dead

(Bossier City)

502

512

11

-10

23

9

2

Chapter 11 w/Aubrey Lynn England

Whiskey and You

(C11)

448

362

13

+86

19

5

3

Josh Ward

Promises

(Buckshot Records)

430

399

8

+31

18

3

4

Zane Williams

Overnight Success

(ZW)

408

404

13

+4

17

6

5

Phil Hamilton

Back of a ’73

(Winding Road)

397

378

12

+19

18

2

6

Josh Grider

Summer & Sixteen

(AMP)

382

457

13

-75

19

4

7

Granger Smith

Silverado Bench Seat

(GS)

367

400

15

-33

18

8

8

Josh Abbott Band

She Will Be Free

(Pretty Damn Tough Records)

361

364

11

-3

19

12

9

Aaron Watson

Summertime Girl

(Thirty Tigers)

357

344

11

+13

18

11

10

Curtis Grimes

Home To Me

(CG)

347

348

12

-1

20

13

11

Roger Creager

For You I Do

(Roger Creager Music)

333

343

15

-10

18

18

12

No Justice

Songs on the Radio

(Smith Ent.)

318

308

10

+10

20

15

13

Jamie Richards

Never Gonna Hear It

(JR)

309

331

18

-22

16

29

14

Will Hoge

Strong

(WH)

293

250

4

+43

16

10

15

The Departed

Prayer For The Lonely

(Vision Ent./Underground Sound)

291

356

22

-65

14

24

16

Sam Riggs

When The Lights Go Out

(SR)

277

269

10

+8

16

17

17

JB and the Moonshine Band

The Only Drug

(Average Joe’s)

274

310

16

-36

17

22

18

Rich O’Toole

I Love You

(PTO Records)

272

276

6

-4

18

14

19

William Clark Green

She Likes the Beatles

(Bill Grease Records)

272

332

16

-60

17

7

20

Rosehill

Did You Ever Turn Around

(Cypress Records)

270

378

17

-108

15

26

21

Thieving Birds

In The Summer

(TB)

268

259

8

+9

18

30

22

Mark McKinney

Stolen Cash

(MM)

254

239

5

+15

17

19

23

Uncle Lucius

Keep The Wolves Away

(Entertainment One Music)

253

296

24

-43

12

23

24

Mike Ryan

57 Songs

(MR)

234

271

13

-37

13

49

25

Cody Johnson

Ride With Me

(CJB)

230

163

2

+67

16

44

26

Kyle Park

Fit For The King

(Indie/Thirty Tigers)

229

177

3

+52

17

37

27

Bri Bagwell

Hound Dog

(BB)

219

204

5

+15

13

28

28

Bart Crow

Loving You’s A Crime

(Smith Ent.)

210

251

5

-41

16

31

29

Brian Keane

Easy to Say Goodbye

(BK)

210

225

20

-15

13

39

30

Six Market Blvd.

Mailbox

(Vision Ent.)

206

199

4

+7

13

35

31

Brandon Jenkins

Tattoo Tears

(Smith Ent.)

202

211

5

-9

13

N

32

Green River Ordinance

It Ain’t Love

(GRO)

201

151

1

+50

12

27

33

Aaron Kothmann

I Can’t Take Me Anywhere

(Nicol Rae Records)

200

254

7

-54

11

36

34

TJ Broscoff

This Is The Moment

(BGM Records)

198

209

9

-11

12

33

35

The Damn Quails

Me And The Whiskey

(598 Recordings)

196

218

26

-22

9

16

36

Jason Boland & the Stragglers

Dark & Dirty Mile

(Vision Ent./Proud Souls Ent.)

195

312

19

-117

11

21

37

Chris Knight

Nothing On Me

(Drifter’s Church Prod.)

195

281

22

-86

8

42

38

John David Kent

Until We Turn Around

(Blackland/Roustabout)

194

187

3

+7

12

34

39

George Ducas

White Lines and Road Signs

(GD)

193

216

8

-23

10

20

40

Mario Flores

I Didn’t Pick This Life

(MF)

191

292

21

-101

12

43

41

John Slaughter

Hasn’t Everyone

(Winding Road)

190

182

5

+8

12

38

42

Chris Brazeal Band

Sounds Like Home

(CBB)

189

204

3

-15

11

N

43

Reckless Kelly

The Last Goodbye

(No Big Deal)

187

148

1

+39

15

41

44

Brett Mullins

What A Little Lonely Can Do

(BM)

183

188

8

-5

10

47

45

Clayton Gardner

Something About You

(CG)

