News

Driven - Music Charts Magazine® Presents - NEW DISCOVERY Driven for the month of April 2014.Music Charts Magazine® Presents - "NEW DISCOVERY" - "Driven" - for the month of April 2014.

Looking for some "New" music to add to your player and can't find anything that blows you away?

Check out this Music Charts Magazine® "NEW DISCOVERY" Interview with "Driven" and be prepared to be excited knowing there is still 100% awesome music out there that you still have not heard.

After you listen to this great radio interview pasted below of "Driven" we are sure you will be glad you found this "New Discovery" and Driven's song "You'll Be Lonely, I'll Be Gone" to add to your music playlist.

 

 


The Twins: Brandon & Blake McLemore

Brandon and Blake’s musical careers began together, thanks to their parents, Bob & Susan.  After Bob & Susan attended the Walnut Valley Festival in Winfield, KS in 1985, they wanted to learn bluegrass.  By the time Blake and Brandon were born in 1987, Bob was playing guitar and Susan played banjo.  It would be Bob and Susan’s bluegrass bands, and attending festivals that exposed the twins to the music, throughout their childhood. When Brandon and Blake were young they used to lie on the living room floor in between all the members of Mom & Dad’s bluegrass bands during band practice.  They usually stayed long enough to fall asleep in the same spot.

Through the years, the twins were heavily influenced by the Bennett Brothers Bluegrass Band in Wichita, KS, as well as many other friends they saw annually at the Walnut Valley Festival.  Thanks to this inspiration, the boys would pick up instruments at the age of 10.  Brandon chose the mandolin because of its look and sound, while Blake realized the upright bass was the only missing piece for a family band.  From 1997-2007 the boys played with Mom and Dad as “The McLemores.”  In addition to playing with the family band, Brandon and Blake expanded their horizons by performing with a second northwest Kansas group called “Grassfire.” 

Today, In addition to “Driven”, the twins play cowboy/western swing music with friend Allen Bailey, as part of “Marshall Allen Bailey & The Silver Bullets”.  The trio has performed a number of shows, and previously recorded both a live CD and DVD.  The group is currently working on its first studio project, which will include performances by Jake & Rebekah Workman, and Shelby Eicher! 

Also, the twins, their parents, and brother, Ryan, all help a committee of close friends put on the “Pickin’ On The Plains Bluegrass Festival” in Colby, KS.  Their hope is to spread their love of bluegrass to others.  Now for a little background about Blake & Brandon, individually: 


insert_brandonsmlBrandon McLemore

In 2007, Brandon attended the Conservatory of Recording Arts & Sciences in Tempe, AZ.  Learning audio production, Brandon followed his training by interning at Omnisound Studios in Nashville, TN where he was fortunate to perform on two projects.   The experience was eye-opening, and while Nashville carries a special aura, it was understood that Dad expected his kids to have bachelor-level degrees.

Throughout college, Brandon was recording and mixing various projects for music groups, and continuing his musical interests with acoustic rock n’ roll, western swing, bluegrass and teaching guitar lessons.  When Driven started their first recording project, self-titled “Driven”, Brandon was entering the workforce.  The project enabled him to expand his recording and mixing techniques, and included a plethora of memories. During that first Driven project, Brandon actually fell asleep while recording his mandolin rhythm/chop track for a song.  He slept nearly the entire song but woke up at the very end when his headphones went silent.  After listening, it was discovered that the recorded mandolin worked fine and was used in the final version of the song.

Following the first album’s release, Driven started digging for signature songs and contemplated the idea of writing.  While close friends were offering fantastic originals, the group felt songwriting was a worthy experiment.  Up to then, Brandon’s songwriting had taken place in high school, and could be found on the likes of pizza boxes and homework paper.  Understanding the band’s hope for catchy music, Brandon spent several weeks chasing melodies and fighting phrases in front of a fire place.  This writing hotspot was fitting; it was the home of John and Merry Lewis and the first jam session of parents, Bob and Susan.  As a full circle experience, “You’ll Be Lonely, I’ll Be Gone” reflects a multitude of childhood memories and inspirations.


insert_blakesml

Blake McLemore

While attending college at Kansas State University, Blake met up with friend Chris Biggs to get involved with the music scene.  Blake, Chris, and friend Steve played weekly at the “Little Grill” restaurant outside of Manhattan, KS.  Through Chris, Blake was also re-acquainted with friends Bob Atchison, and Mike and Vicky Theobald of the “Kansas Heart” bluegrass band and began playing upright bass for the group.  One of the band’s key performances involved opening for Charlie Daniels at the Stiefel Theatre in Salina, KS.

