JasonR
| Album |
LW |
TW |
Artist Title (Label) |
TW SPINS |
LW SPINS |
Weeks on Chart |
Spin +/- |
Stations |
|
1 |
1 |
Will Hoge Strong (WH) |
1,487 |
1,476 |
13 |
+11 |
77 |
|
|
2 |
2 |
Green River Ordinance It Ain’t Love (GRO) |
1,346 |
1,354 |
19 |
-8 |
71 |
|
|
4 |
3 |
Wade Bowen Songs About Trucks (AMP/Sea Gayle) |
1,270 |
1,222 |
9 |
+48 |
69 |
|
|
3 |
4 |
Kyle Park Fit For The King (Indie/Thirty Tigers) |
1,269 |
1,259 |
14 |
+10 |
75 |
|
|
8 |
5 |
Kevin Fowler How Country Are Ya? (Kevin Fowler Records) |
1,139 |
1,062 |
7 |
+77 |
76 |
|
|
5 |
6 |
Reckless Kelly The Last Goodbye (No Big Deal) |
1,120 |
1,182 |
13 |
-62 |
77 |
|
|
6 |
7 |
Mark McKinney Stolen Cash (Texas Evolution) |
1,060 |
1,159 |
15 |
-99 |
66 |
|
|
9 |
8 |
Bri Bagwell Hound Dog (BB) |
1,042 |
1,030 |
16 |
+12 |
67 |
|
|
11 |
9 |
John Slaughter Hasn’t Everyone (Winding Road) |
1,011 |
966 |
14 |
+45 |
64 |
|
|
12 |
10 |
Jason Boland & the Stragglers Electric Bill (Proud Souls Ent.) |
998 |
936 |
7 |
+62 |
72 |
|
|
7 |
11 |
Josh Abbott Band She Will Be Free (Pretty Damn Tough Records) |
980 |
1,148 |
20 |
-168 |
64 |
|
|
13 |
12 |
Randy Rogers Band Speak Of The Devil (MCA Nashville) |
942 |
868 |
8 |
+74 |
67 |
|
|
14 |
13 |
Turnpike Troubadours If You’re Gonna Play in Texas (Lightning Rod Records) |
829 |
777 |
7 |
+52 |
65 |
|
|
10 |
14 |
Cody Johnson Ride With Me (CJB) |
800 |
1,019 |
13 |
-219 |
57 |
|
|
16 |
15 |
Rich O’Toole I Love You (PTO Records) |
779 |
722 |
14 |
+57 |
59 |
|
| 17 | 16 |
John David Kent Until We Turn Around (Blackland/Roustabout) |
746 | 714 | 13 |
+32 |
55 | |
| 18 | 17 |
Bart Crow Loving You’s a Crime (Smith Ent.) |
744 | 707 | 14 | +37 | 57 | |
| 26 | 18 |
Josh Grider Smallest Town on Earth (AMP) |
664 | 541 | 4 | +123 | 51 | |
| 19 | 19 |
Mario Flores Let Your Lonesome End With Me (MF) |
647 | 639 | 9 | +8 | 46 | |
| 24 | 20 |
Granger Smith Miles and Mud Tires (GS) |
642 | 550 | 6 | +92 | 61 | |
| 21 | 21 |
The Statesboro Revue Huck Finn (Vision Ent./Shalley Records) |
637 | 621 | 7 | +16 | 48 | |
|
29 |
22 |
Aaron Watson July in Cheyenne (Thirty Tigers) |
622 |
514 |
3 |
+108 |
51 |
|
|
25 |
23 |
Brandon Rhyder Pray The Night (Smith Ent.) |
614 |
549 |
9 |
+65 |
51 |
|
|
23 |
24 |
Six Market Blvd. Mailbox (Vision Ent.) |
590 |
564 |
11 |
+26 |
50 |
|
|
22 |
25 |
TJ Broscoff This is the Moment (BGM Records) |
582 |
575 |
12 |
+7 |
44 |
|
|
15 |
26 |
