JasonR
Music Charts Magazine® History
- Song for the month of March 2014:
Hank Williams - "Hey Good Lookin'"
"Hey, Good Lookin'" is a song created and recorded by Hank Williams as a variation of a song of the same name, similar lyrics, and similar melody written by Cole Porter in 1942. Williams' version was inducted into the Grammy Hall of Fame in 2001. Since its original 1951 recording it has been covered by a variety of artists.
The song is about a man who feels like he's got what it takes to cook up some homemade love.
Read more at:
| Album |
LW |
TW |
Artist Title (Label) |
TW SPINS |
LW SPINS |
Weeks on Chart |
Spin +/- |
Stations |
|
4 |
1 |
Kevin Fowler Love Song (Kevin Fowler Records) |
1,252 |
1,191 |
9 |
+61 |
74 |
|
|
1 |
2 |
Aaron Watson July in Cheyenne (Thirty Tigers) |
1,245 |
1,326 |
18 |
-81 |
69 |
|
|
3 |
3 |
Josh Ward Hard Whiskey (Buckshot Records) |
1,204 |
1,213 |
13 |
-9 |
69 |
|
|
5 |
4 |
Zane Williams Little Too Late (ZW) |
1,193 |
1,094 |
11 |
+99 |
68 |
|
|
2 |
5 |
Curtis Grimes The Cowboy Kind (CG) |
1,085 |
1,238 |
16 |
-153 |
66 |
|
|
6 |
6 |
JB and the Moonshine Band w/Angaleena Presley Black and White (Light It Up Records) |
1,065 |
1,060 |
14 |
+5 |
66 |
|
|
7 |
7 |
Brian Keane Bar Lights (BK) |
1,050 |
1,022 |
13 |
+28 |
64 |
|
|
9 |
8 |
Mark McKinney Lonely Bones (Texas Evolution) |
1,032 |
933 |
8 |
+99 |
72 |
|
|
10 |
9 |
Cameran Nelson 35 Runs Both Ways (CN) |
977 |
902 |
8 |
+75 |
63 |
|
|
11 |
10 |
Reckless Kelly Every Step of the Way (No Big Deal) |
893 |
802 |
7 |
+91 |
66 |
|
|
12 |
11 |
Green River Ordinance Flying (GRO) |
848 |
799 |
7 |
+49 |
64 |
|
|
13 |
12 |
Sam Riggs Angola’s Lament (SR) |
750 |
792 |
14 |
-42 |
56 |
|
|
15 |
13 |
The Statesboro Revue Huck Finn (Vision Ent./Shalley Records) |
719 |
739 |
22 |
-20 |
42 |
|
|
8 |
14 |
Casey Donahew Band Small Town Love (Almost Country) |
715 |
965 |
17 |
-250 |
51 |
|
|
19 |
15 |
Uncle Lucius Somewhere Else (Entertainment One Music) |
686 |
646 |
13 |
+40 |
48 |
|
|
20 |
16 |
Wade Bowen w/Brandy Clark Love in the First Degree (Lightning Rod Records) |
682 |
621 |
4 |
+61 |
51 |
|
|
26 |
17 |
Josh Grider White Van (AMP) |
679 |
553 |
4 |
+126 |
54 |
|
|
24 |
18 |
Brandon Rhyder Leave (Reserve Records) |
678 |
580 |
8 |
+98 |
54 |
|
|
14 |
19 |
Cody Johnson Dance Her Home (CJB) |
666 |
780 |
12 |
-114 |
49 |
|
|
21 |
20 |
John Slaughter Ghost Town (JS) |
654 |
613 |
5 |
+41 |
54 |
|
|
22 |
21 |
Jason Eady OK Whiskey (JE) |
645 |
612 |
10 |
+33 |
43 |
|
|
17 |
22 |
William Clark Green Rose Queen (Bill Grease Records) |
579 |
682 |
18 |
-103 |
49 |
|
|
16 |
23 |
Whiskey Myers Home (Wiggy Thump) |
533 |
696 |
17 |
-163 |
46 |
|
|
27 |
24 |
Michael Coleman w/Jody Booth Radio Don’t Sound Like Me (DMG/CaneyCreek) |
529 |
552 |
9 |
-23 |
39 |
|
|
30 |
25 |
