JasonR
About Fred's Country program:
Le program Fred's Country: La musique Country de Tradition avec Frederic (Fred) Moreau. Le program Fred's Country est diffusé sur 65 fréquences FM, 54 radios ou webradios.
Radio Show Host: Fred Moreau
Program Fred's Country w14-2014 - 4 Avril 2014 à 15:00 - April 4th, 2014
Music Charts Magazine is proud to be friends with Mr. Moreau and glad to now be one of the many to host Program Fred's Country. ( French/English)
Radio Program "Fred's Country" - Now at Music Charts Magazine!
A Music Charts Magazine® Kitty Wells Radio Tribute with Big Al Weekley and Keith Bradford ( 16 year bass player, spokesmen and long time friend of Kitty Wells and Johnnie Wright ). Keith Bradford ( owner of KMA Records and NBRN.FM in Madison, TN ) was a pall bearer at both Kitty Wells and Johnnie Wright's funeral.
Ellen Muriel Deason (August 30, 1919 – July 16, 2012), known professionally as Kitty Wells, was an American country music singer. Her 1952 hit recording, "It Wasn't God Who Made Honky Tonk Angels", made her the first female country singer to top the U.S. country charts, and turned her into the first female country star. Her Top 10 hits continued until the mid-1960s, inspiring a long list of female country singers who came to prominence in the 1960s.
Wells ranks as the sixth most successful female vocalist in the history of Billboard's country charts, according to historian Joel Whitburn's book The Top 40 Country Hits, behind Dolly Parton, Loretta Lynn, Reba McEntire, Tammy Wynette, and Tanya Tucker. In 1976, she was inducted into the Country Music Hall of Fame. In 1991, she became the third country music artist, after Roy Acuff and Hank Williams, and the eighth woman to receive the Grammy Lifetime Achievement Award. Wells' accomplishments earned her the nickname Queen of Country Music.
Part 1 - Part 2 coming soon!
Copyright © 2012 – 2014 Music Charts Magazine® - (www.MusicChartsMagazine.com) – All Rights Reserved. Contents of this site including text and media may not be reproduced without prior written consent. Audio and video elements of this site are property of their respective owners and are used with permission.
Broken Bow Records has got something special for all the Merle Haggard fans. Actually, what they have is something special for all country music fans. On April 1, Working Man's Poet: A Tribute to Merle Haggard will be available in stores, and through digital outlets. The album has 20 of Merle's songs, performed by some of the biggest names in country music today.
This is a great way to pay tribute to Merle, and at the same time, introduce his music to today's listeners. The songs are being sung by artists that new country music fans hear on the radio every day. Fans of Luke Bryan, Randy Houser, Joe Nichols and others will enjoy this album. While they are listening to some of their favorite artists, they will also have what might be their first opportunity to hear the great country music of Merle Haggard.
Merle Haggard was the first ACM Entertainer of the year back in 1970. In 1965 he won Most Promising Male Vocalist of the Year, and won his first of six Male Vocalist of the Year awards in 1966. He joined the Country Music Hall of Fame in 1994.
On April 6, the 49th annual Academy of Country Music awards will be broadcast live on ABC (8-11 p.m.). This year, Merle will be receiving the Crystal Milestone Award. Past recipients of this award include Garth Brooks, Kenny Chesney, Jason Aldean, Jennifer Nettles and Taylor Swift.
The songs you will hear on the new album include Misery and Gin, performed by Randy Houser; Footlights, performed by Joe Nichols; Going Where the Lonely Go; performed by Jason Aldean; Today I started Loving You Again, performed by Kristy Lee Cook; Carolyn, performed by Toby Keith; Pancho and Lefty, performed by Luke Bryan and Dierks Bentley; Tonight the Bottle Let Me Down, performed by Garth Brooks, You Take Me For Granted, performed by Thompson Square, Mama Tried, performed by Ben Haggard; That's the Way Love Goes, performed by Dustin Lynch; Make Up Faded Blue Jeans, performed by Jake Owen; I'm a Lonesome Fugitive, performed by James Wesley; Workin' Man Blues, performed by Parmalee; Are The Good Times Really Over, performed by Jason Aldean; Let's Chase Each Other Around the Room, performed by Thompson Square; I Think I'll Just Stay Here and Drink, performed by Dustin Lynch; The Fightin' Side of Me, performed by James Wesley; My Favorite Memory, performed by Joe Nichols; Ramblin' Fever, performed by Randy Houser; and Sing Me Back Home, performed by Ben Haggard.
