Monthly Archives: November 2013
Copyright © 2012 – 2013 Music Charts Magazine, INC (www.MusicChartsMagazine.com) – All Rights Reserved. Contents of this site including text and media may not be reproduced without prior written consent. Audio and video elements of this site are property of their respective owners and are used with permission.
About Fred's Country program:
Le program Fred's Country: La musique Country de Tradition avec Frederic (Fred) Moreau. Le program Fred's Country est diffusé sur 65 fréquences FM, 54 radios ou webradios.
Radio Show Host: Fred Moreau
Program Fred's Country w46-13 - 15 novembre 2013 à 15:25
Music Charts Magazine is proud to be friends with Mr. Moreau and glad to now be one of the many to host Program Fred's Country. ( French/English)
Radio Program "Fred's Country" - Now at Music Charts Magazine!
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NOVEMBER 12, 2013
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Copyright © 2013, the Texas Music Chart. Used with permission from Best In Texas Music Marketing LLC, Houston, TX
| Album |
LW |
TW |
Artist Title (Label) |
TW SPINS |
LW SPINS |
Weeks on Chart |
Spin +/- |
Stations |
|
1 |
1 |
Wade Bowen Songs About Trucks (AMP/Sea Gayle) |
1,370 |
1,366 |
11 |
+4 |
70 |
|
|
5 |
2 |
Kevin Fowler How Country Are Ya? (Kevin Fowler Records) |
1,218 |
1,160 |
9 |
+58 |
76 |
|
|
3 |
3 |
Kyle Park Fit For The King (Indie/Thirty Tigers) |
1,206 |
1,261 |
16 |
-55 |
71 |
|
|
6 |
4 |
Reckless Kelly The Last Goodbye (No Big Deal) |
1,177 |
1,095 |
15 |
+82 |
72 |
|
|
8 |
5 |
Jason Boland & the Stragglers Electric Bill (Proud Souls Ent.) |
1,137 |
1,056 |
9 |
+81 |
76 |
|
|
2 |
6 |
Will Hoge Strong (WH) |
1,130 |
1,318 |
15 |
-188 |
66 |
|
|
9 |
7 |
Mark McKinney Stolen Cash (Texas Evolution) |
1,107 |
1,048 |
17 |
+59 |
70 |
|
|
11 |
8 |
Randy Rogers Band Speak Of The Devil (MCA Nashville) |
1,066 |
957 |
10 |
+109 |
72 |
|
|
7 |
9 |
Bri Bagwell Hound Dog (BB) |
1,059 |
1,057 |
18 |
+2 |
63 |
|
|
4 |
10 |
Green River Ordinance It Ain’t Love (GRO) |
1,024 |
1,228 |
21 |
-204 |
63 |
|
|
10 |
11 |
John Slaughter Hasn’t Everyone (Winding Road) |
978 |
996 |
16 |
-18 |
63 |
|
|
13 |
12 |
Turnpike Troubadours If You’re Gonna Play in Texas (Lightning Rod Records) |
918 |
877 |
9 |
+41 |
67 |
|
|
14 |
13 |
John David Kent Until We Turn Around (Blackland/Roustabout) |
882 |
795 |
15 |
+87 |
55 |
|
|
16 |
14 |
Bart Crow Loving You’s a Crime (Smith Ent.) |
849 |
739 |
16 |
+110 |
59 |
|
|
17 |
15 |
Josh Grider Smallest Town on Earth (AMP) |
827 |
696 |
6 |
+131 |
63 |
|
|
12 |
16 |
Josh Abbott Band She Will Be Free (Pretty Damn Tough Records) |
826 |
884 |
22 |
-58 |
57 |
|
|
15 |
17 |
Rich O’Toole I Love You (PTO Records) |
813 |
794 |
16 |
+19 |
58 |
|
|
20 |
18 |
Mario Flores Let Your Lonesome End With Me (MF) |
759 |
675 |
11 |
+84 |
52 |
|
|
19 |
19 |
Granger Smith Miles and Mud Tires (GS) |
755 |
675 |
8 |
+80 |
64 |
|
|
22 |
20 |
The Statesboro Revue Huck Finn (Vision Ent./Shalley Records) |
736 |
648 |
9 |
+88 |
46 |
|
|
21 |
21 |
Aaron Watson July in Cheyenne (Thirty Tigers) |
727 |
658 |
