Monthly Archives: March 2014

George Riddle, Patsy Cline and George Jones - A Music Charts Magazine® audio interview with George Riddle "Remembering country legend "George Jones"Music Charts Magazine® presents an (audio interview) with - "George Riddle"( long-time friend and frontman for such performers as George Jones and Tammy Wynette ) sit's down with us at here at Music Charts Magazine® and remembers the life of the legend "George Jones".

 

 

 

 

 

 

Copyright © 2012 – 2014 Music Charts Magazine® - (www.MusicChartsMagazine.com) – All Rights Reserved. Contents of this site including text and media may not be reproduced without prior written consent. Audio and video elements of this site are property of their respective owners and are used with permission.


Music Charts Magazine® presents an Exclusive (audio interview) with - "Claude Gray"Music Charts Magazine® presents an (audio interview) with - "Claude Gray" (born January 26, 1932 in Henderson, Texas) is an American country music singer-songwriter and guitar picker Claude Gray, Johnny Cash, George Jones, The Tennesssee Three, Roger Miller at Houston Civic Auditorium in TX in March 14, 1961best known for his 1960 hit "Family Bible," which has been covered by many different artists. Music Charts Magazine®

 

 

 

[audio:http://MusicChartsMagazine.com/uploads/Music Charts Magazine's Big Al Weekley interviews with Claude Gray|titles=Music Charts Magazine interview with Claude Gray by Big Al Weekley]

 

Copyright © 2012 – 2014 Music Charts Magazine® - (www.MusicChartsMagazine.com) – All Rights Reserved. Contents of this site including text and media may not be reproduced without prior written consent. Audio and video elements of this site are property of their respective owners and are used with permission.

About Fred's Country program:

Le program Fred's Country: La musique Country de Tradition avec Frederic (Fred) Moreau. Le program Fred's Country est diffusé sur 65 fréquences FM, 54 radios ou webradios.

Radio Show Host: Fred Moreau

Program Fred's Country w11-2014 - 14 Mars 2014 à 17:05 - March 14th, 2014

 

 

 

Music Charts Magazine is proud to be friends with Mr. Moreau and glad to now be one of the many to host Program Fred's Country. ( French/English)

Radio Program "Fred's Country" - Now at Music Charts Magazine!

 

 

 

 

 

 

 


 

Album

LW

TW

Artist

Title

(Label)

TW SPINS

LW SPINS

Weeks on Chart

Spin +/-

Stations

 

2

1

Aaron Watson

July in Cheyenne

(Thirty Tigers)

1,326

1,219

17

+107

70

 

1

2

Curtis Grimes

The Cowboy Kind

(CG)

1,238

1,393

15

-155

69

 

3

3

Josh Ward

Hard Whiskey

(Buckshot Records)

1,213

1,169

12

+44

68

 

5

4

Kevin Fowler

Love Song

(Kevin Fowler Records)

1,191

1,075

8

+116

73

 

7

5

Zane Williams

Little Too Late

(ZW)

1,094

976

10

+118

65

 

6

6

JB and the Moonshine Band w/Angaleena Presley

Black and White

(Light It Up Records)

1,060

1,022

13

+38

67

 

8

7

Brian Keane

Bar Lights

(BK)

1,022

952

12

+70

62

 

4

8

Casey Donahew Band

Small Town Love

(Almost Country)

965

1,146

16

-181

56

 

13

9

Mark McKinney

Lonely Bones

(Texas Evolution)

933

804

7

+129

68

 

15

10

Cameran Nelson

35 Runs Both Ways

(CN)

902

787

7

+115

58

 

19

11

Reckless Kelly

Every Step of the Way

(No Big Deal)

802

668

6

+134

63

 

22

12

Green River Ordinance

Flying

(GRO)

799

610

6

+189

61

 

14

13

Sam Riggs

Angola’s Lament

(SR)

792

799

13

-7

59

 

9

14

Cody Johnson

Dance Her Home

(CJB)

780

935

11

-155

53

 

12

15

The Statesboro Revue

Huck Finn

(Vision Ent./Shalley Records)

739

814

21

-75

47

 

16

16

Whiskey Myers

Home

(Wiggy Thump)

696

777

16

-81

54

 

10

17

William Clark Green

Rose Queen

(Bill Grease Records)