Luke Bryan and Dierks Bentley team up for Pancho and Lefty, the Townes Van Zandt song that Merle and Willie Nelson took to the top of the charts back in 1983. Jason Aldean took on two of Merle's hits from the early 80s, Going Where the Lonely Go and Are the Good Times Really Over. Randy Houser lends his powerful vocals to Ramblin' Fever and Misery and Gin. From the first song to the last, this album is everything you would expect it to be.
I can't imagine having a country music album collection without this Tribute to Merle Haggard being part of it. You get the best of both worlds with one. Today's artists delivering yesterday's hits. It's a good album, and it is going to spend a lot of time in my CD player. I think it will in the player of every country music fan as well.
Keep up with the latest country music news and reviews at www.countryschatter.com. And be sure to follow us on Twitter, too, @countryschatter.
Blue Ruin consists of 12 selections composed and performed by the Colorado based group, Head for the Hills, including 10 vocal cuts and 2 instrumentals.
The opening cut, Take Me Back, is reminiscent of an early Country Gazette-style offering, particularly with respect to the rhythm style and vocal arrangement.
Though there’s no banjo on this cut, it would otherwise suggest that a regimen of modern Bluegrass fare might be forthcoming. However, with the opening of the next cut, Never Does, you know you’ve stumbled onto something exotic indeed.
Never Does’ feel is more like modern Indie/Grunge merged with Bohemian Gypsy music, complete with train-whistle style background harmonies.
That said, Never Does is brilliantly seductive, as is the title cut, Blue Ruin, which starts out harmless enough, with guitar rhythm and solo vocals, followed by nice violin and guitar fills. But, just when you thought you were safe, the delicate tintinnabulations of electric piano start sneaking out from your speakers to remind you (in case you momentarily lapsed into a coma) this is not your grandpa’s string music.
Priscilla the Chinchilla is one of two instrumentals that serve to establish to the listener that these guys are serious musicians. Michael Chappell’s mandolin chops are especially strong, and obvious, on this cut, as is his taste in note choices and rhythms.
One of my favorite cuts is Wish You Well, with its persistent undercurrent of swelling jazz lines and chopped rhythms complimenting the vocals. It also has a few of those magical moments when you’re sure you’re hearing something both unique and cool.
If Dependency Co.’s clever lyrics aren’t enough to reassure you that you’re in uncharted string-music waters, the trumpet solo should do it. That effort, for the record, comes off really well. Overall, Head for the Hill’s ability to tastefully integrate horns into their recordings is a testament to their very capable production skills.
Another of my favorites from this project is Bosun Ridley, a dark tale of maritime tragedies. Joe Lessard’s violin layered with Matt Loewen’s bass is a particularly effective haunting touch, as are some of the special effects, all tastefully rendered.
Read the rest of this interview at Prescription Bluegrass's website: http://prescriptionbluegrassreviews.blogspot.com/2013/06/prescription-bluegrass-reviews-head-for.html
Arthur Smith (April 1, 1921 – April 3, 2014) was an American musician and songwriter.
Born in Clinton, South Carolina, Arthur Smith was a textile mill worker who became a celebrated and respected country music instrumental composer, guitarist, fiddler, and banjo player who had a major hit with the instrumental "Guitar Boogie". The song earned him the moniker Arthur "Guitar Boogie" Smith (to differentiate him from Tennessee fiddler and 1930s Grand Ole Opry star Fiddlin' Arthur Smith) and was recorded by numerous others including Tommy Emmanuel. Renamed "Guitar Boogie Shuffle", it became a rock and roll hit by Frank Virtue and the Virtues. Virtue served in the Navy with Smith and counted him as a major influence. Other musicians who have been influenced by Smith include Nashville studio ace Hank "Sugarfoot" Garland, Roy Clark, Glen Campbell and surf music pioneers the Ventures.
