Monthly Archives: September 2013
LW |
TW |
Artist Title (Label) |
TW SPINS |
LW SPINS |
Weeks on Chart |
Spin +/- |
Stations |
|
2 |
1 |
Cody Johnson Ride With Me (CJB) |
1,259 |
1,078 |
9 |
+181 |
67 |
|
1 |
2 |
Josh Abbott Band She Will Be Free (Pretty Damn Tough Records) |
1,182 |
1,137 |
16 |
+45 |
71 |
|
5 |
3 |
Will Hoge Strong (WH) |
1,144 |
1,046 |
9 |
+98 |
72 |
|
6 |
4 |
Kyle Park Fit For The King (Indie/Thirty Tigers) |
1,105 |
974 |
10 |
+131 |
73 |
|
8 |
5 |
Green River Ordinance It Ain’t Love (GRO) |
1,082 |
958 |
15 |
+124 |
67 |
|
9 |
6 |
Mark McKinney Stolen Cash (Texas Evolution) |
970 |
931 |
11 |
+39 |
69 |
|
11 |
7 |
Reckless Kelly The Last Goodbye (No Big Deal) |
955 |
778 |
9 |
+177 |
68 |
|
4 |
8 |
Phil Hamilton Back of a ’73 (Winding Road) |
929 |
1,057 |
17 |
-128 |
60 |
|
12 |
9 |
Wade Bowen Songs About Trucks (AMP/Sea Gayle) |
850 |
729 |
5 |
+121 |
56 |
|
7 |
10 |
Josh Ward Promises (Buckshot Records) |
829 |
958 |
15 |
-129 |
55 |
|
16 |
11 |
Bri Bagwell Hound Dog (BB) |
827 |
680 |
12 |
+147 |
58 |
|
3 |
12 |
Aaron Watson Summertime Girl (Thirty Tigers) |
821 |
1,068 |
17 |
-247 |
55 |
|
13 |
13 |
No Justice Songs On The Radio (Carved Records) |
773 |
719 |
13 |
+54 |
61 |
|
15 |
14 |
John Slaughter Hasn’t Everyone (Winding Road) |
771 |
704 |
10 |
+67 |
52 |
|
10 |
15 |
Chapter 11 w/Aubrey Lynn England Whiskey and You (C11) |
713 |
928 |
15 |
-215 |
56 |
|
24 |
16 |
Kevin Fowler How Country Are Ya? (Kevin Fowler Records) |
677 |
512 |
3 |
+165 |
59 |
|
20 |
17 |
Jason Boland & the Stragglers Electric Bill (Proud Souls Ent.) |
657 |
576 |
3 |
+81 |
57 |
|
19 |
18 |
Rich O’Toole I Love You (PTO Records) |
653 |
617 |
10 |
+36 |
52 |
|
22 |
19 |
Bart Crow Loving You’s a Crime (Smith Ent.) |
640 |
549 |
10 |
+91 |
50 |
|
21 |
20 |
Randy Rogers Band Speak Of The Devil (MCA Nashville) |
635 |
574 |
4 |
+61 |
56 |
|
14 |
21 |
Curtis Grimes Home to Me (CG) |
633 |
715 |
20 |
-82 |
44 |
|
27 |
22 |
John David Kent Until We Turn Around (Blackland/Roustabout) |
618 |
490 |
9 |
+128 |
51 |
|
17 |
23 |
Zane Williams Overnight Success (ZW) |
599 |
678 |
19 |
-79 |
46 |
|
25 |
24 |
TJ Broscoff This is the Moment (BGM Records) |
560 |
508 |
8 |
+52 |
43 |
|
23 |
25 |
Turnpike Troubadours If You’re Gonna Play in Texas (Lightning Rod Records) |
557 |
517 |
3 |
+40 |
46 |
|
28 |
26 |
Clayton Gardner Something About You (CG) |
504 |
473 |
12 |
+31 |
46 |
|
18 |
27 |
Sam Riggs When The Lights Go Out (SR) |
502 |
656 |
17 |
-154 |
44 |
|
31 |
28 |
Matt Caldwell I Know Mexico (MC) |
493 |
448 |
11 |
+45 |
51 |
|
30 |
29 |
Six Market Blvd. Mailbox (Vision Ent.) |
490 |
453 |
7 |
+37 |
45 |
|
34 |
30 |
Mario Flores Let Your Lonesome End With Me (MF) |
456 |
397 |
5 |
+59 |
39 |
|
46 |
31 |
Granger Smith Miles and Mud Tires (GS) |
438 |
280 |
2 |
+158 |
45 |
|
32 |
32 |
The Statesboro Revue Huck Finn (Vision Ent./Shalley Records) |
438 |
433 |
3 |
+5 |
41 |
|
36 |
33 |
Brandon Jenkins Tattoo Tears (Smith Ent.) |
419 |
365 |
9 |
+54 |
40 |
|
33 |
34 |
Brandon Rhyder Pray The Night (Smith Ent.) |