682

904

17

-222

53

 

17

18

Phil Hamilton

Hold On Tight

(Winding Road)

672

765

14

-93

49

 

21

19

Uncle Lucius

Somewhere Else

(Entertainment One Music)

646

612

12

+34

46

 

25

20

Wade Bowen w/Brandy Clark

Love in the First Degree

(Lightning Rod Records)

621

516

3

+105

47

 

24

21

John Slaughter

Ghost Town

(JS)

613

569

4

+44

51

 

23

22

Jason Eady

OK Whiskey

(JE)

612

594

9

+18

43

 

11

23

Granger Smith

Miles and Mud Tires

(GS)

585

844

20

-259

50

 

34

24

Brandon Rhyder

Leave

(Reserve Records)

580

436

7

+144

50

 

28

25

Kylie Rae Harris

Waited

(KRH)

556

491

9

+65

46

 

31

26

Josh Grider

White Van

(AMP)

553

454

3

+99

49

 

26

27

Michael Coleman w/Jody Booth

Radio Don’t Sound Like Me

(DMG/CaneyCreek)

552

515

8

+37

41

 

20

28

Deryl Dodd

Loveletters

(Smith Ent.)

534

635

22

-101

37

 

18

29

Randy Rogers Band

Speak Of The Devil

(MCA Nashville)

516

677

22

-161

40

 

27

30

Rob Baird

Same Damn Thing

(Carnival Music)

513

510

11

+3

43

 

30

31

Ray Johnston Band

Crush

(RJB)

476

467

13

+9

42

 

32

32

Dolly Shine

Should’ve Known

(DS)

474

447

4

+27

43

 

29

33

Mike and the Moonpies

The Hard Way

(MATM)

471

489

10

-18

40

 

33

34

Clayton Gardner

Table for Two

(CG)

460

439

6

+21

46

 

41

35

Prophets And Outlaws

Soul Shop

(Seven Set Jam Records)

414

350

2

+64

38

PHOTO COMING SOON

36

36

Rodney Parker & 50 Peso Reward

Things You Make Me Do

(Smith Ent.)

413

392

5

+21

32

 

35

37

Clay Thrash

My Heart

(Grange Records)

410

427

9

-17

35

 

38

38

Aubrey Lynn England

Sad Little Girl

(ALE)

399

370

3

+29

31

 

37

39

Mike McClure Band

Silver and Blue

(598 Recordings)

382

381

5

+1

34

 

45

40

Matt Caldwell

Drink Another

(AMP)

371

327

3

+44

36

 

44

41

Sean Franks & Chapter 11

Catch This Train

(WarRoom Records)

350

329

6

+21

30

 

40

42

Dirty River Boys

Desert Wind

(DRB)

349

352

11

-3

34

 

N

43

Mario Flores

Got A Bad Feeling

(MF)

344

266

1

+78

34

PHOTO COMING SOON

46

44

American Aquarium

I Hope He Breaks Your Heart

(Last Chance Records)

342

306

5

+36

35

 

N

45

Jamie Richards

I’ll Have Another

(JR)

341

266

1

+75

30

 

47

46

Tommy Joe Wilson

Cold Beer

(River Wild Records)

324

305

3

+19

32

 

43

47

Jarrod Birmingham

December Gone

(JB)

322

332

7

-10

32

 

N

48

The Dusty Smirl Band

Lubbock Lights

(TDSB)

311

273

1

+38

36

 

48

49

The Rusty Brothers

Revival

(Vision Ent.)

299

305

5

-6

30

 

49

50

Rosehill

The Bible and the Gun

(Cypress Records)

278

305

10

-27

23

 

Non Reports:

1st Week:  KYBI

 

Freezes:

KDCD, KFWR, KIXN, KMKS, KMRK, KRVF, KYKS, TXRDR

Copyright © 2014, the Texas Music Chart. Used with permission from Best In Texas Music Marketing LLC, Houston, TX

About Fred's Country program:

Le program Fred's Country: La musique Country de Tradition avec Frederic (Fred) Moreau. Le program Fred's Country est diffusé sur 65 fréquences FM, 54 radios ou webradios.

Radio Show Host: Fred Moreau

Program Fred's Country w10-2014 - 7 Mars 2014 à 15:00 - March 7th, 2014

 

 

Music Charts Magazine is proud to be friends with Mr. Moreau and glad to now be one of the many to host Program Fred's Country. ( French/English)

Radio Program "Fred's Country" - Now at Music Charts Magazine!

