Monthly Archives: February 2014

About Fred's Country program:

Le program Fred's Country: La musique Country de Tradition avec Frederic (Fred) Moreau. Le program Fred's Country est diffusé sur 65 fréquences FM, 54 radios ou webradios.

Radio Show Host: Fred Moreau

Program Fred's Country w07-2014 - 14 février 2014 à 16:13 - February 14th, 2014

 

 

Music Charts Magazine is proud to be friends with Mr. Moreau and glad to now be one of the many to host Program Fred's Country. ( French/English)

Radio Program "Fred's Country" - Now at Music Charts Magazine!

 

 

 

 

 

 

 


 

Album

LW

TW

Artist

Title

(Label)

TW SPINS

LW SPINS

Weeks on Chart

Spin +/-

Stations

 

3

1

Cody Johnson

Dance Her Home

(CJB)

1,274

1,149

7

+125

71

 

4

2

Casey Donahew Band

Small Town Love

(Almost Country)

1,205

1,103

12

+102

67

 

1

3

Granger Smith

Miles and Mud Tires

(GS)

1,190

1,210

16

-20

69

 

2

4

Randy Rogers Band

Speak Of The Devil

(MCA Nashville)

1,106

1,169

18

-63

62

 

6

5

Curtis Grimes

The Cowboy Kind

(CG)

1,089

1,007

11

+82

65

 

5

6

William Clark Green

Rose Queen

(Bill Grease Records)

1,060

1,076

13

-16

62

 

7

7

Aaron Watson

July in Cheyenne

(Thirty Tigers)

990

997

13

-7

61

 

8

8

Josh Ward

Hard Whiskey

(Buckshot Records)

988

947

8

+41

62

 

10

9

JB and the Moonshine Band w/Angaleena Presley

Black and White

(Light It Up Records)

853

802

9

+51

62

 

12

10

The Statesboro Revue

Huck Finn

(Vision Ent./Shalley Records)

811

734

17

+77

47

 

15

11

Zane Williams

Little Too Late

(ZW)

777

686

6

+91

60

 

13

12

Whiskey Myers

Home

(Wiggy Thump)

769

706

12

+63

57

 

18

13

Brian Keane

Bar Lights

(BK)

750

666

8

+84

54

 

14

14

Phil Hamilton

Hold On Tight

(Winding Road)

750

693

10

+57

50

 

19

15

Deryl Dodd

Loveletters

(Smith Ent.)

698

612

18

+86

46

 

20

16

Sam Riggs

Angola’s Lament

(SR)

678

605

9

+73

53

 

9

17

Josh Grider

Smallest Town on Earth

(AMP)

653

912

14

-259

48

 

21

18

Kevin Fowler

Love Song

(Kevin Fowler Records)

637

573

4

+64

58

 

17

19

John David Kent

Until We Turn Around

(Blackland/Roustabout)

624

669

23

-45

46

 

23

20

Mark McKinney

Lonely Bones

(Texas Evolution)

613

516

3

+97

54

 

24

21

Uncle Lucius

Somewhere Else

(Entertainment One Music)

590

515

8

+75

44

 

27

22

Cameran Nelson

35 Runs Both Ways

(CN)

582

482

3

+100

46

 

16

23

Wade Bowen

Songs About Trucks

(AMP/Sea Gayle)

532

676

19

-144

37

 

28

24

Jason Eady

OK Whiskey

(JE)

508

477

5

+31

41

 

25

25

Rob Baird

Same Damn Thing

(RB)

500

496

7

+4

40

 

11

26

Jason Boland & the Stragglers

Electric Bill

(Proud Souls Ent.)

491

769

17

-278

41

 

42

27

Reckless Kelly

Every Step of the Way

(No Big Deal)

459

321

2

+138

43

 

32

28

Mike and the Moonpies

The Hard Way

(MATM)

445

432

6

+13

38

 

26

29

Jason Cassidy

Southern Side

(JC)

443

484

13

-41

42

 

30

30

Kylie Rae Harris

Waited

(KRH)

432

458

5

-26

39

 

33

31

Dirty River Boys

Desert Wind

(DRB)

429

427

7

+2

37

 

34

32

Ray Johnston Band

Crush

(RJB)

426

415

9

+11

39

 

38

33

Rosehill

The Bible and the Gun

(Cypress Records)

401

383

6

+18

36

 

39

34

Clay Thrash

My Heart

(Grange Records)

384

377

5

+7

33

 

37

35

Jesse Raub, Jr.

