Monthly Archives: March 2014
Music Charts Magazine® presents an (audio interview) with - "George Riddle"( long-time friend and frontman for such performers as George Jones and Tammy Wynette ) sit's down with us at here at Music Charts Magazine® and remembers the life of the legend "George Jones".
Copyright © 2012 – 2014 Music Charts Magazine® - (www.MusicChartsMagazine.com) – All Rights Reserved. Contents of this site including text and media may not be reproduced without prior written consent. Audio and video elements of this site are property of their respective owners and are used with permission.
Music Charts Magazine® presents an (audio interview) with - "Claude Gray" (born January 26, 1932 in Henderson, Texas) is an American country music singer-songwriter and guitar picker best known for his 1960 hit "Family Bible," which has been covered by many different artists. Music Charts Magazine®
[audio:http://MusicChartsMagazine.com/uploads/Music Charts Magazine's Big Al Weekley interviews with Claude Gray|titles=Music Charts Magazine interview with Claude Gray by Big Al Weekley]
Copyright © 2012 – 2014 Music Charts Magazine® - (www.MusicChartsMagazine.com) – All Rights Reserved. Contents of this site including text and media may not be reproduced without prior written consent. Audio and video elements of this site are property of their respective owners and are used with permission.
About Fred's Country program:
Le program Fred's Country: La musique Country de Tradition avec Frederic (Fred) Moreau. Le program Fred's Country est diffusé sur 65 fréquences FM, 54 radios ou webradios.
Radio Show Host: Fred Moreau
Program Fred's Country w11-2014 - 14 Mars 2014 à 17:05 - March 14th, 2014
Music Charts Magazine is proud to be friends with Mr. Moreau and glad to now be one of the many to host Program Fred's Country. ( French/English)
Album |
LW |
TW |
Artist Title (Label) |
TW SPINS |
LW SPINS |
Weeks on Chart |
Spin +/- |
Stations |
2 |
1 |
Aaron Watson July in Cheyenne (Thirty Tigers) |
1,326 |
1,219 |
17 |
+107 |
70 |
|
1 |
2 |
Curtis Grimes The Cowboy Kind (CG) |
1,238 |
1,393 |
15 |
-155 |
69 |
|
3 |
3 |
Josh Ward Hard Whiskey (Buckshot Records) |
1,213 |
1,169 |
12 |
+44 |
68 |
|
5 |
4 |
Kevin Fowler Love Song (Kevin Fowler Records) |
1,191 |
1,075 |
8 |
+116 |
73 |
|
7 |
5 |
Zane Williams Little Too Late (ZW) |
1,094 |
976 |
10 |
+118 |
65 |
|
6 |
6 |
JB and the Moonshine Band w/Angaleena Presley Black and White (Light It Up Records) |
1,060 |
1,022 |
13 |
+38 |
67 |
|
8 |
7 |
Brian Keane Bar Lights (BK) |
1,022 |
952 |
12 |
+70 |
62 |
|
4 |
8 |
Casey Donahew Band Small Town Love (Almost Country) |
965 |
1,146 |
16 |
-181 |
56 |
|
13 |
9 |
Mark McKinney Lonely Bones (Texas Evolution) |
933 |
804 |
7 |
+129 |
68 |
|
15 |
10 |
Cameran Nelson 35 Runs Both Ways (CN) |
902 |
787 |
7 |
+115 |
58 |
|
19 |
11 |
Reckless Kelly Every Step of the Way (No Big Deal) |
802 |
668 |
6 |
+134 |
63 |
|
22 |
12 |