418 |
400 |
5 |
+18 |
42 |
|
35 |
35 |
Shane Smith & The Saints Coast (SSS) |
396 |
382 |
6 |
+14 |
39 |
|
29 |
36 |
Thieving Birds In the Summer (TB) |
392 |
461 |
14 |
-69 |
36 |
|
37 |
37 |
Taylor Hodak Band Good Man (THB) |
383 |
365 |
8 |
+18 |
39 |
|
47 |
38 |
Chris Brazeal Band Sounds Like Home (CBB) |
370 |
271 |
2 |
+99 |
35 |
|
38 |
39 |
Rankin Twins Jezebel (RT) |
362 |
342 |
6 |
+20 |
44 |
|
44 |
40 |
Kylie Rae Harris Slide Over (KRH) |
350 |
313 |
12 |
+37 |
31 |
|
43 |
41 |
George Ducas White Lines and Road Signs (GD) |
349 |
314 |
3 |
+35 |
34 |
|
50 |
42 |
Mark Allan Atwood One Horse (MAA) |
348 |
261 |
4 |
+87 |
33 |
|
41 |
43 |
Deryl Dodd Loveletters (Smith Ent.) |
345 |
318 |
4 |
+27 |
38 |
|
N |
44 |
Cameran Nelson Reckless in Texas (CN) |
331 |
229 |
1 |
+102 |
34 |
|
N |
45 |
The Dusty Smirl Band Mine For The Mile (TDSB) |
310 |
244 |
1 |
+66 |
39 |
|
48 |
46 |
LiveWire Whiskey Sunday (Way Out West Records) |
309 |
269 |
5 |
+40 |
30 |
|
40 |
47 |
Callahan Divide Party on the River (CD) |
306 |
324 |
12 |
-18 |
28 |
|
42 |
48 |
Charlie Montague Beautiful Noise (CM) |
305 |
317 |
7 |
-12 |
36 |
|
N |
49 |
Jake Kellen Jesus and Hank (Horny Toad Records) |
302 |
251 |
1 |
+51 |
38 |
|
N |
50 |
Charlie Robison Brand New Me (Thirty Tigers/Jetwell, Inc.) |
261 |
201 |
1 |
+60 |
30 |
Copyright © 2013, the Texas Music Chart. Used with permission from Best In Texas Music Marketing LLC, Houston, TX
About Fred’s Country program:
Le program Fred’s Country: La musique Country de Tradition avec Frederic (Fred) Moreau. Le program Fred’s Country est diffusé sur 65 fréquences FM, 54 radios ou webradios.
Radio Show Host: Fred Moreau
Program Fred’s Country w39-13 – 27 septembre 2013 à 15:00
Music Charts Magazine is proud to be friends with Mr. Moreau and glad to now be one of the many to host Program Fred’s Country. ( French/English)
SEPTEMBER 24, 2013
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Copyright © 2013, the Texas Music Chart. Used with permission from Best In Texas Music Marketing LLC, Houston, TX
Country music connoisseur and preservationist Big Al Weekley of Overton, Nebraska, will be inducted into the Nebraska Country Music Hall of Fame Saturday, October 19, 2013.
Big Al was nominated by Curt Shoemaker of Iona, Kansas.
Shoemaker is a three time hall of famer, professional steel guitarist, songwriter-entertainer and recording artist. Weekley accompanied Shoemaker back in 2009 in recording Gospel CD “Gathered In His Name,” with the song “Peace in the Valley.”
Big Al was born in Ravenswood, West Virginia. He picked up his first guitar at age 14 and never looked back. He began playing with various Bluegrass and Country Stars. He has performed Country and Bluegrass acts all across his home state. In 1987, he was approached following a show at Ohio University and was asked if he would be interested in hosting a show on public radio. This was the first break in a career for Weekley and he is now one of the most recognizable Country and Bluegrass radio personalities in the country.