Blake has previously taught bass lessons, as well as led bass workshops at festivals.  He has recorded as a session bass player on a number of projects, including work for Robin Macy (co-founder of The Dixie Chicks) and Kentucky White (The New Tradition). Non-musically related, Blake has broken both forearms before, a problem commonly inflicted upon banjo players rather than bass specialists! All of these different experiences have brought Blake to the level of a skilled, veteran bass musician that can set the groove for a band that creates certain expectations with a name like “Driven”. 


 insert_jimmysmlJimmy Campbell

Jimmy got his first guitar for Christmas when he was 9 years old.  His parents took him to square dances and festivals throughout the Midwest where he soaked up every song and lick he could learn from anyone he met up with.  His uncle Ed Keeney spent countless hours playing guitar with him, and by age 11, Jimmy got his first banjo.

The late 70’s was a great era for the Society for the Preservation of Bluegrass Music of America (SPBGMA )in the Midwest, and he played nearly every weekend at festivals in Missouri, Iowa, Illinois, Kansas & Arkansas.  The Corder Family was his first banjo playing gig, and Mrs. Oma Corder told the story of having to pull Jimmy from a haystack at a town festival and brush the straw from his dress slacks before hitting the stage. Young Jimmy caught the attention of Johnny Vincent, and soon he was performing on Johnny’s radio show and with the Vincent family’s Sally Mountain Show (including Rhonda and Darrin Vincent).   As a teen, Hickory Hill Ridge-Runners (with Brent Truitt) and Short Line Grass were bands that fed Jimmy’s craving for hard driving Bluegrass.

After a 20 year break to raise his kids, Jimmy got back into Bluegrass when he moved to Kansas City in 2002.  He met up with other pickers at Mountain Music Shoppe, and from there got plugged into the region’s thriving Bluegrass scene.  Monday nights at The Rural Grit Happy Hour, Fridays at Kansas City Area Bluegrass Music Club (KCABMC) or Heart Of America Bluegrass and Old Time Club (HABOT).  He played with such Kansas City bands as Salty Dog Bluegrass, Konza Swamp Band and The Swillhound Stringband.  Jimmy got reacquainted with SPBGMA festival friends Cindie Beem (Southern Reign) and Bull & Tammy Harman (Bull Harman & Bulls Eye), playing as many festivals as he could with them.  He met his bass-playing wife Karla at a jam session. It was Karla that got Jimmy to Winfield for the Walnut Valley Festival for the first time in 2006. There he met up with the McLemore Twins and Driven was born from their favorite late-night jam sessions.

Jimmy plays a Yates banjo and Sheerhorn resophonic guitar. He can make a train whistle sound with his voice that confounded the Opera professor at UMKC Conservatory of Music (“How do you DO that?  Do it again . . . do it again”). Jimmy may be the only member of Driven that isn’t related to any of the other members of Driven, but he is certainly a big part of the drive in Driven.


insert_rebeccasmlRebekah Workman

Rebekah Workman has been fascinated with music since she was very young.  Growing up she learned to love and appreciate bluegrass music, due to the fact that her mom and dad constantly listened to it.  She got a violin for Christmas when she was 8 years old.  Rebekah practiced hard and began to enter contests with just 2 years of playing experience. Rebekah won the Utah State fiddle championship in her division 3 times and placed 15th in the National Old Time Fiddlers Contest in Weiser, Idaho in her division as well.

Despite success in competition, she longed to play music by ear rather than learn to just play an arrangement the same way again and again. Rebekah began learning the art of improvisation from involvement in the Utah Old Time Fiddlers and expanded her improv skills by playing in a number of different bands throughout her high school years. While playing at a jam session in Utah, a chance meeting with a young guitar player named Jake Workman gave Rebekah the chance to add to her incredible skill and opportunities to perform. Before she knew it she was married to the guitar player and had become the newest member of the band known as “Driven”.

Rebekah and Jake both love to play the card game, Rook, to the point their marriage is occasionally at risk. One of Rebekah’s favorite words to use is “fetch”. She’s known for saying silly and completely random phrases all the time. Primarily though, Rebekah continues to shine on stage with Driven and can also be found performing with her husband Jake in other various configurations throughout Utah on a regular basis when not playing with Driven.

 

 insert_jakesmlJake Workman

Jake Workman began playing the guitar when he received one for his 13th birthday. As with most teenagers, his early music included the songs of his favorite rock bands such as The Beatles, Boston, AC/DC and Van Halen. Practicing for 6+ hours a day was not out of the ordinary for Jake.  During middle and high school years he joined up with a couple friends and formed a rock band called “Wayward Son”.  About a year and a half after he started the guitar, Jake’s introduction to bluegrass music came when his parent’s surprised him with a banjo for Christmas. Jake’s love for bluegrass grew over the next few years as he attended jams and festivals throughout the Western states and eventually the entire country.  Jake began to enter instrument contests and has won many titles on guitar, banjo and mandolin. It was in 2007 at Winfield, Kansas while attending the National Flatpick Guitar Championship, that Jake met the other musicians that later would help form the band, Driven. The first gig played by Driven was in July of 2009 in Colby, Kansas at the “Pickin’ on the Plains” bluegrass festival. Driven began playing just summer gigs and festivals in 2009 and 2010.

