Monthly Archives: April 2014

Music Charts Magazine® Exclusive Interview with Judy StakeeWhat does Sheryl Crow, Michelle Branch, Jewel and Katy Perry all have in common???

Answer: Judy Stakee

 

 

 

 

 Judy Stakee ( a 20 year veteran with Warner/Chappell ) inteviews with Music Charts Magazine dot com

With over 30 years of experience as an executive in the music industry, Judy Stakee will equip you with the insight and tools to fully develop your career. As Senior VP of Creative at Warner Chappell Music for 20 years, Judy signed and worked closely with many of today's most acclaimed artists: Grammy-award winner Sheryl Crow, Katy Perry, Michelle Branch, Gavin DeGraw, Jewel and Joy Williams of The Civil Wars, among others. Stakee's experience with developing producers and multi-platinum songwriters (John Shanks, Wayne Kirkpatrick, Scott Cutler, Anne Previn, Kevin Kadish, Franne Golde, Jamie Houston, Matthew Gerrard, Robie Nevil, Tim James and Ben Glover) helms across all areas of the industry. Judy Stakee is a true champion of the songwriter who recognizes talent with both her ears and eyes.

About The Company

The Judy Stakee Company is a full-service artist development and entertainment company that develops the minds, bodies and souls of artists and songwriters to achieve the career of their dreams.

By encouraging songwriters to develop a greater sense of self, The Judy Stakee Company inspires artists to create their best works while providing the proper tools for navigating the music industry. Through focused coaching in a supportive community, you will be challenged to evolve your experiences and communicate your story in the form of song.

The company's integrated development approach serves as a launchpad for recognized songwriters, including The Voice's Raelynn (Big Machine/Universal), Gina Schock (The Gogos), Shaun Shankel (producer/writer), Jordan Higgins (producer/writer) and Femke Weidema (singer songwriter). Whether meeting with producers, A&R executives, managers, publishers, lawyers or agents, The Judy Stakee Company provides guidance to maximize every opportunity.

Taking your career to new heights requires an open mind, sense of adventure and discipline. With mutual trust and respect, The Judy Stakee Company will set the foundation for you to become your best self. Start living your dream.

www.JudyStakee.com

https://twitter.com/judystakee

https://www.facebook.com/judystakee

 


Music Charts Magazine®  would like to personally thank Judy Stakee for sitting down with us, our readers and our listeners, and giving us insight into the mind of someone whom has spent most of her career as a high profile music executive.  Judy knows what it takes to get the job done and she has an eagle eye for talent.  We appreciate her sincerity, kindness and the opportunity to do this interview with her.  We hope you all enjoy it!   

Judy Stakee is a classy lady who is down to earth and a wonderful person to speak with.  May her successes continue as I am sure they will.

Jason Rogers - CEO/Editor in Chief of Music Charts Magazine, INC

 

 

Copyright © 2012 – 2014 Music Charts Magazine® - (www.MusicChartsMagazine.com) – All Rights Reserved. Contents of this site including text and media may not be reproduced without prior written consent. Audio and video elements of this site are property of their respective owners and are used with permission.


 

Driven - Music Charts Magazine® Presents - NEW DISCOVERY Driven for the month of April 2014.Music Charts Magazine® Presents - "NEW DISCOVERY" - "Driven" - for the month of April 2014.

Looking for some "New" music to add to your player and can't find anything that blows you away?

Check out this Music Charts Magazine® "NEW DISCOVERY" Interview with "Driven" and be prepared to be excited knowing there is still 100% awesome music out there that you still have not heard.

After you listen to this great radio interview pasted below of "Driven" we are sure you will be glad you found this "New Discovery" and Driven's song "You'll Be Lonely, I'll Be Gone" to add to your music playlist.