No Justice Songs On The Radio (Carved Records) |
572 |
765 |
17 |
-193 |
47 |
|
|
36 |
27 |
Casey Donahew Band Small Town Love (Almost Country) |
491 |
406 |
2 |
+85 |
50 |
|
|
31 |
28 |
Jake Kellen Jesus and Hank (Horny Toad Records) |
487 |
429 |
5 |
+58 |
49 |
|
|
27 |
29 |
Clayton Gardner Something About You (CG) |
484 |
541 |
16 |
-57 |
44 |
|
|
34 |
30 |
William Clark Green Rose Queen (Bill Grease Records) |
452 |
416 |
3 |
+36 |
47 |
|
|
28 |
31 |
Matt Caldwell I Know Mexico (MC) |
444 |
528 |
15 |
-84 |
41 |
|
|
39 |
32 |
Deryl Dodd Loveletters (Smith Ent.) |
426 |
394 |
8 |
+32 |
41 |
|
|
32 |
33 |
Rankin Twins Jezebel (RT) |
425 |
424 |
10 |
+1 |
47 |
|
|
30 |
34 |
Josh Ward Promises (Buckshot Records) |
420 |
499 |
19 |
-79 |
37 |
|
|
37 |
35 |
Charlie Montague Beautiful Noise (CM) |
418 |
403 |
11 |
+15 |
46 |
|
|
43 |
36 |
Charlie Robison Brand New Me (Thirty Tigers/Jetwell, Inc.) |
401 |
371 |
5 |
+30 |
40 |
|
|
38 |
37 |
Taylor Hodak Band Good Man (THB) |
398 |
398 |
12 |
----- |
34 |
|
|
35 |
38 |
Shane Smith & The Saints Coast (SSS) |
391 |
414 |
10 |
-23 |
45 |
|
|
47 |
39 |
Kris Gordon Triple on the Double (Frio Records) |
381 |
351 |
4 |
+30 |
40 |
|
|
45 |
40 |
Jason Cassidy Southern Side (JC) |
378 |
359 |
3 |
+19 |
47 |
|
|
41 |
41 |
Mark Allan Atwood One Horse (MAA) |
375 |
375 |
8 |
----- |
36 |
|
|
42 |
42 |
Whiskey Myers Home (Wiggy Thump) |
370 |
372 |
2 |
-2 |
43 |
|
| PHOTO COMING SOON |
N |
43 |
Curtis Grimes The Cowboy Kind (CG) |
363 |
245 |
1 |
+118 |
45 |
|
33 |
44 |
Brandon Jenkins Tattoo Tears (Smith Ent.) |
363 |
422 |
13 |
-59 |
36 |
|
|
46 |
45 |
Cameran Nelson Reckless in Texas (CN) |
358 |
356 |
5 |
+2 |
36 |
|
|
44 |
46 |
Chris Brazeal Band Sounds Like Home (CBB) |
356 |
360 |
6 |
-4 |
36 |
|
|
40 |
47 |
George Ducas White Lines and Road Signs (GD) |
355 |
378 |
7 |
-23 |
35 |
|
|
49 |
48 |
The Dusty Smirl Band Mine For The Mile (TDSB) |
329 |
306 |
5 |
+23 |
40 |
|
|
48 |
49 |
LiveWire Whiskey Sunday (Way Out West Records) |
308 |
317 |
9 |
-9 |
30 |
|
| PHOTO COMING SOON |
N |
50 |
Bo Phillips Band Jonesin’ For George (Smith Ent.) |
301 |
254 |
1 |
+47 |
38 |
Copyright © 2013, the Texas Music Chart. Used with permission from Best In Texas Music Marketing LLC, Houston, TX
Bluegrass band Newtown and worldwidebluegrass.com are proud to announce a special program airing live on Friday, November 1st from 8 – 10 PM Eastern.
