JasonR
| Album |
LW |
TW |
Artist Title (Label) |
TW SPINS |
LW SPINS |
Weeks on Chart |
Spin +/- |
Stations |
|
3 |
1 |
Mark McKinney Lonely Bones (Texas Evolution) |
1,305 |
1,235 |
14 |
+70 |
73 |
|
|
2 |
2 |
Green River Ordinance Flying (GRO) |
1,277 |
1,238 |
13 |
+39 |
72 |
|
|
5 |
3 |
Cameran Nelson 35 Runs Both Ways (CN) |
1,233 |
1,225 |
14 |
+8 |
67 |
|
|
6 |
4 |
Josh Grider White Van (AMP) |
1,230 |
1,174 |
10 |
+56 |
76 |
|
|
1 |
5 |
Brian Keane Bar Lights (BK) |
1,206 |
1,243 |
19 |
-37 |
64 |
|
|
7 |
6 |
Reckless Kelly Every Step of the Way (No Big Deal) |
1,098 |
1,109 |
13 |
-11 |
74 |
|
|
4 |
7 |
Kevin Fowler Love Song (Kevin Fowler Records) |
1,060 |
1,232 |
15 |
-172 |
68 |
|
|
9 |
8 |
Sam Riggs Angola’s Lament (SR) |
954 |
900 |
20 |
+54 |
65 |
|
|
8 |
9 |
Brandon Rhyder Leave (Reserve Records) |
947 |
942 |
14 |
+5 |
67 |
|
|
10 |
10 |
John Slaughter Ghost Town (JS) |
876 |
880 |
11 |
-4 |
61 |
|
|
13 |
11 |
Jason Eady OK Whiskey (JE) |
835 |
780 |
16 |
+55 |
55 |
|
|
14 |
12 |
Mario Flores Got A Bad Feeling (MF) |
785 |
708 |
8 |
+77 |
54 |
|
|
11 |
13 |
Wade Bowen w/Brandy Clark Love in the First Degree (Lightning Rod Records) |
777 |
869 |
10 |
-92 |
59 |
|
|
15 |
14 |
Jason Boland & the Stragglers Lucky I Guess (Proud Souls Ent.) |
758 |
668 |
7 |
+90 |
65 |
|
|
20 |
15 |
Randy Rogers Band Satellite (MCA Nashville) |
729 |
588 |
4 |
+141 |
62 |
|
|
16 |
16 |
Jamie Richards I’ll Have Another (JR) |
728 |
657 |
8 |
+71 |
55 |
|
|
18 |
17 |
Clayton Gardner Table for Two (CG) |
714 |
627 |
13 |
+87 |
55 |
|
|
19 |
18 |
Michael Coleman w/Jody Booth Radio Don’t Sound Like Me (DMG/CaneyCreek) |
626 |
619 |
15 |
+7 |
44 |
|
|
12 |
19 |
Zane Williams Little Too Late (ZW) |
619 |
818 |
17 |
-199 |
45 |
|
|
17 |
20 |
Dolly Shine Should’ve Known (DS) |
602 |
634 |
11 |
-32 |
47 |
|
|
27 |
21 |
Adam Hood Trying To Write A Love Song (Adam Hood Music) |
567 |
491 |
7 |
+76 |
48 |
|
|
22 |
22 |
Adam Fears Middle of Nowhere (LandStar Entertainment) |
566 |
551 |
7 |
+15 |
47 |
|
|
25 |
23 |
Prophets And Outlaws Soul Shop (Seven Set Jam Records) |
560 |
512 |
9 |
+48 |
39 |
|
|
28 |
24 |
William Clark Green Hanging Around (Bill Grease Records) |
546 |
481 |
4 |
+65 |
50 |
|
|
23 |
25 |
Uncle Lucius Somewhere Else (Entertainment One Music) |
535 |
549 |
19 |
-14 |
40 |
|
|
24 |
26 |
Matt Caldwell Drink Another (AMP) |
531 |
519 |
10 |
+12 |
45 |
|
|
26 |
27 |
TJ Broscoff Falling Down (BGM Records) |
528 |
509 |
5 |
+19 |
44 |
|
|
21 |
28 |
Josh Ward Hard Whiskey (Buckshot Records) |
522 |
583 |
19 |
-61 |
37 |
|
|
30 |
29 |
Tommy Joe Wilson Cold Beer (River Wild Records) |
462 |
451 |
10 |
+11 |
44 |
|
|
29 |
30 |
Charla Corn In My Heart (Sixth Street Syndicate) |
451 |
454 |
6 |
-3 |
38 |
|
|
35 |
31 |
Whiskey Myers Dogwood (Wiggy Thump) |
448 |
395 |
4 |
+53 |
44 |
|
| PHOTO COMING SOON |
33 |
32 |
Rodney Parker & 50 Peso Reward Things You Make Me Do (Smith Ent.) |
434 |
424 |
12 |
+10 |
32 |
|
N |
33 |
Kyle Park Long Distance Relationship (Indie/Thirty Tigers) |
426 |
240 |
1 |
+186 |
45 |
|
|
36 |
34 |
Zach Coffey I Love You Anyway (ZC) |
414 |
390 |
6 |
+23 |
42 |
|
|
39 |
35 |
Midnight River Choir Circles (MRC) |
410 |
372 |
5 |
+38 |
40 |
|
|
31 |
36 |
Aubrey Lynn England Sad Little Girl (ALE) |
395 |
427 |
10 |
-32 |
29 |
|
|
37 |
37 |
Mike McClure Band Silver and Blue (598 Recordings) |
392 |
383 |
12 |
+9 |
32 |
|
|
43 |
38 |
Cody Jinks Alone (CJ) |
386 |
354 |
4 |
+32 |
41 |
|
|
40 |
39 |
Rob Baird Same Damn Thing (Carnival Music) |
385 |
370 |
18 |
+15 |
33 |
|
|
42 |
40 |
Matt Kimbrow Abilene (MK) |
377 |
358 |
5 |
+19 |
37 |
|
|
41 |
41 |
Jake Kellen Whiskey Night (Horny Toad Records) |
370 |
361 |
6 |
+9 |
37 |
|
|
N |
42 |
Curtis Grimes Our Side of the Fence (CG) |
368 |
247 |
1 |
+121 |
35 |
|
|
38 |
43 |
The Dusty Smirl Band Lubbock Lights (TDSB) |
354 |
374 |
8 |
-20 |
38 |
|
| PHOTO COMING SOON |
49 |
44 |
Rich O’Toole Too Good To Call (PTO Records) |
328 |
293 |
2 |
+35 |
33 |
|
46 |
45 |
Kimberly Dunn Sealed With a Kiss (KD) |
323 |
298 |
3 |
+25 |
36 |
|
|
45 |
46 |
Jeremy Steding Stay (JS) |
320 |
301 |
2 |
+19 |
39 |
|
| PHOTO COMING SOON |
48 |
47 |
Erica Perry Unexpected (EP) |
315 |
294 |
2 |
+21 |
34 |
|
47 |
48 |