Green River Ordinance Flying (GRO) |
799 |
610 |
6 |
+189 |
61 |
|
14 |
13 |
Sam Riggs Angola’s Lament (SR) |
792 |
799 |
13 |
-7 |
59 |
|
9 |
14 |
Cody Johnson Dance Her Home (CJB) |
780 |
935 |
11 |
-155 |
53 |
|
12 |
15 |
The Statesboro Revue Huck Finn (Vision Ent./Shalley Records) |
739 |
814 |
21 |
-75 |
47 |
|
16 |
16 |
Whiskey Myers Home (Wiggy Thump) |
696 |
777 |
16 |
-81 |
54 |
|
10 |
17 |
William Clark Green Rose Queen (Bill Grease Records) |
682 |
904 |
17 |
-222 |
53 |
|
17 |
18 |
Phil Hamilton Hold On Tight (Winding Road) |
672 |
765 |
14 |
-93 |
49 |
|
21 |
19 |
Uncle Lucius Somewhere Else (Entertainment One Music) |
646 |
612 |
12 |
+34 |
46 |
|
25 |
20 |
Wade Bowen w/Brandy Clark Love in the First Degree (Lightning Rod Records) |
621 |
516 |
3 |
+105 |
47 |
|
24 |
21 |
John Slaughter Ghost Town (JS) |
613 |
569 |
4 |
+44 |
51 |
|
23 |
22 |
Jason Eady OK Whiskey (JE) |
612 |
594 |
9 |
+18 |
43 |
|
11 |
23 |
Granger Smith Miles and Mud Tires (GS) |
585 |
844 |
20 |
-259 |
50 |
|
34 |
24 |
Brandon Rhyder Leave (Reserve Records) |
580 |
436 |
7 |
+144 |
50 |
|
28 |
25 |
Kylie Rae Harris Waited (KRH) |
556 |
491 |
9 |
+65 |
46 |
|
31 |
26 |
Josh Grider White Van (AMP) |
553 |
454 |
3 |
+99 |
49 |
|
26 |
27 |
Michael Coleman w/Jody Booth Radio Don’t Sound Like Me (DMG/CaneyCreek) |
552 |
515 |
8 |
+37 |
41 |
|
20 |
28 |
Deryl Dodd Loveletters (Smith Ent.) |
534 |
635 |
22 |
-101 |
37 |
|
18 |
29 |
Randy Rogers Band Speak Of The Devil (MCA Nashville) |
516 |
677 |
22 |
-161 |
40 |
|
27 |
30 |
Rob Baird Same Damn Thing (Carnival Music) |
513 |
510 |
11 |
+3 |
43 |
|
30 |
31 |
Ray Johnston Band Crush (RJB) |
476 |
467 |
13 |
+9 |
42 |
|
32 |
32 |
Dolly Shine Should’ve Known (DS) |
474 |
447 |
4 |
+27 |
43 |
|
29 |
33 |
Mike and the Moonpies The Hard Way (MATM) |
471 |
489 |
10 |
-18 |
40 |
|
33 |
34 |
Clayton Gardner Table for Two (CG) |
460 |
439 |
6 |
+21 |
46 |
|
41 |
35 |
Prophets And Outlaws Soul Shop (Seven Set Jam Records) |
414 |
350 |
2 |
+64 |
38 |
|
PHOTO COMING SOON |
36 |
36 |
Rodney Parker & 50 Peso Reward Things You Make Me Do (Smith Ent.) |
413 |
392 |
5 |
+21 |
32 |
35 |
37 |
Clay Thrash My Heart (Grange Records) |
410 |
427 |
9 |
-17 |
35 |
|
38 |
38 |
Aubrey Lynn England Sad Little Girl (ALE) |
399 |
370 |
3 |
+29 |
31 |
|
37 |
39 |
Mike McClure Band Silver and Blue (598 Recordings) |
382 |
381 |
5 |
+1 |
34 |
|
45 |
40 |
Matt Caldwell Drink Another (AMP) |
371 |
327 |
3 |
+44 |
36 |
|
44 |
41 |
Sean Franks & Chapter 11 Catch This Train (WarRoom Records) |
350 |
329 |
6 |
+21 |
30 |
|
40 |
42 |
Dirty River Boys Desert Wind (DRB) |
349 |
352 |
11 |
-3 |
34 |
|
N |
43 |
Mario Flores Got A Bad Feeling (MF) |
344 |
266 |
1 |
+78 |
34 |
|
PHOTO COMING SOON |
46 |
44 |
American Aquarium I Hope He Breaks Your Heart (Last Chance Records) |
342 |
306 |
5 |
+36 |
35 |
N |
45 |
Jamie Richards I’ll Have Another (JR) |
341 |
266 |
1 |
+75 |
30 |
|
47 |
46 |
Tommy Joe Wilson Cold Beer (River Wild Records) |
