News
| Album |
LW |
TW |
Artist Title (Label) |
TW SPINS |
LW SPINS |
Weeks on Chart |
Spin +/- |
Stations |
|
3 |
1 |
Josh Abbott Band She Will Be Free (Pretty Damn Tough Records) |
1,137 |
1,061 |
15 |
+76 |
69 |
|
|
5 |
2 |
Cody Johnson Ride With Me (CJB) |
1,078 |
1,044 |
8 |
+34 |
62 |
|
|
1 |
3 |
Aaron Watson Summertime Girl (Thirty Tigers) |
1,068 |
1,169 |
16 |
-101 |
65 |
|
|
2 |
4 |
Phil Hamilton Back of a ’73 (Winding Road) |
1,057 |
1,142 |
16 |
-85 |
66 |
|
|
7 |
5 |
Will Hoge Strong (WH) |
1,046 |
941 |
8 |
+105 |
68 |
|
|
8 |
6 |
Kyle Park Fit For The King (Indie/Thirty Tigers) |
974 |
904 |
9 |
+70 |
69 |
|
|
4 |
7 |
Josh Ward Promises (Buckshot Records) |
958 |
1,044 |
14 |
-86 |
63 |
|
|
6 |
8 |
Green River Ordinance It Ain’t Love (GRO) |
958 |
953 |
14 |
+5 |
59 |
|
|
11 |
9 |
Mark McKinney Stolen Cash (Texas Evolution) |
931 |
872 |
10 |
+59 |
68 |
|
|
9 |
10 |
Chapter 11 w/Aubrey Lynn England Whiskey and You (C11) |
928 |
902 |
14 |
+26 |
61 |
|
|
12 |
11 |
Reckless Kelly The Last Goodbye (No Big Deal) |
778 |
801 |
8 |
-23 |
66 |
|
|
18 |
12 |
Wade Bowen Songs About Trucks (AMP/Sea Gayle) |
729 |
642 |
4 |
+87 |
52 |
|
|
14 |
13 |
No Justice Songs On The Radio (Carved Records) |
719 |
721 |
12 |
-2 |
58 |
|
|
13 |
14 |
Curtis Grimes Home to Me (CG) |
715 |
789 |
19 |
-74 |
49 |
|
|
17 |
15 |
John Slaughter Hasn’t Everyone (Winding Road) |
704 |
658 |
9 |
+46 |
49 |
|
|
15 |
16 |
Bri Bagwell Hound Dog (BB) |
680 |
673 |
11 |
+7 |
55 |
|
|
10 |
17 |
Zane Williams Overnight Success (ZW) |
678 |
882 |
18 |
-204 |
48 |
|
|
16 |
18 |
Sam Riggs When The Lights Go Out (SR) |
656 |
670 |
16 |
-14 |
52 |
|
|
20 |
19 |
Rich O’Toole I Love You (PTO Records) |
617 |
537 |
9 |
+80 |
48 |
|
|
22 |
20 |
Jason Boland & the Stragglers Electric Bill (Proud Souls Ent.) |
576 |
519 |
2 |
+57 |
52 |
|
|
24 |
21 |
Randy Rogers Band Speak Of The Devil (MCA Nashville) |
574 |
486 |
3 |
+88 |
54 |
|
|
19 |
22 |
Bart Crow Loving You’s a Crime (Smith Ent.) |
549 |
546 |
9 |
+3 |
49 |
|
|
35 |
23 |
Turnpike Troubadours If You’re Gonna Play in Texas (Lightning Rod Records) |
517 |
369 |
2 |
+148 |
44 |
|
|
40 |
24 |
Kevin Fowler How Country Are Ya? (Kevin Fowler Records) |
512 |
317 |
2 |
+195 |
51 |
|
|
28 |
25 |
TJ Broscoff This is the Moment (BGM Records) |
508 |
445 |
7 |
+63 |
40 |
|
|
21 |
26 |
Mike Ryan 57 Songs (MR) |
503 |
528 |
16 |
-25 |
46 |
|
|
26 |
27 |
John David Kent Until We Turn Around (Blackland/Roustabout) |
490 |
464 |
8 |
+26 |
46 |
|
|
23 |
28 |
Clayton Gardner Something About You (CG) |
473 |
491 |
11 |
-18 |
44 |
|
|
27 |
29 |
Thieving Birds In the Summer (TB) |
461 |
456 |
13 |
+5 |
41 |
|
|
31 |
30 |
Six Market Blvd. Mailbox (Vision Ent.) |
453 |
421 |
6 |
+32 |
43 |
|
|
30 |
31 |