In 1955, Smith composed a banjo instrumental he called "Feudin' Banjos" and recorded the song with five-string banjo player Don Reno. Later the composition appeared in the popular 1972 film Deliverance as "Dueling Banjos" played by Eric Weissberg and Steve Mandel. Not given credit, Smith had to proceed with legal action that eventually gave him songwriting credit and back royalties. It was a landmark copyright infringement suit.
As a composer, Smith had nearly 500 copyrights, including over 100 active inspirational and/or gospel music compositions including million sellers "The Fourth Man" and "I Saw A Man". In total, his compositions have been recorded numerous times by artists including Chet Atkins, Glen Campbell, Johnny Cash, the Statesmen Quartet, the Cathedrals, Al Hirt, Barbara Mandrell, Willie Nelson, the Gatlin Brothers, Oak Ridge Boys, Roy Orbison, Tom Petty, Boots Randolph, George Beverly Shea, the Stamps, the Statler Brothers, Ricky Van Shelton and many more. A portion of his Crackerjacks group sang and recorded gospel music under the moniker the Crossroads Quartet. Among the members throughout the years were Smith, Tommy Faile, Ray Atkins, Lois Atkins, brother Ralph Smith, and Wayne Haas.
Smith built and managed the first commercial recording studio in the Southeast in Charlotte; in addition to recording Smith, the Crackerjacks and its various members, such as vocalist/guitarist/songwriter Tommy Faile, it produced sides from many other acts, including rhythm and blues star James Brown, whose "Papa's Got a Brand New Bag" was cut in Smith's studio. In this facility, Smith also created and produced nationally syndicated radio programs hosted by Johnny Cash, Chet Atkins, Richard Petty, James Brown, and George Beverly Shea. Billy Graham's Hour of Decision radio program was first produced in Smith's studio. Smith also produced and hosted his own radio program, Top of the Morning, which was syndicated for an unbroken span of 29 years.
Read more at: http://en.wikipedia.org/wiki/Arthur_%22Guitar_Boogie%22_Smith
Walter "King" Fleming (May 4, 1922 – April 1, 2014) was an American jazz pianist and bandleader. He was born in Chicago, Illinois.
A classmate of Sonny Cohn, after playing trombone in the McKinley High School band, Fleming went on to study at the Midwest College of Music. He had already led several informal bands before King Fleming and His Swing Band first performed in September 1942. When he was drafted into the U.S. Army in July 1943, the band continued performing under the leadership of other bandmembers until too many of its members had been called up for it to be viable.
Discharged in 1945, Fleming started doing session work in Los Angeles and joined Johnnie Alston & His All Stars for recording dates backing Wynonie "Blues" Harris on Apollo. Johnny Alston and His Orchestra later signed for the Bihari Brothers' Modern label, and Fleming and Al "Cake" Wichard were joined by Addison Farmer. By mid-1946, Fleming had joined the Swing combo Oliver "King" Perry's Pied Pipers with Norman Bowden (trumpet); George "Happy" Johnson (trombone); Wesley Prince (bass) and Joe Harris (drums) before returning to Chicago to lead his own King Fleming's Four with Jay Peters (tenor sax), "Hog" Mason (bass), and Tommy Hill (drums) and getting a write-up in Down Beat for June 18, 1947.
In 1950 he was a member of the Dallas Bartley Quartet, with Johnny Thompson (tenor sax) and Oliver Coleman (drums), and that summer he recorded as a session pianist for the vocal group, the Dozier Boys, at their recording session for Chess Records. Later that year he joined Oliver Coleman's Palmaires; the other members were Nelson Berry (tenor saxophone) and Sylvester Hickman (bass).
In 1954 he finally recorded under his own name, on the Blue Lake label, with John Neely (tenor saxophone); Russell Williams (bass); Aubrie Jones (drums); Lorez Alexandria (vocals) and in 1955 for the Chess label. The Chess brothers invited him back the following year, again with vocalist Lorez Alexandria, to record "Stompin' at the Savoy". In 1957, his group backed Lorez Alexandria on her first two albums for the King label, and collaborated with Muhal Richard Abrams, who wrote arrangements for a King Fleming-led big band.
Between 1960 and 1965, he recorded three piano trio albums for Argo and Cadet Records, which were Phil and Leonard Chess's jazz labels. He also appeared on two singles released locally by singer George Green.