Rob Baird Same Damn Thing (Carnival Music) |
521 |
513 |
12 |
+8 |
44 |
|
|
23 |
26 |
Granger Smith Miles and Mud Tires (GS) |
504 |
585 |
21 |
-81 |
47 |
|
|
25 |
27 |
Kylie Rae Harris Waited (KRH) |
502 |
556 |
10 |
-54 |
44 |
|
|
32 |
28 |
Dolly Shine Should’ve Known (DS) |
498 |
474 |
5 |
+24 |
43 |
|
|
34 |
29 |
Clayton Gardner Table for Two (CG) |
483 |
460 |
7 |
+23 |
47 |
|
|
18 |
30 |
Phil Hamilton Hold On Tight (Winding Road) |
464 |
672 |
15 |
-208 |
44 |
|
|
31 |
31 |
Ray Johnston Band Crush (RJB) |
432 |
476 |
14 |
-44 |
40 |
|
|
35 |
32 |
Prophets And Outlaws Soul Shop (Seven Set Jam Records) |
429 |
414 |
3 |
+15 |
38 |
|
|
45 |
33 |
Jamie Richards I’ll Have Another (JR) |
425 |
341 |
2 |
+84 |
38 |
|
| PHOTO COMING SOON |
36 |
34 |
Rodney Parker & 50 Peso Reward Things You Make Me Do (Smith Ent.) |
420 |
413 |
6 |
+7 |
31 |
|
28 |
35 |
Deryl Dodd Loveletters (Smith Ent.) |
415 |
534 |
23 |
-119 |
31 |
|
|
33 |
36 |
Mike and the Moonpies The Hard Way (MATM) |
405 |
471 |
11 |
-66 |
39 |
|
|
40 |
37 |
Matt Caldwell Drink Another (AMP) |
399 |
371 |
4 |
+28 |
39 |
|
|
39 |
38 |
Mike McClure Band Silver and Blue (598 Recordings) |
399 |
382 |
6 |
+17 |
37 |
|
|
38 |
39 |
Aubrey Lynn England Sad Little Girl (ALE) |
395 |
399 |
4 |
-4 |
29 |
|
|
37 |
40 |
Clay Thrash My Heart (Grange Records) |
378 |
410 |
10 |
-32 |
33 |
|
|
43 |
41 |
Mario Flores Got A Bad Feeling (MF) |
369 |
344 |
2 |
+25 |
33 |
|
|
46 |
42 |
Tommy Joe Wilson Cold Beer (River Wild Records) |
354 |
324 |
4 |
+30 |
34 |
|
| PHOTO COMING SOON |
44 |
43 |
American Aquarium I Hope He Breaks Your Heart (Last Chance Records) |
339 |
342 |
6 |
-3 |
34 |
|
41 |
44 |
Sean Franks & Chapter 11 Catch This Train (WarRoom Records) |
339 |
350 |
7 |
-11 |
29 |
|
|
48 |
45 |
The Dusty Smirl Band Lubbock Lights (TDSB) |
338 |
311 |
2 |
+27 |
38 |
|
|
N |
46 |
Adam Fears Middle of Nowhere (LandStar Entertainment) |
329 |
220 |
1 |
+109 |
30 |
|
|
42 |
47 |
Dirty River Boys Desert Wind (DRB) |
306 |
349 |
12 |
-43 |
32 |
|
|
49 |
48 |
The Rusty Brothers Revival (Vision Ent.) |
300 |
299 |
6 |
+1 |
29 |
|
|
N |
49 |
Jason Boland & the Stragglers Lucky I Guess (Proud Souls Ent.) |
289 |
223 |
1 |
+66 |
30 |
|
|
N |
50 |
Adam Hood Trying To Write A Love Song (Carnival) |
289 |
202 |
1 |
+87 |
26 |
Non Reports
1st Week: KOXE, KTCU, KXIT
Freezes:
KAGG, KBIM, KECO, KKCN, KOKE, KSEL, KTKO, KXOX, WACO
Copyright © 2014, the Texas Music Chart. Used with permission from Best In Texas Music Marketing LLC, Houston, TX
Cole Swindell recently released his self-titled, debut album. This is a CD fans have been waiting for since Cole's first single, "Chillin' It", started climbing to the top of country music charts. That single has been certified Gold by the Recording Industry Association of America and Music Canada.