Matt Caldwell I Know Mexico (MC) |
448 |
428 |
10 |
+20 |
49 |
|
|
41 |
32 |
The Statesboro Revue Huck Finn (Vision Ent./Shalley Records) |
433 |
309 |
2 |
+124 |
41 |
|
|
36 |
33 |
Brandon Rhyder Pray The Night (Smith Ent.) |
400 |
353 |
4 |
+47 |
41 |
|
|
34 |
34 |
Mario Flores Let Your Lonesome End With Me (MF) |
397 |
373 |
4 |
+24 |
38 |
|
|
48 |
35 |
Shane Smith & The Saints Coast (SSS) |
382 |
286 |
5 |
+96 |
38 |
|
|
37 |
36 |
Brandon Jenkins Tattoo Tears (Smith Ent.) |
365 |
346 |
8 |
+19 |
39 |
|
|
33 |
37 |
Taylor Hodak Band Good Man (THB) |
365 |
377 |
7 |
-12 |
38 |
|
|
44 |
38 |
Rankin Twins Jezebel (RT) |
342 |
291 |
5 |
+51 |
45 |
|
|
29 |
39 |
Roger Creager For You I Do (Roger Creager Music) |
335 |
432 |
22 |
-97 |
31 |
|
|
39 |
40 |
Callahan Divide Party on the River (CD) |
324 |
318 |
11 |
+6 |
30 |
|
|
49 |
41 |
Deryl Dodd Loveletters (Smith Ent.) |
318 |
286 |
3 |
+32 |
35 |
|
|
43 |
42 |
Charlie Montague Beautiful Noise (CM) |
317 |
306 |
6 |
+11 |
37 |
|
|
45 |
43 |
George Ducas White Lines and Road Signs (GD) |
314 |
291 |
2 |
+23 |
32 |
|
|
42 |
44 |
Kylie Rae Harris Slide Over (KRH) |
313 |
307 |
11 |
+6 |
33 |
|
|
R |
45 |
John D. Hale Band More Than I Can Handle (JDHB) |
289 |
247 |
3 |
+42 |
21 |
|
|
N |
46 |
Granger Smith Miles and Mud Tires (GS) |
280 |
184 |
1 |
+96 |
29 |
|
|
N |
47 |
Chris Brazeal Band Sounds Like Home (CBB) |
271 |
273 |
1 |
-2 |
29 |
|
|
46 |
48 |
LiveWire Whiskey Sunday (Way Out West Records) |
269 |
291 |
4 |
-22 |
27 |
|
|
R |
49 |
Saints Eleven Man in the Water (SE) |
263 |
238 |
2 |
+25 |
23 |
|
|
50 |
50 |
Mark Allan Atwood One Horse (MAA) |
261 |
283 |
3 |
-22 |
30 |
Copyright © 2013, the Texas Music Chart. Used with permission from Best In Texas Music Marketing LLC, Houston, TX
Mark Raborn reviews Rebecca Frazier’s bluegrass album “WHEN WE FALL“
Rebecca Frazier’s new CD “When We Fall” features twelve tracks, of which ten are original compositions including three instrumentals.
The project is superbly supported throughout by a strong producer and by a stellar cast of musicians that largely need little introduction, including Ron Block and Scott Vestal on banjo, Barry Bales on bass, Shad Cobb on fiddle, Andy Hall on resonator guitar and husband John Frazier on mandolin. Rebecca plays guitar on all cuts.
My initial observation was to simply admire and enjoy the fidelity of the recording, followed closely by the quality of the arrangements and the overall maturity of the presentation and musicianship. However, after hearing a few cuts I was convinced that Rebecca, in addition to being a superb vocalist and lyricist, is a masterful flat-pick guitar player, playing with a level of imagination, taste and authority that will awe many of her listeners, as well as her peers.
