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Lewis Allan “Lou” Reed (March 2, 1942 – October 27, 2013) was an American rock musician and songwriter. After being guitarist, vocalist, and principal songwriter of the Velvet Underground, his solo career spanned several decades. The Velvet Underground were a commercial failure in the late 1960s, but the group has gained a considerable cult following in the years since its demise and has gone on to become one of the most widely cited and influential bands of the era.
After his departure from the group, Reed began a solo career in 1972. He had a hit the following year with “Walk on the Wild Side”, but subsequently lacked the mainstream commercial success its chart status seemed to indicate. In 1975, Reed released a double album of feedback loops, Metal Machine Music, upon which he later commented, “No one is supposed to be able to do a thing like that and survive.” Reed was known for his distinctive deadpan voice, poetic lyrics and for pioneering and coining the term ostrich guitar.
In 1964, Reed moved to New York City and began working as an in-house songwriter for Pickwick Records. In 1964, he scored a minor hit with the single “The Ostrich,” a parody of popular dance songs of the time, which included lines such as “put your head on the floor and have somebody step on it.” His employers felt that the song had hit potential, and arranged for a band to be assembled around Reed to promote the recording. The ad hoc group, called “The Primitives,” included Welsh musician John Cale, who had recently moved to New York to study music and was playing viola in composer La Monte Young’s Theater of Eternal Music, along with Tony Conrad. Cale and Conrad were both surprised to find that for “The Ostrich,” Reed tuned each string of his guitar to the same note. This technique created a drone effect similar to their experimentation in Young’s avant-garde ensemble. Disappointed with Reed’s performance, Cale was nevertheless impressed by Reed’s early repertoire (including “Heroin”), and a partnership began to evolve.
Read more at: http://en.wikipedia.org/wiki/Lou_Reed
RALEIGH, N.C. – – Country music singer Kellie Pickler was presented with the Heart for the Warrior Award from the USO of North Carolina on Saturday, Oct. 19 at the Ninth Annual Salute to Freedom Gala in Raleigh, N.C. The award is given to those who, through their selfless service and contributions, continuously lift the spirits of the troops and their families.
We’ve been able to do so many tours overseas. To be in a position where you can take a little piece of home to your service men and women, why would you not do that? They need to know we have their back because they have ours.”About Fred’s Country program:
Le program Fred’s Country: La musique Country de Tradition avec Frederic (Fred) Moreau. Le program Fred’s Country est diffusé sur 65 fréquences FM, 54 radios ou webradios.
Radio Show Host: Fred Moreau
Program Fred’s Country w43-13 – 25 octobre 2013 à 15:00
Music Charts Magazine is proud to be friends with Mr. Moreau and glad to now be one of the many to host Program Fred’s Country. ( French/English)
Chase Rice’s six-song digital EP continues to dominate iTunes downloads as No. 1 Digital Country Album
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Copyright © 2013, the Texas Music Chart. Used with permission from Best In Texas Music Marketing LLC, Houston, TX
|
LW |
TW |
Artist Title (Label) |
