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Dave Adkins To Perform National Anthem for NCAA Division I Baseball Championships

Dave Adkins To Perform National Anthem for NCAA Division I Baseball Championships

Posted: 29 May 2013 12:37 PM PDT

Image635054276711243985Rural Rhythm recording artist Dave Adkinsof the driving new bluegrass group Dave Adkins and Republik Steele will perform the U.S. National Anthem for the 2013 NCAA Division I Baseball Championship – Nashville Regional at Vanderbilt’s Hawkins Field this Saturday, June 1, at 7:00 p.m. CDT. 

Adkins will perform the Anthem as a guest on the Children’s Hospital & Arena Tour, which combines National Anthem performances at major sporting events with visits to local Children’s Hospitals.

 

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Festival of The Bluegrass Gets Ready for 40th Run

Posted: 29 May 2013 12:08 PM PDT

Image635054255746794887The Cornett Family will hold its 40th annual Festival of the Bluegrass at the Kentucky Horse Park June 6-9.

This four-day music festival is delighted to welcome The Masters of Bluegrass, featuring Del McCoury, JD Crowe, Bobby Osborne, Bobby Hicks, and Jerry McCoury who take the stage Saturday.

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20 Year Anniversary Video By James Reams Released

Posted: 29 May 2013 11:39 AM PDT

Image635054241677840189James Reams who is celebrating 20 years as the leader of the Barnstormers this year has just released a celebration video looking back at his early years right through today. 

WATCH THE VIDEO HERE at the end of this post .

 

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Nathan Stanley Salutes His Bluegrass Forebears In THE LEGACY CONTINUES

Posted: 29 May 2013 09:14 AM PDT

Image635054138329288990No bearer of a distinguished musical heritage brings more devotion and intensity to the task than Nathan Stanley. 

Here, in The Legacy Continues, his sixth solo album, the grandson of Dr. Ralph Stanley gathers and reinterprets familiar songs that have become the very fabric of bluegrass music.  And he introduces some newer tunes that have all the earmarks of enduring.

 

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Compass Readies Claire Lynch’s DEAR SISTER for Release Next Week

Posted: 28 May 2013 04:45 PM PDT

Image635053561375959147By any measure, Claire Lynch is high on the bluegrass world’s A-List, with accolades that include two International Bluegrass Music Association (IBMA) Female Vocalist of the Year awards and two Grammy nominations for Best Bluegrass Album, and most recently, Lynch won the 2012 USA Artists $50,000 Walker Fellowship.

Now, on the heels of the prestigious award, Lynch has prepared her highly awaited Compass debut DEAR SISTER to be released by Compass Records next Monday, June 3rd.

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New Banjo Picker for THE ROYS

Posted: 28 May 2013 03:58 PM PDT

Image63505353201326969718-year old Daniel Patrick will join the award-winning ROYS on stage for the first time in Auburn, AL at the University Station Bluegrass Festival (May 30-31).

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Marshall Lytle

Marshall Lytle

Marshall Lytle (September 1, 1933 – May 25, 2013) was an American rock and roll bassist, best known for his work with the groups Bill Haley & His Comets and The Jodimars in the 1950s.

Born in Old Fort, North Carolina, Lytle was a guitar player before joining Bill Haley’s country music group, The Saddlemen, in 1951. But Lytle was hired to play double bass for the group, replacing departing musician Al Rex, so Haley taught Lytle the basics of slap bass playing. Lytle, who was only a teenager at the time, grew a moustache in order to look a little older, and became a full-time member of The Saddlemen and, in September 1952, he was with the group when they changed their name to Bill Haley & His Comets. Soon after, Lytle co-wrote with Haley the band’s first national hit, “Crazy Man, Crazy” although he did not receive co-authorship credit for it (until 2002).

Lytle played on all of Haley’s recordings between mid-1951 and the summer of 1955, including the epochal “Rock Around the Clock” in 1954.

He played a late 1940s model Epiphone B5 upright double bass, purchased in October, 1951, for about $275. He used gut strings for the G and D strings while the A and E strings were wound. Lytle’s style of playing, which involved slapping the strings to make a percussive sound, is considered one of the signature sounds of early rock and roll and rockabilly. The athletic Lytle also developed a stage routine, along with Ambrose, that involved doing acrobatic stunts with the bass fiddle, including throwing it in the air and riding it like a horse.