I found the overall tone of this project to have a ‘modern,’ post-Monroe acoustic Bluegrass texture with the occasional influence of cross-cultural Bluegrass genres like Blues and Country interwoven. Without transgressing the artistic boundaries that define modern Bluegrass, Rebecca’s title cut, “When We Fall” sounds like it could easily be transformed to Top 40 Country material. That’s not to say that she should seek Country “hit” status for this composition, but rather an acknowledgement that it is ‘that good’. The overall arrangement, insightful lyrics and the smooth timbre of her voice bring this piece to life and nurture it to maturity. The result is a track that most any female Country music superstar might envy.
Likewise, the more up-tempo “Morning and Night” and “Darken Your Doorway” possess the artsy magic that many listeners identify with and look forward to hearing again and again. Both are richly “musical” and interesting, without being overly predictable or exotic. Rebecca’s seemingly-effortless lead vocal work combined with subtle, but beautiful harmony placements, catchy lyrics and tasteful accompaniment make these songs among those that her fans will look forward to hearing over and over.
“Love, Go Away From This House” underscores Rebecca’s songwriting prowess, as well as her vocal range as she ventures into more bluesy fare. The feel is tastefully accented with fills by John Frazier on mandolin, Andy Hall on resonator guitar, Shadd Cobb on fiddle, as well as her impeccable guitar work.
If you enjoyed and would like to read the rest of this review please click this link and get your daily Prescription Bluegrass: http://prescriptionbluegrassreviews.blogspot.com/2013/05/mark-raborn-reviews-rebecca-fraziers.html
About Fred’s Country program:
Le program Fred’s Country: La musique Country de Tradition avec Frederic (Fred) Moreau. Le program Fred’s Country est diffusé sur 65 fréquences FM, 54 radios ou webradios.
Radio Show Host: Fred Moreau
Program Fred’s Country w38-13 – 20 septembre 2013 à 15:00
Music Charts Magazine is proud to be friends with Mr. Moreau and glad to now be one of the many to host Program Fred’s Country. ( French/English)
Radio Program “Fred’s Country” – Now at Music Charts Magazine!
|
SEPTEMBER 17, 2013
|
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|
Copyright © 2013, the Texas Music Chart. Used with permission from Best In Texas Music Marketing LLC, Houston, TX
Marvin Karlton Rainwater (July 2, 1925 – September 17, 2013), was an American country and rockabilly singer and songwriter who had several hits during the late 1950s, including “Gonna Find Me a Bluebird” and “Whole Lotta Woman”, a UK no.1 record. He was known for wearing Native American-themed outfits on stage and was 25 percent Cherokee.
Rainwater was born in Wichita, Kansas, to Stella (née Miller) and Cicero Percy Rainwater, and grew up during the Great Depression. As a child, instead of listening to the Grand Ole Opry with his father, he took classical piano lessons, which ended after he lost part of his right thumb to a work accident as a teenager. He originally trained to be a veterinarian, but after some time in the Navy during World War II took up the guitar.
He became fascinated with Roy Acuff and started playing and writing songs. With his brothers, he played concerts around Virginia. He sometimes wore a buckskin jacket and headband. Rising guitarist Roy Clark worked with Rainwater and together they cut a few demos for 4 Star Records. Pop singer Teresa Brewer turned one of his compositions, “I Gotta Go Get My Baby”, into a big hit. Others were overdubbed and released on budget record labels.
Rainwater was one of country’s most noteworthy stars in the late 1950s, when his good looks and baritone voice made him popular. One of the first country songs he recorded was “Gonna Find Me a Bluebird”, which he wrote. Released in 1957, the song became a big country-pop crossover hit, making Rainwater among the first country singers to appeal to a pop market. The song reached No. 5 on the country chart and 18 on the pop chart. It sold one million copies by 1957, and gave Rainwater his first gold record. During the song’s success, Rainwater relocated to the New Jersey-New York area.
Rainwater got his big break in the music business when he performed on Arthur Godfrey’s programs. He won first place on Arthur Godfrey’s Talent Scouts on May 9, 1955. He had a regular role on ABC-TV’s Ozark Jubilee for several years in Springfield, Missouri beginning in 1955. He signed with MGM Records and recorded a series of songs for the label, including peppy numbers like “Hot and Cold”. Such songs were showcases for Rainwater’s voice, and his energy and versatility led him to record rockabilly.