Northeast Tennessee fans had an opportunity to see Cole in concert, when he opened for his Georgia Southern University fraternity brother, Luke Bryan, at Thompson-Bolling Arena in Knoxville. Luke had something to do with Cole's start in country music. For three years, Cole Swindell was Luke's merchandise guy, selling Luke Bryan CDs and tee-shirts at all of his shows.
Cole is about as normal, and down-to-earth as any neighborhood kid in a ball cap. He said that he didn't think he was cut out to be an artist. "I was worried I didn't have a cool story, cause I didn't start off singing when I was a kid," Cole said. But for Cole, the story of his college years and not being a superstar as a child isn't nearly as important as the story he tells with his music.
Like most of today's country artists, Cole didn't just wake up one morning and find himself a success. He has been working at this for more than six years, and has spent a lot of time writing. One of the hits he co-wrote was "This is How I Roll", with Florida Georgia Line's Tyler Hubbard and Brian Kelley.
He tells us that "Hey Y'all is a song he has been opening his live shows with. It's a fun song, and one he said came from an idea he had watching concerts. "I can imagine being in an arena and singing a song and making everyone wave, and thought this was just a cool, party song. It has good lines that I think people will remember," Cole said.
"I Just Want You" is the one Cole describes as the love song on this album. He co-wrote this one with Luke Bryan and Michael Carter. Cole said it's a special song to him, it is just 'straight-up feelings, nothing about back roads or moonlight. The song is from an artist’s point of view, but Cole believes it could really be sung by any guy to his girl. It's about love, and trust.
About his current hit, “Chillin’ It”, Cole said there wasn't really much of a story behind that one. He came up with a title, took it to his co-writer. They got the melody and one line, and just went from there.
The 12 songs on Cole's new album are Hey Y'all, Chillin' It, Swayin', Hope You Get Lonely Tonight, Let Me See Ya Girl, Ain't Worth the Whiskey, Brought To You By Beer, I Just Want You, Get Up, A Dozen Roses and a Six Pack, Down Home Boys and The Back Roads and the Back Row.
All of the music on this CD is good. The music is modern enough that radio stations playing country music’s Top 40 will air it, but it is still close enough to real country that traditional country music fans will enjoy it.
You can keep up with all the news about Cole at www.coleswindell.com, and follow him on Twitter @coleswindell. Find out what all your favorite country artists are doing with the music news and reviews at www.countryschatter.com, and follow us on twitter @countryschatter.
Music Charts Magazine® presents an (audio interview) with - "George Riddle"( long-time friend and frontman for such performers as George Jones and Tammy Wynette ) sit's down with us at here at Music Charts Magazine® and remembers the life of the legend "George Jones".
Copyright © 2012 – 2014 Music Charts Magazine® - (www.MusicChartsMagazine.com) – All Rights Reserved. Contents of this site including text and media may not be reproduced without prior written consent. Audio and video elements of this site are property of their respective owners and are used with permission.
Music Charts Magazine® presents an (audio interview) with - "Claude Gray" (born January 26, 1932 in Henderson, Texas) is an American country music singer-songwriter and guitar picker 
best known for his 1960 hit "Family Bible," which has been covered by many different artists. Music Charts Magazine®
[audio:http://MusicChartsMagazine.com/uploads/Music Charts Magazine's Big Al Weekley interviews with Claude Gray|titles=Music Charts Magazine interview with Claude Gray by Big Al Weekley]
Copyright © 2012 – 2014 Music Charts Magazine® - (www.MusicChartsMagazine.com) – All Rights Reserved. Contents of this site including text and media may not be reproduced without prior written consent. Audio and video elements of this site are property of their respective owners and are used with permission.