 

 

 

 

 

 

 


 

Duocracy - Ben Stolorow and Ian Carey - A Music Charts Magazine® Jazz Review by Benjamin Franklin V

 

Date = 4 March 2014   

Artist Name = Ben Stolorow and Ian Carey

Genre = Jazz

Title = Duocracy

Record Company = Kabocha

Review =

            Inventive and pretty, the music on Duocracy (recorded in 2013) is reminiscent of that created by Ruby Braff and Dick Hyman on several albums, including Play Nice Tunes (1994), though Braff usually performed on cornet while Ian Carey plays trumpet.  Pianist Ben Stolorow and Carey mostly favor tunes from what is often called the Great American Songbook, ones similar to those Braff and Hyman played occasionally.  Jazz writers who decry musicians’ continued interest in such music should listen to Stolorow and Carey’s fresh treatment of standards.

            Ranging chronologically from the Gershwins’ “How Long Has This Been Going On” and Rodgers and Hart’s “You Took Advantage of Me” (both 1928) to Henry Mancini’s “Two for the Road” (1967), seven of the ten selections are well known.  The tempos range from sprightly to deliberate.  The briskest selection, “Cherokee” begins with a brief fanfare, as if to announce that something special is coming. Indeed, the trumpet-piano interplay is impressive, as it is throughout this CD.  The contrast between “Cherokee” and the next tune, Gordon Jenkins’s “Goodbye,” the longest and least hurried piece, is extreme; pairing these pieces reveals the musicians’ emotional range, from playfulness to introspection.  In tempo and sensitivity, the remaining selections lie between these two performances. 

            The interpretation of one standard tune is particularly noteworthy.  Stolorow and Carey capture the beauty of Jerome Kern’s “All the Things You Are” while approaching it obliquely.  Instead of stating the melody, improvising, and restating the theme, they improvise until introducing the melody in the last few bars.  As Dave Brubeck and Paul Desmond engage in polyphony on their 1953 recording of Kern’s composition, so do Stolorow and Carey briefly on theirs sixty years later. 

            In addition to standards, the duo performs tunes by two jazz composers and one original piece.  Thelonious Monk’s jaunty, idiosyncratic “Four in One” is less well known than such Monk compositions as “Blue Monk,” “Rhythm-a-ning,” “Round Midnight,” “Straight, No Chaser,” and “Well You Needn’t,” which have been recorded numerous times.  To their credit, the musicians retain the tune’s quirkiness and do not smooth its angularity in order possibly to make it more palatable to the general listener. The presence on this CD of “Social Call,” played lyrically, serves as a reminder that the sadly neglected Gigi Gryce wrote some first-rate tunes, including “Blue Lights,” “Hymn to the Orient,” “Minority,” “Nica’s Tempo,” “Reminiscing,” and “Wildwood.”  To me, Stolorow and Carey’s “Comin’ Along” is the least satisfactory selection, not because the musicians don’t play well, but rather because the composition is not particularly tuneful.  The performance of this piece based on the chords of Benny Golson’s “Along Came Betty” alludes to both “All the Things You Are” and “Four in One.”

            Hardly radical, the trumpeter and pianist are content to investigate the nuances of, mostly, established compositions, ones that some commentators consider effete.  These tunes have endured because of their attractiveness and richness, qualities that appeal to instrumentalists and singers. Stolorow and Carey’s treatment of them is uniquely theirs. They play nice tunes nicely. 

Author = Benjamin Franklin V

Album

LW

TW

Artist

Title

(Label)

TW SPINS

LW SPINS

Weeks on Chart

Spin +/-

Stations

 

2

1

Curtis Grimes

The Cowboy Kind

(CG)

1,393

1,261

14

+132

72

 

4

2

Aaron Watson

July in Cheyenne

(Thirty Tigers)

1,219

1,096

16

+123

68

 

3

3

Josh Ward

Hard Whiskey

(Buckshot Records)

1,169

1,171

11

-2

68

 

1

4

Casey Donahew Band

Small Town Love

(Almost Country)

1,146

1,299

15

-153

67

 

9

5

Kevin Fowler

Love Song

(Kevin Fowler Records)

