admin
RECORDING IN THE 1960’S
In the 60’s we mixed almost everything down to stereo and to mono.
The mono was specifically for 45 radio singles.
We ran two tape recorders at once… one mono and one multi-track.
The mono was for AM radio play,
and was considered the more important mix.
The original master tapes sounded beautiful and rich…hi-fi.
When they were mastered for AM radio, which was mono,
they were much lower quality. Here’s why:
First the singles were reduced to midrange,
where the human hearing is most efficient… like the CB radio frequencies.
This gave them what we called “apparent loudness”.
Then they were run through compressors and limiters,
clipping off a lot of the sound,
in order to make your record sound louder on the air.
This became a rat race, because everybody was doing it,
so the integrity of the original music was lost…
flattened and pounded and cookie-cut into lo-fi commercial radio singles.
The LP albums were usually stereo and much better in sound quality.
Recording back then, when we started, was not so primitive.
We sang into Telefunken condenser mikes,
we had 3 or 4 track wide tape running then at 15 inches per second.
We had several kinds of reverb…including elaborate echo chambers.
These were highly engineered, shellacked rooms,
with a speaker at one end, and a movable condenser mike on a track.
No two flat surfaces were parallel to each other.
This was to prevent standing waves, and let the echo keep repeating.
They sounded as good or better than today’s digital echo/verbs,
but a lot of conservative producers were afraid of them.
So…
people made fine masters, released crappy singles,
and the public accepted the system because they were trained to.
Now people think that was the way music sounded back then.
It was better than that.
Jack Blanchard
© 10/27/2014
ABOUT TODAY’S COUNTRY MUSIC AND AWARDS.
Misty and I are “Lifetime” CMA members,
so artists who are up for awards send us free CD’s to get our votes.
We just listened to two stars, a male and a female.
Her music is “bubble gum”, directed at 12 year old girls.
He is a good singer, but his recordings are produced to death.
No feeling of real humans in a studio.
His arrangements are tricky and full of hooks,
but the lyrics have no depth.
They are today’s “Sh-boom Sh-boom”.
These are super stars. not beginners.
If their heart and dreams were in there you could hear it.
They are making junk for a demographic that likes junk.
If I’m ever a 12 year old girl I might vote,
but I doubt it.
Jack Blanchard.
© 10/18/2014.
Jack Blanchard & Misty Morgan...
Home Page: http://www.jackandmisty.net
Awards: Grammy, Billboard, CMA, BMI, ASCAP.
Mastering & restoration studio: 352-530-2068.
Email: jackandmisty@gmail.com.
IN THE HOSPITAL THIS WEEK
My problem was internal bleeding. I lost several pints of blood.
Anyway, they fixed it, at least for now.
Everybody that worked at the hospital was just like family,
without the arguments.
They took me in an ambulance Monday night and threw me out today.
During all that time I ate practically nothing
and slept about an hour and a half each day.
Misty took great care of me, as always.
The food was great but I had no appetite and couldn’t eat it.
They checked me from head to toe with a colonoscopy
and many other tests.
They found and fixed a couple of things.
No cancer or anything deadly.
Seriously, I was worried about cancer.
It was a very rough four days,
hooked up to wires, tubes, and a five pound heart monitor.
The best part was being under general anesthetic for an hour.
Endless tests and treatments in all hours of the day and night.
And I’ve hated wearing gowns ever since the prom.
They say that every once in a while my heart does a little dance step
for about five seconds.
I think it’s just going from the chorus to the bridge.
Three cardiologists told me that my occasional irregular heartbeat
was nothing to worry about… that almost everybody has it.
So why did they give me a prescription for it?
Three nurses were actually arguing
about which one would give me the suppository.
To keep the peace, I did it myself.
Today I got home and found over a thousand emails on my mail page,
and hundreds of comments and “likes” on Facebook.
I can’t thank each of you individually, but I’m saying this now to all of you:
Thank you so much for caring!
You’ve brightened a dark week.
Jack Blanchard
© 10/10/2014.
Jack Blanchard & Misty Morgan...
Home Page: http://www.jackandmisty.net
Awards: Grammy, Billboard, CMA, BMI, ASCAP.
Mastering & restoration studio: 352-530-2068.
Email: jackandmisty@gmail.com.
A LITTLE MIRACLE IN ASHFORD, ALABAMA
you usually wind up taking circuitous routes,
and getting stranded in places you never knew existed,
and meeting people who are surprised that you exist.
We were once detained as suspected chain gang escapees,
which is where this story will eventually arrive.