 

 


The Twins: Brandon & Blake McLemore

Brandon and Blake’s musical careers began together, thanks to their parents, Bob & Susan.  After Bob & Susan attended the Walnut Valley Festival in Winfield, KS in 1985, they wanted to learn bluegrass.  By the time Blake and Brandon were born in 1987, Bob was playing guitar and Susan played banjo.  It would be Bob and Susan’s bluegrass bands, and attending festivals that exposed the twins to the music, throughout their childhood. When Brandon and Blake were young they used to lie on the living room floor in between all the members of Mom & Dad’s bluegrass bands during band practice.  They usually stayed long enough to fall asleep in the same spot.

Through the years, the twins were heavily influenced by the Bennett Brothers Bluegrass Band in Wichita, KS, as well as many other friends they saw annually at the Walnut Valley Festival.  Thanks to this inspiration, the boys would pick up instruments at the age of 10.  Brandon chose the mandolin because of its look and sound, while Blake realized the upright bass was the only missing piece for a family band.  From 1997-2007 the boys played with Mom and Dad as “The McLemores.”  In addition to playing with the family band, Brandon and Blake expanded their horizons by performing with a second northwest Kansas group called “Grassfire.” 

Today, In addition to “Driven”, the twins play cowboy/western swing music with friend Allen Bailey, as part of “Marshall Allen Bailey & The Silver Bullets”.  The trio has performed a number of shows, and previously recorded both a live CD and DVD.  The group is currently working on its first studio project, which will include performances by Jake & Rebekah Workman, and Shelby Eicher! 

Also, the twins, their parents, and brother, Ryan, all help a committee of close friends put on the “Pickin’ On The Plains Bluegrass Festival” in Colby, KS.  Their hope is to spread their love of bluegrass to others.  Now for a little background about Blake & Brandon, individually: 


insert_brandonsmlBrandon McLemore

In 2007, Brandon attended the Conservatory of Recording Arts & Sciences in Tempe, AZ.  Learning audio production, Brandon followed his training by interning at Omnisound Studios in Nashville, TN where he was fortunate to perform on two projects.   The experience was eye-opening, and while Nashville carries a special aura, it was understood that Dad expected his kids to have bachelor-level degrees.

Throughout college, Brandon was recording and mixing various projects for music groups, and continuing his musical interests with acoustic rock n’ roll, western swing, bluegrass and teaching guitar lessons.  When Driven started their first recording project, self-titled “Driven”, Brandon was entering the workforce.  The project enabled him to expand his recording and mixing techniques, and included a plethora of memories. During that first Driven project, Brandon actually fell asleep while recording his mandolin rhythm/chop track for a song.  He slept nearly the entire song but woke up at the very end when his headphones went silent.  After listening, it was discovered that the recorded mandolin worked fine and was used in the final version of the song.

Following the first album’s release, Driven started digging for signature songs and contemplated the idea of writing.  While close friends were offering fantastic originals, the group felt songwriting was a worthy experiment.  Up to then, Brandon’s songwriting had taken place in high school, and could be found on the likes of pizza boxes and homework paper.  Understanding the band’s hope for catchy music, Brandon spent several weeks chasing melodies and fighting phrases in front of a fire place.  This writing hotspot was fitting; it was the home of John and Merry Lewis and the first jam session of parents, Bob and Susan.  As a full circle experience, “You’ll Be Lonely, I’ll Be Gone” reflects a multitude of childhood memories and inspirations.


insert_blakesml

Blake McLemore

While attending college at Kansas State University, Blake met up with friend Chris Biggs to get involved with the music scene.  Blake, Chris, and friend Steve played weekly at the “Little Grill” restaurant outside of Manhattan, KS.  Through Chris, Blake was also re-acquainted with friends Bob Atchison, and Mike and Vicky Theobald of the “Kansas Heart” bluegrass band and began playing upright bass for the group.  One of the band’s key performances involved opening for Charlie Daniels at the Stiefel Theatre in Salina, KS.