American Aquarium I Hope He Breaks Your Heart (Last Chance Records) |
315 |
298 |
12 |
+17 |
28 |
|
|
50 |
49 |
Sundance Head 2016 & Gruene (SH) |
290 |
292 |
4 |
-2 |
25 |
|
|
44 |
50 |
Kylie Rae Harris Waited (KRH) |
286 |
335 |
16 |
-49 |
25 |
Non Reports:
NONE
Freezes:
KACO, KBCY, KEAN, KFWR, KIOX, KMKS, KOKE, KOXE, KSEL, KSTV
Copyright © 2014, the Texas Music Chart. Used with permission from Best In Texas Music Marketing LLC, Houston, TX
| Album |
LW |
TW |
Artist Title (Label) |
TW SPINS |
LW SPINS |
Weeks on Chart |
Spin +/- |
Stations |
|
2 |
1 |
Brian Keane Bar Lights (BK) |
1,243 |
1,263 |
18 |
-20 |
63 |
|
|
3 |
2 |
Green River Ordinance Flying (GRO) |
1,238 |
1,193 |
12 |
+45 |
69 |
|
|
4 |
3 |
Mark McKinney Lonely Bones (Texas Evolution) |
1,235 |
1,189 |
13 |
+46 |
73 |
|
|
1 |
4 |
Kevin Fowler Love Song (Kevin Fowler Records) |
1,232 |
1,327 |
14 |
-95 |
72 |
|
|
5 |
5 |
Cameran Nelson 35 Runs Both Ways (CN) |
1,225 |
1,189 |
13 |
+36 |
65 |
|
|
6 |
6 |
Josh Grider White Van (AMP) |
1,174 |
1,139 |
9 |
+35 |
71 |
|
|
7 |
7 |
Reckless Kelly Every Step of the Way (No Big Deal) |
1,109 |
1,122 |
12 |
-13 |
74 |
|
|
9 |
8 |
Brandon Rhyder Leave (Reserve Records) |
942 |
902 |
13 |
+40 |
65 |
|
|
10 |
9 |
Sam Riggs Angola’s Lament (SR) |
900 |
895 |
19 |
+5 |
59 |
|
|
12 |
10 |
John Slaughter Ghost Town (JS) |
880 |
820 |
10 |
+60 |
59 |
|
|
11 |
11 |
Wade Bowen w/Brandy Clark Love in the First Degree (Lightning Rod Records) |
869 |
891 |
9 |
-22 |
57 |
|
|
8 |
12 |
Zane Williams Little Too Late (ZW) |
818 |
1,035 |
16 |
-217 |
57 |
|
|
13 |
13 |
Jason Eady OK Whiskey (JE) |
780 |
731 |
15 |
+49 |
52 |
|
|
17 |
14 |
Mario Flores Got A Bad Feeling (MF) |
708 |
625 |
7 |
+83 |
47 |
|
|
15 |
15 |
Jason Boland & the Stragglers Lucky I Guess (Proud Souls Ent.) |
668 |
649 |
6 |
+19 |
62 |
|
|
16 |
16 |
Jamie Richards I’ll Have Another (JR) |
657 |
641 |
7 |
+16 |
51 |
|
|
22 |
17 |
Dolly Shine Should’ve Known (DS) |
634 |
587 |
10 |
+47 |
48 |
|
|
20 |
18 |
Clayton Gardner Table for Two (CG) |
627 |
601 |
12 |
+26 |
49 |
|
|
19 |
19 |
Michael Coleman w/Jody Booth Radio Don’t Sound Like Me (DMG/CaneyCreek) |
619 |
604 |
14 |
+15 |
45 |
|
|
25 |
20 |
Randy Rogers Band Satellite (MCA Nashville) |
588 |
508 |
3 |
+80 |
54 |
|
|
14 |
21 |
Josh Ward Hard Whiskey (Buckshot Records) |
583 |
710 |
18 |
-127 |
41 |
|
|
24 |
22 |
Adam Fears Middle of Nowhere (LandStar Entertainment) |
551 |
541 |
6 |
+10 |
45 |
|
|
23 |
23 |
Uncle Lucius Somewhere Else (Entertainment One Music) |
549 |
566 |
18 |
-17 |
39 |
|
|
26 |
24 |
Matt Caldwell Drink Another (AMP) |
519 |
498 |
9 |
+21 |
43 |
|
|
28 |
25 |
Prophets And Outlaws Soul Shop (Seven Set Jam Records) |
512 |
448 |
8 |
+64 |
36 |
|
|
33 |
26 |
TJ Broscoff Falling Down (BGM Records) |
509 |
427 |
4 |
+82 |
43 |
|
|
27 |
27 |
Adam Hood Trying To Write A Love Song (Adam Hood Music) |
491 |
483 |
6 |
+8 |
46 |
|
|
35 |
28 |
William Clark Green Hanging Around (Bill Grease Records) |
481 |
408 |
3 |
+73 |
44 |
|
|
29 |
29 |
Charla Corn In My Heart (Sixth Street Syndicate) |
454 |
441 |
5 |
+13 |
36 |
|
|
32 |
30 |
Tommy Joe Wilson Cold Beer (River Wild Records) |
451 |
429 |
9 |
+22 |
41 |
|
|
31 |
31 |
Aubrey Lynn England Sad Little Girl (ALE) |
427 |
435 |
9 |
-8 |
31 |
|
|
21 |
32 |
JB and the Moonshine Band w/Angaleena Presley Black and White (Light It Up Records) |
426 |
594 |
19 |
-168 |
37 |
|
| PHOTO COMING SOON |
30 |
33 |
Rodney Parker & 50 Peso Reward Things You Make Me Do (Smith Ent.) |
424 |
437 |
11 |
-13 |
28 |
|
18 |
34 |
Aaron Watson July in Cheyenne (Thirty Tigers) |
418 |
621 |
23 |
-203 |
35 |
|
|
44 |
35 |
Whiskey Myers Dogwood (Wiggy Thump) |
395 |
349 |
3 |
+46 |
40 |
|
|
37 |
36 |
Zach Coffey I Love You Anyway (ZC) |
390 |
395 |
5 |
-5 |
37 |
|
|
34 |
37 |
Mike McClure Band Silver and Blue (598 Recordings) |
383 |
410 |
11 |
-27 |
31 |
|
|
40 |
38 |
The Dusty Smirl Band Lubbock Lights (TDSB) |
374 |
385 |
7 |
-11 |
37 |
|
|
42 |
39 |
Midnight River Choir Circles (MRC) |
372 |
358 |
4 |
+14 |
34 |
|
|
39 |
40 |
Rob Baird Same Damn Thing (Carnival Music) |
370 |
388 |
17 |
-18 |
33 |
|
|
41 |
41 |
Jake Kellen Whiskey Night (Horny Toad Records) |
361 |
374 |
5 |
-13 |
37 |
|
|
45 |
42 |
Matt Kimbrow Abilene (MK) |
358 |