After four years on public radio at Ohio University, driving truck and being the music director for 1360 WMOV AM in Ravenswood, West Virginia, Weekley thought it would be good to expand and moved west. He lived in Colorado for a short time playing with Bluegrass bands. After traveling with a band to Crete, Nebraska, he decided he wanted to be part of the Nebraska music scene because it felt like home, so in 1996 he moved to Nebraska. While playing in Nebraska and surrounding states he taped his syndicated radio show for stations back east and then it was time to hit the airwaves in Nebraska. In 1999 he became part of history with 50,000 watt KRVN Radio Station in Lexington. His Bluegrass and Country shows have been aired on KRVN 880 AM for the last 14 years.
Big Al has interviewed some of the greatest music legends including Stone Wall Jackson, Lynn Anderson, Razzy Bailey, Misty Morgan, Jack Blanchard, and James Marvel of the Band Mercy.
He has also recorded with country legends LeRoy Van Dyke, Dave Dudley and numerous Bluegrass stars.
Just a few of Weekley’s accomplishments include being chosen to join Music Professionals in Nashville; he has toured with the number one Christmas group in America, ‘The Mannheim Steamrollers’ from Omaha; 1999 and 2000 Big Al worked with the Nebraska State Fair Board to produce two Bluegrass and Gospel music festivals in Lincoln; in 2000 he founded the Country/Bluegrass Show in North Platte, along with Don and Donna Menzter, which is still going on after 13 years.
In 2003 Big Al was nominated for ‘DJ of the Year’ by the International Bluegrass Music Association in Nashville. He finished in the top three along with Eddie Stubbs from the Grand Ole Opry and Terry Herd from Satellite Radio in the U.S. and Canada. He is the only Nebraska DJ to ever be nominated.
In 2003 he recorded and produced the album ‘In It For The Long Haul.’
From 2004 to 2006 he has driven truck, worked in radio and hosted music shows around Nebraska and surrounding states. He has received the Hometown Hero Award from KNOP TV and presented the 2006 Nebraska Veteran of Foreign Wars Memorial Highway 83 Award.
Also in 2006 he received a Certificate Award from the Governor of Nebraska honoring him the title of ‘State of Nebraska Navy Admiral’ commissioned for his promotions for the State of Nebraska.
In 2011 he was contacted and told his song he co-wrote with friend Cliff Abbott “Lines On The Highway” would be recorded and released by Bluegrass Legend Larry Sparks. It was release in April on Larry’s Album called “Almost Home” recorded by Rounder Records.
In recent years he has also been a judge at many music contests including the Colgate Country Music Showdown and the Galaxy of Stars at the Nebraska State Fair.
Twenty-six years after his start in the music world, Big Al makes a living driving truck for Landmark Implement, broadcasting to his loyal fans on KRVN, he is the owner of a newspaper in Bertrand, Nebraska, he is the chief branding officer for Music Charts Magazine in Nashville and travels throughout Nebraska performing shows at county fairs, benefits and festivals.
Recently he received a special award for his efforts during the 2013 Miles of Memories Country Music Festival September 5-7 in Hastings, Nebraska. Weekley was given the honor during the final set of MusicFest.
MusicFest producers say Weekley’s “Unending devotion and dedication to the preservation of old-time country music” is what made him the choice for the honor. MusicFest hosts Tex and Mary Schutz told a story during the presentation about Big Al’s arrival in Nebraska in the early 90’s when he didn’t even have a guitar. The couple was able to present him with one during their Prairieland CountryFest.
For more information on Big Al Weekley visit:
Please LIKE Big Al’s new Facebook page for his Bluegrass radio show:
www.Facebook.com/TheBigAlBluegrassShow
www.TheBigAlBluegrassShow.com (as heard from Big Al’s home base at KRVN in Lexington, NE and also broadcast on WOTR FM) – www.KRVN.com and www.WOTRFM.com
www.KRVN.com – Listen Live to Big Al Weekley’s Americana/Gospel Show on KRVN 880 AM Rural Radio Sunday mornings from 06:00 to 10:00 AM CST
Coming soon! – www.TellATrucker.com – That’s right, you heard it.. Tell A Trucker!