Read more at: http://en.wikipedia.org/wiki/King_Fleming
| Album |
LW |
TW |
Artist Title (Label) |
TW SPINS |
LW SPINS |
Weeks on Chart |
Spin +/- |
Stations |
|
1 |
1 |
Kevin Fowler Love Song (Kevin Fowler Records) |
1,346 |
1,348 |
11 |
-2 |
76 |
|
|
2 |
2 |
Zane Williams Little Too Late (ZW) |
1,295 |
1,333 |
13 |
-38 |
69 |
|
|
4 |
3 |
Brian Keane Bar Lights (BK) |
1,133 |
1,088 |
15 |
+45 |
62 |
|
|
8 |
4 |
Green River Ordinance Flying (GRO) |
1,096 |
1,008 |
9 |
+88 |
70 |
|
|
5 |
5 |
Mark McKinney Lonely Bones (Texas Evolution) |
1,084 |
1,069 |
10 |
+15 |
73 |
|
|
3 |
6 |
Josh Ward Hard Whiskey (Buckshot Records) |
1,055 |
1,247 |
15 |
-192 |
65 |
|
|
7 |
7 |
Cameran Nelson 35 Runs Both Ways (CN) |
1,027 |
1,028 |
10 |
-1 |
64 |
|
|
12 |
8 |
Josh Grider White Van (AMP) |
986 |
845 |
6 |
+141 |
68 |
|
|
10 |
9 |
Reckless Kelly Every Step of the Way (No Big Deal) |
981 |
941 |
9 |
+40 |
69 |
|
|
9 |
10 |
JB and the Moonshine Band w/Angaleena Presley Black and White (Light It Up Records) |
872 |
955 |
16 |
-83 |
58 |
|
|
6 |
11 |
Aaron Watson July in Cheyenne (Thirty Tigers) |
854 |
1,056 |
20 |
-202 |
49 |
|
|
15 |
12 |
Brandon Rhyder Leave (Reserve Records) |
774 |
721 |
10 |
+53 |
58 |
|
|
14 |
13 |
Wade Bowen w/Brandy Clark Love in the First Degree (Lightning Rod Records) |
764 |
750 |
6 |
+14 |
59 |
|
|
13 |
14 |
Sam Riggs Angola’s Lament (SR) |
737 |
755 |
16 |
-18 |
55 |
|
|
16 |
15 |
John Slaughter Ghost Town (JS) |
711 |
712 |
7 |
-1 |
55 |
|
|
18 |
16 |
Jason Eady OK Whiskey (JE) |
681 |
691 |
12 |
-10 |
47 |
|
|
17 |
17 |
Uncle Lucius Somewhere Else (Entertainment One Music) |
647 |
691 |
15 |
-44 |
45 |
|
|
11 |
18 |
Curtis Grimes The Cowboy Kind (CG) |
610 |
882 |
18 |
-272 |
53 |
|
|
20 |
19 |
Cody Johnson Dance Her Home (CJB) |
598 |
631 |
14 |
-33 |
46 |
|
|
22 |
20 |
Dolly Shine Should’ve Known (DS) |
575 |
561 |
7 |
+14 |
46 |
|
|
23 |
21 |
Michael Coleman w/Jody Booth Radio Don’t Sound Like Me (DMG/CaneyCreek) |
573 |
559 |
11 |
+14 |
42 |
|
|
19 |
22 |
The Statesboro Revue Huck Finn (Vision Ent./Shalley Records) |
523 |
641 |
24 |
-118 |
38 |
|
|
25 |
23 |
Clayton Gardner Table for Two (CG) |
520 |
509 |
9 |
+11 |
48 |
|
|
31 |
24 |
Jamie Richards I’ll Have Another (JR) |
520 |
435 |
4 |
+85 |
46 |
|
|
38 |
25 |
Jason Boland & the Stragglers Lucky I Guess (Proud Souls Ent.) |
514 |
407 |
3 |
+107 |
47 |
|
|
30 |
26 |
Mario Flores Got A Bad Feeling (MF) |
502 |
439 |
4 |
+63 |
39 |
|
|
24 |
27 |
Kylie Rae Harris Waited (KRH) |