TW SPINS |
LW SPINS |
Weeks on Chart |
Spin +/- |
Stations |
|
|
2 |
1 |
Will Hoge Strong (WH) |
1,476 |
1,291 |
12 |
+185 |
77 |
|
|
3 |
2 |
Green River Ordinance It Ain’t Love (GRO) |
1,354 |
1,249 |
18 |
+105 |
73 |
|
|
5 |
3 |
Kyle Park Fit For The King (Indie/Thirty Tigers) |
1,259 |
1,154 |
13 |
+105 |
75 |
|
|
6 |
4 |
Wade Bowen Songs About Trucks (AMP/Sea Gayle) |
1,222 |
1,147 |
8 |
+75 |
70 |
|
|
8 |
5 |
Reckless Kelly The Last Goodbye (No Big Deal) |
1,182 |
1,068 |
12 |
+114 |
76 |
|
|
7 |
6 |
Mark McKinney Stolen Cash (Texas Evolution) |
1,159 |
1,112 |
14 |
+47 |
68 |
|
|
4 |
7 |
Josh Abbott Band She Will Be Free (Pretty Damn Tough Records) |
1,148 |
1,190 |
19 |
-42 |
68 |
|
|
10 |
8 |
Kevin Fowler How Country Are Ya? (Kevin Fowler Records) |
1,062 |
914 |
6 |
+148 |
75 |
|
|
9 |
9 |
Bri Bagwell Hound Dog (BB) |
1,030 |
1,010 |
15 |
+20 |
66 |
|
|
1 |
10 |
Cody Johnson Ride With Me (CJB) |
1,019 |
1,329 |
12 |
-310 |
62 |
|
|
12 |
11 |
John Slaughter Hasn’t Everyone (Winding Road) |
966 |
879 |
13 |
+87 |
62 |
|
|
11 |
12 |
Jason Boland & the Stragglers Electric Bill (Proud Souls Ent.) |
936 |
886 |
6 |
+50 |
67 |
|
|
14 |
13 |
Randy Rogers Band Speak Of The Devil (MCA Nashville) |
868 |
843 |
7 |
+25 |
65 |
|
|
15 |
14 |
Turnpike Troubadours If You’re Gonna Play in Texas (Lightning Rod Records) |
777 |
730 |
6 |
+47 |
59 |
|
|
13 |
15 |
No Justice Songs On The Radio (Carved Records) |
765 |
877 |
16 |
-112 |
56 |
|
|
17 |
16 |
Rich O’Toole I Love You (PTO Records) |
722 |
721 |
13 |
+1 |
54 |
|
|
19 |
17 |
John David Kent Until We Turn Around (Blackland/Roustabout) |
714 |
656 |
12 |
+58 |
53 |
|
|
18 |
18 |
Bart Crow Loving You’s a Crime (Smith Ent.) |
707 |
715 |
13 |
-8 |
58 |
|
|
21 |
19 |
Mario Flores Let Your Lonesome End With Me (MF) |
639 |
597 |
8 |
+42 |
47 |
|
|
16 |
20 |
Phil Hamilton Back of a ’73 (Winding Road) |
635 |
730 |
20 |
-95 |
42 |
|
|
23 |
21 |
The Statesboro Revue Huck Finn (Vision Ent./Shalley Records) |
621 |
561 |
6 |
+60 |
47 |
|
|
22 |
22 |
TJ Broscoff This is the Moment (BGM Records) |
575 |
569 |
11 |
+6 |
43 |
|
|
27 |
23 |
Six Market Blvd. Mailbox (Vision Ent.) |
564 |
532 |
10 |
+32 |
48 |
|
|
24 |
24 |
Granger Smith Miles and Mud Tires (GS) |
550 |
558 |
5 |
-8 |
58 |
|
|
28 |
25 |
Brandon Rhyder Pray The Night (Smith Ent.) |
549 |
464 |
8 |
+85 |
47 |
|
|
30 |
26 |
Josh Grider Smallest Town on Earth (AMP) |
541 |
450 |
3 |
+91 |
54 |
|
|
26 |
27 |
Clayton Gardner Something About You (CG) |
541 |
535 |
15 |
+6 |
43 |
|
|
25 |
28 |
Matt Caldwell I Know Mexico (MC) |
528 |
551 |
14 |
-23 |
49 |
|
|
43 |
29 |
Aaron Watson July in Cheyenne (Thirty Tigers) |
514 |
357 |
2 |
+157 |
47 |
|
|
20 |
30 |
Josh Ward Promises (Buckshot Records) |
499 |
633 |
18 |
-134 |
41 |
|
|
38 |
31 |
Jake Kellen Jesus and Hank (Horny Toad Records) |
429 |
388 |
4 |
+41 |
45 |
|
|
32 |
32 |
Rankin Twins Jezebel (RT) |
424 |
432 |
9 |
-8 |
46 |
|
|
29 |
33 |
Brandon Jenkins Tattoo Tears (Smith Ent.) |
422 |
456 |
12 |
-34 |
40 |
|
|
47 |
34 |
William Clark Green Rose Queen (Bill Grease Records) |
416 |
326 |
2 |
+90 |
47 |
|
|
31 |
35 |
Shane Smith & The Saints Coast (SSS) |
414 |
441 |
9 |
-27 |
43 |
|
|
N |
36 |
Casey Donahew Band Small Town Love (Almost Country) |
406 |
299 |
1 |
+107 |
44 |
|
|
37 |
37 |
Charlie Montague Beautiful Noise (CM) |
403 |
409 |
10 |
-6 |
42 |
|
|
36 |
38 |
Taylor Hodak Band Good Man (THB) |
398 |
415 |
11 |
-17 |
36 |
|
|
34 |
39 |