Bad Intentions

(JRJ)

378

387

10

-9

38

 

41

36

Michael Coleman w/Jody Booth

Radio Don’t Sound Like Me

(DMG/CaneyCreek)

376

371

4

+5

34

 

47

37

Green River Ordinance

Flying

(GRO)

367

282

2

+85

40

 

44

38

Brandon Rhyder

Leave

(Smith Ent.)

364

311

3

+53

39

 

40

39

Charlie Robison

Brand New Me

(Thirty Tigers/Jetwell, Inc.)

355

373

15

-18

35

 

31

40

Bart Crow

Loving You’s a Crime

(Smith Ent.)

353

440

24

-87

34

 

45

41

Jarrod Birmingham

December Gone

(JB)

330

310

3

+20

34

 

43

42

Lower 40

Call Me Crazy

(Land Run Records)

311

319

4

-8

29

 

48

43

Clayton Gardner

Table for Two

(CG)

294

275

2

+19

39

 

N

44

The Rusty Brothers

Revival

(Vision Ent.)

293

255

1

+38

28

 

R

45

American Aquarium

I Hope He Breaks Your Heart

(Last Chance Records)

281

263

2

+18

33

 

46

46

Redneck Brown & the Freshwater Donkeys

When I Think About Texas

(RB&FD)

277

306

4

-29

23

PHOTO COMING SOON

N

47

Rodney Parker & 50 Peso Reward

Things You Make Me Do

(Smith Ent.)

276

259

1

+17

29

 

50

48

Sean Franks & Chapter 11

Catch This Train

(WarRoom Records)

276

266

2

+10

26

 

N

49

Mike McClure Band

Silver and Blue

(598 Recordings)

265

225

1

+40

26

 

N

50

Aaron Kothmann

The Way You Did Me

(Nicol Rae Records)

249

242

1

+7

25

 

N

51

Scott Taylor Band

Marlboros and Merle

(STB)

249

261

1

-12

25

Non Reports:

1st Week:  KSTV, KXAX

2nd Week:  KBST

 

Freezes: KAGG, KRVF, KTCS, WACO

 

On Hold: KYKC

Copyright © 2013, the Texas Music Chart. Used with permission from Best In Texas Music Marketing LLC, Houston, TX

About Fred's Country program:

Le program Fred's Country: La musique Country de Tradition avec Frederic (Fred) Moreau. Le program Fred's Country est diffusé sur 65 fréquences FM, 54 radios ou webradios.

Radio Show Host: Fred Moreau

Program Fred's Country w06-2014 - 7 février 2014 à 14:10 - February 6th, 2014

 

 

Music Charts Magazine is proud to be friends with Mr. Moreau and glad to now be one of the many to host Program Fred's Country. ( French/English)

Radio Program "Fred's Country" - Now at Music Charts Magazine!

 

 

 

 

 

 

 


 

Album

LW

TW

Artist

Title

(Label)

TW SPINS

LW SPINS

Weeks on Chart

Spin +/-

Stations

 

2

1

Granger Smith

Miles and Mud Tires

(GS)

1,210

1,098

15

+112

72

 

1

2

Randy Rogers Band

Speak Of The Devil

(MCA Nashville)

1,169

1,149

17

+20

65

 

3

3

Cody Johnson

Dance Her Home

(CJB)

1,149

1,065

6

+84

69

 

7

4

Casey Donahew Band

Small Town Love

(Almost Country)

1,103

957

11

+146

65

 

4

5

William Clark Green

Rose Queen

(Bill Grease Records)

1,076

1,002

12

+74

61

 

10

6

Curtis Grimes

The Cowboy Kind

(CG)

1,007

802

10

+205

61

 

5

7

Aaron Watson

July in Cheyenne

(Thirty Tigers)

997

995

12

+2

63

 

9

8

Josh Ward

Hard Whiskey

(Buckshot Records)

947

855

7

+92

63

 

6

9

Josh Grider

Smallest Town on Earth

(AMP)

912

962

13

-50

60

 

11

10

JB and the Moonshine Band w/Angaleena Presley

Black and White

(Light It Up Records)

802

731

8

+71

58

 

8

11

Jason Boland & the Stragglers

Electric Bill

(Proud Souls Ent.)