In the 1970s, Rainwater developed throat cancer, from which he slowly recovered, and moved to Aitkin, Minnesota. He appeared occasionally at rockabilly festivals in Europe and was still loved by many fans.
Rainwater was the 73rd inductee into the Rockabilly Hall of Fame.
Read more at: http://en.wikipedia.org/wiki/Marvin_Rainwater
| Album |
LW |
TW |
Artist Title (Label) |
TW SPINS |
LW SPINS |
Weeks on Chart |
Spin +/- |
Stations |
|
2 |
1 |
Aaron Watson Summertime Girl (Thirty Tigers) |
1,169 |
1,195 |
15 |
-26 |
71 |
|
|
3 |
2 |
Phil Hamilton Back of a ’73 (Winding Road) |
1,142 |
1,165 |
15 |
-23 |
70 |
|
|
5 |
3 |
Josh Abbott Band She Will Be Free (Pretty Damn Tough Records) |
1,061 |
1,017 |
14 |
+44 |
68 |
|
|
1 |
4 |
Josh Ward Promises (Buckshot Records) |
1,044 |
1,247 |
13 |
-203 |
65 |
|
|
6 |
5 |
Cody Johnson Ride With Me (CJB) |
1,044 |
1,015 |
7 |
+29 |
63 |
|
|
9 |
6 |
Green River Ordinance It Ain’t Love (GRO) |
953 |
885 |
13 |
+68 |
58 |
|
|
11 |
7 |
Will Hoge Strong (WH) |
941 |
851 |
7 |
+90 |
64 |
|
|
12 |
8 |
Kyle Park Fit For The King (Indie/Thirty Tigers) |
904 |
836 |
8 |
+68 |
66 |
|
|
7 |
9 |
Chapter 11 w/Aubrey Lynn England Whiskey and You (C11) |
902 |
941 |
13 |
-39 |
60 |
|
|
4 |
10 |
Zane Williams Overnight Success (ZW) |
882 |
1,024 |
17 |
-142 |
58 |
|
|
10 |
11 |
Mark McKinney Stolen Cash (Texas Evolution) |
872 |
859 |
9 |
+13 |
66 |
|
|
13 |
12 |
Reckless Kelly The Last Goodbye (No Big Deal) |
801 |
731 |
7 |
+70 |
67 |
|
|
8 |
13 |
Curtis Grimes Home to Me (CG) |
789 |
932 |
18 |
-143 |
55 |
|
|
16 |
14 |
No Justice Songs On The Radio (Carved Records) |
721 |
682 |
11 |
+39 |
59 |
|
|
18 |
15 |
Bri Bagwell Hound Dog (BB) |
673 |
650 |
10 |
+23 |
56 |
|
|
15 |
16 |
Sam Riggs When The Lights Go Out (SR) |
670 |
686 |
15 |
-16 |
53 |
|
|
19 |
17 |
John Slaughter Hasn’t Everyone (Winding Road) |
658 |
635 |
8 |
+23 |
47 |
|
|
22 |
18 |
Wade Bowen Songs About Trucks (AMP/Sea Gayle) |
642 |
530 |
3 |
+112 |
50 |
|
|
23 |
19 |
Bart Crow Loving You’s a Crime (Smith Ent.) |
546 |
519 |
8 |
+27 |
48 |
|
|
21 |
20 |
Rich O’Toole I Love You (PTO Records) |
537 |
549 |
8 |
-12 |
48 |
|
|
20 |
21 |
Mike Ryan 57 Songs (MR) |
528 |
571 |
15 |
-43 |
48 |
|
|
N |
22 |
Jason Boland & the Stragglers Electric Bill (Vision Ent./Proud Souls Ent.) |
519 |
274 |
1 |
+245 |
43 |
|
|
26 |
23 |
Clayton Gardner Something About You (CG) |
491 |
471 |
10 |
+20 |
43 |
|
|
42 |
24 |
Randy Rogers Band Speak Of The Devil (Mercury) |
486 |
323 |
2 |
+163 |
46 |
|
|
14 |
25 |