180

170

4

+10

16

40

46

Kyle Bennett

Hard to Let You Go

(KB)

178

194

17

-16

12

R

47

Austin Allsup

In This Deep

(AA)

173

158

2

+15

9

N

48

Dolly Shine

Spinning My Wheels

(DS)

161

160

1

+1

8

R

49

Kylie Rae Harris

Slide Over

(KRH)

153

147

2

+6

12

46

50

Melissa Brooke

Don’t Waste Your Time

(BGM Records)

150

171

5

-21

7

Copyright © 2013, the Texas Music Chart. Used with permission from Best In Texas Music Marketing LLC, Houston, TX

Album

LW

TW

Artist

Title

(Label)

TW SPINS

LW SPINS

Weeks on Chart

Spin +/-

Stations

 

4

1

Josh Ward

Promises

(Buckshot Records)

1,155

1,003

10

+152

67

 

3

2

Aaron Watson

Summertime Girl

(Thirty Tigers)

1,131

1,032

12

+99

68

 

2

3

Josh Grider

Summer & Sixteen

(AMP)

1,021

1,172

15

-151

65

 

6

4

Zane Williams

Overnight Success

(ZW)

975

885

14

+90

61

 

9

5

Phil Hamilton

Back of a ’73

(Winding Road)

968

805

12

+163

68

 

1

6

Turnpike Troubadours

Before The Devil Knows We’re Dead

(Bossier City)

940

1,175

12

-235

59

 

5

7

Josh Abbott Band

She Will Be Free

(Pretty Damn Tough Records)

928

906

11

+22

64

 

10

8

Curtis Grimes

Home to Me

(CG)

876

805

15

+71

56

 

11

9

Chapter 11 w/Aubrey Lynn England

Whiskey and You

(C11)

855

705

10

+150

50

 

7

10

Roger Creager

For You I Do

(Roger Creager Music)

768

861

18

-93

50

 

16

11

Cody Johnson

Ride With Me

(CJB)

758

595

4

+163

59

 

8

12

Granger Smith

Silverado Bench Seat

(GS)

754

840

18

-86

52

 

12

13

Green River Ordinance

It Ain’t Love

(GRO)

731

630

10

+101

52

 

21

14

Kyle Park

Fit For The King

(Indie/Thirty Tigers)

683

538

5

+145

62

 

26

15

Will Hoge

Strong

(WH)

670

510

4

+160

51

 

14

16

Sam Riggs

When The Lights Go Out

(SR)

619

618

12

+1

50

 

29

17

No Justice

Songs On The Radio

(Carved Records)

611

489

8

+122

51

 

19

18

Mark McKinney

Stolen Cash

(MM)

607

556

6

+51

53

 

22

19

Bri Bagwell

Hound Dog

(BB)

607

535

7

+72

51

 

30

20

John Slaughter

Hasn’t Everyone

(Winding Road)

572

459

5

+113

42

 

20

21

Jamie Richards

Never Gonna Hear It

(JR)

568

551

16

+17

49

 

23

22

Rosehill

Did You Ever Turn Around

(Cypress Records)

556

518

16

+38

42

 

31

23

Reckless Kelly

The Last Goodbye

(No Big Deal)

546

456

4

+90

55

 

18

24

Brian Keane

Easy to Say Goodbye

(BK)

541

564

22

-23

43

 

17

25

JB and the Moonshine Band

The Only Drug

(Average Joe’s)

520

580

18

-60

41

 

28

26

Mike Ryan

57 Songs

(MR)

518

498

12

+20

43

 

13

27

William Clark Green

She Likes The Beatles

(Bill Grease Records)

511

620

18

-109

46

 

27

28

Thieving Birds

In the Summer

(TB)

509

504

9

+5

45

 

33

29

Rich O’Toole

I Love You

(PTO Records)

506

423

5

+83

45

 

34

30

Clayton Gardner

Something About You

(CG)

488

413

7

+75

44

 

32

31

Matt Caldwell

I Know Mexico

(MC)

481

428

6

+53

43

 

37

32

The Rusty Brothers

Little Sister

(TRB)

449

373

14

+76

35

 

36

33

Bart Crow

Loving You’s a Crime

(Smith Ent.)

447

388

5

+59

43

 

41

34

TJ Broscoff

This is the Moment

(BGM Records)

421

323

3

+98

36

 

38

35

John David Kent

Until We Turn Around

(Blackland/Roustabout)

398

370

4

+28

39

 

35

36

Brandon Jenkins

Tattoo Tears

(Smith Ent.)