During that time period, at a jam session somewhere in Utah a talented fiddle player named Rebekah Travis caught Jake’s eye. By the time Driven played their first gig of 2011 Jake and Rebekah were married and she had joined Driven as the full time fiddle player. They do get asked if they are brother and sister more often than if they are husband and wife.  People say they look a lot a-like…  When they ask which one they are, the common reply is “BOTH!  It’s the bluegrass way and Jake does play the banjo…”

When not playing with Driven, Jake spends his time teaching private lessons, doing studio work, and performing with various other bands in the Salt Lake City area. Jake has also been known to lose track of time playing “Zelda” on his Nintendo.   He has a degree in Jazz Guitar Performance from the University of Utah.  Jake is most influenced by traditional bluegrass, but his playing will also showcase extensive knowledge in the rock and jazz genres as well.


 

For more information on Driven visit -

www.DrivenBluegrass.com

 

Radio interested in how to obtain this music please contact us on our contact page and we will be glad to get it to your radio station for radio play. Many thanks to those of you who have already played it.

To find out more about Driven:

 

Music Charts Magazine® NEW DISCOVERY for the month of April 2014 - Music Charts Magazine®proudly presents "NEW DISCOVERY" for the month of April 2014 "Driven"- feature song - "You'll Be Lonely, I'll Be Gone"

LISTEN to "NEW DISCOVERY" Interview with Driven - HERE:

Music Charts Magazine® Presents "New Discovery" Driven featuring the song "You'll Be Lonely, I'll Be Gone" - Interview by Award winning DJ Big Al Weekley

 

 

 

Music Charts Magazine® Presents NEW DISCOVERY "Driven" - Interview by Big Al Weekley


 

Music Charts Magazine® NEW DISCOVERY for the month of April 2014 - Driven 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Copyright © 2012 - 2014 Music Charts Magazine, INC - All Rights Reserved. Contents of this site including text and media may not be reproduced without prior written consent. Audio and video elements of this site are property of their respective owners and are used with permission.


 

About Fred's Country program:

Le program Fred's Country: La musique Country de Tradition avec Frederic (Fred) Moreau. Le program Fred's Country est diffusé sur 65 fréquences FM, 54 radios ou webradios.

Radio Show Host: Fred Moreau

Program Fred's Country w14-2014 - 4 Avril 2014 à 15:00 - April 4th, 2014

 

 

Music Charts Magazine is proud to be friends with Mr. Moreau and glad to now be one of the many to host Program Fred's Country. ( French/English)

Radio Program "Fred's Country" - Now at Music Charts Magazine!

 

 

 

 

 

 

 


 

A Music Charts Magazine® Kitty Wells Radio Tribute with Big Al Weekley and Keith Bradford ( 16 year bass player, spokesmen and long time friend of Kitty Wells and Johnnie Wright ).A Music Charts Magazine® Kitty Wells Radio Tribute with Big Al Weekley and Keith Bradford ( 16 year bass player, spokesmen and long time friend of Kitty Wells and Johnnie Wright ). Keith Bradford ( owner of KMA Records and NBRN.FM in Madison, TN ) was a pall bearer at both Kitty Wells and Johnnie Wright's funeral.

Ellen Muriel Deason (August 30, 1919 – July 16, 2012), known professionally as Kitty Wells, was an American country music singer. Her 1952 hit recording, "It Wasn't God Who Made Honky Tonk Angels", made her the first female country singer to top the U.S. country charts, and turned her into the first female country star. Her Top 10 hits continued until the mid-1960s, inspiring a long list of female country singers who came to prominence in the 1960s.

Wells ranks as the sixth most successful female vocalist in the history of Billboard's country charts, according to historian Joel Whitburn's book The Top 40 Country Hits, behind Dolly Parton, Loretta Lynn, Reba McEntire, Tammy Wynette, and Tanya Tucker. In 1976, she was inducted into the Country Music Hall of Fame. In 1991, she became the third country music artist, after Roy Acuff and Hank Williams, and the eighth woman to receive the Grammy Lifetime Achievement Award. Wells' accomplishments earned her the nickname Queen of Country Music.

Part 1 - Part 2 coming soon!