Kentucky based Bluegrass group Newtown is releasing their first CD, “Time Machine”, on Pisgah Ridge Records, a subsidiary of Mountain Home Records. Their CD Release Party will be broadcast live from Natasha’s Bistro in Lexington Kentucky over Worldwide Bluegrass.
GRAMMY® winner Lou Reed was an exceptionally gifted singer, songwriter, and musician who has had a profound impact on rock music and our culture. Both his work with the Velvet Underground and his solo efforts are legendary, introducing avant-garde rock to the mainstream. His uniquely stripped down style of guitar playing and poetic lyrics have had a massive influence across many rock genres, including punk and alternative. We have lost a true visionary and creative leader, and his groundbreaking work will forever hold its rightful place in music history. Our thoughts and condolences go out to his family, fans and those he inspired.
Neil Portnow
President/CEO
The Recording Academy
Lewis Allan “Lou” Reed (March 2, 1942 – October 27, 2013) was an American rock musician and songwriter. After being guitarist, vocalist, and principal songwriter of the Velvet Underground, his solo career spanned several decades. The Velvet Underground were a commercial failure in the late 1960s, but the group has gained a considerable cult following in the years since its demise and has gone on to become one of the most widely cited and influential bands of the era.
After his departure from the group, Reed began a solo career in 1972. He had a hit the following year with “Walk on the Wild Side”, but subsequently lacked the mainstream commercial success its chart status seemed to indicate. In 1975, Reed released a double album of feedback loops, Metal Machine Music, upon which he later commented, “No one is supposed to be able to do a thing like that and survive.” Reed was known for his distinctive deadpan voice, poetic lyrics and for pioneering and coining the term ostrich guitar.
In 1964, Reed moved to New York City and began working as an in-house songwriter for Pickwick Records. In 1964, he scored a minor hit with the single “The Ostrich,” a parody of popular dance songs of the time, which included lines such as “put your head on the floor and have somebody step on it.” His employers felt that the song had hit potential, and arranged for a band to be assembled around Reed to promote the recording. The ad hoc group, called “The Primitives,” included Welsh musician John Cale, who had recently moved to New York to study music and was playing viola in composer La Monte Young’s Theater of Eternal Music, along with Tony Conrad. Cale and Conrad were both surprised to find that for “The Ostrich,” Reed tuned each string of his guitar to the same note. This technique created a drone effect similar to their experimentation in Young’s avant-garde ensemble. Disappointed with Reed’s performance, Cale was nevertheless impressed by Reed’s early repertoire (including “Heroin”), and a partnership began to evolve.
Read more at: http://en.wikipedia.org/wiki/Lou_Reed
RALEIGH, N.C. – – Country music singer Kellie Pickler was presented with the Heart for the Warrior Award from the USO of North Carolina on Saturday, Oct. 19 at the Ninth Annual Salute to Freedom Gala in Raleigh, N.C. The award is given to those who, through their selfless service and contributions, continuously lift the spirits of the troops and their families.
We’ve been able to do so many tours overseas. To be in a position where you can take a little piece of home to your service men and women, why would you not do that? They need to know we have their back because they have ours.”About Fred’s Country program:
Le program Fred’s Country: La musique Country de Tradition avec Frederic (Fred) Moreau. Le program Fred’s Country est diffusé sur 65 fréquences FM, 54 radios ou webradios.
Radio Show Host: Fred Moreau
Program Fred’s Country w43-13 – 25 octobre 2013 à 15:00
Music Charts Magazine is proud to be friends with Mr. Moreau and glad to now be one of the many to host Program Fred’s Country. ( French/English)
Radio Program “Fred’s Country” – Now at Music Charts Magazine!