1,075

907

7

+168

73

 

7

6

JB and the Moonshine Band w/Angaleena Presley

Black and White

(Light It Up Records)

1,022

923

12

+99

65

 

10

7

Zane Williams

Little Too Late

(ZW)

976

900

9

+76

64

 

12

8

Brian Keane

Bar Lights

(BK)

952

812

11

+140

61

 

5

9

Cody Johnson

Dance Her Home

(CJB)

935

1,061

10

-126

61

 

8

10

William Clark Green

Rose Queen

(Bill Grease Records)

904

920

16

-16

60

 

6

11

Granger Smith

Miles and Mud Tires

(GS)

844

1,006

19

-162

61

 

14

12

The Statesboro Revue

Huck Finn

(Vision Ent./Shalley Records)

814

794

20

+20

47

 

16

13

Mark McKinney

Lonely Bones

(Texas Evolution)

804

783

6

+21

64

 

18

14

Sam Riggs

Angola’s Lament

(SR)

799

767

12

+32

55

 

15

15

Cameran Nelson

35 Runs Both Ways

(CN)

787

787

6

-----

53

 

17

16

Whiskey Myers

Home

(Wiggy Thump)

777

782

15

-5

61

 

13

17

Phil Hamilton

Hold On Tight

(Winding Road)

765

798

13

-33

53

 

11

18

Randy Rogers Band

Speak Of The Devil

(MCA Nashville)

677

853

21

-176

51

 

20

19

Reckless Kelly

Every Step of the Way

(No Big Deal)

668

622

5

+46

55

 

19

20

Deryl Dodd

Loveletters

(Smith Ent.)

635

700

21

-65

43

 

21

21

Uncle Lucius

Somewhere Else

(Entertainment One Music)

612

619

11

-7

47

 

22

22

Green River Ordinance

Flying

(GRO)

610

588

5

+22

53

 

23

23

Jason Eady

OK Whiskey

(JE)

594

540

8

+54

44

 

24

24

John Slaughter

Ghost Town

(JS)

569

492

3

+77

46

 

46

25

Wade Bowen w/Brandy Clark

Love in the First Degree

(Lightning Rod Records)

516

304

2

+212

45

 

27

26

Michael Coleman w/Jody Booth

Radio Don’t Sound Like Me

(DMG/CaneyCreek)

515

475

7

+40

41

 

25

27

Rob Baird

Same Damn Thing

(Carnival Music)

510

486

10

+24

42

 

28

28

Kylie Rae Harris

Waited

(KRH)

491

459

8

+32

45

 

30

29

Mike and the Moonpies

The Hard Way

(MATM)

489

453

9

+36

40

 

29

30

Ray Johnston Band

Crush

(RJB)

467

453

12

+14

43

 

45

31

Josh Grider

White Van

(AMP)

454

312

2

+142

36

 

34

32

Dolly Shine

Should’ve Known

(DS)

447

392

3

+55

41

 

32

33

Clayton Gardner

Table for Two

(CG)

439

412

5

+27

43

 

26

34

Brandon Rhyder

Leave

(Reserve Records)

436

479

6

-43

43

 

31

35

Clay Thrash

My Heart

(Grange Records)

427

445

8

-18

37

PHOTO COMING SOON

35

36

Rodney Parker & 50 Peso Reward

Things You Make Me Do

(Smith Ent.)

392

382

4

+10

32

 

38

37

Mike McClure Band

Silver and Blue

(598 Recordings)

381

346

4

+35

37

 

44

38

Aubrey Lynn England

Sad Little Girl

(ALE)

370

318

2

+52

29

 

37

39

Charlie Robison

Brand New Me

(Thirty Tigers/Jetwell, Inc.)

356

366

18

-10

32

 

40

40

Dirty River Boys

Desert Wind

(DRB)

352

338

10

+14

34

 

N

41

Prophets And Outlaws

Soul Shop

(Seven Set Jam Records)

350

247

1

+103

32

 

33

42

Jason Cassidy

Southern Side

(JC)

342

407

16

-65

38

 

42

43

Jarrod Birmingham

December Gone

(JB)

332

330

6

+2

33

 

49

44

Sean Franks & Chapter 11

Catch This Train

(WarRoom Records)

329

295

5

+34

29

 

47

45

Matt Caldwell

Drink Another

(AMP)

327

299

2

+28

34

PHOTO COMING SOON

R

46

American Aquarium

I Hope He Breaks Your Heart

(Last Chance Records)

306

266

4

+40

35

 

48

47

Tommy Joe Wilson

Cold Beer

(River Wild Records)

305

298

2

+7

32

 

43

48

The Rusty Brothers

Revival

(Vision Ent.)