 

Copyright © 2012 – 2014 Music Charts Magazine® - (www.MusicChartsMagazine.com) – All Rights Reserved. Contents of this site including text and media may not be reproduced without prior written consent. Audio and video elements of this site are property of their respective owners and are used with permission.

Working Man's Poet - A Tribute To Merle Haggard - Music Charts Magazine® CD ReviewBroken Bow Records has got something special for all the Merle Haggard fans. Actually, what they have is something special for all country music fans. On April 1, Working Man's Poet: A Tribute to Merle Haggard will be available in stores, and through digital outlets. The album has 20 of Merle's songs, performed by some of the biggest names in country music today.

This is a great way to pay tribute to Merle, and at the same time, introduce his music to today's listeners. The songs are being sung by artists that new country music fans hear on the radio every day. Fans of Luke Bryan, Randy Houser, Joe Nichols and others will enjoy this album. While they are listening to some of their favorite artists, they will also have what might be their first opportunity to hear the great country music of Merle Haggard.

Merle Haggard was the first ACM Entertainer of the year back in 1970. In 1965 he won Most Promising Male Vocalist of the Year, and won his first of six Male Vocalist of the Year awards in 1966. He joined the Country Music Hall of Fame in 1994.

On April 6, the 49th annual Academy of Country Music awards will be broadcast live on ABC (8-11 p.m.). This year, Merle will be receiving the Crystal Milestone Award. Past recipients of this award include Garth Brooks, Kenny Chesney, Jason Aldean, Jennifer Nettles and Taylor Swift.

The songs you will hear on the new album include Misery and Gin, performed by Randy Houser; Footlights, performed by Joe Nichols; Going Where the Lonely Go; performed by Jason Aldean; Today I started Loving You Again, performed by Kristy Lee Cook; Carolyn, performed by Toby Keith; Pancho and Lefty, performed by Luke Bryan and Dierks Bentley; Tonight the Bottle Let Me Down, performed by Garth Brooks, You Take Me For Granted, performed by Thompson Square, Mama Tried, performed by Ben Haggard; That's the Way Love Goes, performed by Dustin Lynch; Make Up Faded Blue Jeans, performed by Jake Owen; I'm a Lonesome Fugitive, performed by James Wesley; Workin' Man Blues, performed by Parmalee; Are The Good Times Really Over, performed by Jason Aldean; Let's Chase Each Other Around the Room, performed by Thompson Square; I Think I'll Just Stay Here and Drink, performed by Dustin Lynch; The Fightin' Side of Me, performed by James Wesley; My Favorite Memory, performed by Joe Nichols; Ramblin' Fever, performed by Randy Houser; and Sing Me Back Home, performed by Ben Haggard.

Luke Bryan and Dierks Bentley team up for Pancho and Lefty, the Townes Van Zandt song that Merle and Willie Nelson took to the top of the charts back in 1983. Jason Aldean took on two of Merle's hits from the early 80s, Going Where the Lonely Go and Are the Good Times Really Over. Randy Houser lends his powerful vocals to Ramblin' Fever and Misery and Gin. From the first song to the last, this album is everything you would expect it to be.

I can't imagine having a country music album collection without this Tribute to Merle Haggard being part of it. You get the best of both worlds with one. Today's artists delivering yesterday's hits. It's a good album, and it is going to spend a lot of time in my CD player. I think it will in the player of every country music fan as well.

Keep up with the latest country music news and reviews at www.countryschatter.com. And be sure to follow us on Twitter, too, @countryschatter.

Music Charts Magazine® Bluegrass Review - "Head For The Hills" Blue Ruin - in cooperation with Prescription BluegrassBlue Ruin consists of 12 selections composed and performed by the Colorado based group, Head for the Hills, including 10 vocal cuts and 2 instrumentals.

The opening cut, Take Me Back, is reminiscent of an early Country Gazette-style offering, particularly with respect to the rhythm style and vocal arrangement.

Though there’s no banjo on this cut, it would otherwise suggest that a regimen of modern Bluegrass fare might be forthcoming. However, with the opening of the next cut, Never Does, you know you’ve stumbled onto something exotic indeed.

Never Does’ feel is more like modern Indie/Grunge merged with Bohemian Gypsy music, complete with train-whistle style background harmonies.

That said, Never Does is brilliantly seductive, as is the title cut, Blue Ruin, which starts out harmless enough, with guitar rhythm and solo vocals, followed by nice violin and guitar fills. But, just when you thought you were safe, the delicate tintinnabulations of electric piano start sneaking out from your speakers to remind you (in case you momentarily lapsed into a coma) this is not your grandpa’s string music.

Priscilla the Chinchilla is one of two instrumentals that serve to establish to the listener that these guys are serious musicians. Michael Chappell’s mandolin chops are especially strong, and obvious, on this cut, as is his taste in note choices and rhythms.