Blake has previously taught bass lessons, as well as led bass workshops at festivals.  He has recorded as a session bass player on a number of projects, including work for Robin Macy (co-founder of The Dixie Chicks) and Kentucky White (The New Tradition). Non-musically related, Blake has broken both forearms before, a problem commonly inflicted upon banjo players rather than bass specialists! All of these different experiences have brought Blake to the level of a skilled, veteran bass musician that can set the groove for a band that creates certain expectations with a name like “Driven”. 


 insert_jimmysmlJimmy Campbell

Jimmy got his first guitar for Christmas when he was 9 years old.  His parents took him to square dances and festivals throughout the Midwest where he soaked up every song and lick he could learn from anyone he met up with.  His uncle Ed Keeney spent countless hours playing guitar with him, and by age 11, Jimmy got his first banjo.

The late 70’s was a great era for the Society for the Preservation of Bluegrass Music of America (SPBGMA )in the Midwest, and he played nearly every weekend at festivals in Missouri, Iowa, Illinois, Kansas & Arkansas.  The Corder Family was his first banjo playing gig, and Mrs. Oma Corder told the story of having to pull Jimmy from a haystack at a town festival and brush the straw from his dress slacks before hitting the stage. Young Jimmy caught the attention of Johnny Vincent, and soon he was performing on Johnny’s radio show and with the Vincent family’s Sally Mountain Show (including Rhonda and Darrin Vincent).   As a teen, Hickory Hill Ridge-Runners (with Brent Truitt) and Short Line Grass were bands that fed Jimmy’s craving for hard driving Bluegrass.

After a 20 year break to raise his kids, Jimmy got back into Bluegrass when he moved to Kansas City in 2002.  He met up with other pickers at Mountain Music Shoppe, and from there got plugged into the region’s thriving Bluegrass scene.  Monday nights at The Rural Grit Happy Hour, Fridays at Kansas City Area Bluegrass Music Club (KCABMC) or Heart Of America Bluegrass and Old Time Club (HABOT).  He played with such Kansas City bands as Salty Dog Bluegrass, Konza Swamp Band and The Swillhound Stringband.  Jimmy got reacquainted with SPBGMA festival friends Cindie Beem (Southern Reign) and Bull & Tammy Harman (Bull Harman & Bulls Eye), playing as many festivals as he could with them.  He met his bass-playing wife Karla at a jam session. It was Karla that got Jimmy to Winfield for the Walnut Valley Festival for the first time in 2006. There he met up with the McLemore Twins and Driven was born from their favorite late-night jam sessions.

Jimmy plays a Yates banjo and Sheerhorn resophonic guitar. He can make a train whistle sound with his voice that confounded the Opera professor at UMKC Conservatory of Music (“How do you DO that?  Do it again . . . do it again”). Jimmy may be the only member of Driven that isn’t related to any of the other members of Driven, but he is certainly a big part of the drive in Driven.


insert_rebeccasmlRebekah Workman

Rebekah Workman has been fascinated with music since she was very young.  Growing up she learned to love and appreciate bluegrass music, due to the fact that her mom and dad constantly listened to it.  She got a violin for Christmas when she was 8 years old.  Rebekah practiced hard and began to enter contests with just 2 years of playing experience. Rebekah won the Utah State fiddle championship in her division 3 times and placed 15th in the National Old Time Fiddlers Contest in Weiser, Idaho in her division as well.

Despite success in competition, she longed to play music by ear rather than learn to just play an arrangement the same way again and again. Rebekah began learning the art of improvisation from involvement in the Utah Old Time Fiddlers and expanded her improv skills by playing in a number of different bands throughout her high school years. While playing at a jam session in Utah, a chance meeting with a young guitar player named Jake Workman gave Rebekah the chance to add to her incredible skill and opportunities to perform. Before she knew it she was married to the guitar player and had become the newest member of the band known as “Driven”.

Rebekah and Jake both love to play the card game, Rook, to the point their marriage is occasionally at risk. One of Rebekah’s favorite words to use is “fetch”. She’s known for saying silly and completely random phrases all the time. Primarily though, Rebekah continues to shine on stage with Driven and can also be found performing with her husband Jake in other various configurations throughout Utah on a regular basis when not playing with Driven.