324 |
305 |
3 |
+19 |
32 |
|
43 |
47 |
Jarrod Birmingham December Gone (JB) |
322 |
332 |
7 |
-10 |
32 |
|
N |
48 |
The Dusty Smirl Band Lubbock Lights (TDSB) |
311 |
273 |
1 |
+38 |
36 |
|
48 |
49 |
The Rusty Brothers Revival (Vision Ent.) |
299 |
305 |
5 |
-6 |
30 |
|
49 |
50 |
Rosehill The Bible and the Gun (Cypress Records) |
278 |
305 |
10 |
-27 |
23 |
Non Reports:
1st Week: KYBI
Freezes:
KDCD, KFWR, KIXN, KMKS, KMRK, KRVF, KYKS, TXRDR
Copyright © 2014, the Texas Music Chart. Used with permission from Best In Texas Music Marketing LLC, Houston, TX
About Fred's Country program:
Le program Fred's Country: La musique Country de Tradition avec Frederic (Fred) Moreau. Le program Fred's Country est diffusé sur 65 fréquences FM, 54 radios ou webradios.
Radio Show Host: Fred Moreau
Program Fred's Country w10-2014 - 7 Mars 2014 à 15:00 - March 7th, 2014
Music Charts Magazine is proud to be friends with Mr. Moreau and glad to now be one of the many to host Program Fred's Country. ( French/English)
Date = 4 March 2014
Artist Name = Ben Stolorow and Ian Carey
Genre = Jazz
Title = Duocracy
Record Company = Kabocha
Review =
Inventive and pretty, the music on Duocracy (recorded in 2013) is reminiscent of that created by Ruby Braff and Dick Hyman on several albums, including Play Nice Tunes (1994), though Braff usually performed on cornet while Ian Carey plays trumpet. Pianist Ben Stolorow and Carey mostly favor tunes from what is often called the Great American Songbook, ones similar to those Braff and Hyman played occasionally. Jazz writers who decry musicians’ continued interest in such music should listen to Stolorow and Carey’s fresh treatment of standards.
Ranging chronologically from the Gershwins’ “How Long Has This Been Going On” and Rodgers and Hart’s “You Took Advantage of Me” (both 1928) to Henry Mancini’s “Two for the Road” (1967), seven of the ten selections are well known. The tempos range from sprightly to deliberate. The briskest selection, “Cherokee” begins with a brief fanfare, as if to announce that something special is coming. Indeed, the trumpet-piano interplay is impressive, as it is throughout this CD. The contrast between “Cherokee” and the next tune, Gordon Jenkins’s “Goodbye,” the longest and least hurried piece, is extreme; pairing these pieces reveals the musicians’ emotional range, from playfulness to introspection. In tempo and sensitivity, the remaining selections lie between these two performances.
The interpretation of one standard tune is particularly noteworthy. Stolorow and Carey capture the beauty of Jerome Kern’s “All the Things You Are” while approaching it obliquely. Instead of stating the melody, improvising, and restating the theme, they improvise until introducing the melody in the last few bars. As Dave Brubeck and Paul Desmond engage in polyphony on their 1953 recording of Kern’s composition, so do Stolorow and Carey briefly on theirs sixty years later.