One of my favorite cuts is Wish You Well, with its persistent undercurrent of swelling jazz lines and chopped rhythms complimenting the vocals. It also has a few of those magical moments when you’re sure you’re hearing something both unique and cool.

If Dependency Co.’s clever lyrics aren’t enough to reassure you that you’re in uncharted string-music waters, the trumpet solo should do it. That effort, for the record, comes off really well. Overall, Head for the Hill’s ability to tastefully integrate horns into their recordings is a testament to their very capable production skills.

Another of my favorites from this project is Bosun Ridley, a dark tale of maritime tragedies. Joe Lessard’s violin layered with Matt Loewen’s bass is a particularly effective haunting touch, as are some of the special effects, all tastefully rendered. 

Read the rest of this interview at Prescription Bluegrass's website:  http://prescriptionbluegrassreviews.blogspot.com/2013/06/prescription-bluegrass-reviews-head-for.html

Arthur Guitar Boogie Smith - Mister GuitarArthur Smith (April 1, 1921 – April 3, 2014) was an American musician and songwriter.

Born in Clinton, South Carolina, Arthur Smith was a textile mill worker who became a celebrated and respected country music instrumental composer, guitarist, fiddler, and banjo player who had a major hit with the instrumental "Guitar Boogie". The song earned him the moniker Arthur "Guitar Boogie" Smith (to differentiate him from Tennessee fiddler and 1930s Grand Ole Opry star Fiddlin' Arthur Smith) and was recorded by numerous others including Tommy Emmanuel. Renamed "Guitar Boogie Shuffle", it became a rock and roll hit by Frank Virtue and the Virtues. Virtue served in the Navy with Smith and counted him as a major influence. Other musicians who have been influenced by Smith include Nashville studio ace Hank "Sugarfoot" Garland, Roy Clark, Glen Campbell and surf music pioneers the Ventures.

In 1955, Smith composed a banjo instrumental he called "Feudin' Banjos" and recorded the song with five-string banjo player Don Reno. Later the composition appeared in the popular 1972 film Deliverance as "Dueling Banjos" played by Eric Weissberg and Steve Mandel. Not given credit, Smith had to proceed with legal action that eventually gave him songwriting credit and back royalties. It was a landmark copyright infringement suit.

As a composer, Smith had nearly 500 copyrights, including over 100 active inspirational and/or gospel music compositions including million sellers "The Fourth Man" and "I Saw A Man". In total, his compositions have been recorded numerous times by artists including Chet Atkins, Glen Campbell, Johnny Cash, the Statesmen Quartet, the Cathedrals, Al Hirt, Barbara Mandrell, Willie Nelson, the Gatlin Brothers, Oak Ridge Boys, Roy Orbison, Tom Petty, Boots Randolph, George Beverly Shea, the Stamps, the Statler Brothers, Ricky Van Shelton and many more. A portion of his Crackerjacks group sang and recorded gospel music under the moniker the Crossroads Quartet. Among the members throughout the years were Smith, Tommy Faile, Ray Atkins, Lois Atkins, brother Ralph Smith, and Wayne Haas.

Smith built and managed the first commercial recording studio in the Southeast in Charlotte; in addition to recording Smith, the Crackerjacks and its various members, such as vocalist/guitarist/songwriter Tommy Faile, it produced sides from many other acts, including rhythm and blues star James Brown, whose "Papa's Got a Brand New Bag" was cut in Smith's studio. In this facility, Smith also created and produced nationally syndicated radio programs hosted by Johnny Cash, Chet Atkins, Richard Petty, James Brown, and George Beverly Shea. Billy Graham's Hour of Decision radio program was first produced in Smith's studio. Smith also produced and hosted his own radio program, Top of the Morning, which was syndicated for an unbroken span of 29 years.

Read more at: http://en.wikipedia.org/wiki/Arthur_%22Guitar_Boogie%22_Smith

Walter "King" Fleming - KingWalter "King" Fleming (May 4, 1922 – April 1, 2014) was an American jazz pianist and bandleader. He was born in Chicago, Illinois.

A classmate of Sonny Cohn, after playing trombone in the McKinley High School band, Fleming went on to study at the Midwest College of Music. He had already led several informal bands before King Fleming and His Swing Band first performed in September 1942. When he was drafted into the U.S. Army in July 1943, the band continued performing under the leadership of other bandmembers until too many of its members had been called up for it to be viable.