499 |
531 |
12 |
-32 |
41 |
|
|
35 |
28 |
Adam Fears Middle of Nowhere (LandStar Entertainment) |
484 |
417 |
3 |
+67 |
41 |
|
|
28 |
29 |
Prophets And Outlaws Soul Shop (Seven Set Jam Records) |
482 |
458 |
5 |
+24 |
38 |
|
|
33 |
30 |
Matt Caldwell Drink Another (AMP) |
456 |
430 |
6 |
+26 |
43 |
|
|
21 |
31 |
Casey Donahew Band Small Town Love (Almost Country) |
455 |
590 |
19 |
-135 |
34 |
|
|
43 |
32 |
Adam Hood Trying To Write A Love Song (Adam Hood Music) |
452 |
371 |
3 |
+81 |
43 |
|
| PHOTO COMING SOON |
29 |
33 |
Rodney Parker & 50 Peso Reward Things You Make Me Do (Smith Ent.) |
443 |
448 |
8 |
-5 |
33 |
|
34 |
34 |
Mike McClure Band Silver and Blue (598 Recordings) |
432 |
429 |
8 |
+3 |
36 |
|
|
26 |
35 |
Rob Baird Same Damn Thing (Carnival Music) |
413 |
479 |
14 |
-66 |
40 |
|
|
40 |
36 |
Aubrey Lynn England Sad Little Girl (ALE) |
406 |
393 |
6 |
+13 |
29 |
|
|
32 |
37 |
Granger Smith Miles and Mud Tires (GS) |
397 |
434 |
23 |
-37 |
35 |
|
|
44 |
38 |
American Aquarium I Hope He Breaks Your Heart (Last Chance Records) |
394 |
354 |
8 |
+40 |
34 |
|
|
50 |
39 |
Charla Corn In My Heart (Sixth Street Syndicate) |
374 |
298 |
2 |
+76 |
36 |
|
|
42 |
40 |
Tommy Joe Wilson Cold Beer (River Wild Records) |
367 |
373 |
6 |
-6 |
35 |
|
|
46 |
41 |
Jake Kellen Whiskey Night (Horny Toad Records) |
363 |
347 |
2 |
+16 |
38 |
|
|
N |
42 |
TJ Broscoff Falling Down (BGM Records) |
355 |
247 |
1 |
+108 |
37 |
|
|
39 |
43 |
Clay Thrash My Heart (Grange Records) |
351 |
407 |
12 |
-56 |
34 |
|
|
49 |
44 |
Zach Coffey I Love You Anyway (ZC) |
349 |
301 |
2 |
+48 |
31 |
|
|
45 |
45 |
The Dusty Smirl Band Lubbock Lights (TDSB) |
340 |
352 |
4 |
-12 |
36 |
|
|
N |
46 |
Riders Ford This Ain’t a Song (RF) |
305 |
275 |
1 |
+30 |
25 |
|
|
N |
47 |
Midnight River Choir Circles (MRC) |
296 |
236 |
1 |
+60 |
27 |
|
|
N |
48 |
Matt Kimbrow Abilene (MK) |
295 |
236 |
1 |
+59 |
27 |
|
|
41 |
49 |
Ray Johnston Band Crush (RJB) |
288 |
386 |
16 |
-98 |
31 |
|
|
47 |
50 |
The Rusty Brothers Revival (Vision Ent.) |
287 |
313 |
8 |
-26 |
27 |
Non Reports:
1st Week: KCTI, KEOK, KITX, KTCS, KTFX
Freezes:
KACO, KBCY, KTKO, KYBI, TXRDR
Copyright © 2014, the Texas Music Chart. Used with permission from Best In Texas Music Marketing LLC, Houston, TX
About Fred's Country program:
Le program Fred's Country: La musique Country de Tradition avec Frederic (Fred) Moreau. Le program Fred's Country est diffusé sur 65 fréquences FM, 54 radios ou webradios.