Album |
LW |
TW |
Artist Title (Label) |
TW SPINS |
LW SPINS |
Weeks on Chart |
Spin +/- |
Stations |
3 |
1 |
Josh Abbott Band She Will Be Free (Pretty Damn Tough Records) |
1,137 |
1,061 |
15 |
+76 |
69 |
|
5 |
2 |
Cody Johnson Ride With Me (CJB) |
1,078 |
1,044 |
8 |
+34 |
62 |
|
1 |
3 |
Aaron Watson Summertime Girl (Thirty Tigers) |
1,068 |
1,169 |
16 |
-101 |
65 |
|
2 |
4 |
Phil Hamilton Back of a ’73 (Winding Road) |
1,057 |
1,142 |
16 |
-85 |
66 |
|
7 |
5 |
Will Hoge Strong (WH) |
1,046 |
941 |
8 |
+105 |
68 |
|
8 |
6 |
Kyle Park Fit For The King (Indie/Thirty Tigers) |
974 |
904 |
9 |
+70 |
69 |
|
4 |
7 |
Josh Ward Promises (Buckshot Records) |
958 |
1,044 |
14 |
-86 |
63 |
|
6 |
8 |
Green River Ordinance It Ain’t Love (GRO) |
958 |
953 |
14 |
+5 |
59 |
|
11 |
9 |
Mark McKinney Stolen Cash (Texas Evolution) |
931 |
872 |
10 |
+59 |
68 |
|
9 |
10 |
Chapter 11 w/Aubrey Lynn England Whiskey and You (C11) |
928 |
902 |
14 |
+26 |
61 |
|
12 |
11 |
Reckless Kelly The Last Goodbye (No Big Deal) |
778 |
801 |
8 |
-23 |
66 |
|
18 |
12 |
Wade Bowen Songs About Trucks (AMP/Sea Gayle) |
729 |
642 |
4 |
+87 |
52 |
|
14 |
13 |
No Justice Songs On The Radio (Carved Records) |
719 |
721 |
12 |
-2 |
58 |
|
13 |
14 |
Curtis Grimes Home to Me (CG) |
715 |
789 |
19 |
-74 |
49 |
|
17 |
15 |
John Slaughter Hasn’t Everyone (Winding Road) |
704 |
658 |
9 |
+46 |
49 |
|
15 |
16 |
Bri Bagwell Hound Dog (BB) |
680 |
673 |
11 |
+7 |
55 |
|
10 |
17 |
Zane Williams Overnight Success (ZW) |
678 |
882 |
18 |
-204 |
48 |
|
16 |
18 |
Sam Riggs When The Lights Go Out (SR) |
656 |
670 |
16 |
-14 |
52 |
|
20 |
19 |
Rich O’Toole I Love You (PTO Records) |
617 |
537 |
9 |
+80 |
48 |
|
22 |
20 |
Jason Boland & the Stragglers Electric Bill (Proud Souls Ent.) |
576 |
519 |
2 |
+57 |
52 |
|
24 |
21 |
Randy Rogers Band Speak Of The Devil (MCA Nashville) |
574 |
486 |
3 |
+88 |
54 |
|
19 |
22 |
Bart Crow Loving You’s a Crime (Smith Ent.) |
549 |
546 |
9 |
+3 |
49 |
|
35 |
23 |
Turnpike Troubadours If You’re Gonna Play in Texas (Lightning Rod Records) |
517 |
369 |
2 |
+148 |
44 |
|
40 |
24 |
Kevin Fowler How Country Are Ya? (Kevin Fowler Records) |
512 |
317 |
2 |
+195 |
51 |
|
28 |
25 |
TJ Broscoff This is the Moment (BGM Records) |
508 |
445 |
7 |
+63 |
40 |
|
21 |
26 |
Mike Ryan 57 Songs (MR) |
503 |
528 |
16 |
-25 |
46 |
|
26 |
27 |
John David Kent Until We Turn Around (Blackland/Roustabout) |
490 |
464 |
8 |
+26 |
46 |
|
23 |
28 |
Clayton Gardner Something About You (CG) |
473 |
491 |
11 |
-18 |
44 |
|
27 |
29 |
Thieving Birds In the Summer (TB) |
461 |
456 |
13 |
+5 |
41 |
|
31 |
30 |
Six Market Blvd. Mailbox (Vision Ent.) |
453 |
421 |
6 |
+32 |
43 |
|
30 |
31 |
Matt Caldwell I Know Mexico (MC) |
448 |
428 |
10 |
+20 |
49 |
|
41 |
32 |
The Statesboro Revue Huck Finn (Vision Ent./Shalley Records) |
433 |
309 |
2 |
+124 |
41 |
|
36 |
33 |
Brandon Rhyder Pray The Night (Smith Ent.) |
400 |
353 |
4 |
+47 |
41 |
|
34 |
34 |
Mario Flores Let Your Lonesome End With Me (MF) |
397 |
373 |
4 |
+24 |
38 |
|
48 |
35 |
Shane Smith & The Saints Coast (SSS) |
382 |
286 |
5 |
+96 |
38 |
|
37 |
36 |
Brandon Jenkins Tattoo Tears (Smith Ent.) |
365 |
346 |
8 |
+19 |
39 |
|
33 |
37 |
Taylor Hodak Band Good Man (THB) |
365 |
377 |
7 |
-12 |
38 |
|
44 |
38 |
Rankin Twins Jezebel (RT) |
342 |
291 |
5 |
+51 |
45 |