769

869

16

-100

53

 

14

12

The Statesboro Revue

Huck Finn

(Vision Ent./Shalley Records)

734

644

16

+90

42

 

17

13

Whiskey Myers

Home

(Wiggy Thump)

706

602

11

+104

57

 

16

14

Phil Hamilton

Hold On Tight

(Winding Road)

693

622

9

+71

51

 

18

15

Zane Williams

Little Too Late

(ZW)

686

587

5

+99

53

 

13

16

Wade Bowen

Songs About Trucks

(AMP/Sea Gayle)

676

675

18

+1

49

 

12

17

John David Kent

Until We Turn Around

(Blackland/Roustabout)

669

699

22

-30

53

 

20

18

Brian Keane

Bar Lights

(BK)

666

513

7

+153

53

 

21

19

Deryl Dodd

Loveletters

(Smith Ent.)

612

491

17

+121

46

 

19

20

Sam Riggs

Angola’s Lament

(SR)

605

551

8

+54

51

 

27

21

Kevin Fowler

Love Song

(Kevin Fowler Records)

573

441

3

+132

54

 

15

22

Reckless Kelly

The Last Goodbye

(No Big Deal)

562

628

22

-66

43

 

36

23

Mark McKinney

Lonely Bones

(Texas Evolution)

516

381

2

+135

50

 

24

24

Uncle Lucius

Somewhere Else

(Entertainment One Music)

515

470

7

+45

44

 

28

25

Rob Baird

Same Damn Thing

(RB)

496

437

6

+59

39

 

25

26

Jason Cassidy

Southern Side

(JC)

484

463

12

+21

46

 

44

27

Cameran Nelson

35 Runs Both Ways

(CN)

482

286

2

+196

44

 

31

28

Jason Eady

OK Whiskey

(JE)

477

415

4

+62

39

 

22

29

Turnpike Troubadours

If You’re Gonna Play in Texas

(Lightning Rod Records)

459

476

16

-17

34

 

32

30

Kylie Rae Harris

Waited

(KRH)

458

413

4

+45

39

 

23

31

Bart Crow

Loving You’s a Crime

(Smith Ent.)

440

470

23

-30

41

 

33

32

Mike and the Moonpies

The Hard Way

(MATM)

432

408

5

+24

38

 

29

33

Dirty River Boys

Desert Wind

(DRB)

427

422

6

+5

37

 

35

34

Ray Johnston Band

Crush

(RJB)

415

384

8

+31

38

 

34

35

Mario Flores

Let Your Lonesome End With Me

(MF)

407

404

18

+3

34

 

26

36

Kevin Fowler

How Country Are Ya?

(Kevin Fowler Records)

396

446

16

-50

33

 

39

37

Jesse Raub, Jr.

Bad Intentions

(JRJ)

387

341

9

+46

37

 

38

38

Rosehill

The Bible and the Gun

(Cypress Records)

383

344

5

+39

37

 

40

39

Clay Thrash

My Heart

(Grange Records)

377

329

4

+48

31

 

37

40

Charlie Robison

Brand New Me

(Thirty Tigers/Jetwell, Inc.)

373

358

14

+15

36

 

41

41

Michael Coleman w/Jody Booth

Radio Don’t Sound Like Me

(DMG/CaneyCreek)

371

318

3

+53

33

 

N

42

Reckless Kelly

Every Step of the Way

(No Big Deal)

321

187

1

+134

33

 

45

43

Lower 40

Call Me Crazy

(Land Run Records)

319

285

3

+34

31

 

50

44

Brandon Rhyder

Leave

(Smith Ent.)

311

235

2

+76

33

 

47

45

Jarrod Birmingham

December Gone

(JB)

310

262

2

+48

32

 

46

46

Redneck Brown & the Freshwater Donkeys

When I Think About Texas

(RB&FD)

306

269

3

+37

26

 

N

47

Green River Ordinance

Flying

(GRO)

282

203

1

+79

31

 

N

48

Clayton Gardner

Table for Two

(CG)

275

178

1

+97

32

 

49

49

Bo Phillips Band

Jonesin’ For George

(BPB)

266

237

5

+29

27

 

N

50

Sean Franks & Chapter 11

Catch This Train

(WarRoom Records)