Chase Rice’s six-song digital EP continues to dominate iTunes downloads as No. 1 Digital Country Album
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OCTOBER 22, 2013
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Copyright © 2013, the Texas Music Chart. Used with permission from Best In Texas Music Marketing LLC, Houston, TX
|
LW |
TW |
Artist Title (Label) |
TW SPINS |
LW SPINS |
Weeks on Chart |
Spin +/- |
Stations |
|
|
2 |
1 |
Will Hoge Strong (WH) |
1,476 |
1,291 |
12 |
+185 |
77 |
|
|
3 |
2 |
Green River Ordinance It Ain’t Love (GRO) |
1,354 |
1,249 |
18 |
+105 |
73 |
|
|
5 |
3 |
Kyle Park Fit For The King (Indie/Thirty Tigers) |
1,259 |
1,154 |
13 |
+105 |
75 |
|
|
6 |
4 |
Wade Bowen Songs About Trucks (AMP/Sea Gayle) |
1,222 |
1,147 |
8 |
+75 |
70 |
|
|
8 |
5 |
Reckless Kelly The Last Goodbye (No Big Deal) |
1,182 |
1,068 |
12 |
+114 |
76 |
|
|
7 |
6 |
Mark McKinney Stolen Cash (Texas Evolution) |
1,159 |
1,112 |
14 |
+47 |
68 |
|
|
4 |
7 |
Josh Abbott Band She Will Be Free (Pretty Damn Tough Records) |
1,148 |
1,190 |
19 |
-42 |
68 |
|
|
10 |
8 |
Kevin Fowler How Country Are Ya? (Kevin Fowler Records) |
1,062 |
914 |
6 |
+148 |
75 |
|
|
9 |
9 |
Bri Bagwell Hound Dog (BB) |
1,030 |
1,010 |
15 |
+20 |
66 |
|
|
1 |
10 |
Cody Johnson Ride With Me (CJB) |
1,019 |
1,329 |
12 |
-310 |
62 |
|
|
12 |
11 |
John Slaughter Hasn’t Everyone (Winding Road) |
966 |
879 |
13 |
+87 |
62 |
|
|
11 |
12 |
Jason Boland & the Stragglers Electric Bill (Proud Souls Ent.) |
936 |
886 |
6 |
+50 |
67 |
|
|
14 |
13 |
Randy Rogers Band Speak Of The Devil (MCA Nashville) |
868 |
843 |
7 |
+25 |
65 |
|
|
15 |
14 |
Turnpike Troubadours If You’re Gonna Play in Texas (Lightning Rod Records) |
777 |
730 |
6 |
+47 |
59 |
|
|
13 |
15 |
No Justice Songs On The Radio (Carved Records) |
765 |
877 |
16 |
-112 |
56 |
|
|
17 |
16 |
Rich O’Toole I Love You (PTO Records) |
722 |
721 |
13 |
+1 |
54 |
|
|
19 |
17 |
John David Kent Until We Turn Around (Blackland/Roustabout) |
714 |
656 |
12 |
+58 |
53 |
|
|
18 |
18 |
Bart Crow Loving You’s a Crime (Smith Ent.) |
707 |
715 |
13 |
-8 |
58 |
|
|
21 |
19 |
Mario Flores Let Your Lonesome End With Me (MF) |
639 |
597 |
8 |
+42 |
47 |
|
|
16 |
20 |
Phil Hamilton Back of a ’73 (Winding Road) |
635 |
730 |
20 |
-95 |
42 |
|
|
23 |
21 |
The Statesboro Revue Huck Finn (Vision Ent./Shalley Records) |
621 |
561 |
6 |
+60 |
47 |
|
|
22 |
22 |
TJ Broscoff This is the Moment (BGM Records) |
575 |
569 |
11 |
+6 |
43 |
|
|
27 |
23 |
Six Market Blvd. Mailbox (Vision Ent.) |
564 |
532 |
10 |
+32 |
48 |
|
|
24 |
24 |
Granger Smith Miles and Mud Tires (GS) |
550 |
558 |
5 |
-8 |
58 |
|
|
28 |
25 |
Brandon Rhyder Pray The Night (Smith Ent.) |
549 |
464 |
8 |