In addition to standards, the duo performs tunes by two jazz composers and one original piece. Thelonious Monk’s jaunty, idiosyncratic “Four in One” is less well known than such Monk compositions as “Blue Monk,” “Rhythm-a-ning,” “Round Midnight,” “Straight, No Chaser,” and “Well You Needn’t,” which have been recorded numerous times. To their credit, the musicians retain the tune’s quirkiness and do not smooth its angularity in order possibly to make it more palatable to the general listener. The presence on this CD of “Social Call,” played lyrically, serves as a reminder that the sadly neglected Gigi Gryce wrote some first-rate tunes, including “Blue Lights,” “Hymn to the Orient,” “Minority,” “Nica’s Tempo,” “Reminiscing,” and “Wildwood.” To me, Stolorow and Carey’s “Comin’ Along” is the least satisfactory selection, not because the musicians don’t play well, but rather because the composition is not particularly tuneful. The performance of this piece based on the chords of Benny Golson’s “Along Came Betty” alludes to both “All the Things You Are” and “Four in One.”
Hardly radical, the trumpeter and pianist are content to investigate the nuances of, mostly, established compositions, ones that some commentators consider effete. These tunes have endured because of their attractiveness and richness, qualities that appeal to instrumentalists and singers. Stolorow and Carey’s treatment of them is uniquely theirs. They play nice tunes nicely.
Author = Benjamin Franklin V
Album |
LW |
TW |
Artist Title (Label) |
TW SPINS |
LW SPINS |
Weeks on Chart |
Spin +/- |
Stations |
2 |
1 |
Curtis Grimes The Cowboy Kind (CG) |
1,393 |
1,261 |
14 |
+132 |
72 |
|
4 |
2 |
Aaron Watson July in Cheyenne (Thirty Tigers) |
1,219 |
1,096 |
16 |
+123 |
68 |
|
3 |
3 |
Josh Ward Hard Whiskey (Buckshot Records) |
1,169 |
1,171 |
11 |
-2 |
68 |
|
1 |
4 |
Casey Donahew Band Small Town Love (Almost Country) |
1,146 |
1,299 |
15 |
-153 |
67 |
|
9 |
5 |
Kevin Fowler Love Song (Kevin Fowler Records) |
1,075 |
907 |
7 |
+168 |
73 |
|
7 |
6 |
JB and the Moonshine Band w/Angaleena Presley Black and White (Light It Up Records) |
1,022 |
923 |
12 |
+99 |
65 |
|
10 |
7 |
Zane Williams Little Too Late (ZW) |
976 |
900 |
9 |
+76 |
64 |
|
12 |
8 |
Brian Keane Bar Lights (BK) |
952 |
812 |
11 |
+140 |
61 |
|
5 |
9 |
Cody Johnson Dance Her Home (CJB) |
935 |
1,061 |
10 |
-126 |
61 |
|
8 |
10 |
William Clark Green Rose Queen (Bill Grease Records) |
904 |
920 |
16 |
-16 |
60 |
|
6 |
11 |
Granger Smith Miles and Mud Tires (GS) |
844 |
1,006 |
19 |
-162 |
61 |
|
14 |
12 |
The Statesboro Revue Huck Finn (Vision Ent./Shalley Records) |
814 |
794 |
20 |
+20 |
47 |
|
16 |
13 |
Mark McKinney Lonely Bones (Texas Evolution) |
804 |
783 |
6 |
+21 |
64 |
|
18 |
14 |
Sam Riggs Angola’s Lament (SR) |
799 |
767 |
12 |
+32 |
55 |
|
15 |
15 |
Cameran Nelson 35 Runs Both Ways (CN) |
787 |
787 |
6 |
----- |
53 |
|
17 |
16 |
Whiskey Myers Home (Wiggy Thump) |
777 |
782 |
15 |
-5 |
61 |
|
13 |
17 |
Phil Hamilton Hold On Tight (Winding Road) |
765 |
798 |
13 |
-33 |
53 |
|
11 |
18 |
Randy Rogers Band Speak Of The Devil (MCA Nashville) |
677 |
853 |
21 |
-176 |
51 |
|
20 |
19 |
Reckless Kelly Every Step of the Way (No Big Deal) |
668 |
622 |