334 |
4 |
+24 |
36 |
|
|
43 |
43 |
Cody Jinks Alone (CJ) |
354 |
356 |
3 |
-2 |
35 |
|
|
38 |
44 |
Kylie Rae Harris Waited (KRH) |
335 |
391 |
15 |
-56 |
29 |
|
| PHOTO COMING SOON |
N |
45 |
Jeremy Steding Stay (JS) |
301 |
264 |
1 |
+37 |
37 |
|
50 |
46 |
Kimberly Dunn Sealed With a Kiss (KD) |
298 |
274 |
2 |
+24 |
33 |
|
|
46 |
47 |
American Aquarium I Hope He Breaks Your Heart (Last Chance Records) |
298 |
317 |
11 |
-19 |
25 |
|
| PHOTO COMING SOON |
N |
48 |
Erica Perry Unexpected (EP) |
294 |
266 |
1 |
+28 |
31 |
| PHOTO COMING SOON |
N |
49 |
Rich O’Toole Too Good To Call (PTO Records) |
293 |
270 |
1 |
+23 |
27 |
|
48 |
50 |
Sundance Head 2016 & Gruene (SH) |
292 |
283 |
3 |
+9 |
26 |
Non Reports:
1st Week: KHKX, KMRK, KOLI
2nd Week: KAGG, KYBI, WACO
Freezes:
KACO, KBIM, KECO, KIOX, KMKS, KSTV, KTKO, KWEY, Texas Countdown
Copyright © 2014, the Texas Music Chart. Used with permission from Best In Texas Music Marketing LLC, Houston, TX
Harold Bradley - A Music Charts Magazine® Exclusive Interview
In the beginning...
Before Music Row...
Two men walked the street.
Ahead of their time or as some would say, before Music Row time existed.
Be prepared to be titillated, flabbergasted and amazed as we at MCM bring to you a never before heard interview with one of these two men - Right HERE!
Who is this man? - According to Guitar Player Magazine, the Grammys, Music Charts Magazine and multiple other sources - "Harold Bradley" is the most recorded guitarist in all of music history.
Harold Bradley has performed on hundreds of albums by country stars such as Patsy Cline, Willie Nelson, Roy Orbison, Hank Williams, and Slim Whitman. He has also performed on songs for the King of Rock -'n'- Roll... Mr. Elvis Presley.
Country Music Hall of Fame, Musicians Hall of Fame, Nashville A Team, served as the president of the Nashville chapter of the American Federation of Musicians (AFM) for almost 2 decades and was a recipient of the Trustees Award at the Grammy Awards.. this list goes on and on. Harold Bradley and his brother Owen Bradley altered the course of music history and they were the dawning of country and rock music and everything that Nashville is today. These two men have influenced music around the world and we here at Music Charts Magazine® are proud to bring you this exclusive celebrity interview with Mr. Bradley.
Where? Music Charts Magazine® - Don't miss it. - "A Music Charts Magazine® exclusive audio interview with the living legend Harold Bradley.
Owen and Harold built Bradley Film and Recording Studios, later known as the Quonset Hut, which was the first music-industry related business on what is now known as Music Row, in 1954.
Copyright © 2012 – 2014 Music Charts Magazine® - (www.MusicChartsMagazine.com) – All Rights Reserved. Contents of this site including text and media may not be reproduced without prior written consent. Audio and video elements of this site are property of their respective owners and are used with permission.
Music Charts Magazine® History
- Song for the month of April 2014:
Bon Jovi - "Bed Of Roses"
"Bed of Roses" is a rock song released by Bon Jovi in late January 1993, from the album Keep the Faith. Jon Bon Jovi wrote the song in a hotel room while suffering from a hangover and the lyrics reflects his feelings at the time. The song contains drawn out guitar riffs and soft piano playing, along with emotive and high vocals by Jon Bon Jovi.
The song's power ballad style made it a worldwide hit, and it demonstrated the band's new, more mature sound after their success as a glam metal band in the '80s. Released as a successful single in 1993, it reached #10 on the Billboard Hot 100, #5 on the top 40 mainstream, #13 in the UK Top 40, and #10 in the German Top 100.
The video for "Bed of Roses" begins with shots of Richie Sambora playing guitar high in the mountain tops, and then cuts to scenes of Jon alone in his hotel room, the band recording the song in the studio, and finally performing live on stage. Initially the video directors wanted Jon Bon Jovi to be on the mountain tops, but Jon said: "I was on top of a mountain in 'Blaze of Glory', send them" (Richie Sambora and David Bryan, who is seen playing the piano at the mountain top).