266

209

1

+57

24

Non Reports:

1st Week:  KBIM, KBST, KFWR, KHYI, Texas Countdown, TXRDR

2nd Week:  KYBI

 

Freezes:

KDCD, KMKS, KSEL, KTKO, KWEY, KYKS

 

On Hold:

KORA, KYKC

Copyright © 2013, the Texas Music Chart. Used with permission from Best In Texas Music Marketing LLC, Houston, TX

DELMARK - 60 YEARS OF JAZZ - Album Review by Benjamin Franklin V of Music Charts Magazine®Date = 2 February 2014

Genre = Jazz

Title = Delmark: 60 Years of Jazz

Record Company = Delmark

 

Review =

I admit to fondness for samplers, albums containing selections from various LPs or CDs released by a single company.  They are compiled to present highlights from the catalogue, or at least to provide representative selections, in the hope that listeners will buy the albums from which the selections come.  Among the many impressive ones are Jazz at Columbia—Swing (1956); The Blues in Modern Jazz, which Atlantic issued in 1961; and Blue Note Gems of Jazz (1967).  A decade after its two-CD 45 Years of Jazz and Blues (1998),  Delmark released 55 Years of Jazz and 55 Years of Blues.  Its 60 Years of Jazz appeared in late 2013.  This sampler reminds listeners that Delmark is one of the few jazz record companies active in the 1950s that is still in business as an independent concern.   Atlantic, Blue Note, Contemporary, Fantasy, Prestige, Verve—these and other venerable labels continue operating, but as parts of conglomerates, such as Universal Music.  Appealing music, though, is the major reason for purchasing this CD. 

Born in 1932, Bob Koester founded Delmar Records in St. Louis in 1953, naming the business for its location, Delmar St.  Sometime after moving to Chicago in 1958 to be near a thriving blues scene, he renamed his label Delmark.  It is noted for a strong blues catalogue featuring recordings by Jimmy Dawkins, J. B. Hutto, Magic Sam, Otis Rush, Speckled Red, Junior Wells, and Big Joe Williams, among others. In jazz, it is important as the first company to record musicians affiliated with the Association for the Advancement of Creative Music (AACM), which did, indeed, advance creative music; Delmark also distributed early recordings by Sun Ra.  Though it remains independent, Delmark has become something of a mini-conglomerate as a result of Koester’s having bought the recordings of other labels, including Apollo, Paramount, Parkway, Pearl, Regal, Sackville, States, and United.

Nine of the twelve selections on Delmark: 60 Years of Jazz were recorded in this century; the others are from 1947 (Eddie “Lockjaw” Davis), 1952 (Dewey Jackson), and 1969 (Sonny Stitt).  The Davis recording, an alternate take, is issued here for the initial time, as is a tune recorded in 2013 by the Fat Babies. Koester is partial to early jazz, which is represented here by trumpeter Jackson (a professional by 1912) and the Fat Babies.  Musicians associated with AACM are not present, but Jason Adasiewicz’s trio plays in what might be called a quasi avant-garde mode. Groups led by Ernest Dawkins, Red Holloway, Rob Mazurek, Nicole Mitchell, and Ira Sullivan perform more traditionally.

Two selections combine free and more restrained playing.  One, Kahil El’Zabar’s “Crumb-Puck-U-Lent,” has a steady beat, but the solos by tenor saxophonist Ari Brown and violinist Billy Bang are somewhat “out.”  The other, cornetist Josh Berman’s “Sugar,” is, to me, the most impressive performance on the CD.  Composed in the mid 1920s by Maceo Pinkard, Edna Alexander, and Sidney D. Mitchell, “Sugar” has been recorded hundreds of times and was the signature song of Lee Wiley.  Berman’s version is unlike any I have heard.  Initially cacophonous and halting but settling into a groove behind the gritty soloing of tenor saxophonist Keefe Jackson, the group plays largely “out” for two-and-a-half minutes before introducing the melody, which it plays in unison for only sixteen bars.  Bass clarinetist Jason Stein begins soloing at the start of the bridge and dominates for most of the remainder of the performance.  Drummer Frank  Rosaly solos briefly before the group concludes not with a restatement of the melody but rather by reverting to the manner of the long introduction.  This is a daring, thrilling recording during which the leader does not solo.