Deryl Dodd Loveletters (Smith Ent.) |
394 |
420 |
7 |
-26 |
36 |
|
|
44 |
40 |
George Ducas White Lines and Road Signs (GD) |
378 |
357 |
6 |
+21 |
35 |
|
|
39 |
41 |
Mark Allan Atwood One Horse (MAA) |
375 |
376 |
7 |
-1 |
38 |
|
|
N |
42 |
Whiskey Myers Home (Wiggy Thump) |
372 |
283 |
1 |
+89 |
43 |
|
|
42 |
43 |
Charlie Robison Brand New Me (Thirty Tigers/Jetwell, Inc.) |
371 |
362 |
4 |
+9 |
40 |
|
|
41 |
44 |
Chris Brazeal Band Sounds Like Home (CBB) |
360 |
363 |
5 |
-3 |
34 |
|
|
50 |
45 |
Jason Cassidy Southern Side (JC) |
359 |
306 |
2 |
+53 |
43 |
|
|
45 |
46 |
Cameran Nelson Reckless in Texas (CN) |
356 |
354 |
4 |
+2 |
35 |
|
|
46 |
47 |
Kris Gordon Triple on the Double (Frio Records) |
351 |
330 |
3 |
+21 |
39 |
|
|
49 |
48 |
LiveWire Whiskey Sunday (Way Out West Records) |
317 |
310 |
8 |
+7 |
31 |
|
|
48 |
49 |
The Dusty Smirl Band Mine For The Mile (TDSB) |
306 |
313 |
4 |
-7 |
37 |
|
| PHOTO COMING SOON |
R |
50 |
Saints Eleven Man in the Water (SE) |
279 |
287 |
4 |
-8 |
26 |
Copyright © 2013, the Texas Music Chart. Used with permission from Best In Texas Music Marketing LLC, Houston, TX
Join Music Charts Magazine this Halloween 2013 and you will hear the Werewolves scream.
Listen in October 31th (CST) just after the stroke of midnight October 30 as we have lined up a special Exclusive Interview just for You! The interview will run all day and night this Halloween 2013.
Who will these special guest(s) be?.. and what is their connection to the man in black Mr. Johnny Cash? Come and listen to find out!
www.MusicChartsMagazine.com – Your Music Source
About Fred’s Country program:
Le program Fred’s Country: La musique Country de Tradition avec Frederic (Fred) Moreau. Le program Fred’s Country est diffusé sur 65 fréquences FM, 54 radios ou webradios.
Radio Show Host: Fred Moreau
Program Fred’s Country w42-13 – 18 octobre 2013 à 15:00
Music Charts Magazine is proud to be friends with Mr. Moreau and glad to now be one of the many to host Program Fred’s Country. ( French/English)
Alright, you asked for it, we have kept you waiting, now here it is.
Join Music Charts Magazine's CBO Big Al Weekley as he interviews the "Tennessee Bird Walk Discoverers" AKA country music legends "Jack Blanchard and Misty Morgan."
We hope that you enjoy this celebrity interview as much as we enjoyed doing it. Jack Blanchard and Misty Morgan have had their music played in homes over the world for decades and they continue to bring us great music today.
Jack Blanchard & Misty Morgan is an American country music duo from Florida. It is composed of guitarist/keyboardist/vocalist Jack Blanchard (born May 8, 1942) and his wife, keyboardist/vocalist Misty Morgan (born May 23, 1945). The duo recorded for several labels in the 1970s, including the charting albums Birds of a Feather and Two Sides of Jack and Misty. Betw
een 1969 and 1976, the duo also released fourteen singles, including "Tennessee Bird Walk", a Number One country hit and No. 23 pop hit in 1970.
By 1967, he and Morgan were married and began playing music together, and in 1969, the duo signed to Wayside Records to release its first single, "Big Black Bird (Spirit of Our Love)", which peaked at No. 59 on the U.S. country singles charts. After it came the novelty song "Tennessee Bird Walk", which went to Number One on the country charts and No. 23 on the pop charts. Following it was another novelty hit in "Humphrey the Camel", at No. 5 country and No. 78 pop.