Read more at:
| Album |
LW |
TW |
Artist Title (Label) |
TW SPINS |
LW SPINS |
Weeks on Chart |
Spin +/- |
Stations |
|
1 |
1 |
Kevin Fowler Love Song (Kevin Fowler Records) |
1,327 |
1,388 |
13 |
-61 |
76 |
|
|
3 |
2 |
Brian Keane Bar Lights (BK) |
1,263 |
1,189 |
17 |
+74 |
67 |
|
|
5 |
3 |
Green River Ordinance Flying (GRO) |
1,193 |
1,142 |
11 |
+51 |
71 |
|
|
6 |
4 |
Mark McKinney Lonely Bones (Texas Evolution) |
1,189 |
1,132 |
12 |
+57 |
73 |
|
|
4 |
5 |
Cameran Nelson 35 Runs Both Ways (CN) |
1,189 |
1,148 |
12 |
+41 |
66 |
|
|
7 |
6 |
Josh Grider White Van (AMP) |
1,139 |
1,065 |
8 |
+74 |
73 |
|
|
8 |
7 |
Reckless Kelly Every Step of the Way (No Big Deal) |
1,122 |
1,031 |
11 |
+91 |
77 |
|
|
2 |
8 |
Zane Williams Little Too Late (ZW) |
1,035 |
1,229 |
15 |
-194 |
66 |
|
|
10 |
9 |
Brandon Rhyder Leave (Reserve Records) |
902 |
867 |
12 |
+35 |
64 |
|
|
13 |
10 |
Sam Riggs Angola’s Lament (SR) |
895 |
775 |
18 |
+120 |
61 |
|
|
11 |
11 |
Wade Bowen w/Brandy Clark Love in the First Degree (Lightning Rod Records) |
891 |
845 |
8 |
+46 |
60 |
|
|
14 |
12 |
John Slaughter Ghost Town (JS) |
820 |
768 |
9 |
+52 |
60 |
|
|
15 |
13 |
Jason Eady OK Whiskey (JE) |
731 |
735 |
14 |
-4 |
50 |
|
|
9 |
14 |
Josh Ward Hard Whiskey (Buckshot Records) |
710 |
932 |
17 |
-222 |
53 |
|
|
21 |
15 |
Jason Boland & the Stragglers Lucky I Guess (Proud Souls Ent.) |
649 |
573 |
5 |
+76 |
62 |
|
|
18 |
16 |
Jamie Richards I’ll Have Another (JR) |
641 |
617 |
6 |
+24 |
50 |
|
|
23 |
17 |
Mario Flores Got A Bad Feeling (MF) |
625 |
536 |
6 |
+89 |
46 |
|
|
16 |
18 |
Aaron Watson July in Cheyenne (Thirty Tigers) |
621 |
670 |
22 |
-49 |
42 |
|
|
19 |
19 |
Michael Coleman w/Jody Booth Radio Don’t Sound Like Me (DMG/CaneyCreek) |
604 |
612 |
13 |
-8 |
43 |
|
|
22 |
20 |
Clayton Gardner Table for Two (CG) |
601 |
566 |
11 |
+35 |
51 |
|
|
12 |
21 |
JB and the Moonshine Band w/Angaleena Presley Black and White (Light It Up Records) |
594 |
779 |
18 |
-185 |
52 |
|
|
20 |
22 |
Dolly Shine Should’ve Known (DS) |
587 |
609 |
9 |
-22 |
46 |
|
|
17 |
23 |
Uncle Lucius Somewhere Else (Entertainment One Music) |
566 |
620 |
17 |
-54 |
46 |
|
|
27 |
24 |
Adam Fears Middle of Nowhere (LandStar Entertainment) |
541 |
488 |
5 |
+53 |
44 |
|
|
36 |
25 |
Randy Rogers Band Satellite (MCA Nashville) |
508 |
402 |
2 |
+106 |
51 |
|
|
30 |
26 |
Matt Caldwell Drink Another (AMP) |
498 |
466 |
8 |
+32 |
45 |
|
|
26 |
27 |
Adam Hood Trying To Write A Love Song (Adam Hood Music) |
483 |
489 |
5 |
-6 |
46 |
|
|
29 |
28 |
Prophets And Outlaws Soul Shop (Seven Set Jam Records) |
448 |
483 |
7 |
-35 |
39 |
|
|
33 |
29 |
Charla Corn In My Heart (Sixth Street Syndicate) |
441 |
424 |
4 |
+17 |
37 |
|
| PHOTO COMING SOON |
28 |
30 |
Rodney Parker & 50 Peso Reward Things You Make Me Do (Smith Ent.) |
437 |
488 |
10 |
-51 |
31 |
|
31 |
31 |
Aubrey Lynn England Sad Little Girl (ALE) |
435 |
433 |
8 |
+2 |
31 |
|
|
34 |
32 |
Tommy Joe Wilson Cold Beer (River Wild Records) |
429 |
424 |
8 |
+5 |
39 |
|
|
38 |
33 |
TJ Broscoff Falling Down (BGM Records) |
427 |
399 |
3 |
+28 |
42 |
|
|
32 |
34 |
Mike McClure Band Silver and Blue (598 Recordings) |
410 |
432 |
10 |
-22 |
37 |
|
|
50 |
35 |
William Clark Green Hanging Around (Bill Grease Records) |
408 |
263 |
2 |
+145 |
38 |
|
|
25 |
36 |
Cody Johnson Dance Her Home (CJB) |
406 |
502 |
16 |
-96 |
35 |
|
|
41 |
37 |
Zach Coffey I Love You Anyway (ZC) |
395 |
375 |
4 |
+20 |
35 |
|
|
24 |
38 |
Kylie Rae Harris Waited (KRH) |
391 |
508 |
14 |
-117 |
36 |
|
|
35 |
39 |
Rob Baird Same Damn Thing (Carnival Music) |
388 |
409 |
16 |
-21 |
37 |
|
|
40 |
40 |
The Dusty Smirl Band Lubbock Lights (TDSB) |
385 |
385 |
6 |
----- |
39 |
|
|
39 |
41 |
Jake Kellen Whiskey Night (Horny Toad Records) |
374 |
386 |
4 |
-12 |
38 |
|
|
43 |
42 |
Midnight River Choir Circles (MRC) |
358 |
320 |
3 |
+38 |
35 |
|
|
47 |
43 |
Cody Jinks Alone (CJ) |
356 |
289 |
2 |
+67 |
31 |
|
|
45 |
44 |
Whiskey Myers Dogwood (Wiggy Thump) |
349 |
299 |
2 |
+50 |
34 |
|
|
42 |
45 |
Matt Kimbrow Abilene (MK) |
334 |
342 |
3 |
-8 |
35 |
|
|
44 |
46 |
American Aquarium I Hope He Breaks Your Heart (Last Chance Records) |
317 |
318 |
10 |
-1 |
30 |
|
|
46 |
47 |
Riders Ford This Ain’t a Song (RF) |
300 |
298 |
3 |
+2 |
26 |
|
|
49 |
48 |
Sundance Head 2016 & Gruene (SH) |
283 |
265 |
2 |
+18 |
21 |
|
|
N |
49 |
Jason Helms Band 1st Class White Trash (JHB) |
282 |
259 |
1 |
+23 |
22 |
|
|
N |
50 |
Kimberly Dunn Sealed With a Kiss (KD) |
274 |
262 |
1 |
+12 |
31 |
Non Reports:
1st Week: KAGG, KSTV, KXIT, KYBI, WACO
Freezes:
KDCD, KIXN, KMRK, KOKE, KOXE, KSEL, KXAX
Copyright © 2014, the Texas Music Chart. Used with permission from Best In Texas Music Marketing LLC, Houston, TX
Ed Bruce - A Music Charts Magazine® Celebrity Interview
Part 1. & Part 2. - it's here!!!