In 2012, Lytle was inducted as a member of the Comets into the Rock and Roll Hall of Fame.

Read more here: http://en.wikipedia.org/wiki/Marshall_Lytle

 

 

 

If you are trying to break into country music, and your last name is Cyrus, you have some very big footsteps to follow. Bobby Cyrus, cousin to Billy Ray Cyrus, will be releasing his debut country album on May 21. Now that all know who his cousin is, I have this to say… Billy Ray and his Achy Breaky Heart may be the better known Cyrus, but Bobby is definitely the more ‘country’ of the two!

The album, titled Homeplace, features 13 tracks, nine of which were written or co-written by Bobby. Produced by renowned vocalist and Bluegrass musician, Don Rigsby, the album features special guest appearances by Billy Ray Cyrus, and Country legend, Tom T. Hall.

The first one, ‘Cut My Teeth On (Waylon and Willie)’ sounds like he did! With a melody that reminds you of the music of Waylon and Merle, and lyrics that tell a story, this song has everything that makes country music ‘country’. It has a very traditional sound, and anyone who grew up listening to the best country music had to offer is going to like this song.

That one is followed by ‘Homeplace’. It’s a great song, but I wasn’t happy with the dialogue at the beginning. I understand it is a spoken word stanza from Bobby’s father. And, I’m sure it is an important element in this song that is painting a picture of the Cyrus family home in Louisa, Ky. But, I just don’t really like talking in my music. However, when that short ‘spoken word stanza’ ends, we get to hear an awesome song, with a great melody – and a story that could possibly be told by just about everyone who grew up in that part of the country.

The next one is “’Milkman’s Eyes’. I got to hear this one several months ago, and I didn’t like it. I’m not sure why. Maybe it was the message it was sending. I mean, I’m old – I grew up with a milkman who arrived at our house a few times a week before 7 a.m., and put the glass, quart-size bottles of milk, in a little insulated box on our front porch. Most people listening to country music these days don’t have a memory like that…because many were born years after the milkman ceased to exist. Looking at someone’s child, and suggesting to them that the kid ‘has the milkman’s eyes’ probably wouldn’t even strike them as amusing. This song is an obvious attempt at humor from Bobby and his cousin, Billy Ray in this duet.

Beautiful is the only word needed to describe “Send Me Wings,” the fourth song on this CD. It’s Bobby and a piano, and an emotional story. I don’t even want to tell you about it – it’s a song you have to listen to… and you might cry just a little bit. “If little boys can be angels, send me wings so I can fly.” It’s a great song. I want to hear this one on the radio!

Bobby shows us he can rock a bit with “Hillbilly Man” – It’s a fast song, about moonshiners. It has a beat that might push it into the country/rock category – but it’s still country enough for me.

Tom T. Hall is featured in “A Rose For Marie.” It’s another slow one. I love this ballad side of Bobby Cyrus. And I really loved a little Tom T. on this album. Tom had a hand in writing this one, and bobby said the song was inspired by the death of John Hartford’s wife, Marie, after Tom T. had visited her gravesite.”

Bobby wrote “Daddy’s Home,” and calls it an autobiographical acoustic track. It’s about the memories he had of his father. It brought back memories I have of my father, too. I think it is going to do that for a lot of people who hear it. ‘Broke Down In Georgia” had a familiar melody, I thought – but I can’t put it with any other song, really. It’s slow, it’s good, it tells a story. And Bobby has a great way of telling stories.

Picking up speed again with “If I’da Wrote That Song,” How many times have we all thought – ‘wish I had written that one.’ It just tells us where he might be and what he might be doing if he had written ‘that song.’ He slows us back down with “Carved Our Names In Stone”. This one is a story of young love – and what happens when that young love ends.

When I listened to “Bodan’s Home” I was thinking LINE DANCE! It had the perfect beat – and I was more interested in the music than I was the lyric. All I know is that there are some references to Jekyll and Hyde and the Boogie Man, and apparently there’s an urban legend somewhere in there. But, I’m still thinking line dance!

Next we have “Lucky Guy” – Bobby wrote this one, too. It is described in the ‘cut by cut’ as “an inspirational track that starts as a daydream before moving into the reality of Cyrus’ pursuit of a career in music.’ It’s a song you would have had to live, to write. And he’s obviously lived it.