About Fred's Country program:
Le program Fred's Country: La musique Country de Tradition avec Frederic (Fred) Moreau. Le program Fred's Country est diffusé sur 65 fréquences FM, 54 radios ou webradios.
Radio Show Host: Fred Moreau
Program Fred's Country w11-2014 - 14 Mars 2014 à 17:05 - March 14th, 2014
Music Charts Magazine is proud to be friends with Mr. Moreau and glad to now be one of the many to host Program Fred's Country. ( French/English)
Radio Program "Fred's Country" - Now at Music Charts Magazine!
| Album |
LW |
TW |
Artist Title (Label) |
TW SPINS |
LW SPINS |
Weeks on Chart |
Spin +/- |
Stations |
|
2 |
1 |
Aaron Watson July in Cheyenne (Thirty Tigers) |
1,326 |
1,219 |
17 |
+107 |
70 |
|
|
1 |
2 |
Curtis Grimes The Cowboy Kind (CG) |
1,238 |
1,393 |
15 |
-155 |
69 |
|
|
3 |
3 |
Josh Ward Hard Whiskey (Buckshot Records) |
1,213 |
1,169 |
12 |
+44 |
68 |
|
|
5 |
4 |
Kevin Fowler Love Song (Kevin Fowler Records) |
1,191 |
1,075 |
8 |
+116 |
73 |
|
|
7 |
5 |
Zane Williams Little Too Late (ZW) |
1,094 |
976 |
10 |
+118 |
65 |
|
|
6 |
6 |
JB and the Moonshine Band w/Angaleena Presley Black and White (Light It Up Records) |
1,060 |
1,022 |
13 |
+38 |
67 |
|
|
8 |
7 |
Brian Keane Bar Lights (BK) |
1,022 |
952 |
12 |
+70 |
62 |
|
|
4 |
8 |
Casey Donahew Band Small Town Love (Almost Country) |
965 |
1,146 |
16 |
-181 |
56 |
|
|
13 |
9 |
Mark McKinney Lonely Bones (Texas Evolution) |
933 |
804 |
7 |
+129 |
68 |
|
|
15 |
10 |
Cameran Nelson 35 Runs Both Ways (CN) |
902 |
787 |
7 |
+115 |
58 |
|
|
19 |
11 |
Reckless Kelly Every Step of the Way (No Big Deal) |
802 |
668 |
6 |
+134 |
63 |
|
|
22 |
12 |
Green River Ordinance Flying (GRO) |
799 |
610 |
6 |
+189 |
61 |
|
|
14 |
13 |
Sam Riggs Angola’s Lament (SR) |
792 |
799 |
13 |
-7 |
59 |
|
|
9 |
14 |
Cody Johnson Dance Her Home (CJB) |
780 |
935 |
11 |
-155 |
53 |
|
|
12 |
15 |
The Statesboro Revue Huck Finn (Vision Ent./Shalley Records) |
739 |
814 |
21 |
-75 |
47 |
|
|
16 |
16 |
Whiskey Myers Home (Wiggy Thump) |
696 |
777 |
16 |
-81 |
54 |
|
|
10 |
17 |
William Clark Green Rose Queen (Bill Grease Records) |
682 |
904 |
17 |
-222 |
53 |
|
|
17 |
18 |
Phil Hamilton Hold On Tight (Winding Road) |
672 |
765 |
14 |
-93 |
49 |
|
|
21 |
19 |
Uncle Lucius Somewhere Else (Entertainment One Music) |
646 |
612 |
12 |
+34 |
46 |
|
|
25 |
20 |
Wade Bowen w/Brandy Clark Love in the First Degree (Lightning Rod Records) |
621 |
516 |
3 |
+105 |
47 |
|
|
24 |
21 |
John Slaughter Ghost Town (JS) |
613 |
569 |
4 |
+44 |
51 |
|
|
23 |
22 |
Jason Eady OK Whiskey (JE) |
612 |
594 |
9 |
+18 |
43 |
|
|
11 |
23 |
Granger Smith Miles and Mud Tires (GS) |
585 |
844 |
20 |
-259 |
50 |
|
|
34 |
24 |
Brandon Rhyder Leave (Reserve Records) |
580 |