William Edwin "Ed" Bruce, Jr. (born December 29, 1939) is an American country music singer, songwriter and actor. He is known for a host of things including penning the 1975 hit song "Mammas Don't Let Your Babies Grow Up to Be Cowboys". "Mammas Don't Let Your Babies Grow Up to Be Cowboys" is a country music song first written and recorded by Ed Bruce, Ed's version of the song appears on his 1976 self-titled album for United Artists Records. In late 1975–early 1976, Bruce's rendition of the song went to number 15 on the Hot Country Singles charts. Waylon Jennings and Willie Nelson covered the song on their 1978 duet album Waylon & Willie. This rendition peaked at No. 1 in March 1978 and won the 1979 Grammy Award for Best Country Performance by a Duo or Group with Vocal. Ed Bruce also recorded the 1982 country number one hit "You're the Best Break This Old Heart Ever Had". He also co-starred in the television series Bret Maverick with James Garner during the 1981-82 season.
Big News about Ed Bruce during this interview in Part 2. What is the big news??? - listen to this Music Charts Magazine® Celebrity Interview with "Ed Bruce" and find out in Part 2 right here at Music Charts Magazine®. - - - It's HERE!!! - Click the play button on the audio player below:
Copyright © 2012 – 2014 Music Charts Magazine® - (www.MusicChartsMagazine.com) – All Rights Reserved. Contents of this site including text and media may not be reproduced without prior written consent. Audio and video elements of this site are property of their respective owners and are used with permission.
About Fred's Country program:
Le program Fred's Country: La musique Country de Tradition avec Frederic (Fred) Moreau. Le program Fred's Country est diffusé sur 65 fréquences FM, 54 radios ou webradios.
Radio Show Host: Fred Moreau
- This week's Fred's Country show includes an (Exclusive Preview) of Whey Jennings 1st rough cut recorded song "The Preacher". - New and never heard before! Whey Jennings is the grandson of country music legend Waylon Jennings and just now has decided to enter into country music. Whey Jennings looks like his grandfather Waylon Jennings and he sounds like him too. Listen up as Whey Jennings will be hitting the studio in the not so far future to record us some radio quality songs that we likely will enjoy for years to come. Welcome to country music "Whey Jennings" and thank you for sharing with Fred's country your 1st ever recorded song in it's rough form and we all look forward to the professional studio version to come.
Whey Jennings - played on 65 plus FM radio stations in Europe and beyond on "Fred's Country" radio show.
Program Fred's Country w15-2014 - 11 Avril 2014 à 15:00 - April 11th, 2014
Music Charts Magazine is proud to be friends with Mr. Moreau and glad to now be one of the many to host Program Fred's Country. ( French/English)
Radio Program "Fred's Country" - Now at Music Charts Magazine!
| ALBUM |
LW |
TW |
Artist Title (Label) |
TW SPINS |
LW SPINS |
Weeks on Chart |
Spin +/- |
Stations |
|
1 |
1 |
Kevin Fowler Love Song (Kevin Fowler Records) |
1,388 |
1,346 |
12 |
+42 |
75 |
|
|
2 |
2 |
Zane Williams Little Too Late (ZW) |
1,229 |
1,295 |
14 |
-66 |
67 |
|
|
3 |
3 |
Brian Keane Bar Lights (BK) |
1,189 |
1,133 |
16 |
+56 |
66 |
|
|
7 |
4 |
Cameran Nelson 35 Runs Both Ways (CN) |
1,148 |
1,027 |
11 |
+121 |
65 |
|
|
4 |
5 |
Green River Ordinance Flying (GRO) |
1,142 |
1,096 |
10 |
+46 |
71 |
|
|
5 |
6 |
Mark McKinney Lonely Bones (Texas Evolution) |
1,132 |
1,084 |
11 |
+48 |
74 |
|
|
8 |
7 |
Josh Grider White Van (AMP) |
1,065 |
986 |
7 |
+79 |
69 |
|
|
9 |
8 |
Reckless Kelly Every Step of the Way (No Big Deal) |
1,031 |
981 |
10 |
+50 |
72 |
|
|
6 |
9 |
Josh Ward Hard Whiskey (Buckshot Records) |
932 |
1,055 |
16 |
-123 |
61 |
|
|
12 |
10 |
Brandon Rhyder Leave (Reserve Records) |
867 |
774 |
11 |
+93 |
62 |
|
|
13 |
11 |
Wade Bowen w/Brandy Clark Love in the First Degree (Lightning Rod Records) |
845 |
764 |
7 |
+81 |
57 |
|
|
10 |
12 |
JB and the Moonshine Band w/Angaleena Presley Black and White (Light It Up Records) |
779 |
872 |
17 |
-93 |
56 |
|
|
14 |
13 |
Sam Riggs Angola’s Lament (SR) |
775 |
737 |
17 |
+38 |
56 |
|
|
15 |
14 |
John Slaughter Ghost Town (JS) |
768 |
711 |
8 |
+57 |
57 |
|
|
16 |
15 |
Jason Eady OK Whiskey (JE) |
735 |
681 |
13 |
+54 |
51 |
|
|
11 |
16 |
Aaron Watson July in Cheyenne (Thirty Tigers) |
670 |
854 |
21 |
-184 |
44 |
|
|
17 |
17 |
Uncle Lucius Somewhere Else (Entertainment One Music) |
620 |
647 |
16 |
-27 |
46 |
|
|
24 |
18 |
Jamie Richards I’ll Have Another (JR) |
617 |
520 |
5 |
+97 |
50 |
|
|
21 |
19 |
Michael Coleman w/Jody Booth Radio Don’t Sound Like Me (DMG/CaneyCreek) |
612 |
573 |
12 |
+39 |
43 |
|
|
20 |
20 |
Dolly Shine Should’ve Known (DS) |