You may be trying to go north,
but find yourself heading east or west,
and happy to get a ride,
to get off the side of a long and often creepy road.
When hitching you see the roads differently.
You notice the gum wrappers, cracks, puddles,
weeds and insects on the shoulders.
You get to know them well, sometimes being there for many hours.
A bend in the highway that cars disappear around in seconds,
is a mystery to you.
Maybe there’s a town up there,
or an old gas station where you might get water, or a lucky ride,
or more endless miles of nothing,
Hitch-hiking to a place a thousand miles from where you start
can easily cover almost double the AAA route,
moving laterally as often as forward.
And you can plan on a number of extra days
in the burning sun or cold rain.
This isn’t all bad.
Looking back on it It’s an adventure.
At the time it seemed like punishment.
Bob Egan and I were trying to get back to Buffalo from Florida,
and got dropped off at nightfall in a tiny southern town,
by a bakery truck driver going in for the night.
The two-lane county road traffic amounted to a vehicle an hour,
it was dark and getting chilly,
we hadn’t eaten, and were practically broke.
We were in Ashford, Alabama,
at the intersection of US84 (now called “Old US 84”),
and the road going northward was the narrow County Road 55.
There was a streetlight on the corner, so we stood under it,
trying to look wholesome and non-threatening.
Kids from the village came around to watch us stand there.
We were the biggest thing going on in town.
They were just a few feet from us,
but we couldn’t understand a single word they said.
We were from another planet.
After an hour or maybe three,
a dump truck rumbled toward us from the wrong direction.
Shovels were hanging on its sides and clanging.
It stopped and large elderly man in a plaid shirt got out.
He was the sheriff or maybe the chief constable.
The big man was friendly, but said he had to take us in
because we fitted the description of two chain gang escapees…
two young Yankee fellas, one dark-haired and one blond.
We tried to tell him how innocent and nice we were,
but the report said that they were smooth talkers,
and not to believe anything they said.
We climbed up into the truck cab
and he drove us about two blocks to the police station,
where we sat and were given coffee and a sandwich,
while the sheriff made some phone calls.
The police station was on Main,
which in my memory was an unpaved dirt street.
After a while he said “We don’t have a regular jail here,
but we’ve got a place for you to stay until court in the morning.”
Then he drove us to a big wooden house of indeterminate color,
and introduced us to a matronly lady
who was the proprietor of this rooming house.
She was as friendly as he was,
but we were surely headed for life on the chain gang,
and that took a little edge off the fun.
We did get some needed sleep and some breakfast in the morning.
The rugged old cop picked us up
and said we had been cleared of all suspicions.
He drove us to the county line.
Like an idiot I said “Good luck catching those guys.”
He waved out the truck window and headed back to town.
It only took a few decades for me to figure out what really happened.
He knew we would be stuck all night on that corner.
He could see that we were tired and probably hungry,
and he made the phone call to the boarding house lady
to put us up for the night.
There were no escaped convicts.
Just two youthful strangers who needed some help.
I have a warm spot in my heart for Ashford, Alabama,
and those good people.
© 2014.
Jack Blanchard & Misty Morgan...
Home Page: http://www.jackandmisty.net
Awards: Grammy, Billboard, CMA, BMI, ASCAP.
Mastering & restoration studio: 352-530-2068.
Email: jackandmisty@gmail.com.
FRAMES
to shoot the beautiful sunset.
A stranger walked up beside him
and gazed silently at the gorgeous sky.
After a couple of minutes the stranger said this:
“It’s almost like a painting.”
The photographer said: “Yes. Nature’s catching up.”
Life is a picture without a frame.
There’s too much to see to really appreciate it.
We see life best when it comes in little sections
cleverly framed so we know what to focus on.
It’s easier for us to see the tree than the forest.
In olden days it was the fashion
for hikers on nature walks to carry wooden picture frames.
When they came upon a beautiful vista,
they would look at it through the frames,
blocking out the not so pretty things,
and adjusting the frame to see only the best parts,
in artistic balance…like a painting.
Frames are interesting.
On television they make a picture shorter from top to bottom
and we think we’re seeing a panorama.
Hair styles are designed to frame the face.
When we “frame” somebody for a crime,
we focus suspicion upon them.
Stories and songs frame parts of life for us to understand…
showing us life with order and meaning,
and not showing us the ugly or boring parts.
People in story and song seldom sleep or go to the bathroom,
because they are not important to the plot.
Every line is written to add to the continuity,
and take the action to a satisfying ending.
Real life doesn’t have many good endings.
It usually peaks somewhere around the middle,
and then just wanders off,
but the authors are smart enough to stop at a high point.