436 |
7 |
+144 |
50 |
|
|
28 |
25 |
Kylie Rae Harris Waited (KRH) |
556 |
491 |
9 |
+65 |
46 |
|
|
31 |
26 |
Josh Grider White Van (AMP) |
553 |
454 |
3 |
+99 |
49 |
|
|
26 |
27 |
Michael Coleman w/Jody Booth Radio Don’t Sound Like Me (DMG/CaneyCreek) |
552 |
515 |
8 |
+37 |
41 |
|
|
20 |
28 |
Deryl Dodd Loveletters (Smith Ent.) |
534 |
635 |
22 |
-101 |
37 |
|
|
18 |
29 |
Randy Rogers Band Speak Of The Devil (MCA Nashville) |
516 |
677 |
22 |
-161 |
40 |
|
|
27 |
30 |
Rob Baird Same Damn Thing (Carnival Music) |
513 |
510 |
11 |
+3 |
43 |
|
|
30 |
31 |
Ray Johnston Band Crush (RJB) |
476 |
467 |
13 |
+9 |
42 |
|
|
32 |
32 |
Dolly Shine Should’ve Known (DS) |
474 |
447 |
4 |
+27 |
43 |
|
|
29 |
33 |
Mike and the Moonpies The Hard Way (MATM) |
471 |
489 |
10 |
-18 |
40 |
|
|
33 |
34 |
Clayton Gardner Table for Two (CG) |
460 |
439 |
6 |
+21 |
46 |
|
|
41 |
35 |
Prophets And Outlaws Soul Shop (Seven Set Jam Records) |
414 |
350 |
2 |
+64 |
38 |
|
| PHOTO COMING SOON |
36 |
36 |
Rodney Parker & 50 Peso Reward Things You Make Me Do (Smith Ent.) |
413 |
392 |
5 |
+21 |
32 |
|
35 |
37 |
Clay Thrash My Heart (Grange Records) |
410 |
427 |
9 |
-17 |
35 |
|
|
38 |
38 |
Aubrey Lynn England Sad Little Girl (ALE) |
399 |
370 |
3 |
+29 |
31 |
|
|
37 |
39 |
Mike McClure Band Silver and Blue (598 Recordings) |
382 |
381 |
5 |
+1 |
34 |
|
|
45 |
40 |
Matt Caldwell Drink Another (AMP) |
371 |
327 |
3 |
+44 |
36 |
|
|
44 |
41 |
Sean Franks & Chapter 11 Catch This Train (WarRoom Records) |
350 |
329 |
6 |
+21 |
30 |
|
|
40 |
42 |
Dirty River Boys Desert Wind (DRB) |
349 |
352 |
11 |
-3 |
34 |
|
|
N |
43 |
Mario Flores Got A Bad Feeling (MF) |
344 |
266 |
1 |
+78 |
34 |
|
| PHOTO COMING SOON |
46 |
44 |
American Aquarium I Hope He Breaks Your Heart (Last Chance Records) |
342 |
306 |
5 |
+36 |
35 |
|
N |
45 |
Jamie Richards I’ll Have Another (JR) |
341 |
266 |
1 |
+75 |
30 |
|
|
47 |
46 |
Tommy Joe Wilson Cold Beer (River Wild Records) |
324 |
305 |
3 |
+19 |
32 |
|
|
43 |
47 |
Jarrod Birmingham December Gone (JB) |
322 |
332 |
7 |
-10 |
32 |
|
|
N |
48 |
The Dusty Smirl Band Lubbock Lights (TDSB) |
311 |
273 |
1 |
+38 |
36 |
|
|
48 |
49 |
The Rusty Brothers Revival (Vision Ent.) |
299 |
305 |
5 |
-6 |
30 |
|
|
49 |
50 |
Rosehill The Bible and the Gun (Cypress Records) |
278 |
305 |
10 |
-27 |
23 |
Non Reports:
1st Week: KYBI
Freezes:
KDCD, KFWR, KIXN, KMKS, KMRK, KRVF, KYKS, TXRDR
Copyright © 2014, the Texas Music Chart. Used with permission from Best In Texas Music Marketing LLC, Houston, TX
About Fred's Country program:
Le program Fred's Country: La musique Country de Tradition avec Frederic (Fred) Moreau. Le program Fred's Country est diffusé sur 65 fréquences FM, 54 radios ou webradios.