609 |
575 |
8 |
+34 |
46 |
|
|
25 |
21 |
Jason Boland & the Stragglers Lucky I Guess (Proud Souls Ent.) |
573 |
514 |
4 |
+59 |
54 |
|
|
23 |
22 |
Clayton Gardner Table for Two (CG) |
566 |
520 |
10 |
+46 |
49 |
|
|
26 |
23 |
Mario Flores Got A Bad Feeling (MF) |
536 |
502 |
5 |
+34 |
43 |
|
|
27 |
24 |
Kylie Rae Harris Waited (KRH) |
508 |
499 |
13 |
+9 |
43 |
|
|
19 |
25 |
Cody Johnson Dance Her Home (CJB) |
502 |
598 |
15 |
-96 |
43 |
|
|
32 |
26 |
Adam Hood Trying To Write A Love Song (Adam Hood Music) |
489 |
452 |
4 |
+37 |
44 |
|
|
28 |
27 |
Adam Fears Middle of Nowhere (LandStar Entertainment) |
488 |
484 |
4 |
+4 |
43 |
|
| PHOTO COMING SOON |
33 |
28 |
Rodney Parker & 50 Peso Reward Things You Make Me Do (Smith Ent.) |
488 |
443 |
9 |
+45 |
32 |
|
29 |
29 |
Prophets And Outlaws Soul Shop (Seven Set Jam Records) |
483 |
482 |
6 |
+1 |
41 |
|
|
30 |
30 |
Matt Caldwell Drink Another (AMP) |
466 |
456 |
7 |
+10 |
43 |
|
|
36 |
31 |
Aubrey Lynn England Sad Little Girl (ALE) |
433 |
406 |
7 |
+27 |
33 |
|
|
34 |
32 |
Mike McClure Band Silver and Blue (598 Recordings) |
432 |
432 |
9 |
----- |
36 |
|
|
39 |
33 |
Charla Corn In My Heart (Sixth Street Syndicate) |
424 |
374 |
3 |
+50 |
37 |
|
|
40 |
34 |
Tommy Joe Wilson Cold Beer (River Wild Records) |
424 |
367 |
7 |
+57 |
37 |
|
|
35 |
35 |
Rob Baird Same Damn Thing (Carnival Music) |
409 |
413 |
15 |
-4 |
40 |
|
|
N |
36 |
Randy Rogers Band Satellite (MCA Nashville) |
402 |
210 |
1 |
+192 |
37 |
|
|
18 |
37 |
Curtis Grimes The Cowboy Kind (CG) |
399 |
610 |
19 |
-211 |
44 |
|
|
42 |
38 |
TJ Broscoff Falling Down (BGM Records) |
399 |
355 |
2 |
+44 |
42 |
|
|
41 |
39 |
Jake Kellen Whiskey Night (Horny Toad Records) |
386 |
363 |
3 |
+23 |
40 |
|
|
45 |
40 |
The Dusty Smirl Band Lubbock Lights (TDSB) |
385 |
340 |
5 |
+45 |
39 |
|
|
44 |
41 |
Zach Coffey I Love You Anyway (ZC) |
375 |
349 |
3 |
+26 |
35 |
|
|
48 |
42 |
Matt Kimbrow Abilene (MK) |
342 |
295 |
2 |
+47 |
34 |
|
|
47 |
43 |
Midnight River Choir Circles (MRC) |
320 |
296 |
2 |
+24 |
33 |
|
|
38 |
44 |
American Aquarium I Hope He Breaks Your Heart (Last Chance Records) |
318 |
394 |
9 |
-76 |
32 |
|
|
N |
45 |
Whiskey Myers Dogwood (Wiggy Thump) |
299 |
204 |
1 |
+95 |
21 |
|
|
46 |
46 |
Riders Ford This Ain’t a Song (RF) |
298 |
305 |
2 |
-7 |
27 |
|
|
N |
47 |
Cody Jinks Alone (CJ) |
289 |
284 |
1 |
+5 |
23 |
|
|
50 |
48 |
The Rusty Brothers Revival (Vision Ent.) |
279 |
287 |
9 |
-8 |
26 |
|
|
N |
49 |
Sundance Head 2016 & Gruene (SH) |
265 |
261 |
1 |
+4 |
21 |
|
|
N |
50 |
William Clark Green Hanging Around (Bill Grease Records) |
263 |
137 |
1 |
+126 |
21 |
Non Reports:
1st Week: KBIM, KDCD, KVOM, TXRDR
2nd Week: KTCS
Freezes:
KACO, KBST, KECO, KOKE, KOXE, KWEY
Copyright © 2014, the Texas Music Chart. Used with permission from Best In Texas Music Marketing LLC, Houston, TX
What does Sheryl Crow, Michelle Branch, Jewel and Katy Perry all have in common???
Answer: Judy Stakee
With over 30 years of experience as an executive in the music industry, Judy Stakee will equip you with the insight and tools to fully develop your career. As Senior VP of Creative at Warner Chappell Music for 20 years, Judy signed and worked closely with many of today's most acclaimed artists: Grammy-award winner Sheryl Crow, Katy Perry, Michelle Branch, Gavin DeGraw, Jewel and Joy Williams of The Civil Wars, among others. Stakee's experience with developing producers and multi-platinum songwriters (John Shanks, Wayne Kirkpatrick, Scott Cutler, Anne Previn, Kevin Kadish, Franne Golde, Jamie Houston, Matthew Gerrard, Robie Nevil, Tim James and Ben Glover) helms across all areas of the industry. Judy Stakee is a true champion of the songwriter who recognizes talent with both her ears and eyes.
About The Company
The Judy Stakee Company is a full-service artist development and entertainment company that develops the minds, bodies and souls of artists and songwriters to achieve the career of their dreams.
By encouraging songwriters to develop a greater sense of self, The Judy Stakee Company inspires artists to create their best works while providing the proper tools for navigating the music industry. Through focused coaching in a supportive community, you will be challenged to evolve your experiences and communicate your story in the form of song.
The company's integrated development approach serves as a launchpad for recognized songwriters, including The Voice's Raelynn (Big Machine/Universal), Gina Schock (The Gogos), Shaun Shankel (producer/writer), Jordan Higgins (producer/writer) and Femke Weidema (singer songwriter). Whether meeting with producers, A&R executives, managers, publishers, lawyers or agents, The Judy Stakee Company provides guidance to maximize every opportunity.