|
29 |
39 |
Roger Creager For You I Do (Roger Creager Music) |
335 |
432 |
22 |
-97 |
31 |
|
39 |
40 |
Callahan Divide Party on the River (CD) |
324 |
318 |
11 |
+6 |
30 |
|
49 |
41 |
Deryl Dodd Loveletters (Smith Ent.) |
318 |
286 |
3 |
+32 |
35 |
|
43 |
42 |
Charlie Montague Beautiful Noise (CM) |
317 |
306 |
6 |
+11 |
37 |
|
45 |
43 |
George Ducas White Lines and Road Signs (GD) |
314 |
291 |
2 |
+23 |
32 |
|
42 |
44 |
Kylie Rae Harris Slide Over (KRH) |
313 |
307 |
11 |
+6 |
33 |
|
R |
45 |
John D. Hale Band More Than I Can Handle (JDHB) |
289 |
247 |
3 |
+42 |
21 |
|
N |
46 |
Granger Smith Miles and Mud Tires (GS) |
280 |
184 |
1 |
+96 |
29 |
|
N |
47 |
Chris Brazeal Band Sounds Like Home (CBB) |
271 |
273 |
1 |
-2 |
29 |
|
46 |
48 |
LiveWire Whiskey Sunday (Way Out West Records) |
269 |
291 |
4 |
-22 |
27 |
|
R |
49 |
Saints Eleven Man in the Water (SE) |
263 |
238 |
2 |
+25 |
23 |
|
50 |
50 |
Mark Allan Atwood One Horse (MAA) |
261 |
283 |
3 |
-22 |
30 |
Copyright © 2013, the Texas Music Chart. Used with permission from Best In Texas Music Marketing LLC, Houston, TX
Mark Raborn reviews Rebecca Frazier’s bluegrass album “WHEN WE FALL“
Rebecca Frazier’s new CD “When We Fall” features twelve tracks, of which ten are original compositions including three instrumentals.
The project is superbly supported throughout by a strong producer and by a stellar cast of musicians that largely need little introduction, including Ron Block and Scott Vestal on banjo, Barry Bales on bass, Shad Cobb on fiddle, Andy Hall on resonator guitar and husband John Frazier on mandolin. Rebecca plays guitar on all cuts.
My initial observation was to simply admire and enjoy the fidelity of the recording, followed closely by the quality of the arrangements and the overall maturity of the presentation and musicianship. However, after hearing a few cuts I was convinced that Rebecca, in addition to being a superb vocalist and lyricist, is a masterful flat-pick guitar player, playing with a level of imagination, taste and authority that will awe many of her listeners, as well as her peers.
I found the overall tone of this project to have a ‘modern,’ post-Monroe acoustic Bluegrass texture with the occasional influence of cross-cultural Bluegrass genres like Blues and Country interwoven. Without transgressing the artistic boundaries that define modern Bluegrass, Rebecca’s title cut, “When We Fall” sounds like it could easily be transformed to Top 40 Country material. That’s not to say that she should seek Country “hit” status for this composition, but rather an acknowledgement that it is ‘that good’. The overall arrangement, insightful lyrics and the smooth timbre of her voice bring this piece to life and nurture it to maturity. The result is a track that most any female Country music superstar might envy.
Likewise, the more up-tempo “Morning and Night” and “Darken Your Doorway” possess the artsy magic that many listeners identify with and look forward to hearing again and again. Both are richly “musical” and interesting, without being overly predictable or exotic. Rebecca’s seemingly-effortless lead vocal work combined with subtle, but beautiful harmony placements, catchy lyrics and tasteful accompaniment make these songs among those that her fans will look forward to hearing over and over.