395

410

4

-15

40

 

15

37

Mario Flores

I Didn’t Pick This Life

(MF)

393

618

21

-225

35

 

25

38

Uncle Lucius

Keep The Wolves Away

(Entertainment One Music)

367

513

25

-146

31

 

44

39

Six Market Blvd.

Mailbox

(Vision Ent.)

358

304

2

+54

34

 

24

40

The Departed

Prayer for the Lonely

(Vision Ent./Underground Sound)

352

518

22

-166

30

 

42

41

Aaron Einhouse

The Worst I Can Do

(AE)

345

322

8

+23

33

 

49

42

Taylor Hodak Band

Good Man

(THB)

340

267

3

+73

33

 

46

43

Kylie Rae Harris

Slide Over

(KRH)

319

300

7

+19

36

 

45

44

Callahan Divide

Party on the River

(CD)

303

304

7

-1

25

 

43

45

Aaron Kothmann

I Can’t Take Me Anywhere

(Nicol Rae Records)

302

313

6

-11

26

 

N

46

Rankin Twins

Jezebel

(RT)

298

169

1

+129

26

 

50

47

Charlie Montague

Beautiful Noise

(CM)

296

262

2

+34

32

 

47

48

Dolly Shine

Spinning My Wheels

(DS)

294

278

4

+16

20

 

N

49

Shane Smith & The Saints

Coast

(SSS)

277

210

1

+67

32

 

N

50

LiveWire

Whiskey Sunday

(Way Out West Records)

274

228

1

+46

26

Copyright © 2013, the Texas Music Chart. Used with permission from Best In Texas Music Marketing LLC, Houston, TX

William Froug (May 26, 1922 – August 25, 2013) was an Emmy award-winning American television writer and producer. His producing credits include the series The Twilight Zone, Gilligan’s Island and Bewitched. In addition he wrote teleplays for The Dick Powell Show, Charlie’s Angels and The New Twilight Zone. He authored numerous books on screenwriting, including Screenwriting Tricks of the Trade, Zen and the Art of Screenwriting I and II, The Screenwriter Looks at The Screenwriter and How I Escaped from Gilligan’s Island: Adventures of a Hollywood Writer-Producer, published in 2005 by the University of Wisconsin Press.

William Froug was born in Brooklyn borough of New York City in May 1922 and placed for adoption through the Louise Wise agency there. Soon after he was adopted by William and Rita Froug of Little Rock, Arkansas where he spent his childhood before the family moved to Tulsa, Oklahoma (Froug’s Department Stores). He graduated from Little Rock Senior High School in 1939. The family home of Froug’s grandfather, Abraham Froug, has been preserved as a Historic Home and is located adjacent to the Governor’s Mansion in the Little Rock Historic District.

Froug attended, and graduated from, the renowned Journalism School at the University of Missouri, Columbia in 1943 before enlisting in the U.S. Navy. He was selected for the V7 Navy Officer Training Program at Columbia University and graduated as one of the “90 Day Wonder’s”. He served as an officer aboard a Subchaser stationed at Pearl Harbor before taking command of his own ship, USS PC800, in 1945 at Eniwetok Atoll.

For decades, Froug’s books were used as textbooks in film schools around the World. In, “The Ultimate Writer’s Guide to Hollywood”, the author, Skip Press, describes “Screenwriting Tricks of the Trade” as, “one of the best screenwriting books I’ve ever read” and in his “Top 10 Hollywood Reads”. He taught advanced screening writing courses in several countries in addition to colleges in Hawaii and Florida after his retirement. He found much joy in mentoring and was proud of the success of so many of his students.

Roger Ebert once wrote of Froug, ” I know an old writer. His name is William Froug, he lives in Florida and if you look him up on Amazon, you will see he is still writing brilliant and useful books about screenwriting and teleplays. He is not merely as sharp as a tack, he is the standard by which they sharpen tacks. If he had been advising the kid, the kid would have made a better movie, and if he had been advising the director of, “The Man in the Chair” we would have been spared the current experience. Just because you’re old doesn’t mean you have to be a decrepit caricature. One thing that keeps Froug young is that, unlike Flash Madden, he almost certainly does not sit on an expressway overpass guzzling Jack Daniels from a pint bottle”.

In 2011, Froug was selected as one of the Emmy Legends of Television by the Archive of American Television. His interview is available online at EmmyLegends.org

Bill Froug was a multi-talented, highly successful and creative presence across the many mediums of, Radio, Television and Film and an effective and talented educator and mentor during his years of teaching. He made a difference and a large contribution.

Read more at: http://en.wikipedia.org/wiki/William_Froug