This CD will interest people curious about the history of independent record companies and listeners who enjoy stimulating improvised music.  Concurrent with this release, Delmark issued Delmark—60 Years of Blues, though I cannot comment on it because I have not heard it. 

 

Author = Benjamin Franklin V

 

 

Copyright © 2012 – 2014 Music Charts Magazine® - (www.MusicChartsMagazine.com) – All Rights Reserved. Contents of this site including text and media may not be reproduced without prior written consent. Audio and video elements of this site are property of their respective owners and are used with permission.


Music Charts Magazine® History

- Song for the month of February 2014:

Frank Sinatra - "My Way"

Frank Sinatra - February 2014 song of the month at Music Charts MagazineⓇ - My Way

 

 

 

 

 

 

 

 

 

 

 

 

 

 

The lyrics of "My Way" tell the story of a man who, having grown old, reflects on his life as death approaches. He is comfortable with his mortality and takes responsibility for how he dealt with all the challenges of life while maintaining a respectable degree of integrity.

 

Paul Anka heard the original 1967 French pop song, Comme d'habitude (As Usual) performed by Claude François, while on holiday in the south of France. He flew to Paris to negotiate the rights to the song. In a 2007 interview, he said, "I thought it was a bad record, but there was something in it." He acquired publishing rights at no cost except the melody's rights kept by the authors, and, two years later, had a dinner in Florida with Frank Sinatra and "a couple of Mob guys" at which Sinatra said, "I'm quitting the business. I'm sick of it, I'm getting the hell out."

Back in New York, Anka re-wrote the original French song for Sinatra, subtly altering the melodic structure and changing the lyrics:

"At one o'clock in the morning, I sat down at an old IBM electric typewriter and said, 'If Frank were writing this, what would he say?' And I started, metaphorically, 'And now the end is near.' I read a lot of periodicals, and I noticed everything was 'my this' and 'my that'. We were in the 'me generation' and Frank became the guy for me to use to say that. I used words I would never use: 'I ate it up and spit it out.' But that's the way he talked. I used to be around steam rooms with the Rat Pack guys – they liked to talk like Mob guys, even though they would have been scared of their own shadows."

Anka finished the song at 5 am. "I called Frank up in Nevada – he was at Caesar's Palace – and said, 'I've got something really special for you.'" Anka claimed, "When my record company caught wind of it, they were very pissed that I didn't keep it for myself. I said, 'Hey, I can write it, but I'm not the guy to sing it.' It was for Frank, no one else." Despite this, Anka would later record the song in 1969 (very shortly after Sinatra's recording was released). Anka recorded it four other times as well: (1) in 1996 (as a duet with Gabriel Byrne, performed in the movie Mad Dog Time), (2) in 1998 in Spanish as (a Mi Manera) (duet with Julio Iglesias), (3) in 2007 (as a duet with Jon Bon Jovi) and in 2013 (as duet with Garou).

Frank Sinatra recorded his version of the song on December 30, 1968, and it was released in early 1969 on the album of the same name and as a single. It reached No. 27 on the Billboard Hot 100 chart and No. 2 on the Easy Listening chart in the US. In the UK, the single achieved a still unmatched record, becoming the recording with the most weeks inside the Top 40, spending 75 weeks from April 1969 to September 1971. It spent a further 49 weeks in the Top 75 but never bettered the No. 5 slot achieved upon its first chart run.

Read more at:

http://en.wikipedia.org/wiki/My_Way_(song)

 

Rhonda Vincent: Only Me - A Music Charts Magazine® Celebrity Interview. ~ The Bluegrass Queen Rhonda VincentMusic Charts Magazine® proudly presents:  A Celebrity Interview with Bluegrass' Queen Rhonda Vincent.

Rhonda Lea Vincent is an award-winning American bluegrass singer, songwriter, and multi-instrumentalist. Rhonda is a five-time Grammy nominee. The Wall Street Journal has proclaimed Vincent "the new Queen of Bluegrass".

Her musical career started as a child in her family's band, The Sally Mountain Show, and has spanned over four decades. Vincent first achieved success in the bluegrass genre in the 1970s and '80s, earning the respect of her mostly male peers for her mastery of the progressive chord structures and multi-range, fast paced vocals intrinsic to bluegrass music. Vincent is an in-demand guest vocalist for other Bluegrass and Country music performers, appearing on recordings by Dolly Parton, Alan Jackson, Tanya Tucker, Joe Diffie and other notables.