Radio Show Host: Fred Moreau
Program Fred's Country w10-2014 - 7 Mars 2014 à 15:00 - March 7th, 2014
Music Charts Magazine is proud to be friends with Mr. Moreau and glad to now be one of the many to host Program Fred's Country. ( French/English)
Radio Program "Fred's Country" - Now at Music Charts Magazine!
Date = 4 March 2014
Artist Name = Ben Stolorow and Ian Carey
Genre = Jazz
Title = Duocracy
Record Company = Kabocha
Review =
Inventive and pretty, the music on Duocracy (recorded in 2013) is reminiscent of that created by Ruby Braff and Dick Hyman on several albums, including Play Nice Tunes (1994), though Braff usually performed on cornet while Ian Carey plays trumpet. Pianist Ben Stolorow and Carey mostly favor tunes from what is often called the Great American Songbook, ones similar to those Braff and Hyman played occasionally. Jazz writers who decry musicians’ continued interest in such music should listen to Stolorow and Carey’s fresh treatment of standards.
Ranging chronologically from the Gershwins’ “How Long Has This Been Going On” and Rodgers and Hart’s “You Took Advantage of Me” (both 1928) to Henry Mancini’s “Two for the Road” (1967), seven of the ten selections are well known. The tempos range from sprightly to deliberate. The briskest selection, “Cherokee” begins with a brief fanfare, as if to announce that something special is coming. Indeed, the trumpet-piano interplay is impressive, as it is throughout this CD. The contrast between “Cherokee” and the next tune, Gordon Jenkins’s “Goodbye,” the longest and least hurried piece, is extreme; pairing these pieces reveals the musicians’ emotional range, from playfulness to introspection. In tempo and sensitivity, the remaining selections lie between these two performances.
The interpretation of one standard tune is particularly noteworthy. Stolorow and Carey capture the beauty of Jerome Kern’s “All the Things You Are” while approaching it obliquely. Instead of stating the melody, improvising, and restating the theme, they improvise until introducing the melody in the last few bars. As Dave Brubeck and Paul Desmond engage in polyphony on their 1953 recording of Kern’s composition, so do Stolorow and Carey briefly on theirs sixty years later.
In addition to standards, the duo performs tunes by two jazz composers and one original piece. Thelonious Monk’s jaunty, idiosyncratic “Four in One” is less well known than such Monk compositions as “Blue Monk,” “Rhythm-a-ning,” “Round Midnight,” “Straight, No Chaser,” and “Well You Needn’t,” which have been recorded numerous times. To their credit, the musicians retain the tune’s quirkiness and do not smooth its angularity in order possibly to make it more palatable to the general listener. The presence on this CD of “Social Call,” played lyrically, serves as a reminder that the sadly neglected Gigi Gryce wrote some first-rate tunes, including “Blue Lights,” “Hymn to the Orient,” “Minority,” “Nica’s Tempo,” “Reminiscing,” and “Wildwood.” To me, Stolorow and Carey’s “Comin’ Along” is the least satisfactory selection, not because the musicians don’t play well, but rather because the composition is not particularly tuneful. The performance of this piece based on the chords of Benny Golson’s “Along Came Betty” alludes to both “All the Things You Are” and “Four in One.”