Josh Grider Summer & Sixteen (AMP) |
478 |
699 |
18 |
-221 |
42 |
|
|
29 |
26 |
John David Kent Until We Turn Around (Blackland/Roustabout) |
464 |
427 |
7 |
+37 |
45 |
|
|
24 |
27 |
Thieving Birds In the Summer (TB) |
456 |
519 |
12 |
-63 |
41 |
|
|
27 |
28 |
TJ Broscoff This is the Moment (BGM Records) |
445 |
468 |
6 |
-23 |
39 |
|
|
17 |
29 |
Roger Creager For You I Do (Roger Creager Music) |
432 |
662 |
21 |
-230 |
39 |
|
|
31 |
30 |
Matt Caldwell I Know Mexico (MC) |
428 |
416 |
9 |
+12 |
49 |
|
|
36 |
31 |
Six Market Blvd. Mailbox (Vision Ent.) |
421 |
373 |
5 |
+48 |
43 |
|
|
25 |
32 |
Jamie Richards Never Gonna Hear It (JR) |
387 |
498 |
19 |
-111 |
41 |
|
|
32 |
33 |
Taylor Hodak Band Good Man (THB) |
377 |
407 |
6 |
-30 |
38 |
|
|
37 |
34 |
Mario Flores Let Your Lonesome End With Me (MF) |
373 |
369 |
3 |
+4 |
38 |
|
|
N |
35 |
Turnpike Troubadours If You’re Gonna Play in Texas (Bossier City) |
369 |
230 |
1 |
+139 |
38 |
|
|
39 |
36 |
Brandon Rhyder Pray The Night (Smith Ent.) |
353 |
341 |
3 |
+12 |
39 |
|
|
35 |
37 |
Brandon Jenkins Tattoo Tears (Smith Ent.) |
346 |
377 |
7 |
-31 |
40 |
|
|
28 |
38 |
Turnpike Troubadours Before The Devil Knows We’re Dead (Bossier City) |
342 |
455 |
15 |
-113 |
28 |
|
|
38 |
39 |
Callahan Divide Party on the River (CD) |
318 |
345 |
10 |
-27 |
27 |
|
|
N |
40 |
Kevin Fowler How Country Are Ya? (Kevin Fowler Records) |
317 |
219 |
1 |
+98 |
39 |
|
|
N |
41 |
The Statesboro Revue Huck Finn (Vision Ent./Shalley Records) |
309 |
278 |
1 |
+31 |
37 |
|
|
43 |
42 |
Kylie Rae Harris Slide Over (KRH) |
307 |
319 |
10 |
-12 |
32 |
|
|
40 |
43 |
Charlie Montague Beautiful Noise (CM) |
306 |
335 |
5 |
-29 |
37 |
|
|
45 |
44 |
Rankin Twins Jezebel (RT) |
291 |
310 |
4 |
-19 |
43 |
|
|
N |
45 |
George Ducas White Lines and Road Signs (GD) |
291 |
263 |
1 |
+28 |
31 |
|
|
48 |
46 |
LiveWire Whiskey Sunday (Way Out West Records) |
291 |
293 |
3 |
-2 |
28 |
|
|
51 |
47 |
Dolly Shine Spinning My Wheels (DS) |
291 |
291 |
7 |
—– |
22 |
|
|
41 |
48 |
Shane Smith & The Saints Coast (SSS) |
286 |
332 |
4 |
-46 |
36 |
|
|
44 |
49 |
Deryl Dodd Loveletters (Smith Ent.) |
286 |
314 |
2 |
-28 |
35 |
|
|
46 |
50 |
Mark Allan Atwood One Horse (MAA) |
283 |
304 |
2 |
-21 |
30 |
Copyright © 2013, the Texas Music Chart. Used with permission from Best In Texas Music Marketing LLC, Houston, TX
About Fred’s Country program:
Le program Fred’s Country: La musique Country de Tradition avec Frederic (Fred) Moreau. Le program Fred’s Country est diffusé sur 65 fréquences FM, 54 radios ou webradios.