 

 insert_jakesmlJake Workman

Jake Workman began playing the guitar when he received one for his 13th birthday. As with most teenagers, his early music included the songs of his favorite rock bands such as The Beatles, Boston, AC/DC and Van Halen. Practicing for 6+ hours a day was not out of the ordinary for Jake.  During middle and high school years he joined up with a couple friends and formed a rock band called “Wayward Son”.  About a year and a half after he started the guitar, Jake’s introduction to bluegrass music came when his parent’s surprised him with a banjo for Christmas. Jake’s love for bluegrass grew over the next few years as he attended jams and festivals throughout the Western states and eventually the entire country.  Jake began to enter instrument contests and has won many titles on guitar, banjo and mandolin. It was in 2007 at Winfield, Kansas while attending the National Flatpick Guitar Championship, that Jake met the other musicians that later would help form the band, Driven. The first gig played by Driven was in July of 2009 in Colby, Kansas at the “Pickin’ on the Plains” bluegrass festival. Driven began playing just summer gigs and festivals in 2009 and 2010.

During that time period, at a jam session somewhere in Utah a talented fiddle player named Rebekah Travis caught Jake’s eye. By the time Driven played their first gig of 2011 Jake and Rebekah were married and she had joined Driven as the full time fiddle player. They do get asked if they are brother and sister more often than if they are husband and wife.  People say they look a lot a-like…  When they ask which one they are, the common reply is “BOTH!  It’s the bluegrass way and Jake does play the banjo…”

When not playing with Driven, Jake spends his time teaching private lessons, doing studio work, and performing with various other bands in the Salt Lake City area. Jake has also been known to lose track of time playing “Zelda” on his Nintendo.   He has a degree in Jazz Guitar Performance from the University of Utah.  Jake is most influenced by traditional bluegrass, but his playing will also showcase extensive knowledge in the rock and jazz genres as well.


 

For more information on Driven visit -

www.DrivenBluegrass.com

 

Radio interested in how to obtain this music please contact us on our contact page and we will be glad to get it to your radio station for radio play. Many thanks to those of you who have already played it.

To find out more about Driven:

 

Music Charts Magazine® NEW DISCOVERY for the month of April 2014 - Music Charts Magazine®proudly presents "NEW DISCOVERY" for the month of April 2014 "Driven"- feature song - "You'll Be Lonely, I'll Be Gone"

LISTEN to "NEW DISCOVERY" Interview with Driven - HERE:

Music Charts Magazine® Presents "New Discovery" Driven featuring the song "You'll Be Lonely, I'll Be Gone" - Interview by Award winning DJ Big Al Weekley

 

 

 

Music Charts Magazine® Presents NEW DISCOVERY "Driven" - Interview by Big Al Weekley


 

Music Charts Magazine® NEW DISCOVERY for the month of April 2014 - Driven 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Copyright © 2012 - 2014 Music Charts Magazine, INC - All Rights Reserved. Contents of this site including text and media may not be reproduced without prior written consent. Audio and video elements of this site are property of their respective owners and are used with permission.


 

About Fred's Country program:

Le program Fred's Country: La musique Country de Tradition avec Frederic (Fred) Moreau. Le program Fred's Country est diffusé sur 65 fréquences FM, 54 radios ou webradios.

Radio Show Host: Fred Moreau

Program Fred's Country w14-2014 - 4 Avril 2014 à 15:00 - April 4th, 2014

 

 

Music Charts Magazine is proud to be friends with Mr. Moreau and glad to now be one of the many to host Program Fred's Country. ( French/English)

Radio Program "Fred's Country" - Now at Music Charts Magazine!

 

 

 

 

 

 

 


 

A Music Charts Magazine® Kitty Wells Radio Tribute with Big Al Weekley and Keith Bradford ( 16 year bass player, spokesmen and long time friend of Kitty Wells and Johnnie Wright ).A Music Charts Magazine® Kitty Wells Radio Tribute with Big Al Weekley and Keith Bradford ( 16 year bass player, spokesmen and long time friend of Kitty Wells and Johnnie Wright ). Keith Bradford ( owner of KMA Records and NBRN.FM in Madison, TN ) was a pall bearer at both Kitty Wells and Johnnie Wright's funeral.