 

Audio interview HERE:

 

Find out more about Rhonda Vincent and her new album "Only Me" at:  www.RhondaVincent.com

 

Copyright © 2012 – 2014 Music Charts Magazine® - (www.MusicChartsMagazine.com) – All Rights Reserved. Contents of this site including text and media may not be reproduced without prior written consent. Audio and video elements of this site are property of their respective owners and are used with permission.


Morgan Tobias - Music Charts Magazine™ - NEW DISCOVERY - for the month of February 2014Music Charts Magazine®Presents - "NEW DISCOVERY" - "Morgan Tobias" - for the month of February 2014.

Looking for some "New" music to add to your player and can't find anything that blows you away?

Check out this Music Charts Magazine® "NEW DISCOVERY" Interview with "Morgan Tobias" and be prepared to be excited knowing there is still 100% awesome music out there that you still have not heard.

After you listen to this great radio interview pasted below of "Morgan Tobias" we are sure you will be glad you found this "New Discovery" and Morgan's song "Last Song" to add to your music playlist.

Whether listening to her mom sing as she wrote songs on the piano, watching her dad play guitar or hearing Morgan Tobias - Last Song - Music Charts Magazine™ NEW DISCOVERY for February 2014countless stories of her parents’ life on the road as musicians, music filled the walls of their home and was an integral part of Morgan Tobias’s childhood. She’s never had a doubt that music is in her blood. “Growing up, being an only child, music was my best friend. It’s what I turned to an...d was kind of like the big brother or sister that I never had.” Michelle Branch, Alison Krauss, Avril Lavigne, Christina Aguilera, LeAnn Rimes, Alanis Morissette and Bryan Adams were a few of her favorites. Not unlike many young singers, Morgan remembers her first performances from a church stage. Fast forward to playing in a band through early high school and eventually going solo in coffee houses and pubs during her senior year. Graced with a natural beauty, a fortunate introduction led her to a modeling career and Morgan appeared on the covers of fashion magazines in Europe and Canada as a successful hair model.

Knowing a bold move from her childhood home of London, Ontario was needed; Morgan made the commitment to relocate to Nashville in late 2009. After being introduced and taken around the famed Music Row, she signed with Big Country Records in early 2011. “I feel that working in country music is where I belong because I enjoy writing about real life and the emotions that we all go through. I remember the first song I ever wrote was when my dog died”. Hundreds of songs later, her most recent effort is a co-write with hit songwriters James Slater and Erik Dylan called Last Song. “Thinking about the legacy you leave behind and living every moment like it could be your last, is what the song is about. That’s also how I want to live my life”.

In early 2013 Morgan packed her bags and moved to Los Angeles. “I originally came out here to expand my sound - working with a few writer friends and producers. But I fell in love with the ocean and the people out here and had Morgan Tobias - February NEW DISCOVERY for Music Charts Magazine™this overwhelming feeling that this is where I’m supposed to be. So I stayed. It’s where I’m inspired”. She recently made top 16 in the Girls category on the latest season of X Factor after getting 4 yeses from the judges. And currently she’s in the studio writing and recording in preparation for a debut release.

On the occasional time off, you might find this dedicated 24 year old on the beach for a day of surfing, baking in the kitchen, hiking with her Great Dane or simply visiting one of her favorite coffee shops. But Morgan’s life in music is also her joy. “I’ve just always known that music is what I want to do, I’ve never had a plan B”.

 

Radio interested in how to obtain this music please contact us on our contact page and we will be glad to get it to your radio station for radio play. Many thanks to those of you who have already played it.

To find out more about Morgan Tobias:

 

Music Charts Magazine® NEW DISCOVERY for the month of February 2014 - Morgan Tobias proudly presents "NEW DISCOVERY" for the month of February 2014 "Morgan Tobias - feature song Last Song"

LISTEN to "NEW DISCOVERY" Interview with Morgan Tobias - HERE:

Music Charts Magazine® Presents "New Discovery" Morgan Tobias featuring the song "Last Song" - Interview by Award winning DJ Big Al Weekley

 

 

Music Charts Magazine® Presents NEW DISCOVERY "Morgan Tobias" - Interview by Big Al Weekley


Music Charts Magazine™ NEW DISCOVERY for the month of February 2014 - Morgan Tobias

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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