 “Lucky Man” is the last song on the album, but then – we get Homeplace (The Poem). It was written by Bobby’s dad. It’s great. But, again, I’m not much into ‘readings’. And, as good as this poem is, I think I would have rather had it printed in the album jacket, and read it for myself. But I probably wouldn’t have read it as well as Bobby did. While this one track isn’t something I’ll listen to often, I’m glad I got to hear it at least once.

( Bobby Cyrus – “Homeplace” – Country Music Album Review is brought to you by Music Charts Magazine and Country’s Chatter – www.MusicChartsMagazine.com & www.CountrysChatter.com )

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Marty Raybon’s voice puts me into a comfort zone……. you know, like a nice warm snifter of something smooth after supper sittin’ by the fire. Or, slippin’ into your favorite flannel shirt after you’ve come in cold and wet from workin’ outside.

Maybe that comfortable feeling of mine is because that voice has been around so long, and I’ve never heard Marty sound anything but GOOD!

I knew goin’ in that I was going to like this CD, but, I didn’t know I was going to like it this much! WOW! What a recording this one is!

Marty produced this one himself, recording the instrumental tracks at Mojo Recording Studio, in Greenback, TN., with Josh Molen and Lewell Molen doing the engineering, mixing and mastering. For all of his lead vocal recordings, Marty went to Wishbone Studios, in Muscle Shoals, AL. He must have known exactly what he wanted, and where to go to get it, because, from a technical side, everything, instruments and vocals, all sound crystal clear, warm and rich. I love it when the microphone is up close and personal, like it is here, and you can hear the singer breathe. If you have headphones on, it’s almost like the artist is singing just to you…… Marty has that natural ability to convey his emotions in the most genuine way, and when his singing is matched by top quality equipment and technicians really listening for that magic in his voice, THIS recording is the result. I’ve never heard Marty’s voice sound better. Marty Lewis and Mike McGuire were the engineers waving their magic wands over these vocal tracks, and they did a wonderful job! Mike McGuire is Marty’s old friend and was the drummer for “Shenandoah.”

It’s not just Marty’s vocals that shine so well on this CD. It should be noted that Marty’s brother, Tim Raybon, handled all the harmony vocals. Tim and Marty sing together with an affinity for each other that is marvelous to hear. That “brotherly” intuitiveness shows up again! Listen to how they sound on “Only You, Only You,” and you’ll be as impressed as I am. The ending of the song has the voices moving with a powerful, almost gospel, movement that is simply beautiful to hear. For singers to sing like this, it takes years and years of working on breath control, diaphragm strength, vocal technique and ears listening to the nuances of each other….. OR….. just growin‘ up brothers singin‘ together will get the job done! Either way, Tim and Marty’s harmonies are exquisite!

Of the ten songs on this CD, Marty co-wrote five of them….. three of them with John Fountain. The afore mentioned “Only You, Only You,” which I do believe is my favorite song, the very first tune on the CD, “That Janie Baker,” and “A Little More Sawdust On The Floor.” Every one of them is a winner and qualify as single material. Marty and John definitely need to write together more, and as often as possible! “Janie Baker” is solid, wide open, full steam ahead bluegrass guaranteed to catch your interest. “Sawdust,” has a country, bar room feel that will have you lookin’ for a dance partner. The arrangement is pure bluegrass instrumentation, but the feel would fit just about any honky tonk juke box sittin’ right next to the dance floor. All three songs are lyrically picturesque and melodically catchy and memorable. I haven’t been able to stop humming “Only You” for about a week now! “The Big Burnsville Jail,” co-written with Thom Case and Michael Bonagura is as good an outlaw tale as I’ve heard in years. The defendant in question had more hutzpah, self-assured escape plans, AND self-indulgent ways to spend his ill gotten gains than Butch and Sundance ever thought of. Great lyrical story …… and maybe even a video! Lots of imagery to go with a fun song.

Read the rest of this great review at Presciption Bluegrass’s website here:  http://prescriptionbluegrassreviews.blogspot.com/2013/04/cd-review-marty-raybon-back-forty.html

Prescription Bluegrass – “Your One Stop Pit Stop For Everything Bluegrass

 

(Bluegrass Album & Artist Reviews are brought to you by MusicChartsMagazine.com & PrescriptionBluegrassrReviews.blogspot.com)

 

 

A  Big Music Charts Magazine Welcome to Big Al Weekley (above) from KRVN in Nebraska. 