Hardly radical, the trumpeter and pianist are content to investigate the nuances of, mostly, established compositions, ones that some commentators consider effete. These tunes have endured because of their attractiveness and richness, qualities that appeal to instrumentalists and singers. Stolorow and Carey’s treatment of them is uniquely theirs. They play nice tunes nicely.
Author = Benjamin Franklin V
| Album |
LW |
TW |
Artist Title (Label) |
TW SPINS |
LW SPINS |
Weeks on Chart |
Spin +/- |
Stations |
|
2 |
1 |
Curtis Grimes The Cowboy Kind (CG) |
1,393 |
1,261 |
14 |
+132 |
72 |
|
|
4 |
2 |
Aaron Watson July in Cheyenne (Thirty Tigers) |
1,219 |
1,096 |
16 |
+123 |
68 |
|
|
3 |
3 |
Josh Ward Hard Whiskey (Buckshot Records) |
1,169 |
1,171 |
11 |
-2 |
68 |
|
|
1 |
4 |
Casey Donahew Band Small Town Love (Almost Country) |
1,146 |
1,299 |
15 |
-153 |
67 |
|
|
9 |
5 |
Kevin Fowler Love Song (Kevin Fowler Records) |
1,075 |
907 |
7 |
+168 |
73 |
|
|
7 |
6 |
JB and the Moonshine Band w/Angaleena Presley Black and White (Light It Up Records) |
1,022 |
923 |
12 |
+99 |
65 |
|
|
10 |
7 |
Zane Williams Little Too Late (ZW) |
976 |
900 |
9 |
+76 |
64 |
|
|
12 |
8 |
Brian Keane Bar Lights (BK) |
952 |
812 |
11 |
+140 |
61 |
|
|
5 |
9 |
Cody Johnson Dance Her Home (CJB) |
935 |
1,061 |
10 |
-126 |
61 |
|
|
8 |
10 |
William Clark Green Rose Queen (Bill Grease Records) |
904 |
920 |
16 |
-16 |
60 |
|
|
6 |
11 |
Granger Smith Miles and Mud Tires (GS) |
844 |
1,006 |
19 |
-162 |
61 |
|
|
14 |
12 |
The Statesboro Revue Huck Finn (Vision Ent./Shalley Records) |
814 |
794 |
20 |
+20 |
47 |
|
|
16 |
13 |
Mark McKinney Lonely Bones (Texas Evolution) |
804 |
783 |
6 |
+21 |
64 |
|
|
18 |
14 |
Sam Riggs Angola’s Lament (SR) |
799 |
767 |
12 |
+32 |
55 |
|
|
15 |
15 |
Cameran Nelson 35 Runs Both Ways (CN) |
787 |
787 |
6 |
----- |
53 |
|
|
17 |
16 |
Whiskey Myers Home (Wiggy Thump) |
777 |
782 |
15 |
-5 |
61 |
|
|
13 |
17 |
Phil Hamilton Hold On Tight (Winding Road) |
765 |
798 |
13 |
-33 |
53 |
|
|
11 |
18 |
Randy Rogers Band Speak Of The Devil (MCA Nashville) |
677 |
853 |
21 |
-176 |
51 |
|
|
20 |
19 |
Reckless Kelly Every Step of the Way (No Big Deal) |
668 |
622 |
5 |
+46 |
55 |
|
|
19 |
20 |
Deryl Dodd Loveletters (Smith Ent.) |
635 |
700 |
21 |
-65 |
43 |
|
|
21 |
21 |
Uncle Lucius Somewhere Else (Entertainment One Music) |
612 |
619 |
11 |
-7 |
47 |
|
|
22 |
22 |
Green River Ordinance Flying (GRO) |
610 |
588 |
5 |
+22 |
53 |
|
|
23 |
23 |
Jason Eady OK Whiskey (JE) |
594 |
540 |
8 |
+54 |
44 |
|
|
24 |
24 |
John Slaughter Ghost Town (JS) |
569 |
492 |
3 |
+77 |
46 |