305

324

4

-19

31

 

39

49

Rosehill

The Bible and the Gun

(Cypress Records)

305

344

9

-39

27

 

50

50

Redneck Brown & the Freshwater Donkeys

When I Think About Texas

(RB&FD)

274

293

7

-19

23

 

Non Reports:

1st Week:  KHKX, KOLI, Texas Countdown

 

Freezes:  KECO, KFWR, KNUE, KSCN/KSCH/KOYN, KWEY, Radio Texas Live

Copyright © 2014, the Texas Music Chart. Used with permission from Best In Texas Music Marketing LLC, Houston, TX

George "Porky" ChedwickGeorge "Porky" Chedwick (February 4, 1918 – March 2, 2014) was an American radio announcer known to generations in Pittsburgh, Pennsylvania as "The Daddio of the Raddio, " "The Platter Pushin' Papa, " "The Bossman," "Pork the Tork", and a host of other colorful nicknames.

Chedwick was the first white DJ to present a racially diverse audience in a major eastern American city a steady diet of what were, in the summer of 1948, called "race records." The trail he blazed—some 3 years before the more famous Pennsylvania native, Alan Freed, called the music "rock and roll"--was a dual one. Chedwick's original playlist was composed of old R&B and gospel records that he had collected over the years, making him the world's first bona fide oldies DJ. He called the records his "dusty discs," since he would literally have to blow the dust off the 78s before he could preview them at the record stores. Record stores had no demand for the records and would often just give them to Chedwick, or he'd rescue them from bargain bins with what little money he could scrape together. Years later, radio stations, record companies, and concert promoters would take notice and copy Porky's Chedwick's formula, creating the billion-dollar "oldies" rock and roll nostalgia industry which thrives still today. Porky Chedwick has been recognized on the floor of the United States Senate for his pioneering contributions to radio and rock and roll (and countless times around Pittsburgh, including a day-long 50th anniversary oldies concert called "Porkstock", in 1998 at Three Rivers Stadium) and another one in 1999. He was among a group of radio disc jockeys honored in the "Dedicated to the One I Love" exhibit at Cleveland, Ohio's Rock and Roll Hall of Fame and Museum, in 1996. He's the only Pittsburgh DJ to be recognized in the Rock and Roll Hall of Fame. At age 88, Chedwick celebrated his 58th anniversary on the air at Hall of Fame's Alan Freed Radio Studio on August 12, 2006.

Read more at:  http://en.wikipedia.org/wiki/Porky_Chedwick

Kayla Nettles - Music Charts Magazine® NEW DISCOVERY for March 2014Music Charts Magazine®Presents - "NEW DISCOVERY" - "Kayla Nettles" - for the month of March 2014.

Looking for some "New" music to add to your player and can't find anything that blows you away?

Check out this Music Charts Magazine® "NEW DISCOVERY" Interview with "Kayla Nettles" and be prepared to be excited knowing there is still 100% awesome music out there that you still have not heard.

After you listen to this great radio interview pasted below of "Kayla Nettles" we are sure you will be glad you found this "New Discovery" and Kayla's song "Drive" to add to your music playlist.

When Kayla Nettles was only nine-years-old she performed at the MGM Grand in Las Vegas, Nevada.  From that moment on she knew exactly what she wanted to do with the rest of her life.

That was the turning point, the 18-year-old Nashville country artist says.

On July 27, Nettles released her debut, Drive, with a CD launch party at the Wild Wing Café in Franklin, Tennessee. She’s proud of the amount of time and effort she spent working on the album.Kayla Nettles - NEW DISCOVERY for the month of March 2014 at Music Charts Magazine® dot com

I wanted my EP to stand out from the crowd. I really took the time to pick the original songs that I believe people can relate too and have a better understanding of who I am and where I want to go as an artist.