5 |
+46 |
55 |
|
19 |
20 |
Deryl Dodd Loveletters (Smith Ent.) |
635 |
700 |
21 |
-65 |
43 |
|
21 |
21 |
Uncle Lucius Somewhere Else (Entertainment One Music) |
612 |
619 |
11 |
-7 |
47 |
|
22 |
22 |
Green River Ordinance Flying (GRO) |
610 |
588 |
5 |
+22 |
53 |
|
23 |
23 |
Jason Eady OK Whiskey (JE) |
594 |
540 |
8 |
+54 |
44 |
|
24 |
24 |
John Slaughter Ghost Town (JS) |
569 |
492 |
3 |
+77 |
46 |
|
46 |
25 |
Wade Bowen w/Brandy Clark Love in the First Degree (Lightning Rod Records) |
516 |
304 |
2 |
+212 |
45 |
|
27 |
26 |
Michael Coleman w/Jody Booth Radio Don’t Sound Like Me (DMG/CaneyCreek) |
515 |
475 |
7 |
+40 |
41 |
|
25 |
27 |
Rob Baird Same Damn Thing (Carnival Music) |
510 |
486 |
10 |
+24 |
42 |
|
28 |
28 |
Kylie Rae Harris Waited (KRH) |
491 |
459 |
8 |
+32 |
45 |
|
30 |
29 |
Mike and the Moonpies The Hard Way (MATM) |
489 |
453 |
9 |
+36 |
40 |
|
29 |
30 |
Ray Johnston Band Crush (RJB) |
467 |
453 |
12 |
+14 |
43 |
|
45 |
31 |
Josh Grider White Van (AMP) |
454 |
312 |
2 |
+142 |
36 |
|
34 |
32 |
Dolly Shine Should’ve Known (DS) |
447 |
392 |
3 |
+55 |
41 |
|
32 |
33 |
Clayton Gardner Table for Two (CG) |
439 |
412 |
5 |
+27 |
43 |
|
26 |
34 |
Brandon Rhyder Leave (Reserve Records) |
436 |
479 |
6 |
-43 |
43 |
|
31 |
35 |
Clay Thrash My Heart (Grange Records) |
427 |
445 |
8 |
-18 |
37 |
|
PHOTO COMING SOON |
35 |
36 |
Rodney Parker & 50 Peso Reward Things You Make Me Do (Smith Ent.) |
392 |
382 |
4 |
+10 |
32 |
38 |
37 |
Mike McClure Band Silver and Blue (598 Recordings) |
381 |
346 |
4 |
+35 |
37 |
|
44 |
38 |
Aubrey Lynn England Sad Little Girl (ALE) |
370 |
318 |
2 |
+52 |
29 |
|
37 |
39 |
Charlie Robison Brand New Me (Thirty Tigers/Jetwell, Inc.) |
356 |
366 |
18 |
-10 |
32 |
|
40 |
40 |
Dirty River Boys Desert Wind (DRB) |
352 |
338 |
10 |
+14 |
34 |
|
N |
41 |
Prophets And Outlaws Soul Shop (Seven Set Jam Records) |
350 |
247 |
1 |
+103 |
32 |
|
33 |
42 |
Jason Cassidy Southern Side (JC) |
342 |
407 |
16 |
-65 |
38 |
|
42 |
43 |
Jarrod Birmingham December Gone (JB) |
332 |
330 |
6 |
+2 |
33 |
|
49 |
44 |
Sean Franks & Chapter 11 Catch This Train (WarRoom Records) |
329 |
295 |
5 |
+34 |
29 |
|
47 |
45 |
Matt Caldwell Drink Another (AMP) |
327 |
299 |
2 |
+28 |
34 |
|
PHOTO COMING SOON |
R |
46 |
American Aquarium I Hope He Breaks Your Heart (Last Chance Records) |
306 |
266 |
4 |
+40 |
35 |
48 |
47 |
Tommy Joe Wilson Cold Beer (River Wild Records) |
305 |
298 |
2 |
+7 |
32 |
|
43 |
48 |
The Rusty Brothers Revival (Vision Ent.) |
305 |
324 |
4 |
-19 |
31 |
|
39 |
49 |
Rosehill The Bible and the Gun (Cypress Records) |
305 |
344 |
9 |
-39 |
27 |
|
50 |
50 |
Redneck Brown & the Freshwater Donkeys When I Think About Texas (RB&FD) |
274 |
293 |
7 |
-19 |
23 |
Non Reports:
1st Week: KHKX, KOLI, Texas Countdown
Freezes: KECO, KFWR, KNUE, KSCN/KSCH/KOYN, KWEY, Radio Texas Live
Copyright © 2014, the Texas Music Chart. Used with permission from Best In Texas Music Marketing LLC, Houston, TX
George "Porky" Chedwick (February 4, 1918 – March 2, 2014) was an American radio announcer known to generations in Pittsburgh, Pennsylvania as "The Daddio of the Raddio, " "The Platter Pushin' Papa, " "The Bossman," "Pork the Tork", and a host of other colorful nicknames.