5 |
+69 |
59 |
|
|
26 |
22 |
Casey Donahew Band Small Town Love (Almost Country) |
667 |
574 |
4 |
+93 |
59 |
|
|
23 |
23 |
Brandon Rhyder Pray The Night (Smith Ent.) |
640 |
599 |
11 |
+41 |
52 |
|
|
27 |
24 |
William Clark Green Rose Queen (Bill Grease Records) |
625 |
497 |
5 |
+128 |
49 |
|
|
18 |
25 |
Cody Johnson Ride With Me (CJB) |
613 |
690 |
15 |
-77 |
46 |
|
|
25 |
26 |
TJ Broscoff This is the Moment (BGM Records) |
608 |
588 |
14 |
+20 |
48 |
|
|
24 |
27 |
Six Market Blvd. Mailbox (Vision Ent.) |
593 |
588 |
13 |
+5 |
46 |
|
|
28 |
28 |
Jake Kellen Jesus and Hank (Horny Toad Records) |
524 |
497 |
7 |
+27 |
49 |
|
|
30 |
29 |
Rankin Twins Jezebel (RT) |
495 |
440 |
12 |
+55 |
51 |
|
|
32 |
30 |
Deryl Dodd Loveletters (Smith Ent.) |
464 |
421 |
10 |
+43 |
42 |
|
|
34 |
31 |
Curtis Grimes The Cowboy Kind (CG) |
446 |
406 |
3 |
+40 |
48 |
|
|
35 |
32 |
Shane Smith & The Saints Coast (SSS) |
437 |
404 |
12 |
+33 |
38 |
|
|
33 |
33 |
Charlie Robison Brand New Me (Thirty Tigers/Jetwell, Inc.) |
428 |
417 |
7 |
+11 |
44 |
|
|
36 |
34 |
Charlie Montague Beautiful Noise (CM) |
425 |
401 |
13 |
+24 |
44 |
|
| PHOTO COMING SOON |
50 |
35 |
Phil Hamilton Hold On Tight (Winding Road) |
408 |
287 |
2 |
+121 |
41 |
|
37 |
36 |
Whiskey Myers Home (Wiggy Thump) |
406 |
397 |
4 |
+9 |
47 |
|
|
39 |
37 |
Jason Cassidy Southern Side (JC) |
405 |
377 |
5 |
+28 |
49 |
|
|
40 |
38 |
Kris Gordon Triple on the Double (Frio Records) |
382 |
376 |
6 |
+6 |
41 |
|
| PHOTO COMING SOON |
N |
39 |
JB and the Moonshine Band w/Angaleena Presley Black and White (Average Joe’s) |
375 |
271 |
1 |
+104 |
42 |
| PHOTO COMING SOON |
49 |
40 |
Jesse Raub, Jr. Bad Intentions (JRJ) |
373 |
288 |
2 |
+85 |
40 |
|
31 |
41 |
Clayton Gardner Something About You (CG) |
372 |
436 |
18 |
-64 |
37 |
|
|
42 |
42 |
Cameran Nelson Reckless In Texas (CN) |
365 |
360 |
7 |
+5 |
35 |
|
|
38 |
43 |
Mark Allan Atwood One Horse (MAA) |
356 |
380 |
10 |
-24 |
36 |
|
|
43 |
44 |
Chris Brazeal Band Sounds Like Home (CBB) |
344 |
346 |
8 |
-2 |
35 |
|
|
44 |
45 |
The Dusty Smirl Band Mine For The Mile (TDSB) |
329 |
324 |
7 |
+5 |
39 |
|
|
47 |
46 |
LiveWire Whiskey Sunday (Way Out West Records) |
317 |
307 |
11 |
+10 |
29 |
|
| PHOTO COMING SOON |
N |
47 |
Ray Johnston Band Crush (RJB) |
315 |
284 |
1 |
+31 |
38 |
| PHOTO COMING SOON |
48 |
48 |
Bo Phillips Band Jonesin’ For George (Smith Ent.) |
295 |
299 |
3 |
-4 |
38 |
|
46 |
49 |
Brandon Jenkins Tattoo Tears (Smith Ent.) |
290 |
311 |
15 |
-21 |
27 |
|
| PHOTO COMING SOON |
N |
50 |
Sam Riggs Angola’s Lament (SR) |
288 |
229 |
1 |
+59 |
33 |
Copyright © 2013, the Texas Music Chart. Used with permission from Best In Texas Music Marketing LLC, Houston, TX
Music Charts Magazine History
- Song for the month of November 2013:
Johnny Cash - "One Piece At A Time"
Listen to Johnny Cash and The Tennessee Three song "One Piece At A Time" here:
"One Piece at a Time" is a rockabilly novelty song written by Wayne Kemp and recorded by Johnny Cash in 1976. It would be the last song performed by Cash to reach number one on the Billboard Hot Country Singles chart.