Stories give us life we can understand…in a frame.
Bite size.
I don’t mean to say life can’t be fun, inspiring, tragic, hilarious,
noble, evil, and interesting in every way.
It is, and I love it.
But it’s often more interesting when we look back on it.
Our memory is selective.
It forgets the boring parts.
Artists, composers, and writers help us to find meaning,
or the illusion of meaning,
in a world that appears pretty random to the naked eye.
I do this kind of thing for a living. It’s my life’s work,
and I’m glad I didn’t listen to the well-meaning people
who advised me to give up this nonsense,
and get a real job.
Music, literature, poetry, and art help us to to get a frame
around this life we find ourselves in.
Jack Blanchard
© 2012, 2014.
Jack Blanchard & Misty Morgan...
Home Page: http://www.jackandmisty.net
Awards: Grammy, Billboard, CMA, BMI, ASCAP.
Mastering & restoration studio: 352-530-2068.
Email: jackandmisty@gmail.com.
Jpop Oricon Charts – W34
|
About JpopAsia:
JpopAsia is the largest International resource about discovering Asian music. Started by offering only Jpop, we have expanded into many more (sub)genres of Asian music. Our passion for Asian music drives us to provide you only the best experience to enjoy this amazing music. We believe that in this way we can make people like Asian music more by making it easy and encouraging to discover new artists.
Besides discovering, following your favorite artists is as important for us. Our service keeps you up to date about the latest news, gossips, releases, and concerts by email. And we can even predict the next release of new PVs!
By also offering a unique social experience and building everything ourselves, we create endless opportunities in serving and linking our content. You have to experience it to fully understand!
Copyright © 2014 JpopAsia. Used with permission from JpopAsia.com.
..
|
Album |
LW |
TW |
Artist Title (Label) |
TW SPINS |
LW SPINS |
Weeks on Chart |
Spin +/- |
Stations |
|
1 |
1 |
William Clark Green Hanging Around (Bill Grease Records) |
1,375 |
1,312 |
15 |
+63 |
76 |
|
3 |
2 |
Whiskey Myers Dogwood (Wiggy Thump) |
1,269 |
1,087 |
15 |
+182 |
74 |
|
6 |
3 |
Roger Creager River Song (Roger Creager Music) |
1,220 |
983 |
8 |
+237 |
76 |
|
2 |
4 |
TJ Broscoff Falling Down (BGM Records) |
1,187 |
1,113 |
16 |
+74 |
63 |
|
4 |
5 |
Adam Hood Trying To Write A Love Song (Adam Hood Music) |
1,095 |
1,087 |
18 |
+8 |
67 |
8 |
6 |
Casey Donahew Band Lovin’ Out of Control (Almost Country) |
1,038 |
954 |
9 |
+84 |
71 |
|
7 |
7 |
Jason Boland & the Stragglers Lucky I Guess (Proud Souls Ent.) |
1,008 |
974 |
18 |
+34 |
62 |
|
9 |
8 |
Kyle Park Long Distance Relationship (Indie/Thirty Tigers) |
1,000 |
922 |
12 |
+78 |
71 |
|
14 |
9 |
Cody Johnson Me & My Kind (CJB) |
972 |
695 |
4 |
+277 |
68 |
|
10 |
10 |
Granger Smith If Money Didn’t Matter (GS) |
953 |
874 |
10 |
+79 |
72 |
|
|
13 |
11 |
Bart Crow If I Go, I’m Goin’ (Smith Ent.) |
852 |
733 |
9 |
+119 |
65 |
|
5 |
12 |
Curtis Grimes Our Side of the Fence (CG) |
781 |
989 |
12 |
-208 |
56 |
|
12 |
13 |
Zach Coffey I Love You Anyway (ZC) |
744 |
743 |
17 |
+1 |
53 |