Ellen Muriel Deason (August 30, 1919 – July 16, 2012), known professionally as Kitty Wells, was an American country music singer. Her 1952 hit recording, "It Wasn't God Who Made Honky Tonk Angels", made her the first female country singer to top the U.S. country charts, and turned her into the first female country star. Her Top 10 hits continued until the mid-1960s, inspiring a long list of female country singers who came to prominence in the 1960s.

Wells ranks as the sixth most successful female vocalist in the history of Billboard's country charts, according to historian Joel Whitburn's book The Top 40 Country Hits, behind Dolly Parton, Loretta Lynn, Reba McEntire, Tammy Wynette, and Tanya Tucker. In 1976, she was inducted into the Country Music Hall of Fame. In 1991, she became the third country music artist, after Roy Acuff and Hank Williams, and the eighth woman to receive the Grammy Lifetime Achievement Award. Wells' accomplishments earned her the nickname Queen of Country Music.

Part 1 - Part 2 coming soon!

 

Copyright © 2012 – 2014 Music Charts Magazine® - (www.MusicChartsMagazine.com) – All Rights Reserved. Contents of this site including text and media may not be reproduced without prior written consent. Audio and video elements of this site are property of their respective owners and are used with permission.

Working Man's Poet - A Tribute To Merle Haggard - Music Charts Magazine® CD ReviewBroken Bow Records has got something special for all the Merle Haggard fans. Actually, what they have is something special for all country music fans. On April 1, Working Man's Poet: A Tribute to Merle Haggard will be available in stores, and through digital outlets. The album has 20 of Merle's songs, performed by some of the biggest names in country music today.

This is a great way to pay tribute to Merle, and at the same time, introduce his music to today's listeners. The songs are being sung by artists that new country music fans hear on the radio every day. Fans of Luke Bryan, Randy Houser, Joe Nichols and others will enjoy this album. While they are listening to some of their favorite artists, they will also have what might be their first opportunity to hear the great country music of Merle Haggard.

Merle Haggard was the first ACM Entertainer of the year back in 1970. In 1965 he won Most Promising Male Vocalist of the Year, and won his first of six Male Vocalist of the Year awards in 1966. He joined the Country Music Hall of Fame in 1994.

On April 6, the 49th annual Academy of Country Music awards will be broadcast live on ABC (8-11 p.m.). This year, Merle will be receiving the Crystal Milestone Award. Past recipients of this award include Garth Brooks, Kenny Chesney, Jason Aldean, Jennifer Nettles and Taylor Swift.

The songs you will hear on the new album include Misery and Gin, performed by Randy Houser; Footlights, performed by Joe Nichols; Going Where the Lonely Go; performed by Jason Aldean; Today I started Loving You Again, performed by Kristy Lee Cook; Carolyn, performed by Toby Keith; Pancho and Lefty, performed by Luke Bryan and Dierks Bentley; Tonight the Bottle Let Me Down, performed by Garth Brooks, You Take Me For Granted, performed by Thompson Square, Mama Tried, performed by Ben Haggard; That's the Way Love Goes, performed by Dustin Lynch; Make Up Faded Blue Jeans, performed by Jake Owen; I'm a Lonesome Fugitive, performed by James Wesley; Workin' Man Blues, performed by Parmalee; Are The Good Times Really Over, performed by Jason Aldean; Let's Chase Each Other Around the Room, performed by Thompson Square; I Think I'll Just Stay Here and Drink, performed by Dustin Lynch; The Fightin' Side of Me, performed by James Wesley; My Favorite Memory, performed by Joe Nichols; Ramblin' Fever, performed by Randy Houser; and Sing Me Back Home, performed by Ben Haggard.

Luke Bryan and Dierks Bentley team up for Pancho and Lefty, the Townes Van Zandt song that Merle and Willie Nelson took to the top of the charts back in 1983. Jason Aldean took on two of Merle's hits from the early 80s, Going Where the Lonely Go and Are the Good Times Really Over. Randy Houser lends his powerful vocals to Ramblin' Fever and Misery and Gin. From the first song to the last, this album is everything you would expect it to be.