Radio Show Host: Fred Moreau
Program Fred's Country w13-2014 - 28 Mars 2014 à 15:00 - March 28th, 2014
Music Charts Magazine is proud to be friends with Mr. Moreau and glad to now be one of the many to host Program Fred's Country. ( French/English)
Radio Program "Fred's Country" - Now at Music Charts Magazine!
|
LW |
TW |
Artist Title (Label) |
TW SPINS |
LW SPINS |
Weeks on Chart |
Spin +/- |
Stations |
|
|
1 |
1 |
Kevin Fowler Love Song (Kevin Fowler Records) |
1,348 |
1,252 |
10 |
+96 |
75 |
|
|
4 |
2 |
Zane Williams Little Too Late (ZW) |
1,333 |
1,193 |
12 |
+140 |
68 |
|
|
3 |
3 |
Josh Ward Hard Whiskey (Buckshot Records) |
1,247 |
1,204 |
14 |
+43 |
68 |
|
|
7 |
4 |
Brian Keane Bar Lights (BK) |
1,088 |
1,050 |
14 |
+38 |
63 |
|
|
8 |
5 |
Mark McKinney Lonely Bones (Texas Evolution) |
1,069 |
1,032 |
9 |
+37 |
73 |
|
|
2 |
6 |
Aaron Watson July in Cheyenne (Thirty Tigers) |
1,056 |
1,245 |
19 |
-189 |
62 |
|
|
9 |
7 |
Cameran Nelson 35 Runs Both Ways (CN) |
1,028 |
977 |
9 |
+51 |
64 |
|
|
11 |
8 |
Green River Ordinance Flying (GRO) |
1,008 |
848 |
8 |
+160 |
68 |
|
|
6 |
9 |
JB and the Moonshine Band w/Angaleena Presley Black and White (Light It Up Records) |
955 |
1,065 |
15 |
-110 |
61 |
|
|
10 |
10 |
Reckless Kelly Every Step of the Way (No Big Deal) |
941 |
893 |
8 |
+48 |
66 |
|
|
5 |
11 |
Curtis Grimes The Cowboy Kind (CG) |
882 |
1,085 |
17 |
-203 |
59 |
|
|
17 |
12 |
Josh Grider White Van (AMP) |
845 |
679 |
5 |
+166 |
64 |
|
|
12 |
13 |
Sam Riggs Angola’s Lament (SR) |
755 |
750 |
15 |
+5 |
57 |
|
|
16 |
14 |
Wade Bowen w/Brandy Clark Love in the First Degree (Lightning Rod Records) |
750 |
682 |
5 |
+68 |
58 |
|
|
18 |
15 |
Brandon Rhyder Leave (Reserve Records) |
721 |
678 |
9 |
+43 |
57 |
|
|
20 |
16 |
John Slaughter Ghost Town (JS) |
712 |
654 |
6 |
+58 |
55 |
|
|
15 |
17 |
Uncle Lucius Somewhere Else (Entertainment One Music) |
691 |
686 |
14 |
+5 |
47 |
|
|
21 |
18 |
Jason Eady OK Whiskey (JE) |
691 |
645 |
11 |
+46 |
46 |
|
|
13 |
19 |
The Statesboro Revue Huck Finn (Vision Ent./Shalley Records) |
641 |
719 |
23 |
-78 |
41 |
|
|
19 |
20 |
Cody Johnson Dance Her Home (CJB) |
631 |
666 |
13 |
-35 |
46 |
|
|
14 |
21 |
Casey Donahew Band Small Town Love (Almost Country) |
590 |
715 |
18 |
-125 |
41 |
|
|
28 |
22 |
Dolly Shine Should’ve Known (DS) |
561 |
498 |
6 |
+63 |
45 |
|
|
24 |
23 |
Michael Coleman w/Jody Booth Radio Don’t Sound Like Me (DMG/CaneyCreek) |
559 |
529 |
10 |
+30 |
42 |
|
|
27 |
24 |
Kylie Rae Harris Waited (KRH) |
531 |
502 |
11 |
+29 |
44 |
|
|
29 |
25 |
Clayton Gardner Table for Two (CG) |
509 |
483 |
8 |
+26 |
50 |
|
|
25 |
26 |
Rob Baird Same Damn Thing (Carnival Music) |
479 |
521 |
13 |
-42 |
42 |
|
|
22 |
27 |
William Clark Green Rose Queen (Bill Grease Records) |
469 |
579 |
19 |
-110 |
43 |