The song tells of a man who, in 1949, leaves his home in Kentucky to pursue work at General Motors in Detroit, Michigan. The singer assembles wheels on Cadillac's, watching each one roll by day after day on the assembly line, knowing that he will never be able to afford one.
Beginning almost immediately, he and a co-worker decide to steal a Cadillac, using their assembly line jobs to obtain the parts via salami slicing. He takes the small parts home hidden in his large lunchbox; larger parts are smuggled out in his co-worker's motor home.
The process of accumulating all the necessary parts turns out to take over 24 years (the song mentions that
the transmission was from 1953 and the engine was from 1973), but once they have what they think is a complete car, they attempt to assemble the pieces. The result is an odd-looking Cadillac created from parts of many different models and whose pieces do not fit together very well (for example, it had only one tail fin and three headlights, two on the left and one on the right).
The singer's wife is surprised at the outcome but wants a ride. However, the folks at the courthouse were not as pleased—it took the "whole staff" to type up the vehicle title, which ended up weighing 60 pounds.
The song ends with a Citizens Band radio conversation between the singer and a truck driver inquiring about the "psychobilly Cadillac", in which the singer replies, "you could say I went ... to the factory and picked it up, it's cheaper that way".
Bruce Fitzpatrick, owner of Abernathy Auto Parts and Hilltop Auto Salvage in Nashville, Tennessee, was asked by the promoters of the song to build the vehicle for international promotion. Fitzpatrick had all the models of Cadillac's mentioned in the song when it was released and built a car using the song as a model. The result was presented to Cash in April 1976. It was parked outside The House Of Cash in Hendersonville, Tennessee, until someone could find a place to store it.
Johnny Cash in the driver's seat of the - One Piece At a Time - Cadillac with Bruce Fitzpatrick standing at the far right.
Read more at:
November 8th, 2013 -
A Historical Interview with
Hollis Champion AKA (Elmer Fudpucker)
right here at MusicChartsMagazine.com
Singer, Comedian and Entertainer Extraordinaire.
- Don't Miss It. Listen to this Exclusive Interview below! -
Hollis Champion began his recording career as "Hollis Champion" in the late 1950s when he recorded "Old Red Devil." Then he moved to Nashville in the early 1960s, developed a flare for comedy and adopted his flashy stage name, Elmer Fudpucker.
Over the years appearing as Elmer Fudpucker, Hollis has been the opening act for such diverse performers as Jerry Lee Lewis, James Brown, Kenny Rogers, the Statler Brothers and Marty Robbins. His first break in the business came when Ernest Tubb asked him to open performances at fairs for him.
Segment #1
Segment #2
Copyright © 2012 – 2014 Music Charts Magazine® - (www.MusicChartsMagazine.com) – All Rights Reserved. Contents of this site including text and media may not be reproduced without prior written consent. Audio and video elements of this site are property of their respective owners and are used with permission.
A Music Charts Magazine Tribute to “The Air Castle” of Country and Bluegrass Music – 650 WSM – located in Nashville, TN – November 2013 – Celebrating the anniversary of the WSM Barn Dance – 8:00 PM November the 8th, 1925.
by Big Al Weekley.
Part 2 – 1930’s
About Fred's Country program:
Le program Fred's Country: La musique Country de Tradition avec Frederic (Fred) Moreau. Le program Fred's Country est diffusé sur 65 fréquences FM, 54 radios ou webradios.
Radio Show Host: Fred Moreau
Program Fred's Country w45-13 - 8 novembre 2013 à 15:25
Music Charts Magazine is proud to be friends with Mr. Moreau and glad to now be one of the many to host Program Fred's Country. ( French/English)
Radio Program "Fred's Country" - Now at Music Charts Magazine!
A Music Charts Magazine Tribute to "The Air Castle" of Country and Bluegrass Music - 650 WSM - located in Nashville, TN - November 2013 - Celebrating the anniversary of the WSM Barn Dance - 8:00 PM November the 8th, 1925.
by Big Al Weekley.