Discharged in 1945, Fleming started doing session work in Los Angeles and joined Johnnie Alston & His All Stars for recording dates backing Wynonie "Blues" Harris on Apollo. Johnny Alston and His Orchestra later signed for the Bihari Brothers' Modern label, and Fleming and Al "Cake" Wichard were joined by Addison Farmer. By mid-1946, Fleming had joined the Swing combo Oliver "King" Perry's Pied Pipers with Norman Bowden (trumpet); George "Happy" Johnson (trombone); Wesley Prince (bass) and Joe Harris (drums) before returning to Chicago to lead his own King Fleming's Four with Jay Peters (tenor sax), "Hog" Mason (bass), and Tommy Hill (drums) and getting a write-up in Down Beat for June 18, 1947.

In 1950 he was a member of the Dallas Bartley Quartet, with Johnny Thompson (tenor sax) and Oliver Coleman (drums), and that summer he recorded as a session pianist for the vocal group, the Dozier Boys, at their recording session for Chess Records. Later that year he joined Oliver Coleman's Palmaires; the other members were Nelson Berry (tenor saxophone) and Sylvester Hickman (bass).

In 1954 he finally recorded under his own name, on the Blue Lake label, with John Neely (tenor saxophone); Russell Williams (bass); Aubrie Jones (drums); Lorez Alexandria (vocals) and in 1955 for the Chess label. The Chess brothers invited him back the following year, again with vocalist Lorez Alexandria, to record "Stompin' at the Savoy". In 1957, his group backed Lorez Alexandria on her first two albums for the King label, and collaborated with Muhal Richard Abrams, who wrote arrangements for a King Fleming-led big band.

Between 1960 and 1965, he recorded three piano trio albums for Argo and Cadet Records, which were Phil and Leonard Chess's jazz labels. He also appeared on two singles released locally by singer George Green.

Read more at:  http://en.wikipedia.org/wiki/King_Fleming

Album

LW

TW

Artist

Title

(Label)

TW SPINS

LW SPINS

Weeks on Chart

Spin +/-

Stations

 

1

1

Kevin Fowler

Love Song

(Kevin Fowler Records)

1,346

1,348

11

-2

76

 

2

2

Zane Williams

Little Too Late

(ZW)

1,295

1,333

13

-38

69

 

4

3

Brian Keane

Bar Lights

(BK)

1,133

1,088

15

+45

62

 

8

4

Green River Ordinance

Flying

(GRO)

1,096

1,008

9

+88

70

 

5

5

Mark McKinney

Lonely Bones

(Texas Evolution)

1,084

1,069

10

+15

73

 

3

6

Josh Ward

Hard Whiskey

(Buckshot Records)

1,055

1,247

15

-192

65

 

7

7

Cameran Nelson

35 Runs Both Ways

(CN)

1,027

1,028

10

-1

64

 

12

8

Josh Grider

White Van

(AMP)

986

845

6

+141

68

 

10

9

Reckless Kelly

Every Step of the Way

(No Big Deal)

981

941

9

+40

69

 

9

10

JB and the Moonshine Band w/Angaleena Presley

Black and White

(Light It Up Records)

872

955

16

-83

58

 

6

11

Aaron Watson

July in Cheyenne

(Thirty Tigers)

854

1,056

20

-202

49

 

15

12

Brandon Rhyder

Leave

(Reserve Records)

774

721

10

+53

58

 

14

13

Wade Bowen w/Brandy Clark

Love in the First Degree

(Lightning Rod Records)

764

750

6

+14

59

 

13

14

Sam Riggs

Angola’s Lament

(SR)

737

755

16

-18

55

 

16

15

John Slaughter

Ghost Town

(JS)

711

712

7

-1

55

 

18

16

Jason Eady

OK Whiskey

(JE)

681

691

12

-10

47

 

17

17

Uncle Lucius

Somewhere Else

(Entertainment One Music)

647

691

15

-44

45

 

11

18

Curtis Grimes

The Cowboy Kind

(CG)

610

882

18

-272

53

 

20

19

Cody Johnson

Dance Her Home

(CJB)

598

631

14

-33

46

 

22

20

Dolly Shine

Should’ve Known

(DS)

575

561

7

+14

46

 

23

21

Michael Coleman w/Jody Booth

Radio Don’t Sound Like Me

(DMG/CaneyCreek)

573

559

11

+14

42

 

19

22

The Statesboro Revue

Huck Finn

(Vision Ent./Shalley Records)

523

641

24

-118

38

 

25

23

Clayton Gardner

Table for Two

(CG)

520

509

9

+11

48

 

31

24

Jamie Richards

I’ll Have Another

(JR)

520

435

4

+85

46

 

38

25

Jason Boland & the Stragglers

Lucky I Guess

(Proud Souls Ent.)