“Love, Go Away From This House” underscores Rebecca’s songwriting prowess, as well as her vocal range as she ventures into more bluesy fare. The feel is tastefully accented with fills by John Frazier on mandolin, Andy Hall on resonator guitar, Shadd Cobb on fiddle, as well as her impeccable guitar work.
If you enjoyed and would like to read the rest of this review please click this link and get your daily Prescription Bluegrass: http://prescriptionbluegrassreviews.blogspot.com/2013/05/mark-raborn-reviews-rebecca-fraziers.html
About Fred’s Country program:
Le program Fred’s Country: La musique Country de Tradition avec Frederic (Fred) Moreau. Le program Fred’s Country est diffusé sur 65 fréquences FM, 54 radios ou webradios.
Radio Show Host: Fred Moreau
Program Fred’s Country w38-13 – 20 septembre 2013 à 15:00
Music Charts Magazine is proud to be friends with Mr. Moreau and glad to now be one of the many to host Program Fred’s Country. ( French/English)
Dixie Chicks, Lady Gaga, Bette Midler, Jason Mraz, James Taylor And Steven Tyler Are The First Artists Announced To Perform At Star-Studded Tribute Concert
Annual Gala Benefiting The MusiCares Foundation® And Its Health And Human Services Programs For Music People Will Be Held During GRAMMY® Week
SANTA MONICA, Calif. (Sept. 19, 2013) — Carole King will be honored as the 2014 MusiCares® Person of the Year on Friday, Jan. 24, 2014, it was announced today by Neil Portnow, President/CEO of the MusiCares Foundation® and The Recording Academy®, and Bill Silva, Chair of the MusiCares Foundation Board. Proceeds from the 24th annual benefit gala dinner and concert — to be held in Los Angeles during GRAMMY® Week two nights prior to the 56th Annual GRAMMY Awards® — will provide essential support for MusiCares (www.musicares.org), which ensures that music people have a place to turn in times of financial, medical and personal need.
Multi-GRAMMY-winning artists the Dixie Chicks, Lady Gaga, Bette Midler, Jason Mraz, James Taylor, and Steven Tyler will perform in her honor. Music industry veterans Lou Adler, Martin Bandier, and Rob Light along with artist James Taylor are tribute chairs. Composer and arranger Robbie Kondor will be the evening’s musical director. Many more performers will be announced in the coming months.
King is being honored as the 2014 MusiCares Person of the Year in recognition of her extraordinary creative accomplishments as well as her significant charitable work, which has included an impressive range of philanthropic activities over the years. In addition to her continuously evolving musical career, King is actively involved with environmental organizations in support of forest ecosystem protection as well as a range of political causes.
“We are honored to celebrate Carole King as the 2014 MusiCares Person of the Year,” said Portnow. “Her contributions as a songwriter and performer have truly changed the landscape of pop music, and her philanthropy speaks volumes about her generosity and personal passions. We are also grateful to the extraordinary artists who have announced their desire to be a part of what will undoubtedly be a magical and inspiring evening.”
“Carole’s artistic output is remarkable in its depth, her influence and charitable legacy are equally impressive, and her approach to art and life is enthusiastic and joyous,” said Silva. “It is going to be an exceptional MusiCares Person of the Year tribute, and we also want to express our gratitude to our tribute chairs and musical director whose participation will ensure the success of our annual benefit.”
The 2014 MusiCares Person of the Year gala will begin with a reception and silent auction offering an exclusive and unparalleled selection of luxury items, VIP experiences and one-of-a-kind celebrity memorabilia for bidding guests. The reception and silent auction will be followed by a dinner, the award presentation and a star-studded tribute concert. The MusiCares Person of the Year tribute ceremony is one of the most prestigious events held during GRAMMY Week. The celebration culminates with the 56th Annual GRAMMY Awards at STAPLES Center on Sunday, Jan. 26, 2014. The telecast will be broadcast live on the CBS Television Network at 8 p.m. ET/PT.