Taking your career to new heights requires an open mind, sense of adventure and discipline. With mutual trust and respect, The Judy Stakee Company will set the foundation for you to become your best self. Start living your dream.
https://twitter.com/judystakee
https://www.facebook.com/judystakee
Music Charts Magazine® would like to personally thank Judy Stakee for sitting down with us, our readers and our listeners, and giving us insight into the mind of someone whom has spent most of her career as a high profile music executive. Judy knows what it takes to get the job done and she has an eagle eye for talent. We appreciate her sincerity, kindness and the opportunity to do this interview with her. We hope you all enjoy it!
Judy Stakee is a classy lady who is down to earth and a wonderful person to speak with. May her successes continue as I am sure they will.
Jason Rogers - CEO/Editor in Chief of Music Charts Magazine, INC
Copyright © 2012 – 2014 Music Charts Magazine® - (www.MusicChartsMagazine.com) – All Rights Reserved. Contents of this site including text and media may not be reproduced without prior written consent. Audio and video elements of this site are property of their respective owners and are used with permission.
Music Charts Magazine® Presents - "NEW DISCOVERY" - "Driven" - for the month of April 2014.
Looking for some "New" music to add to your player and can't find anything that blows you away?
Check out this Music Charts Magazine® "NEW DISCOVERY" Interview with "Driven" and be prepared to be excited knowing there is still 100% awesome music out there that you still have not heard.
After you listen to this great radio interview pasted below of "Driven" we are sure you will be glad you found this "New Discovery" and Driven's song "You'll Be Lonely, I'll Be Gone" to add to your music playlist.
The Twins: Brandon & Blake McLemore
Brandon and Blake’s musical careers began together, thanks to their parents, Bob & Susan. After Bob & Susan attended the Walnut Valley Festival in Winfield, KS in 1985, they wanted to learn bluegrass. By the time Blake and Brandon were born in 1987, Bob was playing guitar and Susan played banjo. It would be Bob and Susan’s bluegrass bands, and attending festivals that exposed the twins to the music, throughout their childhood. When Brandon and Blake were young they used to lie on the living room floor in between all the members of Mom & Dad’s bluegrass bands during band practice. They usually stayed long enough to fall asleep in the same spot.
Through the years, the twins were heavily influenced by the Bennett Brothers Bluegrass Band in Wichita, KS, as well as many other friends they saw annually at the Walnut Valley Festival. Thanks to this inspiration, the boys would pick up instruments at the age of 10. Brandon chose the mandolin because of its look and sound, while Blake realized the upright bass was the only missing piece for a family band. From 1997-2007 the boys played with Mom and Dad as “The McLemores.” In addition to playing with the family band, Brandon and Blake expanded their horizons by performing with a second northwest Kansas group called “Grassfire.”
Today, In addition to “Driven”, the twins play cowboy/western swing music with friend Allen Bailey, as part of “Marshall Allen Bailey & The Silver Bullets”. The trio has performed a number of shows, and previously recorded both a live CD and DVD. The group is currently working on its first studio project, which will include performances by Jake & Rebekah Workman, and Shelby Eicher!
Also, the twins, their parents, and brother, Ryan, all help a committee of close friends put on the “Pickin’ On The Plains Bluegrass Festival” in Colby, KS. Their hope is to spread their love of bluegrass to others. Now for a little background about Blake & Brandon, individually:
Brandon McLemore
In 2007, Brandon attended the Conservatory of Recording Arts & Sciences in Tempe, AZ. Learning audio production, Brandon followed his training by interning at Omnisound Studios in Nashville, TN where he was fortunate to perform on two projects. The experience was eye-opening, and while Nashville carries a special aura, it was understood that Dad expected his kids to have bachelor-level degrees.
Throughout college, Brandon was recording and mixing various projects for music groups, and continuing his musical interests with acoustic rock n’ roll, western swing, bluegrass and teaching guitar lessons. When Driven started their first recording project, self-titled “Driven”, Brandon was entering the workforce. The project enabled him to expand his recording and mixing techniques, and included a plethora of memories. During that first Driven project, Brandon actually fell asleep while recording his mandolin rhythm/chop track for a song. He slept nearly the entire song but woke up at the very end when his headphones went silent. After listening, it was discovered that the recorded mandolin worked fine and was used in the final version of the song.
Following the first album’s release, Driven started digging for signature songs and contemplated the idea of writing. While close friends were offering fantastic originals, the group felt songwriting was a worthy experiment. Up to then, Brandon’s songwriting had taken place in high school, and could be found on the likes of pizza boxes and homework paper. Understanding the band’s hope for catchy music, Brandon spent several weeks chasing melodies and fighting phrases in front of a fire place. This writing hotspot was fitting; it was the home of John and Merry Lewis and the first jam session of parents, Bob and Susan. As a full circle experience, “You’ll Be Lonely, I’ll Be Gone” reflects a multitude of childhood memories and inspirations.
Blake McLemore
While attending college at Kansas State University, Blake met up with friend Chris Biggs to get involved with the music scene. Blake, Chris, and friend Steve played weekly at the “Little Grill” restaurant outside of Manhattan, KS. Through Chris, Blake was also re-acquainted with friends Bob Atchison, and Mike and Vicky Theobald of the “Kansas Heart” bluegrass band and began playing upright bass for the group. One of the band’s key performances involved opening for Charlie Daniels at the Stiefel Theatre in Salina, KS.
Blake has previously taught bass lessons, as well as led bass workshops at festivals. He has recorded as a session bass player on a number of projects, including work for Robin Macy (co-founder of The Dixie Chicks) and Kentucky White (The New Tradition). Non-musically related, Blake has broken both forearms before, a problem commonly inflicted upon banjo players rather than bass specialists! All of these different experiences have brought Blake to the level of a skilled, veteran bass musician that can set the groove for a band that creates certain expectations with a name like “Driven”.
Jimmy Campbell
Jimmy got his first guitar for Christmas when he was 9 years old. His parents took him to square dances and festivals throughout the Midwest where he soaked up every song and lick he could learn from anyone he met up with. His uncle Ed Keeney spent countless hours playing guitar with him, and by age 11, Jimmy got his first banjo.