I can't imagine having a country music album collection without this Tribute to Merle Haggard being part of it. You get the best of both worlds with one. Today's artists delivering yesterday's hits. It's a good album, and it is going to spend a lot of time in my CD player. I think it will in the player of every country music fan as well.

Keep up with the latest country music news and reviews at www.countryschatter.com. And be sure to follow us on Twitter, too, @countryschatter.

Music Charts Magazine® Bluegrass Review - "Head For The Hills" Blue Ruin - in cooperation with Prescription BluegrassBlue Ruin consists of 12 selections composed and performed by the Colorado based group, Head for the Hills, including 10 vocal cuts and 2 instrumentals.

The opening cut, Take Me Back, is reminiscent of an early Country Gazette-style offering, particularly with respect to the rhythm style and vocal arrangement.

Though there’s no banjo on this cut, it would otherwise suggest that a regimen of modern Bluegrass fare might be forthcoming. However, with the opening of the next cut, Never Does, you know you’ve stumbled onto something exotic indeed.

Never Does’ feel is more like modern Indie/Grunge merged with Bohemian Gypsy music, complete with train-whistle style background harmonies.

That said, Never Does is brilliantly seductive, as is the title cut, Blue Ruin, which starts out harmless enough, with guitar rhythm and solo vocals, followed by nice violin and guitar fills. But, just when you thought you were safe, the delicate tintinnabulations of electric piano start sneaking out from your speakers to remind you (in case you momentarily lapsed into a coma) this is not your grandpa’s string music.

Priscilla the Chinchilla is one of two instrumentals that serve to establish to the listener that these guys are serious musicians. Michael Chappell’s mandolin chops are especially strong, and obvious, on this cut, as is his taste in note choices and rhythms.

One of my favorite cuts is Wish You Well, with its persistent undercurrent of swelling jazz lines and chopped rhythms complimenting the vocals. It also has a few of those magical moments when you’re sure you’re hearing something both unique and cool.

If Dependency Co.’s clever lyrics aren’t enough to reassure you that you’re in uncharted string-music waters, the trumpet solo should do it. That effort, for the record, comes off really well. Overall, Head for the Hill’s ability to tastefully integrate horns into their recordings is a testament to their very capable production skills.

Another of my favorites from this project is Bosun Ridley, a dark tale of maritime tragedies. Joe Lessard’s violin layered with Matt Loewen’s bass is a particularly effective haunting touch, as are some of the special effects, all tastefully rendered. 

Read the rest of this interview at Prescription Bluegrass's website:  http://prescriptionbluegrassreviews.blogspot.com/2013/06/prescription-bluegrass-reviews-head-for.html

Arthur Guitar Boogie Smith - Mister GuitarArthur Smith (April 1, 1921 – April 3, 2014) was an American musician and songwriter.

Born in Clinton, South Carolina, Arthur Smith was a textile mill worker who became a celebrated and respected country music instrumental composer, guitarist, fiddler, and banjo player who had a major hit with the instrumental "Guitar Boogie". The song earned him the moniker Arthur "Guitar Boogie" Smith (to differentiate him from Tennessee fiddler and 1930s Grand Ole Opry star Fiddlin' Arthur Smith) and was recorded by numerous others including Tommy Emmanuel. Renamed "Guitar Boogie Shuffle", it became a rock and roll hit by Frank Virtue and the Virtues. Virtue served in the Navy with Smith and counted him as a major influence. Other musicians who have been influenced by Smith include Nashville studio ace Hank "Sugarfoot" Garland, Roy Clark, Glen Campbell and surf music pioneers the Ventures.

In 1955, Smith composed a banjo instrumental he called "Feudin' Banjos" and recorded the song with five-string banjo player Don Reno. Later the composition appeared in the popular 1972 film Deliverance as "Dueling Banjos" played by Eric Weissberg and Steve Mandel. Not given credit, Smith had to proceed with legal action that eventually gave him songwriting credit and back royalties. It was a landmark copyright infringement suit.