Part 1 - 1920's
BANDA CARNAVAL AND CALIBRE 50 TO PERFORM TOGETHER
SPECIAL SEGMENT FEATURING ALEJANDRO SANZ
AND STUDENTS FROM BERKLEE COLLEGE OF MUSIC
TO BE FEATURED ON THE BIGGEST NIGHT IN LATIN MUSIC™
The Latin Music Industry's Premier Event
Takes Place at the Mandalay Bay Events Center
in Las Vegas and Airs Live on the Univision Network Nov. 21
MIAMI (Nov. 7, 2013) — A performance by Juanes, current nominee Ricky Martin, and Laura Pausini paying tribute to 2013 Latin Recording Academy Person of the Year Miguel Bosé; a performance featuring current nominee Banda Carnaval and Calibre 50; and a special segment featuring current nominee Alejandro Sanz with 29 students from Berklee College of Music are the latest performances announced for the 14th Annual Latin GRAMMY Awards® (#LatinGRAMMY) telecast. Actor/singer Lucero once again will host the Latin music industry's premier event. The Biggest Night in Latin MusicTM is set for Nov. 21 at the Mandalay Bay Events Center in Las Vegas and will air live on the Univision Network from 8 – 11 p.m. ET/PT (7 p.m. Central). For updates and breaking news, please visit www.latingrammy.com as well as The Latin Recording Academy's social networks on Twitter (@LatinGRAMMYs) and Facebook.
Three-time GRAMMY® and 15-time Latin GRAMMY® winner Alejandro Sanz has four nominations: Record Of The Year and Song Of The Year for "Mi Marciana," and Album Of The Year and Best Contemporary Pop Vocal Album for La Música No Se Toca.
Banda Carnaval is up for Best Banda Album for Las Vueltas De La Vida.
GRAMMY and three-time Latin GRAMMY winner Ricky Martin is nominated for Record Of The Year for "Más y Más" (with Draco Rosa).
Previously announced performers for the 14th Annual Latin GRAMMY Awards are current nominees Pablo Alborán, Marc Anthony, Miguel Bosé, Jesse & Joy (Featuring Mario Domm), Natalia Lafourcade, Draco Rosa, and Carlos Vives. Confirmed to present are actors Omar Chaparro, Ninel Conde, Ximena Navarrete, Iván Sánchez, Blanca Soto, Mayrin Villanueva, and David Zepeda.
The 14th Latin GRAMMY Awards will be supported on radio via Univision Radio (the official Spanish-language radio network of the Latin GRAMMY Awards), and highlighted at www.latingrammy.com and www.univision.com/latingrammy, including video interviews and photos, an extensive archive of past shows, a live-blog, and dedicated forums for fans to share their excitement leading up to the live broadcast. Additionally, the telecast will be distributed internationally to more than 100 countries.
For the third year in a row, LatinGRAMMY.com will feature Latin GRAMMYs en Vivo, which will feature live coverage of the 14th Annual Latin GRAMMY Awards and interviews from various locations including the green-carpet arrivals, the Pre-Telecast Ceremony, backstage, and the media center, beginning at 2 p.m. PT.
Preceding the Awards telecast, Univision will present exclusive "Noche De Estrellas" ("Night Of The Stars") coverage of the celebrity arrivals direct from the Latin GRAMMY Awards green carpet starting at 7 p.m. ET/PT (6 p.m. Central). Hosted by Univision celebrities Giselle Blondet and Chiquinquira Delgado — and joined by television personalities: Raúl de Molina, Rodner Figueroa, Alejandra Espinoza, and Tony Dandrades — "Noche De Estrellas" will feature live interviews and commentary on the stars and their fashions, and will provide viewers an intimate and up-close look at Latin music's most glamorous gala event.
The Latin Recording Academy is an international, membership-based organization comprised of Spanish- and Portuguese-speaking recording artists, musicians, songwriters, producers and other creative and technical recording professionals. The organization is dedicated to improving the quality of life and cultural condition for Latin music and its makers. In addition to producing the Latin GRAMMY Awards to honor excellence in the recorded arts and sciences, The Latin Recording Academy provides educational and outreach programs for the Latin music community. For more information about The Latin Recording Academy, please visit LatinGRAMMY.com. For breaking news and exclusive content, follow @LatinGRAMMYs on Twitter, like "Latin GRAMMYs" on Facebook, and join the Latin GRAMMYs' social communities on Foursquare, Google+, Instagram, Pinterest, Tumblr, and YouTube.