514

407

3

+107

47

 

30

26

Mario Flores

Got A Bad Feeling

(MF)

502

439

4

+63

39

 

24

27

Kylie Rae Harris

Waited

(KRH)

499

531

12

-32

41

 

35

28

Adam Fears

Middle of Nowhere

(LandStar Entertainment)

484

417

3

+67

41

 

28

29

Prophets And Outlaws

Soul Shop

(Seven Set Jam Records)

482

458

5

+24

38

 

33

30

Matt Caldwell

Drink Another

(AMP)

456

430

6

+26

43

 

21

31

Casey Donahew Band

Small Town Love

(Almost Country)

455

590

19

-135

34

 

43

32

Adam Hood

Trying To Write A Love Song

(Adam Hood Music)

452

371

3

+81

43

PHOTO COMING SOON

29

33

Rodney Parker & 50 Peso Reward

Things You Make Me Do

(Smith Ent.)

443

448

8

-5

33

 

34

34

Mike McClure Band

Silver and Blue

(598 Recordings)

432

429

8

+3

36

 

26

35

Rob Baird

Same Damn Thing

(Carnival Music)

413

479

14

-66

40

 

40

36

Aubrey Lynn England

Sad Little Girl

(ALE)

406

393

6

+13

29

 

32

37

Granger Smith

Miles and Mud Tires

(GS)

397

434

23

-37

35

 

44

38

American Aquarium

I Hope He Breaks Your Heart

(Last Chance Records)

394

354

8

+40

34

 

50

39

Charla Corn

In My Heart

(Sixth Street Syndicate)

374

298

2

+76

36

 

42

40

Tommy Joe Wilson

Cold Beer

(River Wild Records)

367

373

6

-6

35

 

46

41

Jake Kellen

Whiskey Night

(Horny Toad Records)

363

347

2

+16

38

 

N

42

TJ Broscoff

Falling Down

(BGM Records)

355

247

1

+108

37

 

39

43

Clay Thrash

My Heart

(Grange Records)

351

407

12

-56

34

 

49

44

Zach Coffey

I Love You Anyway

(ZC)

349

301

2

+48

31

 

45

45

The Dusty Smirl Band

Lubbock Lights

(TDSB)

340

352

4

-12

36

 

N

46

Riders Ford

This Ain’t a Song

(RF)

305

275

1

+30

25

 

N

47

Midnight River Choir

Circles

(MRC)

296

236

1

+60

27

 

N

48

Matt Kimbrow

Abilene

(MK)

295

236

1

+59

27

 

41

49

Ray Johnston Band

Crush

(RJB)

288

386

16

-98

31

 

47

50

The Rusty Brothers

Revival

(Vision Ent.)

287

313

8

-26

27

Non Reports:

1st Week:  KCTI, KEOK, KITX, KTCS, KTFX

 

Freezes:

KACO, KBCY, KTKO, KYBI, TXRDR

Copyright © 2014, the Texas Music Chart. Used with permission from Best In Texas Music Marketing LLC, Houston, TX

About Fred's Country program:

Le program Fred's Country: La musique Country de Tradition avec Frederic (Fred) Moreau. Le program Fred's Country est diffusé sur 65 fréquences FM, 54 radios ou webradios.

Radio Show Host: Fred Moreau

Program Fred's Country w13-2014 - 28 Mars 2014 à 15:00 - March 28th, 2014

 

 

Music Charts Magazine is proud to be friends with Mr. Moreau and glad to now be one of the many to host Program Fred's Country. ( French/English)

Radio Program "Fred's Country" - Now at Music Charts Magazine!

 

 

 

 

 

 

 


 

 

LW

TW

Artist

Title

(Label)

TW SPINS

LW SPINS

Weeks on Chart

Spin +/-

Stations

 

1

1

Kevin Fowler

Love Song

(Kevin Fowler Records)

1,348

1,252

10

+96

75

 

4

2

Zane Williams

Little Too Late

(ZW)

1,333

1,193

12

+140

68

 

3

3

Josh Ward

Hard Whiskey

(Buckshot Records)

1,247

1,204

14

+43

68

 

7

4

Brian Keane

Bar Lights

(BK)

1,088

1,050

14

+38

63

 

8

5

Mark McKinney

Lonely Bones

(Texas Evolution)

1,069

1,032

9

+37

73

 

2

6

Aaron Watson

July in Cheyenne

(Thirty Tigers)

1,056

1,245

19

-189

62

 

9

7

Cameran Nelson

35 Runs Both Ways

(CN)

1,028

977

9

+51

64

 

11

8

Green River Ordinance

Flying

(GRO)

1,008

848

8

+160

68

 

6

9

JB and the Moonshine Band w/Angaleena Presley

Black and White

(Light It Up Records)

955

1,065

15

-110

61

 

10

10

Reckless Kelly

Every Step of the Way

(No Big Deal)