Radio Show Host: Fred Moreau
Program Fred’s Country w37-13 – 13 septembre 2013 à 15:00
Music Charts Magazine is proud to be friends with Mr. Moreau and glad to now be one of the many to host Program Fred’s Country. ( French/English)
Radio Program “Fred’s Country” – Now at Music Charts Magazine!
|
SEPTEMBER 10, 2013
|
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Copyright © 2013, the Texas Music Chart. Used with permission from Best In Texas Music Marketing LLC, Houston, TX
|
LW |
TW |
Artist Title (Label) |
TW SPINS |
LW SPINS |
Weeks on Chart |
Spin +/- |
Stations |
|
|
1 |
1 |
Josh Ward Promises (Buckshot Records) |
1,247 |
1,231 |
12 |
+16 |
68 |
|
|
2 |
2 |
Aaron Watson Summertime Girl (Thirty Tigers) |
1,195 |
1,170 |
14 |
+25 |
69 |
|
|
3 |
3 |
Phil Hamilton Back of a ’73 (Winding Road) |
1,165 |
1,029 |
14 |
+136 |
67 |
|
|
4 |
4 |
Zane Williams Overnight Success (ZW) |
1,024 |
1,017 |
16 |
+7 |
60 |
|
|
7 |
5 |
Josh Abbott Band She Will Be Free (Pretty Damn Tough Records) |
1,017 |
901 |
13 |
+116 |
66 |
|
|
9 |
6 |
Cody Johnson Ride With Me (CJB) |
1,015 |
853 |
6 |
+162 |
63 |
|
|
6 |
7 |
Chapter 11 w/Aubrey Lynn England Whiskey and You (C11) |
941 |
918 |
12 |
+23 |
60 |
|
|
5 |
8 |
Curtis Grimes Home to Me (CG) |
932 |
936 |
17 |
-4 |
56 |
|
|
10 |
9 |
Green River Ordinance It Ain’t Love (GRO) |
885 |
825 |
12 |
+60 |
60 |
|
|
12 |
10 |
Mark McKinney Stolen Cash (MM) |
859 |
733 |
8 |
+126 |
58 |
|
|
15 |
11 |
Will Hoge Strong (WH) |
851 |
703 |
6 |
+148 |
60 |
|
|
13 |
12 |
Kyle Park Fit For The King (Indie/Thirty Tigers) |
836 |
727 |
7 |
+109 |
63 |
|
|
18 |
13 |
Reckless Kelly The Last Goodbye (No Big Deal) |
731 |
614 |
6 |
+117 |
61 |
|
|
8 |
14 |
Josh Grider Summer & Sixteen (AMP) |
699 |
880 |
17 |
-181 |
52 |
|
|
17 |
15 |
Sam Riggs When The Lights Go Out (SR) |
686 |
654 |
14 |
+32 |
54 |
|
|
16 |
16 |
No Justice Songs On The Radio (Carved Records) |
682 |
659 |
10 |
+23 |
55 |
|
|
14 |
17 |
Roger Creager For You I Do (Roger Creager Music) |
662 |
722 |
20 |
-60 |
44 |
|
|
19 |
18 |
Bri Bagwell Hound Dog (BB) |
650 |
586 |
9 |
+64 |
55 |
|
|
20 |
19 |
John Slaughter Hasn’t Everyone (Winding Road) |
635 |
579 |
7 |
+56 |
45 |
|
|
22 |
20 |
Mike Ryan 57 Songs (MR) |
571 |
564 |
14 |
+7 |
46 |
|
|
26 |
21 |
Rich O’Toole I Love You (PTO Records) |
549 |
503 |
7 |
+46 |
45 |
|
|
38 |
22 |
Wade Bowen Songs About Trucks (AMP/Sea Gayle) |
530 |
367 |
2 |
+163 |
41 |
|
|
25 |
23 |
Bart Crow Loving You’s a Crime (Smith Ent.) |
519 |
511 |
7 |
+8 |
45 |
|
|
24 |
24 |
Thieving Birds In the Summer (TB) |
519 |
512 |
11 |
+7 |
43 |
|
|
23 |
25 |
Jamie Richards Never Gonna Hear It (JR) |
498 |
555 |
18 |
-57 |
43 |
|
|
29 |
26 |
Clayton Gardner Something About You (CG) |
471 |
485 |
9 |
-14 |
44 |
|
|
34 |
27 |
TJ Broscoff This is the Moment (BGM Records) |
468 |
430 |
5 |
+38 |
38 |
|
|
11 |
28 |
Turnpike Troubadours Before The Devil Knows We’re Dead (Bossier City) |
455 |
736 |
14 |
-281 |
36 |
|
|
35 |
29 |
John David Kent Until We Turn Around (Blackland/Roustabout) |
