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Here are some of the basics:

You might wonder where are the charts?

Answer: 

Like all good things done right – this will take some time.

 

What will your charts be based off of you ask?

Answer:

They will be based off of “100% Radio Play” only from AM & FM radio stations that report to Music Charts Magazine.  Stations can report to whom ever they want but our charts will be based off of only the radio stations that report to us.  All AM & FM radio stations are welcome.

 

 

I am an AM or FM radio station – how do I send my reports to you? – and what do we require?

Answer:

In order to have your station become part of Music Charts Magazine’s Music Charts please do the following for now..

Send an email to Report@MusicChartsMagazine.com

Email your call letters, name of person reporting from your station, and the genre of music your station plays.

It’s simple:  we want your weekly top 10 plays – the artist name, the name of the song, and how many spins those top 10 songs received.

 

What is the deadline for your station to have these in?

Answer:

Friday at midnight every week.  Week is based off of Friday through Thursday radio spins.  Charts will appear on Monday mornings.

If you don’t make the weekly Friday midnight deadline your plays will not be counted on that upcoming weeks chart – when this occurs – no problem – you can pick up the next week.

 

Why should I be part of Music Charts Magazine?

Answer:

To recreate a old simplistic system for the industry which benefits “ALL” AM & FM radio stations, radio promoters, Major & Independent artist(s) and the music industry as a whole.

 

So what are you waiting for?

Answer:

Don’t wait – start helping Music Charts Magazine now by sending those weekly reports and we will get to work for you.  Be part of something new and long lasting.

Report@MusicChartsMagazine.com

 

 

Music Charts Magazine ( USA ) is now asking “Canadian & European radio stations” to email your weekly reports too.  

MCM’s Charts in time will have local, regional, national and international music charts in various genres.

Patti Page

Clara Ann Fowler (November 8, 1927 – January 1, 2013), known by her professional name Patti Page, was an American singer, one of the best-known female artists in traditional pop music. She was the best-selling female artist of the 1950s, and sold over 100 million records.Her nickname was The Singin’ Rage (a phrase commonly followed by “Miss Patti Page”).

Page signed with Mercury Records in 1947, and became their first successful female artist, starting with 1948′s “Confess”. In 1950, she had her first million-selling single “With My Eyes Wide Open, I’m Dreaming”, and would eventually have 14 additional million-selling singles between 1950 and 1965.

Read more at Wikipedia

Patti Page

Clara Ann Fowler (November 8, 1927 – January 1, 2013), known by her professional name Patti Page, was an American singer, one of the best-known female artists in traditional pop music. She was the best-selling female artist of the 1950s, and sold over 100 million records.Her nickname was The Singin’ Rage (a phrase commonly followed by “Miss Patti Page”).

Page signed with Mercury Records in 1947, and became their first successful female artist, starting with 1948’s “Confess”. In 1950, she had her first million-selling single “With My Eyes Wide Open, I’m Dreaming”, and would eventually have 14 additional million-selling singles between 1950 and 1965.

Read more at Wikipedia

Do y’all remember country music? I’m talking about REAL country music. The kind some of us (older folks) listened to back in the 50s, 60s, 70s, even the 80s… the kind of country music we watched as it changed from what it was then, to what it is now. Recently, I listened to a new CD by Tim Culpepper. The music is unquestionably country.
 
If you were to meet Tim Culpepper, and ask him what his genre’ is – he could answer with one word. COUNTRY. Most artists today can’t do that. When you ask them what their genre’ is, they tell you it’s country/rock. Or, it’s country/pop, soulful/country or some other kind of country. But for most, it isn’t country music.
 
Tim records for HonkyTone Records, and they have got themselves quite a singer. I only wish that today’s Top 40 stations would go back to their country roots, and get music like this back on the radio. I think it’s a good thing that we have satellite and Internet radio stations out there. Because people who can sing like Tim Culpepper need to be heard somewhere.
 
For one thing – he’s got songs on here that are more than four minutes long. And when you listen to them, you are happy that they are more than four minutes long! And, you wouldn’t even care if they were longer! The first song I heard was Ghost. It’s one of those “Listen up, guys, I have a story to tell you” kind of songs. ‘You’re just a ghost of a love that’s dead and gone…a memory that keeps turning around to watch my tear drops fall.’. It doesn’t get any better than that.
 
Oh, wait – yes it does. Because when that one is done – we’ve gone “One More for the Road.” Then comes “Toss and Turn”, and then we get “Getting’ On with Getting’ Over You.” And by now – you want to put your boots on and go to a concert, or a honky tonk, or even the bar on the corner to drop a few dollars in the juke box and hope THIS is what comes out!
 
I really want to share two paragraphs from the “about” section of his facebook page. I think these two paragraphs pretty much tell you who Tim Culpepper is, and why Tim does what he does. “Tim’s journey began as kind of a love story, with the marriage of his Mother Judy, to his father, country entertainer/musician, Forrest Culpepper, or “Curly”, as he had come to be known by those who frequented the honkytonk scene in and around Montgomery, Alabama. The birth of Tim, soon after, would complete an already accomplished family of singers and musicians that, at the time, included such close friends as Hank Williams, Sr. (who had passed, before Tim’s birth), and Marty Robbins.
 
While most children began life experiencing a mostly subdued environment, young Culpepper was backstage with the likes of Hank, Jr., Marty and Johnny Cash, or in the audience with his Mother, while his father was performing. On one occasion, while sharing stories of her son’s early childhood, Judy fondly recalled one particular night during a Hank Jr. performance, when songwriter and manager, Merle Kilgore, was charged with babysitting Tim while she got up to 2 step, “It wasn’t the ‘Brady Bunch!’” she laughs. “But we sure were a family!”