941

893

8

+48

66

 

5

11

Curtis Grimes

The Cowboy Kind

(CG)

882

1,085

17

-203

59

 

17

12

Josh Grider

White Van

(AMP)

845

679

5

+166

64

 

12

13

Sam Riggs

Angola’s Lament

(SR)

755

750

15

+5

57

 

16

14

Wade Bowen w/Brandy Clark

Love in the First Degree

(Lightning Rod Records)

750

682

5

+68

58

 

18

15

Brandon Rhyder

Leave

(Reserve Records)

721

678

9

+43

57

 

20

16

John Slaughter

Ghost Town

(JS)

712

654

6

+58

55

 

15

17

Uncle Lucius

Somewhere Else

(Entertainment One Music)

691

686

14

+5

47

 

21

18

Jason Eady

OK Whiskey

(JE)

691

645

11

+46

46

 

13

19

The Statesboro Revue

Huck Finn

(Vision Ent./Shalley Records)

641

719

23

-78

41

 

19

20

Cody Johnson

Dance Her Home

(CJB)

631

666

13

-35

46

 

14

21

Casey Donahew Band

Small Town Love

(Almost Country)

590

715

18

-125

41

 

28

22

Dolly Shine

Should’ve Known

(DS)

561

498

6

+63

45

 

24

23

Michael Coleman w/Jody Booth

Radio Don’t Sound Like Me

(DMG/CaneyCreek)

559

529

10

+30

42

 

27

24

Kylie Rae Harris

Waited

(KRH)

531

502

11

+29

44

 

29

25

Clayton Gardner

Table for Two

(CG)

509

483

8

+26

50

 

25

26

Rob Baird

Same Damn Thing

(Carnival Music)

479

521

13

-42

42

 

22

27

William Clark Green

Rose Queen

(Bill Grease Records)

469

579

19

-110

43

 

32

28

Prophets And Outlaws

Soul Shop

(Seven Set Jam Records)

458

429

4

+29

39

PHOTO COMING SOON

34

29

Rodney Parker & 50 Peso Reward

Things You Make Me Do

(Smith Ent.)

448

420

7

+28

33

 

41

30

Mario Flores

Got A Bad Feeling

(MF)

439

369

3

+70

38

 

33

31

Jamie Richards

I’ll Have Another

(JR)

435

425

3

+10

42

 

26

32

Granger Smith

Miles and Mud Tires

(GS)

434

504

22

-70

40

 

37

33

Matt Caldwell

Drink Another

(AMP)

430

399

5

+31

43

 

38

34

Mike McClure Band

Silver and Blue

(598 Recordings)

429

399

7

+30

37

 

46

35

Adam Fears

Middle of Nowhere

(LandStar Entertainment)

417

329

2

+88

39

 

30

36

Phil Hamilton

Hold On Tight

(Winding Road)

410

464

16

-54

42

 

23

37

Whiskey Myers

Home

(Wiggy Thump)

408

533

18

-125

38

 

49

38

Jason Boland & the Stragglers

Lucky I Guess

(Proud Souls Ent.)

407

289

2

+118

40

 

40

39

Clay Thrash

My Heart

(Grange Records)

407

378

11

+29

36

 

39

40

Aubrey Lynn England

Sad Little Girl

(ALE)

393

395

5

-2

31

 

31

41

Ray Johnston Band

Crush

(RJB)

386

432

15

-46

34

 

42

42

Tommy Joe Wilson

Cold Beer

(River Wild Records)

373

354

5

+19

37

 

50

43

Adam Hood

Trying To Write A Love Song

(AH)

371

289

2

+82

37

 

43

44

American Aquarium

I Hope He Breaks Your Heart

(Last Chance Records)

354

339

7

+15

34

 

45

45

The Dusty Smirl Band

Lubbock Lights

(TDSB)

352

338

3

+14

36

 

N

46

Jake Kellen

Whiskey Night

(Horny Toad Records)

347

287

1

+60

38

 

48

47

The Rusty Brothers

Revival

(Vision Ent.)

313

300

7

+13

29

 

44

48

Sean Franks & Chapter 11

Catch This Train

(WarRoom Records)

306

339

8

-33

27

 

N

49

Zach Coffey

I Love You Anyway

(ZC)

301

242

1

+59

30

 

N

50

Charla Corn

In My Heart

(Sixth Street Syndicate)

298

233

1

+65

27

Non Reports:

1st Week:  KAGG, KBIM, KKCN, KYBI, WACO

 

Freezes:

KDCD, KECO, KFLP, KMKS, KSTV, KWEY

Copyright © 2014, the Texas Music Chart. Used with permission from Best In Texas Music Marketing LLC, Houston, TX