In celebration of “International Bluegrass Month of May 2013” our 2nd guest is Big Al Weekley and his bluegrass radio show “The Big Al Bluegrass Show”. 

Big Al will play some bluegrass tunes and this show is of course special as it has an emphasis on this very special Memorial Day weekend 2013.  Enjoy the show and stay tuned for more Bluegrass this May 2013!

 

Show:  “The Big Al Bluegrass Show” – with “Big Al Weekley” – Enjoy!

Segment #1

Segment #2

Segment #3

Segment #4

Henri Dutilleux (French pronunciation: [ɑ̃ʁi dytijø]; 22 January 1916 – 22 May 2013) was a French composer active mainly in the second half of the 20th century. His work, which has garnered international acclaim, follows in the tradition of Maurice Ravel, Claude Debussy, and Albert Roussel, but in an idiosyncratic style.

Dutilleux numbered as Op. 1 his Piano Sonata (1946–1948), written for pianist Geneviève Joy, whom he had married in 1946. He renounced most of the works he composed before it because he did not believe them to be representative of his mature standards, considering many of them to be too derivative to have merit.

Dutilleux died 22 May 2013 in Paris.

Awards and prizes:

Grand Prix de Rome (for his cantata L’Anneau du Roi) – 1938

UNESCO’s International Rostrum of Composers (for Symphony No. 1) – 1955

Grand Prix National de Musique (for his entire oeuvre) – 1967

Praemium Imperiale (Japan – for his entire oeuvre) – 1994

Prix MIDEM Classique de Cannes (for The Shadows of Time) – 1999

Ernst von Siemens Music Prize (for his entire oeuvre) – 2005

Prix MIDEM Classique de Cannes (for his entire oeuvre) – 2007

Cardiff University Honorary Fellowship (for his entire oeuvre) – 2008

Gold Medal of the Royal Philharmonic Society – 2008

Kravis Prize – 2011

Grand-Croix de la Légion d’honneur – 2004

 

Read more at: http://en.wikipedia.org/wiki/Henri_Dutilleux

Today in Rock in Roll

– May 22 –

 

 

 

 

 

 

 

 

        1935

Mahalia Jackson lands her first recording contract after she’s heard singing at a funeral.

1942

Calvin “Thang” Simon was born.

1945

Joe Liggins hits #1 on the R&B chart and #13 on the pop chart with “The Honeydripper.”

1951

Roy Milton hits #2 on the R&B chart with “Best Wishes”.

1951

The Dominoes hit #6 on the R&B chart with “Do Something For Me” and #1 on the R&B chart and #17 on the pop chart with “Sixty Minute Man”.

1958

As Jerry Lee Lewis begins a British tour, a scandal erupts over his marriage to a barely teenage relative, as well as his two prior divorces. Lewis is booed offstage, the tour is canceled after three shows, and he returns to the U.S. to find himself mired in controversy.

1961

“Mother-in-Law,” written and produced by Allen Toussaint and recorded by Ernie K-Doe, hits #1 on the national chart.

1963

Frank Zappa opens Studio Z in Cucamonga, California.

1965

The Dixie Cups hits #20 with “Iko Iko”.

1965

“Iko Iko” by the Dixie Cups charts at #20.

1966

When a Man Loves a Woman (Percy Sledge) was a hit.

1971

Ray Charles Orchestra hits #36 with “Booty Butt”

1976

ELO hits #14 in the US with “Strange Magic”.

1982

Adam & the Ants hit #1 with “Goody Two Shoes”.

1982

Japan hits #24 in the UK with “Cantonese Boy”.

1988

One More Try (George Michael) was a hit.

1999

Robbie Williams’ US album debut, ‘The Ego Has Landed’, a compilation of his two UK albums, reaches #85 on the US charts.

1999

Fatboy Slim hits #36 in the US with “Praise You”.

 

Ray Manzarek – The Doors

Raymond Daniel Manczarek, Jr., known as Ray Manzarek (February 12, 1939 – May 20, 2013), was an American musician, singer, producer, film director and author, best known as a founding member and keyboardist of “The Doors” from 1965 to 1973. He was a co-founding member of Nite City from 1977 to 1978, and of Manzarek–Krieger from 2001 to his death.