In addition to singing, Nettles also plays guitar, piano, viola, and violin. Her influences include Taylor Swift, Georgia Strait, The Band Perry and Edens Edge. She says she tries to write music that people can relate too.

The songs on the EP are personal. I hope that they can relate to my songs and get the vibe that I’m putting down.

According to Nettles, the biggest challenge with the album was coming up with funding.

It’s a long process, she says. The funds were kind of the biggest issue. If we placed an order for a thousand CDs then it gets quite pricey.

Originally, from Titusville, Fl., Nettles moved to Waterford, Mich., when she was in the sixth grade. She got into music at an early age thanks in large part to her father’s own musical career.

Music was always a part of my life, she says. When I was three my father shared his love for music with me and would often bring me up on stage with his band.

In 2006, Nettles became the lead singer in Ripchord a rock band that toured the U.S.

Kayla Nettles - Music Charts Magazine® NEW DISCOVERY for the month of March 2014We were brought together through a music recital and really hit it off. We were all very young. The oldest member at the time was 14 years old and we were already traveling from state to state, Nettles says. In just a couple of months of becoming a band we were touring professionally, had a radio tour set up and performed in front of 30,000 people for a 4th of July event.

In 2009, she left Ripchord and moved from Michigan to Nashville in order to further pursue her music career.

Now that I’ve been here for four years, I feel like I’ve accomplished so much, she says.

Shortly after arriving in Music City, Nettles landed a job as a television host for Nashville Spotlight, a local program that helps promotes artists from across North America.

That was kind of my first job when I moved here and didn’t really know anyone, she says. One of the producers that works on the show heard me sing at a bar here in Nashville and he invited me by the studio. It was a really cool experience to meet friends and get some exposure.

Nettles received her vocal training from vocal coach Brett Manning who has previously worked with hKayla Nettle's is the NEW DISCOVERY for March 2014 at Music Charts Magazine®igh profile artists such as Taylor Swift, Hayley Williams, Miley Cyrus, Carrie Underwood and Keith Urban.

I always learn something new every lesson, she says. He is definitely an inspiration. Brett and the other vocal coaches have taken me under their wing and have given me support throughout my career.

I believe in his technique and can look back at past recordings of my voice and hear the difference in my tone, control and knowing how to put emotion in my voice, she adds.

In 2011, Nettles made it to Hollywood Week on American Idol Season 11 and says the experience was extremely beneficial for her as an artist.

Being on American Idol I’ve learned to appreciate my talent and how to connect with my audience on a more personal level when I am singing, she says. It’s a life changing experience. Words really can’t describe the sights, the sounds and the feelings that you experience.

Kayla Nettles - DRIVE - Album Cover - at Music Charts Magazine®She has also spent time behind the scenes learning stage construction and worked under Jonathan Smeeton, who has set up stages for artists such as Taylor Swift, Michael Jackson, KISS and Def Leopard.

Working with Mr. Smeeton was a great experience, Nettles says. I learned about all the hard work and responsibility that goes on behind the scenes to make the artists tour run smoothly.

As a child, Nettles acted in plays and that landed her appearances as an extra in music videos by Kid Rock, Luke Bryan, Eric Church, Hunter Hayes, Gretchen Wilson, Maggie Rose, Jasmine Sagginario, etc..

I really got to connect and hang out with the artists on a more personal level, she says. It’s always fun to see yourself on Country Music Television.

For more information on Kayla Nettles visit -

www.kaylanettles.com

Follow her on twitter @KaylaNettles.

 

 

Radio interested in how to obtain this music please contact us on our contact page and we will be glad to get it to your radio station for radio play. Many thanks to those of you who have already played it.

To find out more about Kayla Nettles:

 

Music Charts Magazine® NEW DISCOVERY for the month of March 2014 - Music Charts Magazine®proudly presents "NEW DISCOVERY" for the month of March 2014 "Kayla Nettles - feature song Drive"

LISTEN to "NEW DISCOVERY" Interview with Kayla Nettles - HERE:

Music Charts Magazine® Presents "New Discovery" Kayla Nettles featuring the song "Drive" - Interview by Award winning DJ Big Al Weekley

 

 

 

Music Charts Magazine® Presents NEW DISCOVERY "Kayla Nettles" - Interview by Big Al Weekley


 

 Music Charts Magazine® NEW DISCOVERY for the month of March 2014 Kayla Nettles

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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