Chedwick was the first white DJ to present a racially diverse audience in a major eastern American city a steady diet of what were, in the summer of 1948, called "race records." The trail he blazed—some 3 years before the more famous Pennsylvania native, Alan Freed, called the music "rock and roll"--was a dual one. Chedwick's original playlist was composed of old R&B and gospel records that he had collected over the years, making him the world's first bona fide oldies DJ. He called the records his "dusty discs," since he would literally have to blow the dust off the 78s before he could preview them at the record stores. Record stores had no demand for the records and would often just give them to Chedwick, or he'd rescue them from bargain bins with what little money he could scrape together. Years later, radio stations, record companies, and concert promoters would take notice and copy Porky's Chedwick's formula, creating the billion-dollar "oldies" rock and roll nostalgia industry which thrives still today. Porky Chedwick has been recognized on the floor of the United States Senate for his pioneering contributions to radio and rock and roll (and countless times around Pittsburgh, including a day-long 50th anniversary oldies concert called "Porkstock", in 1998 at Three Rivers Stadium) and another one in 1999. He was among a group of radio disc jockeys honored in the "Dedicated to the One I Love" exhibit at Cleveland, Ohio's Rock and Roll Hall of Fame and Museum, in 1996. He's the only Pittsburgh DJ to be recognized in the Rock and Roll Hall of Fame. At age 88, Chedwick celebrated his 58th anniversary on the air at Hall of Fame's Alan Freed Radio Studio on August 12, 2006.
Read more at: http://en.wikipedia.org/wiki/Porky_Chedwick
Music Charts Magazine®Presents - "NEW DISCOVERY" - "Kayla Nettles" - for the month of March 2014.
Looking for some "New" music to add to your player and can't find anything that blows you away?
Check out this Music Charts Magazine® "NEW DISCOVERY" Interview with "Kayla Nettles" and be prepared to be excited knowing there is still 100% awesome music out there that you still have not heard.
After you listen to this great radio interview pasted below of "Kayla Nettles" we are sure you will be glad you found this "New Discovery" and Kayla's song "Drive" to add to your music playlist.
When Kayla Nettles was only nine-years-old she performed at the MGM Grand in Las Vegas, Nevada. From that moment on she knew exactly what she wanted to do with the rest of her life.
That was the turning point, the 18-year-old Nashville country artist says.
On July 27, Nettles released her debut, Drive, with a CD launch party at the Wild Wing Café in Franklin, Tennessee. She’s proud of the amount of time and effort she spent working on the album.
I wanted my EP to stand out from the crowd. I really took the time to pick the original songs that I believe people can relate too and have a better understanding of who I am and where I want to go as an artist.
In addition to singing, Nettles also plays guitar, piano, viola, and violin. Her influences include Taylor Swift, Georgia Strait, The Band Perry and Edens Edge. She says she tries to write music that people can relate too.