|
|
32 |
28 |
Prophets And Outlaws Soul Shop (Seven Set Jam Records) |
458 |
429 |
4 |
+29 |
39 |
|
| PHOTO COMING SOON |
34 |
29 |
Rodney Parker & 50 Peso Reward Things You Make Me Do (Smith Ent.) |
448 |
420 |
7 |
+28 |
33 |
|
41 |
30 |
Mario Flores Got A Bad Feeling (MF) |
439 |
369 |
3 |
+70 |
38 |
|
|
33 |
31 |
Jamie Richards I’ll Have Another (JR) |
435 |
425 |
3 |
+10 |
42 |
|
|
26 |
32 |
Granger Smith Miles and Mud Tires (GS) |
434 |
504 |
22 |
-70 |
40 |
|
|
37 |
33 |
Matt Caldwell Drink Another (AMP) |
430 |
399 |
5 |
+31 |
43 |
|
|
38 |
34 |
Mike McClure Band Silver and Blue (598 Recordings) |
429 |
399 |
7 |
+30 |
37 |
|
|
46 |
35 |
Adam Fears Middle of Nowhere (LandStar Entertainment) |
417 |
329 |
2 |
+88 |
39 |
|
|
30 |
36 |
Phil Hamilton Hold On Tight (Winding Road) |
410 |
464 |
16 |
-54 |
42 |
|
|
23 |
37 |
Whiskey Myers Home (Wiggy Thump) |
408 |
533 |
18 |
-125 |
38 |
|
|
49 |
38 |
Jason Boland & the Stragglers Lucky I Guess (Proud Souls Ent.) |
407 |
289 |
2 |
+118 |
40 |
|
|
40 |
39 |
Clay Thrash My Heart (Grange Records) |
407 |
378 |
11 |
+29 |
36 |
|
|
39 |
40 |
Aubrey Lynn England Sad Little Girl (ALE) |
393 |
395 |
5 |
-2 |
31 |
|
|
31 |
41 |
Ray Johnston Band Crush (RJB) |
386 |
432 |
15 |
-46 |
34 |
|
|
42 |
42 |
Tommy Joe Wilson Cold Beer (River Wild Records) |
373 |
354 |
5 |
+19 |
37 |
|
|
50 |
43 |
Adam Hood Trying To Write A Love Song (AH) |
371 |
289 |
2 |
+82 |
37 |
|
|
43 |
44 |
American Aquarium I Hope He Breaks Your Heart (Last Chance Records) |
354 |
339 |
7 |
+15 |
34 |
|
|
45 |
45 |
The Dusty Smirl Band Lubbock Lights (TDSB) |
352 |
338 |
3 |
+14 |
36 |
|
|
N |
46 |
Jake Kellen Whiskey Night (Horny Toad Records) |
347 |
287 |
1 |
+60 |
38 |
|
|
48 |
47 |
The Rusty Brothers Revival (Vision Ent.) |
313 |
300 |
7 |
+13 |
29 |
|
|
44 |
48 |
Sean Franks & Chapter 11 Catch This Train (WarRoom Records) |
306 |
339 |
8 |
-33 |
27 |
|
|
N |
49 |
Zach Coffey I Love You Anyway (ZC) |
301 |
242 |
1 |
+59 |
30 |
|
|
N |
50 |
Charla Corn In My Heart (Sixth Street Syndicate) |
298 |
233 |
1 |
+65 |
27 |
Non Reports:
1st Week: KAGG, KBIM, KKCN, KYBI, WACO
Freezes:
KDCD, KECO, KFLP, KMKS, KSTV, KWEY
Copyright © 2014, the Texas Music Chart. Used with permission from Best In Texas Music Marketing LLC, Houston, TX
About Fred’s Country program:
Le program Fred’s Country: La musique Country de Tradition avec Frederic (Fred) Moreau. Le program Fred’s Country est diffusé sur 65 fréquences FM, 54 radios ou webradios.
Radio Show Host: Fred Moreau
Program Fred’s Country w12-2014 – 21 Mars 2014 à 18:40 – March 21th, 2014
Music Charts Magazine is proud to be friends with Mr. Moreau and glad to now be one of the many to host Program Fred’s Country. ( French/English)
Radio Program “Fred’s Country” – Now at Music Charts Magazine!