King wrote her first No. 1 hit at the tender age of 17, penning “Will You Love Me Tomorrow” for the Shirelles with then-husband Gerry Goffin. The dozens of chart hits Goffin and King wrote during this period have become part of music legend, including “Take Good Care Of My Baby” and “Run To Him” (No. 1 and No. 2 hits respectively for Bobby Vee in 1961), “Crying In The Rain” (The Everly Brothers, No. 6 in 1962), “The Loco-Motion” (Little Eva, No. 1 in 1962), “Up on the Roof” (The Drifters, No. 5 in 1963), “Chains” (The Cookies, No. 17 in 1962; the Beatles in 1963), “One Fine Day” (The Chiffons, No. 5 in 1963), “Hey Girl” (Freddy Scott, No. 10 in 1963; also recorded by Bobby Vee and The Righteous Brothers), “I’m Into Something Good” (Herman’s Hermits, No. 13 in 1964), “Just Once in My Life” (written with Phil Spector for The Righteous Brothers, No. 9 in 1965), and “Don’t Bring Me Down” (The Animals, No. 12 in 1966).
In 1960 King made her solo debut with a song called “Baby Sittin,” and two years later, her demo of “It Might As Well Rain Until September” made the Top 25 in the United States, while climbing all the way to No. 3 on the British chart. In 1967, Goffin and King’s “A Natural Woman (You Make Me Feel Like)” was immortalized by Aretha Franklin. To date, more than 400 of her compositions have been recorded by more than 1,000 artists, resulting in 100 hit singles.
King’s 1971 solo album Tapestry took her to the pinnacle. While King was in the studio recording Tapestry, Taylor recorded King’s “You’ve Got A Friend,” taking the song all the way to No. 1. In a first for a female writer/artist, Tapestry spawned four GRAMMY Awards — Record, Song and Album Of The year as well as Best Pop Vocal Performance, Female honors for King. With more than 25 million units sold worldwide, Tapestry remained the best-selling album by a female artist for a quarter century, and King went on to amass three other platinum and eight gold albums. Tapestry was inducted into the GRAMMY Hall of Fame in 1996.
In 1987 King was inducted into the Songwriters Hall of Fame, and, a year later, Goffin and King were awarded the National Academy of Songwriters’ Lifetime Achievement Award. In 1990 the duo was inducted into the Rock and Roll Hall of Fame, and in 2002, King was honored with the prestigious Johnny Mercer Award from the Songwriters Hall of Fame. Two years later, Goffin and King received the Trustees Award from The Recording Academy. In 2013 King was honored with a Recording Academy Lifetime Achievement Award.
This universally renowned and beloved figure has rarely been more active than during the last five years. King’s late-career whirlwind began in November 2007, when she and longtime friend and sometime musical partner James Taylor returned to the Troubadour in West Hollywood, Ca., for a three-night, six-show run to celebrate the venue’s 50th anniversary. Those historic performances were documented in the RIAA gold-certified Live At The Troubadour. This memorable event was the inspiration for the pair’s 60-concert Troubadour Reunion world tour in 2010, which included three sold-out concerts at the Hollywood Bowl and another trio of sellouts at Madison Square Garden. The Troubadour shows also inspired the Morgan Neville-directed feature-length documentary Troubadours: Carole King/James Taylor & The Rise Of The Singer-Songwriter, which made its TV premiere in March 2011 on PBS’ American Masters, shortly after being released on DVD. The crowning glory of King’s last half decade was the 2012 release of her memoir, A Natural Woman. In the pages of A Natural Woman, which King wrote completely on her own, she shares her incredible story from her beginnings in Brooklyn to her groundbreaking achievements as a songwriter, as well as her first major performances with Taylor and her many years of environmental and political activism. Upon publication, King’s memoir instantly cracked the top 10 on the New York Times’ best-sellers list. In May 2013, King became the first woman to receive the Gershwin Prize for Popular Song, presented by the Library of Congress, and was also honored by remarks from President Obama at an all-star White House gala. A highly anticipated new Broadway musical based on King’s life, “Beautiful – the Carole King Musical,” will begin preview performances on November 21 at the Stephen Sondheim Theatre, with an official opening night set for January 12, 2014.
The MusiCares Foundation offers programs and services to members of the music community including emergency financial assistance for basic living expenses such as rent, utilities and car payments; medical expenses including doctor, dentist and hospital bills; psychotherapy; and treatment for HIV/AIDS, Parkinson’s disease, Alzheimer’s disease, hepatitis C, and other critical illnesses. MusiCares offers nationwide educational workshops covering a variety of subjects, including financial, legal, medical, and substance abuse issues, and programs in collaboration with healthcare professionals that provide services such as flu shots, hearing tests, and medical/dental screenings. The MusiCares MAP Fund® allows access to addiction recovery treatment and sober living resources for members of the music community. Staffed by qualified chemical dependency and intervention specialists, MusiCares Safe Harbor Rooms, supported by the Bohemian Foundation, offer a support network to those in recovery while they are participating in the production of televised music shows and other major music events. MusiCares holds weekly addiction support groups for people to discuss how to best cope with the issues surrounding the recovery process. The MusiCares Sober Touring Network is a database of individuals across the United States who can take music people to recovery support meetings while on the road.