427 |
422 |
6 |
+5 |
43 |
|
|
21 |
30 |
Granger Smith Silverado Bench Seat (GS) |
418 |
575 |
20 |
-157 |
38 |
|
|
31 |
31 |
Matt Caldwell I Know Mexico (MC) |
416 |
480 |
8 |
-64 |
43 |
|
|
37 |
32 |
Taylor Hodak Band Good Man (THB) |
407 |
369 |
5 |
+38 |
36 |
|
|
28 |
33 |
Brian Keane Easy to Say Goodbye (BK) |
396 |
489 |
24 |
-93 |
38 |
|
|
27 |
34 |
William Clark Green She Likes The Beatles (Bill Grease Records) |
396 |
500 |
20 |
-104 |
37 |
|
|
36 |
35 |
Brandon Jenkins Tattoo Tears (Smith Ent.) |
377 |
369 |
6 |
+8 |
38 |
|
|
41 |
36 |
Six Market Blvd. Mailbox (Vision Ent.) |
373 |
337 |
4 |
+36 |
37 |
|
|
50 |
37 |
Mario Flores Let Your Lonesome End With Me (MF) |
369 |
273 |
2 |
+96 |
35 |
|
|
39 |
38 |
Callahan Divide Party on the River (CD) |
345 |
343 |
9 |
+2 |
27 |
|
|
42 |
39 |
Brandon Rhyder Pray The Night (Smith Ent.) |
341 |
337 |
2 |
+4 |
39 |
|
|
43 |
40 |
Charlie Montague Beautiful Noise (CM) |
335 |
317 |
4 |
+18 |
31 |
|
|
48 |
41 |
Shane Smith & The Saints Coast (SSS) |
332 |
286 |
3 |
+46 |
35 |
|
|
N |
42 |
Randy Rogers Band Speak Of The Devil (Mercury) |
323 |
193 |
1 |
+130 |
36 |
|
|
40 |
43 |
Kylie Rae Harris Slide Over (KRH) |
319 |
337 |
9 |
-18 |
34 |
|
|
N |
44 |
Deryl Dodd Love Letters (Smith Ent.) |
314 |
219 |
1 |
+95 |
30 |
|
|
47 |
45 |
Rankin Twins Jezebel (RT) |
310 |
287 |
3 |
+23 |
41 |
|
|
N |
46 |
Mark Allan Atwood One Horse (MAA) |
304 |
257 |
1 |
+47 |
30 |
|
|
30 |
47 |
Rosehill Did You Ever Turn Around (Cypress Records) |
302 |
483 |
18 |
-181 |
32 |
|
| PHOTO COMING SOON |
R |
48 |
LiveWire Whiskey Sunday (Way Out West Records) |
293 |
272 |
2 |
+21 |
26 |
|
33 |
49 |
The Rusty Brothers Little Sister (TRB) |
291 |
431 |
16 |
-140 |
30 |
|
|
N |
50 |
Saints Eleven Man in the Water (SE) |
291 |
231 |
1 |
+60 |
22 |
|
|
46 |
51 |
Dolly Shine Spinning My Wheels (DS) |
291 |
292 |
6 |
-1 |
21 |
Copyright © 2013, the Texas Music Chart. Used with permission from Best In Texas Music Marketing LLC, Houston, TX
ain’t Jazz…In the mid 1970s, Dickey Lee recorded “9,999,999 Tears”, and it became a country and pop hit in 1976, and in 1977, 
Lee repeated this with another Bailey tune, “Peanut Butter,” which also went into the charts. As his songwriting talents became known, Bailey signed with RCA Records and in 1978 began releasing singles of his own songs. His first hit as a singer-songwriter, “What Time Do You Have To Be Back In Heaven?”, was on the charts for over four months. Bailey charted a total of seven No. 1 singles on Billboard‘s “Country” charts and another eight Top 10 in the late 1970s- early 1980s. His sound combines R&B influences with country; his version of Wilson Pickett’s “In the Midnight Hour” was a country hit. His last country No. 1 hit was with “She Left Love All Over Me” in 1982.
Bailey has had three double sided number 1’s in succession on the Country charts, a feat never accomplished by any other artist.
He also operates Razzy’s Hit House, his recording studio where he is helping other artist with their projects.