The songs on the EP are personal. I hope that they can relate to my songs and get the vibe that I’m putting down.
According to Nettles, the biggest challenge with the album was coming up with funding.
It’s a long process, she says. The funds were kind of the biggest issue. If we placed an order for a thousand CDs then it gets quite pricey.
Originally, from Titusville, Fl., Nettles moved to Waterford, Mich., when she was in the sixth grade. She got into music at an early age thanks in large part to her father’s own musical career.
Music was always a part of my life, she says. When I was three my father shared his love for music with me and would often bring me up on stage with his band.
In 2006, Nettles became the lead singer in Ripchord a rock band that toured the U.S.
We were brought together through a music recital and really hit it off. We were all very young. The oldest member at the time was 14 years old and we were already traveling from state to state, Nettles says. In just a couple of months of becoming a band we were touring professionally, had a radio tour set up and performed in front of 30,000 people for a 4th of July event.
In 2009, she left Ripchord and moved from Michigan to Nashville in order to further pursue her music career.
Now that I’ve been here for four years, I feel like I’ve accomplished so much, she says.
Shortly after arriving in Music City, Nettles landed a job as a television host for Nashville Spotlight, a local program that helps promotes artists from across North America.
That was kind of my first job when I moved here and didn’t really know anyone, she says. One of the producers that works on the show heard me sing at a bar here in Nashville and he invited me by the studio. It was a really cool experience to meet friends and get some exposure.
Nettles received her vocal training from vocal coach Brett Manning who has previously worked with high profile artists such as Taylor Swift, Hayley Williams, Miley Cyrus, Carrie Underwood and Keith Urban.
I always learn something new every lesson, she says. He is definitely an inspiration. Brett and the other vocal coaches have taken me under their wing and have given me support throughout my career.
I believe in his technique and can look back at past recordings of my voice and hear the difference in my tone, control and knowing how to put emotion in my voice, she adds.
In 2011, Nettles made it to Hollywood Week on American Idol Season 11 and says the experience was extremely beneficial for her as an artist.
Being on American Idol I’ve learned to appreciate my talent and how to connect with my audience on a more personal level when I am singing, she says. It’s a life changing experience. Words really can’t describe the sights, the sounds and the feelings that you experience.
She has also spent time behind the scenes learning stage construction and worked under Jonathan Smeeton, who has set up stages for artists such as Taylor Swift, Michael Jackson, KISS and Def Leopard.
Working with Mr. Smeeton was a great experience, Nettles says. I learned about all the hard work and responsibility that goes on behind the scenes to make the artists tour run smoothly.
As a child, Nettles acted in plays and that landed her appearances as an extra in music videos by Kid Rock, Luke Bryan, Eric Church, Hunter Hayes, Gretchen Wilson, Maggie Rose, Jasmine Sagginario, etc..
I really got to connect and hang out with the artists on a more personal level, she says. It’s always fun to see yourself on Country Music Television.
For more information on Kayla Nettles visit -
Follow her on twitter @KaylaNettles.
Radio interested in how to obtain this music please contact us on our contact page and we will be glad to get it to your radio station for radio play. Many thanks to those of you who have already played it.
To find out more about Kayla Nettles:
- www.kaylanettles.com
- https://www.facebook.com/KaylaNettlesMusic?ref=ts&fref=ts
- https://twitter.com/kaylanettles
- www.reverbnation.com/kaylanettles
- http://www.youtube.com/user/tonikaylakaiden
Music Charts Magazine® NEW DISCOVERY for the month of March 2014 - Music Charts Magazine®proudly presents "NEW DISCOVERY" for the month of March 2014 "Kayla Nettles - feature song Drive"
LISTEN to "NEW DISCOVERY" Interview with Kayla Nettles - HERE:
Music Charts Magazine® Presents "New Discovery" Kayla Nettles featuring the song "Drive" - Interview by Award winning DJ Big Al Weekley
Music Charts Magazine® Presents NEW DISCOVERY "Kayla Nettles" - Interview by Big Al Weekley
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