Established in 1989 by The Recording Academy, MusiCares provides a safety net of critical assistance for music people in times of need. MusiCares’ services and resources cover a wide range of financial, medical and personal emergencies, and each case is treated with integrity and confidentiality. MusiCares also focuses the resources and attention of the music industry on human service issues that directly impact the health and welfare of the music community. For more information, please visit www.musicares.org. For breaking news and exclusive content, please like “MusiCares” on Facebook at www.facebook.com/musicares, follow MusiCares on Twitter @MusiCares at www.twitter.com/musicares, and join us on Instagram at www.instagram.com/musicares.
Established in 1957, The Recording Academy is an organization of musicians, producers, engineers and recording professionals that is dedicated to improving the cultural condition and quality of life for music and its makers. Internationally known for the GRAMMY Awards — the preeminent peer-recognized award for musical excellence and the most credible brand in music — The Recording Academy is responsible for groundbreaking professional development, cultural enrichment, advocacy, education and human services programs. The Academy continues to focus on its mission of recognizing musical excellence, advocating for the well-being of music makers and ensuring music remains an indelible part of our culture. For more information about The Academy, please visit www.grammy.com. For breaking news and exclusive content, follow @TheGRAMMYs on Twitter, like “The GRAMMYs” on Facebook, and join The GRAMMYs’ social communities on Foursquare, GetGlue, Google +, Instagram, Pinterest, Tumblr, and YouTube.
For information on purchasing tables and tickets to the event, please contact Dana Tomarken at MusiCares, 310.392.3777.
SEPTEMBER 17, 2013
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Copyright © 2013, the Texas Music Chart. Used with permission from Best In Texas Music Marketing LLC, Houston, TX
Marvin Karlton Rainwater (July 2, 1925 – September 17, 2013), was an American country and rockabilly singer and songwriter who had several hits during the late 1950s, including “Gonna Find Me a Bluebird” and “Whole Lotta Woman”, a UK no.1 record. He was known for wearing Native American-themed outfits on stage and was 25 percent Cherokee.
Rainwater was born in Wichita, Kansas, to Stella (née Miller) and Cicero Percy Rainwater, and grew up during the Great Depression. As a child, instead of listening to the Grand Ole Opry with his father, he took classical piano lessons, which ended after he lost part of his right thumb to a work accident as a teenager. He originally trained to be a veterinarian, but after some time in the Navy during World War II took up the guitar.
He became fascinated with Roy Acuff and started playing and writing songs. With his brothers, he played concerts around Virginia. He sometimes wore a buckskin jacket and headband. Rising guitarist Roy Clark worked with Rainwater and together they cut a few demos for 4 Star Records. Pop singer Teresa Brewer turned one of his compositions, “I Gotta Go Get My Baby”, into a big hit. Others were overdubbed and released on budget record labels.
Rainwater was one of country’s most noteworthy stars in the late 1950s, when his good looks and baritone voice made him popular. One of the first country songs he recorded was “Gonna Find Me a Bluebird”, which he wrote. Released in 1957, the song became a big country-pop crossover hit, making Rainwater among the first country singers to appeal to a pop market. The song reached No. 5 on the country chart and 18 on the pop chart. It sold one million copies by 1957, and gave Rainwater his first gold record. During the song’s success, Rainwater relocated to the New Jersey-New York area.
Rainwater got his big break in the music business when he performed on Arthur Godfrey’s programs. He won first place on Arthur Godfrey’s Talent Scouts on May 9, 1955. He had a regular role on ABC-TV’s Ozark Jubilee for several years in Springfield, Missouri beginning in 1955. He signed with MGM Records and recorded a series of songs for the label, including peppy numbers like “Hot and Cold”. Such songs were showcases for Rainwater’s voice, and his energy and versatility led him to record rockabilly.
In the 1970s, Rainwater developed throat cancer, from which he slowly recovered, and moved to Aitkin, Minnesota. He appeared occasionally at rockabilly festivals in Europe and was still loved by many fans.
Rainwater was the 73rd inductee into the Rockabilly Hall of Fame.
Read more at: http://en.wikipedia.org/wiki/Marvin_Rainwater