From 1962 to 1965, he studied in the Department of Cinematography at the University of California, Los Angeles (UCLA), where he met film student Jim Morrison. At UCLA, he also met Dorothy Fujikawa, whom he married. They have a son, Pablo. Forty days after finishing film school, thinking they had gone their separate ways, Manzarek and Morrison met by chance on Venice Beach in California. Morrison said he had written some songs, and Manzarek expressed an interest in hearing them, whereupon Morrison sang a rough version of “Moonlight Drive”. Manzarek liked the songs and co-founded the Doors with Morrison at that moment.

Manzarek occasionally sang for the Doors, including the live recording “Close To You” and on the B-side of “Love Her Madly,” “You Need Meat (Don’t Go No Further).” He also sang on the last two Doors albums, recorded after Morrison’s death, Other Voices and Full Circle. Additionally, he provided one of several guitar parts on the song “Been Down So Long.”

Read more at: http://en.wikipedia.org/wiki/Ray_Manzarek

It’s no secret in the country music world, that Jerrod Niemann has found himself a lot of fans. His music can be a bit whimsical or even a bit nutty at times, and some is about as far from traditional country as you can get, but that didn’t stop him from putting a string of hits out on country radio. “Lover Lover,” “What Do You Want,” and “One More Drinking Song,” were all singles from Jerrod’s album, Judge Jerrod and the Hung Jury.

The Judge has now given us another CD, full of songs that are sure to please his ever-growing fan base. My personal favorite, “Shinin’ On Me,’ was his first single from the new album. It got into the Top 20, and I was really surprised that it didn’t climb a lot higher.  That one is definitely a ‘feel good song.’ Every time I listen to this CD, I find myself going back to that song to listen to it again.

“Whiskey Kinda Way” and “I’ll Have to Kill the Pain” both have a traditional country sound, and give fans an opportunity to listen to the slower side of Jerrod. I could see either one of those songs released to country radio, and am really wondering why that hasn’t happened by now.

The second song from this album that Jerrod released to radio, was “Only God Could Love You More.” Jerrod co-wrote that one with Lee Brice and Jon Stone. It’s another slow one that gives Jerrod a great chance to show off his vocals.

“Honky Tonk Fever” puts me more in mind of what you might hear in a jazz club, or even a 1920s speakeasy. It’s really not country, but it really is good. It’s a fun song. The kind of song that makes you smile, but you really aren’t sure why. Jerrod wrote this one without any help from any of the great writers who co-wrote many of the other songs on this album.

Jerrod wrote or co-wrote every song on this album. I wouldn’t be surprised if we see Jerrod’s name in the ‘written by’ line on upcoming albums by some of country music’s best known entertainers. In addition to writing the music on this album, Jerrod also co-produced the CD.

Here is the track list, with authors: Free the Music, Jerrod Niemann; Whiskey Kind  of Way, Jerrod Niemann, Randy Boudreaux; Get On Up, Jerrod Niemann, J.R. McCoy, Jesse Clingan; I’ll Have to Kill the Pain, Jerrod Niemann, J.R. McCoy, Arlos Smith; Only God Can Love You More, Jerrod Niemann, Jon Stone, Lee Brice; Shinin’ on Me, Jerrod Niemann, Rob Hatch, Lee Brice, Lance Miller; Honky Tonk Fever, Jerrod Niemann; Guessing Games, Jerrod Niemann, J.R. McCoy; It Won’t Matter Anymore, Jerrod Niemann, Rob Hatch, Lance Miller; I’m All About You (featuring Colbie Caillat), Jerrod Niemann, Richie Brown; Real Women Drink Beer, Jerrod Niemann, Houston Phillips; and Fraction of a Man, Jerrod Niemann.

“This album is my interpretation of how I feel about country right now,” Jerrod said. “It’s a project honoring many different layers and colors that have appeared in the country genre since recorded music began.” Jerrod also explained that the pedal steel guitar wasn’t always in the country music picture, even though it has since come to define the genre.

When Jerrod was first starting, he did one tour of U.S. radio stations that brought him to Bristol’s Steel Creek Park, where he put on a free show of a crowd of fans that showed up to enjoy his music, and meet the artist. As so many artists do when they first get a song out on country radio, Jerrod was eager to spend a little time with his fans, signing autographs, posing for pictures, sharing his music, and pretty much giving everyone a chance to get to know who he is and what he does.