+85 |
47 |
|
|
30 |
26 |
Josh Grider Smallest Town on Earth (AMP) |
541 |
450 |
3 |
+91 |
54 |
|
|
26 |
27 |
Clayton Gardner Something About You (CG) |
541 |
535 |
15 |
+6 |
43 |
|
|
25 |
28 |
Matt Caldwell I Know Mexico (MC) |
528 |
551 |
14 |
-23 |
49 |
|
|
43 |
29 |
Aaron Watson July in Cheyenne (Thirty Tigers) |
514 |
357 |
2 |
+157 |
47 |
|
|
20 |
30 |
Josh Ward Promises (Buckshot Records) |
499 |
633 |
18 |
-134 |
41 |
|
|
38 |
31 |
Jake Kellen Jesus and Hank (Horny Toad Records) |
429 |
388 |
4 |
+41 |
45 |
|
|
32 |
32 |
Rankin Twins Jezebel (RT) |
424 |
432 |
9 |
-8 |
46 |
|
|
29 |
33 |
Brandon Jenkins Tattoo Tears (Smith Ent.) |
422 |
456 |
12 |
-34 |
40 |
|
|
47 |
34 |
William Clark Green Rose Queen (Bill Grease Records) |
416 |
326 |
2 |
+90 |
47 |
|
|
31 |
35 |
Shane Smith & The Saints Coast (SSS) |
414 |
441 |
9 |
-27 |
43 |
|
|
N |
36 |
Casey Donahew Band Small Town Love (Almost Country) |
406 |
299 |
1 |
+107 |
44 |
|
|
37 |
37 |
Charlie Montague Beautiful Noise (CM) |
403 |
409 |
10 |
-6 |
42 |
|
|
36 |
38 |
Taylor Hodak Band Good Man (THB) |
398 |
415 |
11 |
-17 |
36 |
|
|
34 |
39 |
Deryl Dodd Loveletters (Smith Ent.) |
394 |
420 |
7 |
-26 |
36 |
|
|
44 |
40 |
George Ducas White Lines and Road Signs (GD) |
378 |
357 |
6 |
+21 |
35 |
|
|
39 |
41 |
Mark Allan Atwood One Horse (MAA) |
375 |
376 |
7 |
-1 |
38 |
|
|
N |
42 |
Whiskey Myers Home (Wiggy Thump) |
372 |
283 |
1 |
+89 |
43 |
|
|
42 |
43 |
Charlie Robison Brand New Me (Thirty Tigers/Jetwell, Inc.) |
371 |
362 |
4 |
+9 |
40 |
|
|
41 |
44 |
Chris Brazeal Band Sounds Like Home (CBB) |
360 |
363 |
5 |
-3 |
34 |
|
|
50 |
45 |
Jason Cassidy Southern Side (JC) |
359 |
306 |
2 |
+53 |
43 |
|
|
45 |
46 |
Cameran Nelson Reckless in Texas (CN) |
356 |
354 |
4 |
+2 |
35 |
|
|
46 |
47 |
Kris Gordon Triple on the Double (Frio Records) |
351 |
330 |
3 |
+21 |
39 |
|
|
49 |
48 |
LiveWire Whiskey Sunday (Way Out West Records) |
317 |
310 |
8 |
+7 |
31 |
|
|
48 |
49 |
The Dusty Smirl Band Mine For The Mile (TDSB) |
306 |
313 |
4 |
-7 |
37 |
|
| PHOTO COMING SOON |
R |
50 |
Saints Eleven Man in the Water (SE) |
279 |
287 |
4 |
-8 |
26 |
Copyright © 2013, the Texas Music Chart. Used with permission from Best In Texas Music Marketing LLC, Houston, TX
Join Music Charts Magazine this Halloween 2013 and you will hear the Werewolves scream.
Listen in October 31th (CST) just after the stroke of midnight October 30 as we have lined up a special Exclusive Interview just for You! The interview will run all day and night this Halloween 2013.
Who will these special guest(s) be?.. and what is their connection to the man in black Mr. Johnny Cash? Come and listen to find out!
www.MusicChartsMagazine.com – Your Music Source