I’m excited about this kid. His music is everything country music is supposed to be, and he sings great, too. I hope he wasn’t born 40 years too late for his music to find a place within the genre’ it was intended.
 
I hope everyone will take a minute to visit his website www.timculpeppermusic.com, and follow him on Twitter @TCulpepperMusic.
 
To say I’m impressed would be a huge understatement. I need to find a thesaurus, because my limited vocabulary just doesn’t have enough adjectives in it to accurately describe what this man does with a song. He’s my new ‘obsession’. And I think I’m going to spend the next week… or two… or three… listening to the music of Tim Culpepper. If you want to find something that takes you back – back to what country music is supposed to be. Tim Culpepper is just what you’re looking for.
 
 

Artist: Art Pepper

Genre: Jazz

Title: Sankei Hall—Osaka, Japan: Unreleased Art Pepper, Vol. VII

Record Company: Widow’s Taste

            Laurie Pepper, the saxophonist’s widow (hence, the name of the label), continues issuing previously unreleased material by her husband.  Because Art Pepper’s career is well documented on record, one might wonder if additional releases are warranted.  Yes, they are, primarily because Pepper was a major figure.  He must have played some forgettable music along the way, but Widow’s Taste has so far released only music than enhances his considerable legacy.

          This new two-CD set documents a 1980 concert that the audience obviously enjoyed.  Backed by pianist George Cables, bassist Tony Dumas, and drummer Carl Burnett, Pepper plays magnificently throughout, whether the tempo is blistering (“Straight Life”), deliberate (“Over the Rainbow”), or medium (“Landscape”).  Always lyrical, his playing occasionally reflects the oft-noted influence of John Coltrane, especially on up-temp pieces.  This is true on “Cherokee,” for example: he distorts notes and plays notes at the upper limit of the alto saxophone, thereby adding intensity to his already impassioned music.

            This release disappoints only because “Straight Life” ends abruptly, without resolution, probably because of an inadequate supply of tape at the concert.  Laurie Pepper explains that she had to decide whether to include this incomplete performance on this CD.  I believe she decided correctly.

            A few extra-musical issues deserve comment.  Pepper introduces “Ophelia” by saying that it constitutes his attempt to describe women.  Does he mean that it is a programmatic composition?  Whether he succeeds in musically describing women strikes me as irrelevant. It’s a lovely performance.  Laurie Pepper proclaims that “George Cables’s character shines through every note he plays.”  I do not know Cables, but, from hearing him play, I have no sense of his character.  Perhaps this is my fault.  Finally, Laurie Pepper seems to settle scores with Milcho Leviev, Art Pepper’s previous pianist, and Tony Dumas.  While frankness is often admirable, her comments seem inappropriate in the context of this statement she makes about her husband:  “He emphasized the importance of being courteous and compassionate.”

            These are quibbles.  What matters is Art Pepper’s music, which is masterful.

Benjamin Franklin V

Shankar in 1988.

Ravi Shankar, (7 April 1920 – 11 December 2012) the world renowned sitarist, passed away from natural causes. Shankar is best known as the man who brought Indian music to the foreground in the West by being the sitar teacher of former Beatles member George Harrison. Ravi Shankar played throughout the world including his famous set at Woodstock in 1969. He was 92.

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Jenni Rivera

Dolores Janney Rivera (July 2, 1969 – December 9, 2012), better known as Jenni Rivera, was an American singer-songwriter, actress, television producer, and entrepreneur of Mexican heritage, known for her work within the banda and norteña music genres. She began recording in 1992, and her recordings often have themes of social issues, infidelity, and relationships. Her tenth studio album, Jenni (2008), became her first number-one album in the Billboard Top Latin Albums chart in the United States. In 2010, she appeared in and produced the reality TV show Jenni Rivera Presents: Chiquis & Raq-C. She also appeared in and produced I Love Jenni starting in 2011 and Chiquis ‘n Control in 2012. Her acting debut was in the film Filly Brown, scheduled to be released in 2013.

Rivera, along with six others, died in a plane crash near Iturbide, Nuevo León, México, on December 9, 2012…

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Dave Brubeck, October 8, 1954

David Warren “Dave” Brubeck (December 6, 1920 – December 5, 2012) was an American jazz pianist and composer, considered to be one of the foremost exponents of progressive jazz. He wrote a number of jazz standards, including “In Your Own Sweet Way” and “The Duke”. Brubeck’s style ranged from refined to bombastic, reflecting his mother’s attempts at classical training and his improvisational skills. His music is known for employing unusual time signatures, and superimposing contrasting rhythms, meters, and tonalities…

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Andy Williams in 1969

Howard Andrew “Andy” Williams (December 3, 1927 – September 25, 2012) was an American popular music singer. He recorded seventeen Gold and three Platinum-certified albums. He hosted The Andy Williams Show, a TV variety show, from 1962 to 1971, as well as numerous television specials. Most recently, he performed at his Moon River Theatre in Branson, Missouri, which was named after the Johnny Mercer and Henry Mancini song “Moon River”, with which he is closely identified…

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Marvin Frederick Hamlisch (June 2, 1944 – August 6, 2012) was an American composer and conductor. He was one of only eleven EGOTs – those who have been awarded an Emmy, Grammy, Oscar, and Tony. He was also one of only two people to have won those four prizes and a Pulitzer Prize (the other being Richard Rodgers). Hamlisch also won two Golden Globes…

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