17 |
14 |
Mike Ryan Dancing All Around It (MR) |
727 |
596 |
7 |
+131 |
57 |
|
25 |
15 |
Zane Williams Hands of a Workin’ Man (ZW) |
708 |
501 |
5 |
+207 |
56 |
|
19 |
16 |
Deryl Dodd One Night Too Long (Smith Ent.) |
677 |
580 |
8 |
+97 |
51 |
|
16 |
17 |
Midnight River Choir Circles (Rambling Gypsy) |
654 |
667 |
16 |
-13 |
50 |
|
11 |
18 |
Randy Rogers Band Satellite (MCA Nashville) |
628 |
796 |
15 |
-168 |
49 |
|
22 |
19 |
Jesse Raub Jr. Good Man Go Wrong (JRJ) |
611 |
539 |
8 |
+72 |
48 |
|
23 |
20 |
Matt Kimbrow Abilene (MK) |
604 |
532 |
16 |
+72 |
47 |
|
20 |
21 |
Cody Jinks Alone (CJ) |
602 |
553 |
15 |
+49 |
50 |
|
21 |
22 |
Rich O’Toole Too Good To Call (PTO Records) |
591 |
546 |
13 |
+45 |
50 |
|
29 |
23 |
Josh Grider One Night Taco Stand (AMP) |
560 |
437 |
2 |
+123 |
52 |
|
26 |
24 |
Ray Johnston Band More Crown Than Coke (RJB) |
536 |
495 |
10 |
+41 |
44 |
|
45 |
25 |
Kevin Fowler Panhandle Poorboy (Kevin Fowler Records) |
495 |
308 |
2 |
+187 |
49 |
|
24 |
26 |
The Statesboro Revue Live A Little (Vision Ent./Shalley Records) |
492 |
507 |
9 |
-15 |
41 |
|
18 |
27 |
John Slaughter Ghost Town (JS) |
486 |
592 |
22 |
-106 |
38 |
|
15 |
28 |
Mario Flores Got A Bad Feeling (MF) |
485 |
677 |
19 |
-192 |
39 |
|
32 |
29 |
Tori Martin Done Deal (Independent/Martin 3) |
447 |
383 |
9 |
+64 |
35 |
|
33 |
30 |
Uncle Lucius Everybody Got Soul (Entertainment One Music) |
446 |
378 |
3 |
+68 |
44 |
|
30 |
31 |
LiveWire Drivin’ You Outta My Mind (Way Out West Records) |
422 |
428 |
5 |
-6 |
34 |
|
27 |
32 |
Chance Anderson Windows Down (CA) |
399 |
470 |
8 |
-71 |
36 |
|
40 |
33 |
Micky & the Motorcars Hearts From Above (Smith Ent.) |
396 |
345 |
2 |
+51 |
46 |
|
|
36 |
34 |
Casey Berry Fool (80615 Entertainment) |
394 |
365 |
4 |
+29 |
41 |
49 |
35 |
Cameran Nelson Shotgun (CN) |
386 |
272 |
2 |
+114 |
38 |
|
38 |
36 |
Chris Brazeal Band Small Town Saturday Night (CBB) |
375 |
351 |
6 |
+24 |
30 |
|
35 |
37 |
Aaron Kothmann As Good As It Gets (Nicol Rae Records) |
369 |
366 |
6 |
+3 |
32 |
|
41 |
38 |
Abbi Walker Kiss Kiss Bang Bang (AW) |
368 |
341 |
10 |
+27 |
35 |
|
34 |
39 |
Jeremy Steding Stay (JS) |
365 |
367 |
13 |
-2 |
32 |
|
42 |
40 |
Kylie Rae Harris Sticks and Stones (KRH) |
355 |
330 |
3 |
+25 |
36 |
|
39 |
41 |
Johnny Cooper Thank You (Vision Ent.) |
350 |
349 |
4 |
+1 |
29 |
|
|
44 |
42 |
Cody Bryan Band Wreck Me (CBB) |
348 |
318 |
5 |
+30 |
42 |
N |
43 |
Sunny Sweeney Bad Girl Phase (Thirty Tigers) |
341 |
142 |
1 |
+199 |
32 |
|
N |
44 |
Phil Hamilton Dirty Love (Winding Road) |
336 |
247 |
1 |
+89 |
29 |
|
|
46 |
45 |
Scooter Brown Band Summer Song (SBB) |
321 |
306 |
4 |
+15 |
35 |
N |
46 |
Matt Hillyer A Little Less Whiskey (MH) |
306 |
250 |
1 |
+56 |
29 |
|
|
43 |
47 |
Bri Bagwell Crazy (BB) |
291 |
321 |
3 |
-30 |
29 |
N |
48 |
Charlie Robison Look Out Cleveland (Thirty Tigers/Jetwell, Inc.) |
284 |
253 |
1 |
+31 |
32 |
|
N |
49 |
Shane Smith & The Saints Dance the Night Away (SSS) |
272 |
257 |
1 |
+15 |
32 |
|
|
50 |
50 |
Saints Eleven I’ll Be Fine (SE) |
269 |
260 |
2 |
+9 |
30 |
Freezes:
KACQ/KCYL, KECO, KOLI, KOXE, KPUR, KRRG, KRVA, KSEL, KSTV, KTKO, KXAX, KXOX
.