To keep up with what’s going on in Jerrod’s world, including upcoming shows, new videos, and new music, visit his web site www.JerrodNiemannOfficial.com, and follow him on Twitter @jrodfromoz (that’s Jerrod from Oz, he’s from Kansas). This will tell you just a bit about Jerrod’s sense of humor, too. In addition to following him on twitter, you can follow his bus. And the bus will answer your tweets, too. Just go to Twitter, and follow JerrodsBus.

Be sure to check our web site, too, www.countryschatter.com, and follow us on Twitter @countryschatter.

 

(Music Charts Magazine Country Album Reviews are brought to you by CountrysChatter.com and MusicChartsMagazine.com)

Feller and Hill and The Bluegrass Buckaroos

Released:   February, 2013

Label:   Blue Circle Records

Review by:   W.J. Hallock

My buddy, Brian McNeal, and I, have been friends since the mid 70’s. Besides being friends, we have one other thing in common….. a love affair with that 60’s Bakersfield country music sound. Brian played all those Buck and Merle songs when he was a disc jockey for KNIX in Phoenix, which was owned by Buck Owens. My band “Cactus County,” and I were playing country music (yeah, LOTS of Buck and Merle!), for dance hall crowds in every honky-tonk and road house in the southwest, with Phoenix being home base.

That sound of Buck and Don Rich singing together, Bonnie Owens (Buck’s ex-wife) vocalizing on all of Merle Haggard’s hit records, and that famous chicken-pickin’ Telecaster guitar playing of Don, James Burton and Roy Nichols will forever be a special part of country music history that we’ll always love. So, now, when anything reminds us of that era, we’re all in and checkin’ it out!

A few months back, Brian sent me some songs to listen to by “Feller and Hill and the Bluegrass Buckaroos.” We both couldn’t believe how much Tom Feller and Chris Hill sounded like Buck and Don singing together! We were pretty excited to see just how this musical adventure was going to turn out, as the CD wasn’t finished and ready for release.

The completed project came last week, and it was all we had hoped it would be. To quote Brian, “Feller and Hill do the third best version of TOGETHER AGAIN ever recorded!”and I whole-heartedly agree. The original version by Buck Owens will always be #1.…. Emmylou Harris OWNS the #2 spot….. and, time will only tell for sure, but, in my humble opinion (AND Brian’s) Feller and Hill have made their version so personalized and passionate as to forever nail down that #3 slot. When you think of all the many artists who have recorded TOGETHER AGAIN, that’s a BIG deal! To re-do a song that defined a specific sound and musical era, and do it in such a way that it makes the song relevant to another generation of listeners, that is the epitome of successful communication skills.

Just so there’s no confusion, this CD is straight ahead bluegrass. Tom and Chris have spent years as sidemen for some of the best bluegrass bands around, and their credentials are exceptional. On this release, Tom plays acoustic and Pedal Steel guitars, mandolin and upright bass. Chris plays all the banjo tracks, and plays any style called for. Earl Scruggs would be proud of Chris’ proficiency in his style, especially with his use of Earl’s patented “Scruggs tuners.” Don Reno and Ralph Stanley’s styles are also in Chris’ arsenal. But what sets this CD apart from those of so many other bluegrass bands, is the way these two talented gentlemen sing together. The two of them have that cohesive magic that not every duo have, and they have taken all their vocal and studio/technical strengths and added layers of vocals to the entire CD to make it a total pleasure to hear.

The very first song on this musical trip kicks off with a bang. The old Delmore Brother’s standard, “Gonna Lay Down My Old Guitar,” leaps out of the speakers, complete with two part harmony, a Lester Flatt “G-run” guitar lick and Chris’ 5-string banjo just a cookin’! This song will make you smile, because it’s alive, traditional and as authentic as it gets. Especially notable on this tune is the lead guitar solo of Brian Blaylock. It just plain sizzles!

Read the rest here:  http://prescriptionbluegrassreviews.blogspot.com/2013/03/prescription-bluegrass-cd-reviewfeller.html#more

( Music Charts Magazine Bluegrass Album Reviews are all done by Prescription Bluegrass – “Your Bluegrass Home” )