The duo's second album, Two Sides of Jack and Misty, was released on Mega Records two years later. It produced four more chart singles, including the No. 15 "Somewhere in Virginia in the Rain" and another novelty song, "The Legendary Chicken Fairy". Later in the 1970s, Jack Blanchard & Misty Morgan released six singles on Epic Records, reaching Top 40 for the last time in 1974 with the No. 23 "Just One More Song". Except for a compilation album called Sweet Memories in 1987, the duo did not release any other material until 1995's Back in Harmony. From there, they began recording on a self-established independent label, "Velvet Saw Records" (named after Jack's nickname). From 2005 through 2008 they released three archival CD albums on Australia's Omni Records label.
Their song 'Yellow Bellied Sapsucker' was used in an episode of the third series of Australian television drama Tangle.
Find out more about "Jack Blanchard and Misty Morgan" here:
Jack Blanchard and Misty Morgan | Facebook
Amazon.com: Jack Blanchard & Misty Morgan: Music ( You can purchase music here )
Jack Blanchard & Misty Morgan | Biography | AllMusic
Copyright © 2012 – 2013 Music Charts Magazine, INC (www.MusicChartsMagazine.com) – All Rights Reserved. Contents of this site including text and media may not be reproduced without prior written consent. Audio and video elements of this site are property of their respective owners and are used with permission. Music Charts Magazine®
| Album |
LW |
TW |
Artist Title (Label) |
TW SPINS |
LW SPINS |
Weeks on Chart |
Spin +/- |
Stations |
|
1 |
1 |
Cody Johnson Ride With Me (CJB) |
1,329 |
1,353 |
11 |
-24 |
71 |
|
|
2 |
2 |
Will Hoge Strong (WH) |
1,291 |
1,227 |
11 |
+64 |
76 |
|
|
4 |
3 |
Green River Ordinance It Ain’t Love (GRO) |
1,249 |
1,184 |
17 |
+65 |
71 |
|
|
3 |
4 |
Josh Abbott Band She Will Be Free (Pretty Damn Tough Records) |
1,190 |
1,215 |
18 |
-25 |
72 |
|
|
5 |
5 |
Kyle Park Fit For The King (Indie/Thirty Tigers) |
1,154 |
1,150 |
12 |
+4 |
74 |
|
|
8 |
6 |
Wade Bowen Songs About Trucks (AMP/Sea Gayle) |
1,147 |
951 |
7 |
+196 |
68 |
|
|
7 |
7 |
Mark McKinney Stolen Cash (Texas Evolution) |
1,112 |
1,028 |
13 |
+84 |
72 |
|
|
6 |
8 |
Reckless Kelly The Last Goodbye (No Big Deal) |
1,068 |
1,044 |
11 |
+24 |
74 |
|
|
9 |
9 |
Bri Bagwell Hound Dog (BB) |
1,010 |
919 |
14 |
+91 |
68 |
|
|
13 |
10 |
Kevin Fowler How Country Are Ya? (Kevin Fowler Records) |
914 |
813 |
5 |
+101 |
70 |
|
|
12 |
11 |
Jason Boland & the Stragglers Electric Bill (Proud Souls Ent.) |
886 |
817 |
5 |
+69 |
65 |
|
|
15 |
12 |
John Sluaghter Hasn’t Everyone (Winding Road) |
879 |
783 |
12 |
+96 |
56 |
|
|
11 |
13 |
No Justice Songs On The Radio (Carved Records) |
877 |
826 |
15 |
+51 |
62 |
|
|
14 |
14 |
Randy Rogers Band Speak Of The Devil (MCA Nashville) |
843 |
799 |
6 |
+44 |
64 |
|
|
18 |
15 |
Turnpike Troubadours If You’re Gonna Play in Texas (Lightning Rod Records) |
730 |
678 |
5 |
+52 |
60 |
|
|
10 |
16 |
Phil Hamilton Back of a ’73 (Winding Road) |
730 |
868 |
19 |
-138 |
50 |
|
|
17 |