As a composer, Smith had nearly 500 copyrights, including over 100 active inspirational and/or gospel music compositions including million sellers "The Fourth Man" and "I Saw A Man". In total, his compositions have been recorded numerous times by artists including Chet Atkins, Glen Campbell, Johnny Cash, the Statesmen Quartet, the Cathedrals, Al Hirt, Barbara Mandrell, Willie Nelson, the Gatlin Brothers, Oak Ridge Boys, Roy Orbison, Tom Petty, Boots Randolph, George Beverly Shea, the Stamps, the Statler Brothers, Ricky Van Shelton and many more. A portion of his Crackerjacks group sang and recorded gospel music under the moniker the Crossroads Quartet. Among the members throughout the years were Smith, Tommy Faile, Ray Atkins, Lois Atkins, brother Ralph Smith, and Wayne Haas.

Smith built and managed the first commercial recording studio in the Southeast in Charlotte; in addition to recording Smith, the Crackerjacks and its various members, such as vocalist/guitarist/songwriter Tommy Faile, it produced sides from many other acts, including rhythm and blues star James Brown, whose "Papa's Got a Brand New Bag" was cut in Smith's studio. In this facility, Smith also created and produced nationally syndicated radio programs hosted by Johnny Cash, Chet Atkins, Richard Petty, James Brown, and George Beverly Shea. Billy Graham's Hour of Decision radio program was first produced in Smith's studio. Smith also produced and hosted his own radio program, Top of the Morning, which was syndicated for an unbroken span of 29 years.

Read more at: http://en.wikipedia.org/wiki/Arthur_%22Guitar_Boogie%22_Smith

Walter "King" Fleming - KingWalter "King" Fleming (May 4, 1922 – April 1, 2014) was an American jazz pianist and bandleader. He was born in Chicago, Illinois.

A classmate of Sonny Cohn, after playing trombone in the McKinley High School band, Fleming went on to study at the Midwest College of Music. He had already led several informal bands before King Fleming and His Swing Band first performed in September 1942. When he was drafted into the U.S. Army in July 1943, the band continued performing under the leadership of other bandmembers until too many of its members had been called up for it to be viable.

Discharged in 1945, Fleming started doing session work in Los Angeles and joined Johnnie Alston & His All Stars for recording dates backing Wynonie "Blues" Harris on Apollo. Johnny Alston and His Orchestra later signed for the Bihari Brothers' Modern label, and Fleming and Al "Cake" Wichard were joined by Addison Farmer. By mid-1946, Fleming had joined the Swing combo Oliver "King" Perry's Pied Pipers with Norman Bowden (trumpet); George "Happy" Johnson (trombone); Wesley Prince (bass) and Joe Harris (drums) before returning to Chicago to lead his own King Fleming's Four with Jay Peters (tenor sax), "Hog" Mason (bass), and Tommy Hill (drums) and getting a write-up in Down Beat for June 18, 1947.

In 1950 he was a member of the Dallas Bartley Quartet, with Johnny Thompson (tenor sax) and Oliver Coleman (drums), and that summer he recorded as a session pianist for the vocal group, the Dozier Boys, at their recording session for Chess Records. Later that year he joined Oliver Coleman's Palmaires; the other members were Nelson Berry (tenor saxophone) and Sylvester Hickman (bass).

In 1954 he finally recorded under his own name, on the Blue Lake label, with John Neely (tenor saxophone); Russell Williams (bass); Aubrie Jones (drums); Lorez Alexandria (vocals) and in 1955 for the Chess label. The Chess brothers invited him back the following year, again with vocalist Lorez Alexandria, to record "Stompin' at the Savoy". In 1957, his group backed Lorez Alexandria on her first two albums for the King label, and collaborated with Muhal Richard Abrams, who wrote arrangements for a King Fleming-led big band.

Between 1960 and 1965, he recorded three piano trio albums for Argo and Cadet Records, which were Phil and Leonard Chess's jazz labels. He also appeared on two singles released locally by singer George Green.

Read more at:  http://en.wikipedia.org/wiki/King_Fleming