The late 70’s was a great era for the Society for the Preservation of Bluegrass Music of America (SPBGMA )in the Midwest, and he played nearly every weekend at festivals in Missouri, Iowa, Illinois, Kansas & Arkansas. The Corder Family was his first banjo playing gig, and Mrs. Oma Corder told the story of having to pull Jimmy from a haystack at a town festival and brush the straw from his dress slacks before hitting the stage. Young Jimmy caught the attention of Johnny Vincent, and soon he was performing on Johnny’s radio show and with the Vincent family’s Sally Mountain Show (including Rhonda and Darrin Vincent). As a teen, Hickory Hill Ridge-Runners (with Brent Truitt) and Short Line Grass were bands that fed Jimmy’s craving for hard driving Bluegrass.
After a 20 year break to raise his kids, Jimmy got back into Bluegrass when he moved to Kansas City in 2002. He met up with other pickers at Mountain Music Shoppe, and from there got plugged into the region’s thriving Bluegrass scene. Monday nights at The Rural Grit Happy Hour, Fridays at Kansas City Area Bluegrass Music Club (KCABMC) or Heart Of America Bluegrass and Old Time Club (HABOT). He played with such Kansas City bands as Salty Dog Bluegrass, Konza Swamp Band and The Swillhound Stringband. Jimmy got reacquainted with SPBGMA festival friends Cindie Beem (Southern Reign) and Bull & Tammy Harman (Bull Harman & Bulls Eye), playing as many festivals as he could with them. He met his bass-playing wife Karla at a jam session. It was Karla that got Jimmy to Winfield for the Walnut Valley Festival for the first time in 2006. There he met up with the McLemore Twins and Driven was born from their favorite late-night jam sessions.
Jimmy plays a Yates banjo and Sheerhorn resophonic guitar. He can make a train whistle sound with his voice that confounded the Opera professor at UMKC Conservatory of Music (“How do you DO that? Do it again . . . do it again”). Jimmy may be the only member of Driven that isn’t related to any of the other members of Driven, but he is certainly a big part of the drive in Driven.
Rebekah Workman
Rebekah Workman has been fascinated with music since she was very young. Growing up she learned to love and appreciate bluegrass music, due to the fact that her mom and dad constantly listened to it. She got a violin for Christmas when she was 8 years old. Rebekah practiced hard and began to enter contests with just 2 years of playing experience. Rebekah won the Utah State fiddle championship in her division 3 times and placed 15th in the National Old Time Fiddlers Contest in Weiser, Idaho in her division as well.
Despite success in competition, she longed to play music by ear rather than learn to just play an arrangement the same way again and again. Rebekah began learning the art of improvisation from involvement in the Utah Old Time Fiddlers and expanded her improv skills by playing in a number of different bands throughout her high school years. While playing at a jam session in Utah, a chance meeting with a young guitar player named Jake Workman gave Rebekah the chance to add to her incredible skill and opportunities to perform. Before she knew it she was married to the guitar player and had become the newest member of the band known as “Driven”.
Rebekah and Jake both love to play the card game, Rook, to the point their marriage is occasionally at risk. One of Rebekah’s favorite words to use is “fetch”. She’s known for saying silly and completely random phrases all the time. Primarily though, Rebekah continues to shine on stage with Driven and can also be found performing with her husband Jake in other various configurations throughout Utah on a regular basis when not playing with Driven.
Jake Workman
Jake Workman began playing the guitar when he received one for his 13th birthday. As with most teenagers, his early music included the songs of his favorite rock bands such as The Beatles, Boston, AC/DC and Van Halen. Practicing for 6+ hours a day was not out of the ordinary for Jake. During middle and high school years he joined up with a couple friends and formed a rock band called “Wayward Son”. About a year and a half after he started the guitar, Jake’s introduction to bluegrass music came when his parent’s surprised him with a banjo for Christmas. Jake’s love for bluegrass grew over the next few years as he attended jams and festivals throughout the Western states and eventually the entire country. Jake began to enter instrument contests and has won many titles on guitar, banjo and mandolin. It was in 2007 at Winfield, Kansas while attending the National Flatpick Guitar Championship, that Jake met the other musicians that later would help form the band, Driven. The first gig played by Driven was in July of 2009 in Colby, Kansas at the “Pickin’ on the Plains” bluegrass festival. Driven began playing just summer gigs and festivals in 2009 and 2010.
During that time period, at a jam session somewhere in Utah a talented fiddle player named Rebekah Travis caught Jake’s eye. By the time Driven played their first gig of 2011 Jake and Rebekah were married and she had joined Driven as the full time fiddle player. They do get asked if they are brother and sister more often than if they are husband and wife. People say they look a lot a-like… When they ask which one they are, the common reply is “BOTH! It’s the bluegrass way and Jake does play the banjo…”
When not playing with Driven, Jake spends his time teaching private lessons, doing studio work, and performing with various other bands in the Salt Lake City area. Jake has also been known to lose track of time playing “Zelda” on his Nintendo. He has a degree in Jazz Guitar Performance from the University of Utah. Jake is most influenced by traditional bluegrass, but his playing will also showcase extensive knowledge in the rock and jazz genres as well.
For more information on Driven visit -
Radio interested in how to obtain this music please contact us on our contact page and we will be glad to get it to your radio station for radio play. Many thanks to those of you who have already played it.
To find out more about Driven:
- www.DrivenBluegrass.com
- https://www.facebook.com/drivenbluegrass
- http://www.amazon.com/Youll-Be-Lonely-Ill-Gone/dp/B00FBKJA78/ref=sr_1_1?s=music&ie=UTF8&qid=1396683422&sr=1-1&keywords=driven
- https://itunes.apple.com/us/artist/driven/id725965188
Music Charts Magazine® NEW DISCOVERY for the month of April 2014 - Music Charts Magazine®proudly presents "NEW DISCOVERY" for the month of April 2014 "Driven"- feature song - "You'll Be Lonely, I'll Be Gone"
LISTEN to "NEW DISCOVERY" Interview with Driven - HERE:
Music Charts Magazine® Presents "New Discovery" Driven featuring the song "You'll Be Lonely, I'll Be Gone" - Interview by Award winning DJ Big Al Weekley
Music Charts Magazine® Presents NEW DISCOVERY "Driven" - Interview by Big Al Weekley
Copyright © 2012 - 2014 Music Charts Magazine, INC - All Rights Reserved. Contents of this site including text and media may not be reproduced without prior written consent. Audio and video elements of this site are property of their respective owners and are used with permission.