17 |
Rich O’Toole I Love You (PTO Records) |
721 |
694 |
12 |
+27 |
55 |
|
|
20 |
18 |
Bart Crow Loving You’s a Crime (Smith Ent.) |
715 |
640 |
12 |
+75 |
58 |
|
|
19 |
19 |
John David Kent Until We Turn Around (Blackland/Roustabout) |
656 |
640 |
11 |
+16 |
53 |
|
|
16 |
20 |
Josh Ward Promises (Buckshot Records) |
633 |
735 |
17 |
-102 |
47 |
|
|
22 |
21 |
Mario Flores Let Your Lonesome End With Me (MF) |
597 |
570 |
7 |
+27 |
46 |
|
|
23 |
22 |
TJ Broscoff This is the Moment (BGM Records) |
569 |
569 |
10 |
—– |
45 |
|
|
30 |
23 |
The Statesboro Revue Huck Finn (Vision Ent./Shalley Records) |
561 |
491 |
5 |
+70 |
46 |
|
|
29 |
24 |
Granger Smith Miles and Mud Tires (GS) |
558 |
492 |
4 |
+66 |
57 |
|
|
27 |
25 |
Matt Caldwell I Know Mexico (MC) |
551 |
527 |
13 |
+24 |
53 |
|
|
26 |
26 |
Clayton Gardner Something About You (CG) |
535 |
530 |
14 |
+5 |
45 |
|
|
25 |
27 |
Six Market Blvd. Mailbox (Vision Ent.) |
532 |
534 |
9 |
-2 |
46 |
|
|
33 |
28 |
Brandon Rhyder Pray The Night (Smith Ent.) |
464 |
444 |
7 |
+20 |
45 |
|
|
32 |
29 |
Brandon Jenkins Tattoo Tears (Smith Ent.) |
456 |
445 |
11 |
+11 |
41 |
|
|
34 |
30 |
Josh Grider Smallest Town on Earth (AMP) |
450 |
418 |
2 |
+32 |
46 |
|
|
35 |
31 |
Shane Smith & The Saints Coast (SSS) |
441 |
406 |
8 |
+35 |
45 |
|
|
36 |
32 |
Rankin Twins Jezebel (RT) |
432 |
400 |
8 |
+32 |
47 |
|
|
21 |
33 |
Aaron Watson Summertime Girl (Thirty Tigers) |
429 |
628 |
19 |
-199 |
34 |
|
|
37 |
34 |
Deryl Dodd Loveletters (Smith Ent.) |
420 |
395 |
6 |
+25 |
40 |
|
|
24 |
35 |
Curtis Grimes Home to Me (CG) |
420 |
567 |
22 |
-147 |
30 |
|
|
40 |
36 |
Taylor Hodak Band Good Man (THB) |
415 |
381 |
10 |
+34 |
41 |
|
|
39 |
37 |
Charlie Montague Beautiful Noise (CM) |
409 |
385 |
9 |
+24 |
42 |
|
|
43 |
38 |
Jake Kellen Jesus and Hank (Horny Toad Records) |
388 |
358 |
3 |
+30 |
45 |
|
|
38 |
39 |
Mark Allan Atwood One Horse (MAA) |
376 |
392 |
6 |
-16 |
33 |
|
|
28 |
40 |
Chapter 11 w/Aubrey Lynn England Whiskey and You (C11) |
368 |
502 |
17 |
-134 |
34 |
|
|
42 |
41 |
Chris Brazeal Band Sounds Like Home (CBB) |
363 |
369 |
4 |
-6 |
36 |
|
|
45 |
42 |
Charlie Robison Brand New Me (Thirty Tigers/Jetwell, Inc.) |
362 |
336 |
3 |
+26 |
40 |
|
|
N |
43 |
Aaron Watson July in Cheyenne (Thirty Tigers) |
357 |
178 |
1 |
+179 |
36 |
|
|
41 |
44 |
George Ducas White Lines and Road Signs (GD) |
357 |
378 |
5 |
-21 |
34 |
|
|
44 |
45 |
Cameran Nelson Reckless in Texas (CN) |
354 |
357 |
3 |
-3 |
35 |
|
|
50 |
46 |
Kris Gordon Triple on the Double (Frio Records) |
330 |
263 |
2 |
+67 |
39 |
|
|
N |
47 |
William Clark Green Rose Queen (Bill Grease Records) |
326 |
230 |
1 |
+96 |
38 |
|
|
46 |
48 |
The Dusty Smirl Band Mine For The Mile (TDSB) |
313 |
319 |
3 |
-6 |
39 |
|
|
47 |
49 |
LiveWire Whiskey Sunday (Way Out West Records) |
310 |
310 |
7 |
—– |
31 |
|
| PHOTO COMING SOON |
N |
50 |
Jason Cassidy Southern Side (JC) |
306 |
231 |
1 |
+75 |
39 |
Copyright © 2013, the Texas Music Chart. Used with permission from Best In Texas Music Marketing LLC, Houston, TX