|
|
46 |
25 |
Wade Bowen w/Brandy Clark Love in the First Degree (Lightning Rod Records) |
516 |
304 |
2 |
+212 |
45 |
|
|
27 |
26 |
Michael Coleman w/Jody Booth Radio Don’t Sound Like Me (DMG/CaneyCreek) |
515 |
475 |
7 |
+40 |
41 |
|
|
25 |
27 |
Rob Baird Same Damn Thing (Carnival Music) |
510 |
486 |
10 |
+24 |
42 |
|
|
28 |
28 |
Kylie Rae Harris Waited (KRH) |
491 |
459 |
8 |
+32 |
45 |
|
|
30 |
29 |
Mike and the Moonpies The Hard Way (MATM) |
489 |
453 |
9 |
+36 |
40 |
|
|
29 |
30 |
Ray Johnston Band Crush (RJB) |
467 |
453 |
12 |
+14 |
43 |
|
|
45 |
31 |
Josh Grider White Van (AMP) |
454 |
312 |
2 |
+142 |
36 |
|
|
34 |
32 |
Dolly Shine Should’ve Known (DS) |
447 |
392 |
3 |
+55 |
41 |
|
|
32 |
33 |
Clayton Gardner Table for Two (CG) |
439 |
412 |
5 |
+27 |
43 |
|
|
26 |
34 |
Brandon Rhyder Leave (Reserve Records) |
436 |
479 |
6 |
-43 |
43 |
|
|
31 |
35 |
Clay Thrash My Heart (Grange Records) |
427 |
445 |
8 |
-18 |
37 |
|
| PHOTO COMING SOON |
35 |
36 |
Rodney Parker & 50 Peso Reward Things You Make Me Do (Smith Ent.) |
392 |
382 |
4 |
+10 |
32 |
|
38 |
37 |
Mike McClure Band Silver and Blue (598 Recordings) |
381 |
346 |
4 |
+35 |
37 |
|
|
44 |
38 |
Aubrey Lynn England Sad Little Girl (ALE) |
370 |
318 |
2 |
+52 |
29 |
|
|
37 |
39 |
Charlie Robison Brand New Me (Thirty Tigers/Jetwell, Inc.) |
356 |
366 |
18 |
-10 |
32 |
|
|
40 |
40 |
Dirty River Boys Desert Wind (DRB) |
352 |
338 |
10 |
+14 |
34 |
|
|
N |
41 |
Prophets And Outlaws Soul Shop (Seven Set Jam Records) |
350 |
247 |
1 |
+103 |
32 |
|
|
33 |
42 |
Jason Cassidy Southern Side (JC) |
342 |
407 |
16 |
-65 |
38 |
|
|
42 |
43 |
Jarrod Birmingham December Gone (JB) |
332 |
330 |
6 |
+2 |
33 |
|
|
49 |
44 |
Sean Franks & Chapter 11 Catch This Train (WarRoom Records) |
329 |
295 |
5 |
+34 |
29 |
|
|
47 |
45 |
Matt Caldwell Drink Another (AMP) |
327 |
299 |
2 |
+28 |
34 |
|
| PHOTO COMING SOON |
R |
46 |
American Aquarium I Hope He Breaks Your Heart (Last Chance Records) |
306 |
266 |
4 |
+40 |
35 |
|
48 |
47 |
Tommy Joe Wilson Cold Beer (River Wild Records) |
305 |
298 |
2 |
+7 |
32 |
|
|
43 |
48 |
The Rusty Brothers Revival (Vision Ent.) |
305 |
324 |
4 |
-19 |
31 |
|
|
39 |
49 |
Rosehill The Bible and the Gun (Cypress Records) |
305 |
344 |
9 |
-39 |
27 |
|
|
50 |
50 |
Redneck Brown & the Freshwater Donkeys When I Think About Texas (RB&FD) |
274 |
293 |
7 |
-19 |
23 |
Non Reports:
1st Week: KHKX, KOLI, Texas Countdown
Freezes: KECO, KFWR, KNUE, KSCN/KSCH/KOYN, KWEY, Radio Texas Live
Copyright © 2014, the Texas Music Chart. Used with permission from Best In Texas Music Marketing LLC, Houston, TX